Recently I was reading through a discussion on Reddit in which Tolkien's writing and prose were quite heavily criticised. Prior to this I'd never seen much criticism surrounding his writing and so I was wondering what the general consensus here is.

The first time I read through The Lord of the Rings, I found myself getting bored of all the songs and the poems and the large stretches between any action, I felt that the pacing was far too slow and I found that I had to force myself to struggle through the book to get to the exciting parts that I had seen so many times in the films. Upon reading through The Lord of the Rings again recently my experience has been completely different and I've fallen in love with his long and detailed descriptions of nature, and the slower pacing.

Has anyone else experienced something similar when reading his works? Are there more valid criticisms of his prose that extend beyond a craving for the same high-octane action of the films?

The question follows the lead of our community name: LGBT in the title refers to the LGBT umbrella and isn't limited to the identities represented by the initials.

The character can be from any media source: shows, movies, anime, books, comics, videogames, even song lyrics, or anything else I've missed. The only criteria is that they have to be fictional.

• Who is the character and how are they portrayed?
• What do you like about them?
• Do they resonate with your own experience or those of people you know in any way?

Turn of Mind is a mystery. It's for the most part written in journal format. Interestingly it's a journal that sits in the house of a person with Alzheimer's disease.

Jennifer White was an orthopedic surgeon in Chicago. Once brilliant, Dr. White is now in the later stages of the disease and the journal is written in by family members and housekeepers to help her remember who she was and who she is. A fractured portrait emerges of a cold and strong minded woman who has had a full life that she remembers in bits and pieces. Amidst the pages is mention of a neighbor, Amanda, who has been murdered. Slowly things come together for the reader while Dr. White's disease progresses into confusion.

Yet she still has moments of lucidity, remembering the details of her profession, where she was considered one of the best and most respected hand surgeons in the country. Her deterioration is something she's at times very aware of, and it is this that makes the book so powerful.

The narrative often lapses into Jennifer's past memories of both her parents and her children. This adds authenticity to her mental condition but also made me impatient for what seemed to be more important details. As Jennifer is interviewed by police officers and pulled into interaction with her grown son and daughter, we can begin to understand the horror of this disease, especially regarding how hard it is to trust people who may be trying to manipulate the sufferer for their own purposes.

I'd put this near the top of my list for books enjoyed in 2019. It brings to mind The Curious Incident of the Dog in the Night Time by Mark Haddon, narrated by an Aspberger's spectrum person. Turn of Mind is a hard book to read, but it's even harder to put down once you get into it.

Always loved some of the quotes from Harry Potter - Sirius Black and Dumbledore having the better ones.

"If you want to know what a man’s like, judge him on the way he treats his inferiors, not his equals.”
— Sirius Black

This was written for a themed flash fiction contest (the theme was Technological Dystopia) and ended up losing, but I figured it wouldn't hurt to share it here. It's not my proudest work but, as flash fiction, I think it works well enough. I hope you enjoy!

She was three floors from the bottom of the sunken tower when the crying first reached her. A quick swipe earned her a pair from the rack nearby and she continued her descent.

With the aid of technology this process had been streamlined and systematized such that these checks were only needed once a month, but everyone dreaded them. She had drawn the short straw this time and, though it had been years since last she’d ventured to The Lab, she still remembered her last haunting experience. It wasn’t that she was a dissenter or rebelled against that which needed to be done. This was a necessary evil to save their species, but she was still a human being. Seeing them all like that, all tubes and tapes running from frail flesh, was enough to turn any stomach.

A pair of heavy iron doors sat ominously in her way as she bottomed out. She could see the white, crisp interior of The Lab beyond and pushed forward, swallowing her hesitance as best she could.

Before her lay a large room with clean white tile, walls and harsh, flourescent light. It smelled and looked like a hospital because that’s exactly what it was. 10 rows and columns of small, clear, plastic boxes stretched between her and the far wall. The muffs were doing their job exceedingly well, but she could still hear the awful racket bouncing around her memory. She took a deep breath, steadied herself, and started working.

Her primary duty was to make sure the machines were functioning correctly, mostly the arm that glided to and fro above the boxes, administering medicine or changing bags of various fluids as need be. She would also be checking the tubes for clogs that may have been missed by any old or worn out sensors; this was the part she dreaded the most. She flipped the lid on the nearest box and checked the left, then the right, and lastly the tube running into its belly button, and closed the box quickly.

It couldn’t have taken her more than 5 seconds but that short time was enough for the anguished face to plaster itself onto her mind. Everyone does their part, she reminded herself, from the start to the end. It didn’t serve a purpose to bemoan that which she could not change. She moved on to the next crib, hoping this would go by faster than she expected.

