A (comically late) Black History Month Watchlist

Yeah, so I know there's about a week and a half left in Black History Month (which is in February here, for the non-US and I believe Canada folks who didn't know), and this rec list is therefore super late, but I've been watching some movies that were historically significant in terms of breaking racial barriers at mainstream award shows like the Oscars and in film production at large, were pioneers in getting films from African nations famous and acclaimed worldwide, or just generally covered racial issues of their times in significant or compelling ways, and thought I'd post the watchlist here in case anyone was interested. So I guess either binge all these in the coming week and a half, keep this as a guide for next year, watch any of the ones that interest you past February, or save it for October, which is when I understand Black History Month takes place in the UK.

• Within Our Gates (1920) - The first movie by an African American director to have a still surviving print.
• Eleven P.M. (1928) - A silent era film led by a mostly black cast and directed by enigmatic little known African American director Richard Maurice. An absolutely bizarre surrealist melodrama.
• Cry, The Beloved Country (1951) - This film examining the effects of apartheid in South Africa actually filmed almost entirely in segregated South Africa, possibly making it the first major film to do so.
• The Defiant Ones (1958) - Sidney Poitier was the first black man to be nominated for Best Actor at the Oscars for his role in this film. Details the story of two escaped convicts, a white man and a black man, becoming friends, with more nuance and layering than its premise and time period might suggest.
• One Potato, Two Potato (1964) - One of the first, and possibly the first, films to deal with interracial marriage in a serious manner. Predates Guess Who's Coming to Dinner by 3 years.
• Nothing But a Man (1964) - Realistic depiction of life in a racist society, consisting of a constant soul-crushing barrage of minor aggressions instead of huge explosions of hate. Selected for preservation in the Library of Congress and considered to be an important example of neorealism.
• Black Girl (1966) - One of the first African films by an African filmmaker to receive international attention and acclaim. Shows the lasting damage and effects of colonialism both in the colonized country and the lives of those displaced as a result of it.
• In the Heat of the Night (1967) - Tackled racial tensions in the South in the midst of the Civil Rights Movement of the 1960s. Selected for preservation in the United States National Film Registry by the Library of Congress.
• Guess Who's Coming to Dinner (1967) - One of the few films of the time depicting interracial marriage in a positive light and a serious way. Selected for preservation in the United States National Film Registry by the Library of Congress.
• Black Panthers (1968) - Documents a small but significant moment in the history of the fight against racism in the US, the Free Huey movement championed by the Black Panthers.
• Sweet Sweetback's Baadasssss Song (1971) - Considered an important film in the history of African American cinema, and credited as one of the pioneers of the blaxploitation genre.
• She's Gotta Have It (1986) - The debut film of famed director Spike Lee, an ahead of its time depiction of polyamory and female independence, it showed Brooklyn's black community in a light that drew media attention and focus to its artists and musicians following its release.
• Daughters of the Dust (1991) - The first by an African American woman to gain a general theatrical release (in 1991!). Selected for preservation in the United States National Film Registry by the Library of Congress.
• Malcolm X (1992) - A biopic of civil rights leader Malcolm X, also directed by Spike Lee. Selected for preservation in the United States National Film Registry by the Library of Congress.
• Girlhood (2014) - The film discusses and challenges conceptions of race, gender and class; Sciamma's goal was to capture the stories of black teenagers, characters she claims are generally underdeveloped in French films.
• Moonlight (2016) - Barry Jenkins' meditation on black sense of masculinity and the struggles of LGBT members in the contemporary American black community became the first film with an all-black cast to win Best Picture at the Oscars.
• Get Out (2017) - With this film exploring the exploitative horror of the modern white liberal brand of racism, Jordan Peele became the first black writer to win the Best Original Screenplay category at the Oscars, as well as the first to earn a Best Director nomination and a Best Picture nomination for a debut film.
• The Last Black Man in San Francisco (2019) - A film that explores the gentrification of San Francisco and the struggles in personal identity that arise from it.

I'd love to hear any feedback on the list or if you're gonna watch anything from it, and suggestions for any movies to add to it, especially between the 20s and 50s and the 90s and 00s, since those are especially massive gaps in my knowledge.