This is another British comedy that I think people will enjoy. The title is weird: Peter Kay is the stand up comedian, but he's playing a character in this sitcom. IMDB calls it "Car Share", but BBC calls it "Peter Kay's Car Share". It's British, so weirdly small number of episodes: only 12 (and this includes all the specials).

The setup sounds like it's going to be unbearably claustrophobic, a series long bottle episode. A supermarket sets up a car sharing scheme, and we watch John and Kayleigh share a car as they drive to work everyday. But this creates intimacy and we get to learn about the characters. It's heartfelt and lovely. It's well acted, and I think it's very funny.

https://www.imdb.com/title/tt4635922/

https://en.wikipedia.org/wiki/Peter_Kay%27s_Car_Share

https://www.bbc.co.uk/programmes/p02n62v4

I'm currently re-watching all episodes of Detectorists and it's one of my favourite tv things ever, so I thought maybe Tildes would be interested. Detectorists is a single camera sitcom about two men and their friendship around their metal detecting hobby.

Here's the link to the BBC Four webpage for it: https://www.bbc.co.uk/programmes/b06l51nr

Some review sites -

Rotten Tomatoes 100% (few reviews), 99% audience score: https://www.rottentomatoes.com/tv/detectorists

IMDB 8.6 : https://www.imdb.com/title/tt4082744/

Guardian review (because she writes about it far better than I can): https://www.theguardian.com/tv-and-radio/2017/dec/09/detectorists-rich-portrait-unremarkable-lives-gone-slightly-awry-mackenzie-crook

Detectorists is about nothing and everything. Made with palpable love, it’s about people and their passions; camaraderie and community. As a portrait of male friendship, it is closer to documentary than drama, delving beneath the topsoil of mid-life ennui via the sparsest of exchanges. You won’t find a laughter track, or smart-arse punchlines or an oh-so-subtle veil of irony here; instead of begging for your attention, Detectorists is notable for its avoidance of snark. It’s the drama least likely to culminate in alpha plonkers blowing up cars, taking down baddies or ravishing beautiful women.

Instead, it lingers lovingly over dewdrops on grass, magpies on gateposts, scudding clouds and gently fluttering leaves. Even an alfresco wee takes on a painterly aspect, viewed solely through the steam cloud billowing from behind a sunlit tree. Meanwhile, the camera makes high art out of Lance’s face in closeup, crestfallen as he unearths a scaffolding bracket instead of an Anglo-Saxon nugget, and from Andy’s silent incredulity when a colleague jokes about Richard Attenborough when he means David.

Radio Times review https://www.radiotimes.com/news/tv/2017-12-13/detectorists-series-3-review/

If all British programmes took this much care over their tone, look and overall distinctiveness, the golden age of television would never go away.

Modern comedies are often predicated on cruelty: laughs are hard, clanging or sharp as barbed wire. In its quiet, undemonstrative way, Detectorists has ploughed its own furrow. Buried in its field of fun are evergreen truths about life, and the things we don’t say but should. So if kindness and companionship are unfashionable, I know which side of the hedge I’d rather stand.

My previous recommendations:

• Person of Interest
• Psych

So, I just finished binging all five seasons, and I think I can safely recommend this series to an audience that enjoys adult humor and series that juggle between the very funny and very serious.

BoJack Horseman is a series that starts slow and doesn't really seem to truly find itself until Season 3. I personally didn't enjoy the first half of Season 1 at all (got very bored). The second half of Season 1 got me to keep watching purely on the humor and the gags, which pretty consistently increase in quality as the show continues.

I especially got drawn in on all the "animal" gags. The series at some point early on becomes very comfortable going all out on visual&storytelling gags based on the animal playing them (BJH is an otherwise-normal universe where a significant part of the population is half-animal half-human). The humor is pretty high quality, I would easily compare it to the humor in Arrested Development (early seasons).
It is a series that makes fun of itself, without relying too much on gimmicks or breaking the fourth wall too much. With that said, Seasons 3 and 4 introduce more experimental episodes (including an entirely mute one, similar to the excellent Hush from Buffy, as well as another that only consists of a beautiful entire 22 minute monologue). None of them bored me. I was always extremely impressed with the execution and the quality.

What really gets me to recommend this series is its later seasons. Seasons 3 and 4 are of exceptionally high quality and the show becomes… very dark. But not without losing its humor. BoJack Horseman made me cry three times. I'm not talking about tearing up, I'm talking about the full waterworks like I've done only a couple of times in my entire adult life.
It's a show that punches you in the gut not by having grand romantic storylines; not by having heroic moments with epic music; not sympathetically by having manly characters tear up; not even by killing off beloved characters like Game of Thrones. It's a show that hits you because it's too fucking real.

In many ways, I would say that I enjoyed BJH for similar reasons that I enjoyed early GoT: It's unforgiving to its characters. But I don't want this to put anyone off from watching; it's a unique series to which I have a very hard time finding parallels. Its humor sits between Arrested Development, Futurama and Rick & Morty and is very much its own thing. Very reminiscent of Adult Swim.

BoJack Horseman is available on Netflix. Come for the gags, stay for your own reasons.

• Wikipedia
• IMDb
• TVMaze