Halfway through her checks she hit a snag. There was a clog in Crib 54. She could register the fault in the system and it would fix it on its next hourly cycle, as were her orders, but it was such a small clog. The tube simply needed to be changed, and as a nurse she was well-versed in the procedure. In that moment it was decided.

The tubes themselves were specially designed to be thin and flexible, but rigid enough to fit the shape of a tear duct. Her first task, after finding a pair of gloves, was to gently remove the tube currently in the eye. She hovered over the crib and gently pulled the tube out of the right tear duct. It came slowly, millimeter by millimeter, each bit covered in more goop and mucus than the last. It wound its way up into the sinuses which meant, by the end of it, she had pulled at least five inches of tubing. This she discarded.

Next she had to insert the new tube (these were kept in abundance in a draw underneath the crib). She grabbed one, snipped it to length with a pair of scissors hanging from the IV stand, and took a moment to recent herself. Inserting the tube while the child was crying would be much more difficult than removing it.

As gently as she could she reached down and, with her index finger and thumb, pried open the eye of the little one. With one came the other, the muscles young and unwilling to work independently, and she found herself staring into a pair of brilliant green pools. Her heart melted and, for the briefest moment, she thought of taking it. She could smuggle it out. The bed being empty would trip the system but she could clear the error and explain it away somehow. But no, that was silly. This wasn’t a decision for her to make; things were done this way because there was no other choice.

She pushed the tip of the tube into the tear duct confidently, shoving the traitorous thoughts from her mind as the child’s cries were renewed with pain. She was here to do a job, cold and emotionless. It wasn’t her place to question the way things were done. The tube went in without a hitch and the child’s eyes snapped closed again once she released them. The little bundle of agony before her squirmed and she saw the tears begin to flow anew. With swift, definite movement she closed and latched the lid.

The rest of her checks went smoothly, but she couldn’t shake the uneasy feeling that now ran rampant in her gut. She hated Lab duty, and she expected that would always be the way. With a heavy heart she signed the documents needed to record her visit, noted the tube change in the work log, and left The Lab through its heavy iron doors. The trip upstairs would be long and tiring, but at least she could try and forget ever having been here.

I am currently enjoying a very thought-provoking semester of American Literature. Prior to this class, I wouldn't have considered fiction as useful in my everyday life, as opposed to something like a self-help book. What I've found is exactly the opposite, and I have found novels such as Great Expectations to be even more influential than anything I've ever read.

So I ask you all, what is the greatest lesson you've learned from classical fiction?

I'm trying to recall a short story I read about 10 years ago in English class in school. It would probably be fair to call it "sci-fi", but I'm not sure how important that is.

What I remember: the story was set in the midst of an escalating arms race, Cold War-style, and the characters were chiefly military personnel (I think).

At some point, a chief actor obtains technology that is designed to (from memory) "disintegrate all weapons (certain materials/metals?)" within a vicinity.

I believe the technology is then used, and what ensues is a world-enveloping nuclear winter. I'm not sure how the weapons disintegration tech leads to a nuclear winter. It's also quite possible that I'm conflating two separate stories I read in that class.

Anyone have any idea what short stories I could be thinking of? This would be at the very latest pre-2010 stuff, and knowing my English teacher (old bloke from Yorkshire) probably 20th century. Probably.

Another story. The narrator is not well and slips into periods of "extended daydreaming" where they image they're someone else or that the context of their life is otherwise different. I thought about coloring the text differently for those moments but couldn't figure out a way to do it well.

No one walks out to this place. Why would they? It’s too far for children to be playing or for teenagers to sneak away to, there’s no beauty or interesting landscapes or scenery for hikers, and God knows it’s worthless for development. I walked out here because I knew I couldn’t stay at home and I kept walking because I knew I had nothing to go back to. Then, brooding, thinking that I would just continue walking until I died of exposure (which would have taken a while in that day’s mild weather), I stumbled across this place. I stopped to explore it of course, how often does one’s life yield such a whimsical sight?

I started daydreaming as I walked through the trains. They looked ancient, the cars were buried up to their wheels in the dirt and huge patches had lost their paint and rusted over. The interiors were stripped, but I spotted some kind of hatch in the roof (by the pile of leaves and other debris below it) and clambered up. Then I was standing astride the car looking down at the whole scene. Two neat little rows, five cars in one and four in the other, with the only sign tracks used to run here being a small corridor where the trees were shorter.

