'tis the season for "best of the year" / holiday shopping guides for things like books.

I thought it would be interesting to sort of crowdsource Tildes' own list.

• What books did you buy to give as gifts? (I'm specifically thinking of this holiday season, but anytime recently is fair game)

• Who did you get the book for?

• Why did you think they would enjoy the book?

If a friend who never reads came to you and asked for book recommendations that'll grab them, what would you recommend? Furthermore, what makes those ideal choices for a habitual non-reader?

I'm not asking because I'm trying to convince someone to read something -- I'm just curious to see what some of the suggestions and reasoning will be.

Articles

Hevosenkenkä Theatre will publish an online audio play for children to enjoy on Finland's national Fairy Tale Day

On the occasion of Finland's national Fairy Tale Day, Hevosenkenkä Theatre, an Espoo children's theatre has prepared a special surprise for all children who were eagerly awaiting this Finnish tradition.

Today, 18 October, the theatre will release an audio play of the story “The Bear That Wasn't” as a virtual gift to all those who were eager to visit in person but were unable due to the pandemic. The audio play is also part of the theatre's programme celebrating its own 45th anniversary.

TheMayor.eu – Anton Stoyanov – 18th October 2020

The other worlds of fairy tale – in pictures

Take a tour of the British Academy and Folio Society exhibition of fairy tale illustrations from all over the world, exploring the idea of ‘other worlds’ from China to Native America.

The Guardian – Unknown – 12th May 2015

Resources

Scandinavian Folk & Fairy Tales: Tales From Norway, Sweden, Denmark, Finland & Iceland

A collection of folk literature from five countries, with illustrations by native artists.

Good Reads – Claire Booss – 26th October 1988

Ten of the best fairy tales everyone should read

The best fairy tales are timeless and yet forever modern, tapping into deeply held and widely shared emotions and moral attitudes. The following constitutes not an exhaustive list of the definitive fairy tales, but rather our attempt to pick the top ten greatest fairy stories.

Interesting Literature – Dr Oliver Tearle – 10th July 2017

How and where do you like to read? Tell me all about your reading environment(s), both real and idealized. Do you sit in an arm chair with a cup of coffee and a worn paperback? Lie in bed with a cat curled up next to you in the dim glow of your ereader? Under a tree in the woods, listening to the book on your headphones? If you could find/build the perfect reading space for you, what would it look like?

And then, what about your more practical reading: on your phone on your lunch break? While waiting for your kids in the car during soccer practice? Tell me about the times you fit reading in even if it's not necessarily the full focus of the moment, or the times where you settle for a comfortable but less than ideal setup.

Include any meaningful rituals or accessories too. Do you like to put a good album on the record player to accompany you? Do you have a special bookmark that you use? Do you share your book covers on social media or livetweet each chapter? Does your favorite lamp like to look over your shoulder as you turn the pages?

Basically, tell me all about what reading looks like for you -- with enough detail so we can picture it!

In school we teach kids that good stories have conflict and have them fill out plot diagrams, analyzing the different parts relative to the conflict of the story.

Every time this comes up, I always wonder about its universality. As it's taught to kids, this is "how stories are" and conflict itself is considered essential to storytelling. The conventional wisdom goes that a story without conflict is "boring".

Is this the case, though? It's always felt to me like a very limited way of looking at stories -- fine for children but something that doesn't necessarily scale up past the early stages of literary analysis -- but I don't have anything to back that up. I don't have enough in my repertoire/expertise to really go beyond it, and I'm left with just a sort of empty suspicion that may or may not be justified.

• Is conflict essential to storytelling?
• Are there examples of good stories without conflict?
• Is teaching narrative in this way effective, or limiting?

I asked a similar question over in ~games and am interested to hear how ~books would respond to the same setup.

Here's the task: pretend you're a professor! You have to do the following:

• Choose a focus for your class on literature (with a snazzy title if you like)
• Choose the books that you, as a professor, will have your class dive into in order to convey key concepts
• Explain why each book you chose ties into your overarching exploration

Your class can have any focus, broad or specific: victorian literature, contemporary poetry, Shakespearean themes in non-Shakespearean works -- whatever you want! It can focus on any forms of literature and does not have to be explicitly limited to "books" if you want to look at some outside-of-the-box stuff (I once took a literature class where we read afternoon, a story, for example.)

After choosing your specific focus, choose what will be included on your syllabus as "required reading" and why you've chosen each item.

In a recent topic on ~books, I mentioned my own efforts at organizing my bookshelves, and took some pics to showcase that effort... and it got me curious what other Tildes users bookshelves looked like, and what organization methods they use.

So, what do your bookshelves look like, and how do you organize them?

p.s. Feel free to also talk about anything related to this, e.g. what books you like the cover art of, what you do with annoyingly oversized books, ask others about particular books on their shelves, etc... :)

I eventually recommend Neil Postman's writing to anyone I can. These books are absolutely fantastic, especially Technopoly, though I'd also recommend Amusing Ourselves to Death and The End of Education (pun in the title intended).

One of Neil Postman's big contributions to how I think was by explaining an extended notion of the Sapir-Whorf Hypothesis. Instead of trying to insist that different human languages have different ways of communication, Neil Postman makes the assertion that different media, books, oral communication, TV, radio, the internet, have world-views embedded into them. So, you will (almost) never find a serious philosophical discussion in a film. Books, being linear can afford to give a cursory examination, and the person reading can follow at their own pace, while film can't do that. However, films are better at communicating emotion, so the stories in film are more experience/emotion/in-the-moment driven. Postman's argument was better, so ignore the weaknesses in my summary. I'm just trying to give some flavor to the type of things he wrote, like he also predicted how people would communicate on the internet.

The thing which really stands out to me is how Neil Postman was just a good thinker. He wasn't a one hit wonder for ideas. I'd be willing to read his thoughts on just about anything, even if I disagree. So anyway, read him! You won't have any regerts.

• What are your favorite books that you read this year?
• What made them so noteworthy?
• Who would you recommend them to?

Note: the books do NOT have to be from this year (i.e. published in 2019). Any book you read this year regardless of publication date counts.