Has anyone else read this book? Without spoilers (or hiding them) what did you think?

The closest I have read to this is Gaiman's American Gods but the pace is much faster and more intense. I want to reread the first half to see what I missed because I didn't know what was going on.

There are two relevant passages that signal what I mean when I used the word profound. The first is about Lovecraft.

The universe of modern science engendered a profounder horror in Lovecraft’s writings than that stemming from its tremendous distances and its highly probably alien and powerful non-human inhabitants. For the chief reason that man fears the universe revealed by materialistic science is that it is a purposeless, soulless place. To quote Lovecraft’s “The Silver Key”, man can hardly bear the realization that “the blind cosmos grinds aimlessly on from nothing to something and from something back to nothing again, neither heeding nor knowing the wishes or existence of the minds that flicker for a second now and then in the darkness.”

Fritz Leiber, “A Literary Copernicus”, 1949

The second is by weird lit author Thomas Ligotti. I think it describes a certain kind of sensation I get from his stories.

In the literature of supernatural horror, a familiar storyline is that of a character who encounters a paradox in the flesh, so to speak, and must face down or collapse in horror before this ontological perversion —something which should not be, and yet is. Most fabled as specimens of a living paradox are the "undead," those walking cadavers greedy for an eternal presence on earth. But whether their existence should go on unendingly or be cut short by a stake in the heart is not germane to the matter at hand. What is exceedingly material resides in the supernatural horror that such beings could exist in their impossible way for an instant. Other examples of paradox and supernatural horror congealing together are inanimate things guilty of infractions against their nature. Perhaps the most outstanding instance of this phenomenon is a puppet that breaks free of its strings and becomes self-mobilized.

[…]

Whether or not there really are manifestations of the supernatural, they are horrifying to us in concept, since we think ourselves to be living in a natural world, which may be a festival of massacres but only in a physical rather than a metaphysical purport. This is why we routinely equate the supernatural with horror. And a puppet possessed of life would exemplify just such a horror, because it would negate all conceptions of a natural physicalism and affirm a metaphysics of chaos and nightmare. It would still be a puppet, but it would be a puppet with a mind and a will, a human puppet—a paradox more disruptive of sanity than the undead. But that is not how they would see it. Human puppets could not conceive of themselves as being puppets at all, not when they are fixed with a consciousness that excites in them the unshakable sense of being singled out from all other objects in creation. Once you begin to feel you are making a go of it on your own—that you are making moves and thinking thoughts which seem to have originated within you—it is not possible for you to believe you are anything but your own master.

Thomas Ligotti, “The Conspiracy Against the Human Race”, 2010

I think these passages illustrate the rich philosophical subtext that is found in the said authors' work. I'm looking for other cosmic horror or weird lit stories that evoke a sense of profoundness or philosophical deepness.

New to Tildes, so I wanted to kick things off by asking—do you have any sci-fi horror recs you reckon I might be interested in? Here's some of what I've read:

Annihilation by Jeff VanderMeer

• Solid read, but definitely more about the weird vibes than anything else. Sequels didn't hook me as much.

Blindsight by Peter Watts

• I generally try not to DNF my reads. But this was one of them. I'm sorry, I just can't buy vampires in a sci-fi world that's trying to take itself seriously, without proper grounding. It's also incredibly dry.

Dead Silence by S.A. Barnes

• A pretty solid read, I like how the narrative is told via flashbacks and then suddenly terminates in a way that makes you want to know more, in the most tantalizing of ways. Unfortunately I thought the reveal of the lurking horror was incredibly meh, and it went mostly downhill from there.

Diamond Dogs by Alistair Reynolds

• Fantastic novella with a mysterious locale functioning as the backdrop of the setting, and the horror elements being both external (as in the setting) and internal (how far our characters are willing to go to crack the mystery).

Paradise-1 by David Wellington

• A really solid space horror novel, with a pretty interesting protagonist trio (including a self-aware robot with plastic bodies) and it has some genuinely uncomfortable moments of horror that I can absolutely get behind. My main issue though, is that it ends in a cliffhanger and I'm still mad about it.

Salvaged by Madeleine Roux

• Decent read, but the horror reveal came super early and in reality, it's less space horror than it is human drama involving horror elements which is basically the Protomolecule from the Expanse. Fun read though, if you're okay with that.

Salvation Day by Kali Wallace

• I thought this was somewhat bland, the concept and initial plot were interesting, but it trails off and overall, overstays its welcome with some scenes that pacing-wise, feel like they belong in the middle part of the book. Some solid moments of horror though.

Ship of Fools by Richard Paul Russo

• Probably the quintessential space horror book for me. A fantastic setting, an intriguing protagonist narrative interspersed with religious themes and a genuinely solid pacing, horror-wise.

Six Wakes by Mur Lafferty

• This would have been an interesting murder mystery in space... if it actually had good and compelling characters. It does not. Everyone feels like a cardboard cutout with One Defining Trait and that's it.

The Luminous Dead by Caitlin Starling

• This was... a disappointment. I still rank it amongst the worst books I've read, simply because the protagonist is unbelievable. I can buy a protagonist doing things under duress or from being manipulated, but I cannot buy a protagonist who constantly flip flops 5 minutes after making a decision and then
  hooks up with the person who was manipulating her, because yay fucked up sexytimes! Look, I want queer representation in my books too, but this came off too much as just doing it for the vibes. Queer rep deserves better than stupid protagonists.

Walking to Aldebaraan by Adrian Tchaikovsky

• A great novella; it's a retelling of a really well-known story but reframed in sci-fi terms, and I love that approach.

We Have Always Been Here by Lena Nguyen

• A really haphazard book I think; I like some things about it, but others just don't make sense, or contradict it. E.g. the protagonist is a psychologist, but is absolutely horrible at reading human emotion and speech, and a loner who prefers robots. Throw in some Michio Kaku-esque pseudoscience and while it's not a horrible read, it feels like a book that could have been better with a rewrite. The setting and suspense are pretty neat though.

So, as you can see, I have met the good, the bad and the ugly of sci-fi horror. I'd love to find more! For non-book horror or horror adjacent works I've enjoyed, those include Alien, The Thing, Event Horizon, Sunshine, Underwater and Dead Space. Please don't recommend tie-in novels though; I can find those myself and generally I've found that they're not really up to par.

I'm always looking recommendations for my next read. I haven't read many "pure" horror books this year, but I would like to recommend The Raw Shark Texts and The Library at Mt. Char. The former especially leads to some great discussions between readers.

I finished The Little Stranger last week. While I found the pacing very compelling, I felt some pretty palpable dissatisfaction in how everything ended. I can't quite put my finger on it...