I loved it. It was a sort of post-industrial twist on the railway bum, you know? They would hitch rides on trains and travel all over the country, seeing everything it had to offer and adventuring everywhere they went. I had, in the past, been disappointed I didn’t live in a time where the vagabond could thrive, and was delighted to imagine the 21st century equivalent. Sitting in a rusted old abandoned train car, the Seeker (I always name my characters like that) sat by his gas fire watching the rain pour down and spatter across the corrugated walls. It was lovely. I felt much better and after playing around a bit more headed back home with a smile, all the while dreaming of the Seeker. The evening passed comfortably and I slid into sleep imagining I was the man sleeping out by the trains.

I pulled my blanket closer, clutching it around myself. I had found something, and tonight II was able to rest peacefully because of it. The night breeze flowed over me in soft, regular breaths. It was sweet and pleasantly cool, and carried memories of cheery days. All else faded always as I walked into them, leaving behind the blanket and the breeze and the night itself.

When I got up the next morning though the levity had vanished. I dragged myself through the morning and lacking anything real to do and completely out of distractions for the afternoon I headed out for another wander in the woods. Alone with just the half-leafless trees to speak to I very quickly fell into my thoughts and my world of pasts, real or imagined. I don’t know how long I walked, just that after a while my breath was coming out in ragged bursts and that I was approaching the top of a hill. Attaining it I realized with gloomy resignation that I was somewhat lost, and that the cup of tea I was desiring now more than most anything would be a while yet. As I started back in the direction I more or less thought town was I imagined how the Seeker had trudged through the same damp leaves and browning grass. Autumn would quickly change from the mild early days to the coldness that marked the start of winter, and this landscape would be unrecognizable. Even this escape would not last. Just like them. More gloominess. Pushing through a thicket of young trees I was surprised to be face to face with the train wrecks from yesterday, and, after briefly marveling at the occurrence started back home. I was throwing off my shoes and starting the kettle in just over an hour.

At home I picked, for some foolish reason, the blue teapot (of memories) and was soon sitting at the table and warming my hands on a steaming cup. I was shivering. Sometimes I don’t realize how cold I am until I’m back inside. I need to dress warmer. For a while I could pretend to be content sipping at my tea and feeling myself thaw out a little, but after a few cups I started thinking about what I would do for the rest of the day. That’s why I had gone out in the first place wasn’t it, that I had nothing here? I didn’t feel warm anymore. And since I had picked this pot (it was three years ago, why should I care?) my thoughts slid further and further back until I was recalling the conversation we had over it. And how I had laughed and taken your picture holding it and you had smiled as the wind whipped your hair back and I couldn’t stand sitting there and looking at it anymore. I fled to the couch and fell face first down into it.

What was I doing? I couldn’t sit here for another eight hours waiting to go to bed and dream, I was gripped with sinking panic just at the thought. No, I couldn’t stay. And I didn’t have to. If I could tell myself a story about it, I could do it myself, right? I could just leave. I could make it real. Go to another town, or sleep in a car, or, go camping. Yes, I could camp for the night. I did tell people I was an outdoorsman after all, even if for the past few years I hadn’t done anything more than day hikes to run from my reality. I had all the gear, I knew what I was doing.

Twenty minutes later I was out the door, heading back the woods for the second time today, this time with my pack slung across my shoulders. As I walked I thought about how unpleasant this would probably be and I was pleased. At least it would be because of something else. Something immediate. I went to the trains because where else would I go and also because I knew they were isolated and I wanted to be sure no one would be out harassing me over lighting a fire or being a vagrant. It was perfect.

And as evening fell the fire was lit. I had set camp in between the two rows of derelict cars to provide some shelter from the wind.

The heat from the flames sank into the metal siding of the cars and soon they were radiating back a friendly warmth. Touching it felt almost like being warmed by the sun. I leaned back against one now and stared at the fire. It was a comfortable scene, even if the ground was cold and hard and all I had to do was sit and think and brood. It was basically what I would have done at home anyway, but now I was not drawn into despair. No, out here all these feelings were beautiful, and if it was beautiful I could enjoy it. Some time and drinks passed and I became outright elated. Considering the whole absurdity of where I was right now I had to laugh. I might curse my life every day, but it was, if nothing else, interesting. Even if I was the only one who would ever know. Just look at where I am! I grinned and kept laughing and drinking and soaking up the intoxicating woodsmoke and tender light that flowed from the fire. I loved that this was something I did. And later as the flames hid back in their coals I climbed into my tent and floated right away on a dreamless, happy sleep. Lord of my little realm of heat and smoke. Good times for all. All for good times.

