Bring Me the Horizon - POST HUMAN: SURVIVAL HORROR (2020)
Apple Music: https://music.apple.com/us/album/post-human-survival-horror/1535067172
Spotify: https://open.spotify.com/album/0e1WaSNDZnoPixaxDNdWo4
YouTube: https://www.youtube.com/watch?v=V3Pp4IGPebg&list=PLxA687tYuMWjFSs5uzLYbGrdHRm0srHQ0
Metalcore Bring Me the Horizon is back, baby. Awoouu (wolf Howl)
Back in 2013, Bring Me the Horizon was arguably the biggest band in metalcore. Their release that year, Sempiternal, propelled them to international stardom and mainstream success. After this, guitarist Jona Weinhofen left the band and instead of adding another guitarist, the group added a keyboardist instead. The change up in sound was very noticeable, while the band found incredible commercial success and curried the favor of some pop critics, many rock and roll fans felt a little left out in the cold by a typical change in sound by a heavy band following commercial success.
After a pair of albums and an EP in their more electronic, pop centered sound, Bring Me the Horizon have returned to that signature Sempiternal sound with POST HUMAN: SURVIVAL HORROR. The crushing guitars come roaring back on this release and Oli Sykes, one of the best unclean vocalists in the game, finally returns to his growls and guttural pit calls. While there's still a lot of electronica in here, this seems to augment the sound, like in Sempiternal, rather than guide it. The only problem with this release is that it's too short. But luckily, SURVIVAL HORROR is just the first of a planned four EP set, with the other three coming over the course of 2021.
The EP also features a lot of great, well, features. Standouts include BABYMETAL on Kingslayer bringing a late era Poppy vibe to the disk and Amy Lee's haunting appearance on the album closer.
For fans of Bad Omens, Architects and Crossfaith.
That is also my favorite era of the band. While I certainly enjoyed some of Sempiternal, to me is was a step down a little bit from There Is a Hell, which may be one of my all time favorite albums by anyone.
This definitely is over produced in that Sempiternal fashion, but I'm probably giving it a pretty big pass because I'm just glad to hear this band go heavy again after writing them off a few years back as a pop band (which is fine, but not really what I listen to BMTH for).