I sat at the edge of fire’s light clutching my cup closely. It was a bitter tea, what one could brew with just a cup over a camp fire, but I sipped at it greedily anyway, burning my lips on the rim. It would hold the blaze’s heat for a while yet, the cup was almost painful to handle even through my gloves, now streaked with ash. It had been a long, cold day. I had almost lost myself, but now, resting in the half-light at the edge of reality, it was alright. I smiled and, tipping my head ever so slightly up, whistled out a few bars of some song or another. Yes, here it was alright. There was a lot I didn’t know, but that was fine, I knew I was, as was the fire and the smoke and the warmth and the tea.

I refocused on the fire, source of the little world I had found myself in. It was as if I were gazing through into my own light. A welcome feeling, as I had felt a dull cold more than anything recently. I looked more intently, allowing the firelight to wash out the surroundings until I and it were all that existed. Like this I could see hints, now and then, of what had been. Perhaps if I looked too greedily the flames would even take me then, shattering the gracious illusion of the light in the process. No, echos would have to do. They were all that was real anyway. I stared for a long while, lost in burning contemplation.

That was a... number of days ago. I haven’t counted exactly. For the first few I was at home most of the day, only heading out for the trains in the evening. The first morning I didn’t plan to come back at all and tore my whole camp down. But around mid afternoon my listlessness would become unbearable and I’d flee from the prospect of another night in. So I started leaving my tent pitched, figuring I’d do this as some kind of therapy until I got better and figured out what I was going to do with myself. And I did get better! Or at least the more time I spent in the woods the less time I was sinking in the mire of my thoughts and the more I marveled at them. Maybe they were still dragging me down, but I didn’t notice anymore. Soon I was spending the afternoons out as well, and then I was only going back home in the morning to grab food and water.

I’ll probably be forced out by the weather soon. It’s been getting much colder these past days, but I don’t want to leave yet, I like this routine. I like the work of building the little stone wall, or clearing the ground around the fire pit I’m slowly carving out of the stiff ground, or sketching my map of the area around the camp. It was more than I had back there.

As the last of the purple in the sky was swept away by the darkening blue I stretched out alongside the newly rekindled fire. I had known for days that I was not going to find it here. I would have to go back and see what was next for me. But it was comfortable here, and for that I could pretend I had a reason to stay, at least for a little while longer. Yes, I’ll have to leave soon, but for now I can just enjoy the fire. I can walk in dream a little while longer.

I've never read Marcel Proust, and I know very little about his work. But every serious reader of literature I know absolutely gushes over him, but never seems to be able to explain what's good about it or what the books are even about.

The scarce pop-culture references I see to his work (like in "Little Miss Sunshine") seems to cast an affection for Proust as kind of a mark of being an unmoored and depressive romantic.

So is he worth reading? The full collection of "Remembrance of Things Past" is nearly $100, so that's not a trivial amount to invest. Is there a recommended/definitive translation or edition I should read? What should I keep in mind or be open to if I do try giving it a shot?

By that last question I mean like, I'd have hated "Catcher In the Rye" if I wasn't told ahead of time to approach it from the mindset of a 15 year old boy. Or I kind of hated 'Madame Bovary" but when explained to me that this was Flaubert's exercise in trying to make people see themselves in an adulteress, a generally reviled archetype, and this was groundbreaking for the time lets me at least appreciate it for accomplishing what it's set out to do. Are there any literary contexts like I this should have in my head before I delve in?

This is a short, experimental story I wrote. Hope it's interesting.

As I opened my eyes the whirl of indistinction calmed and I was standing there in a room paneled in wood, rich and dark and polished slightly. It was time for the oath. She stood at her lectern with her book open in front of the priest, who turned to the needed page and bid her to sing, which she did, sweet and calm and certain, without dramatics or pomp. Why would she need it? It was what she was to do. She smiled, I think, her form was not clear except for the vague impression of her gently rounded cheeks and lips the color of a rose too pale a pink to be said red. And now the priest was across from me and my book opened to its song page. Seven squares, (or was it nine?), filled mid grey onto the paper ruled across with needle fine lines the color of rust. It was old, plainly, but still strong. I felt looking at the page a feeling I had never known, not quite joy or determination or happiness or fear but an immensity as if I had for a heart now an infinitely faceted gem in whose faces you could find any color if you would only let it catch the light. It was like madness melded together with a certainty so strong anything less than “it is” fails to reach it. I feared I could not voice it, and said as much to the priest. To point at the page and utter “Sing.” was his only response. And I did, tremulously and weakly, but I sang, and through it came a sweetness despite me. And it was done. Through the haze now I remember the ascent up the stairs and my body collapsing onto the white couch my head landing in her lap, and her final exclaim “_______! We are!”.