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    1. Midweek Movie Free Talk

      Warning: this post may contain spoilers

      Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

      Please just try to provide fair warning of spoilers if you can.

      5 votes
    2. Midweek Movie Free Talk

      Warning: this post may contain spoilers

      Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

      Please just try to provide fair warning of spoilers if you can.

      8 votes
    3. Legacy sequels and remakes you think were actually good and worth making?

      Studios these days tend to make a lot of movies reusing existing IPs because that's what they know will sell. You have the "new entry in a long running franchise" kinda IP utilizing movies, like...

      Studios these days tend to make a lot of movies reusing existing IPs because that's what they know will sell.

      You have the "new entry in a long running franchise" kinda IP utilizing movies, like say Alien Romulus or the latest MCU film.

      Then you have the "legacy sequel" and "remake", when there might have been only 1-3 original movies, and they bring it back 15+ years later. These are often called "cash grabs", "disrespectful to the original", "unaware of what made the first one good", or something similar. Other times, though, they can be genuinely good, if not better than the first one in some ways.

      The Naked Gun (2025) is the one that inspired this post. I went in without any expectations, and I thought it was a great time. They had some really good jokes about life in the 2020s (such as Tesla door handles being death traps, for example) that I thought were delivered very well. Also, since the genre of parody movies in the style of The Naked Gun or Airplane essentially died off, having a new one felt actually necessary unlike many phoned-in legacy sequels.

      Another example that comes to mind is Blade Runner 2049. Before it came out, the idea of a Blade Runner 2 was so ridiculous, I believe it was a throwaway South Park gag. People assumed that if it ever came out, it'd be a cash grab. But it ended up being so good, I've heard people argue in places like Tildes that it's better than the original.

      The third example I can think of is Top Gun: Maverick. Ever since it's release I've see a lot of people online sing its praises whenever it's come up. In fact, there is a night-and-day difference in the Rotten Tomatoes score for the two films, with the original having a 59% and the legacy sequel having a 96%.

      Can you think of any other legacy sequels or remakes that hold a candle to the original film(s), or surpass them? Bonus points if it's one nobody expected to be good until it released.

      25 votes
    4. Midweek Movie Free Talk

      Warning: this post may contain spoilers

      Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

      Please just try to provide fair warning of spoilers if you can.

      7 votes
    5. Hot take: movies suck because there is no rental market

      I've been on an interesting train of thought these past few days. I came across some criticism of a random old movie and I started thinking that the reason why I actually hate most modern movies...

      I've been on an interesting train of thought these past few days. I came across some criticism of a random old movie and I started thinking that the reason why I actually hate most modern movies is because they are all cowardly avoiding having any possible political interpretation for anything that happens in them. I've experienced movies that when the big fight scene starts, I'm falling asleep because I'm just so negatively invested in the characters or what will happen to them. That made me think about why so many boring, bland movies and shows keep being made, and it made me think of an opinion that the biggest reason why studios keep betting on blockbusters that are as boring as possible is that they are dependent on theatrical box office takings because streaming killed post-release revenue streams such as movie purchases.

      I think that the reason for this is at least partially a symptom of the death of desire for physical media itself. Why deal with the inconvenience of physical media when you can just press a button and the movie starts playing? But at the same time I don't think this is entirely the fault of streaming services, but the fault of movie companies attempting to exert too much control over how people access their films.

      I won't bore you with explanations of the limitations of streaming services. We've all been there, surely. They don't have what we want, the stuff we do want to see is spread out on a hundred different subscriptions, yada yada yada. So why do we not deal with them piecemeal? That answer comes with good news and bad news. Good news: you can! You can both buy and rent most movies that have ever been made. Bad news: it's an absolutely terrible deal if you do.

      Right now there's at least three major services that allow you to buy digital movies: YouTube, Apple TV / iTunes Movies, and Prime Video. There's also the vestiges of the industry's "digital movies" initiative called Fandango at Home, previously Vudu - the one where you'd use a code you got with a DVD that said it included a digital copy. The problem with all of these services is obvious: if you buy a movie from them, you don't actually own it. They can and will take away access from you at any time for any reason they see fit.

      There's an obvious solution to this: rental. It doesn't matter if they de-list a rental because you never had the illusion of ownership to begin with. But that has it's own problem: it's way too fucking expensive.

      To put things into perspective, Blockbuster, before it closed down, would let you rent new releases for between $3-5 for a 1-2 day rental, while older movies could be between $1-3. Granted, this was before a lot of inflation, but those rentals also had the costs of running a store in expensive commercial real estate as well as the people who had to manage it, the cost of purchasing the media - sometimes at retail prices - and the cost of maintaining them (rewinding cassettes, cleaning and resurfacing discs, and replacing worn media).

      Lets compare the cost of renting on Prime Video today.

      Dicks the Musical is a somewhat niche movie unavailable to watch on streaming sites that came out more than two years ago, and the current price to rent it is $4.99. Five bucks. I should mention this is for a movie that I already watched on Hoopla via my library card for free.

      Batman Returns is a blockbuster from 1992 and is available for $3.99. Four bucks. You get a one dollar discount if you want to watch something 30 years old. Fantastic.

      The category that will really open your eyes is new movies. Zootopia 2 just became available for digital purchase, with no physical editions, and is not yet available on Disney+. If you want to purchase the film, it costs $29.99. Rental is $24.99. Frankly I cannot imagine a world in which the number of people who would pay for that rental exceeds the number of people who opted to pirate but would have paid if the price was at least half that.

      If you forget that the major studios own their own streaming services, then this math really doesn't work out. Surely they are getting more money per stream through purchase and rental than they are with the fractional payment they would get from licensing it.

      But of course you have to remember that they do own their own streaming services - it's part of why everyone's complaining after all. The major producers, by discouraging short term rentals and pushing streaming services (note that Prime Video will try to sell you one of those subscriptions if the title is available on one), they are attempting to move from producers of cultural products to yet another industry of rent seekers.

      55 votes
    6. Midweek Movie Free Talk

      Warning: this post may contain spoilers

      Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

      Please just try to provide fair warning of spoilers if you can.

      9 votes
    7. Midweek Movie Free Talk

      Warning: this post may contain spoilers

      Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

      Please just try to provide fair warning of spoilers if you can.

      8 votes
    8. Actual underrated films of the 2020s so far

      When I mean underrated I mean underrated. Few self-imposed rules on this: no movies that had big award nominations and no movies that have above a 60% on RT. Amsterdam (2022) Directed by David O....

      When I mean underrated I mean underrated. Few self-imposed rules on this: no movies that had big award nominations and no movies that have above a 60% on RT.

      1. Amsterdam (2022)

      Directed by David O. Russell, this movie never had a chance. Post-metoo O. Russell is persona non grata. However, this film continue his trajectory that he had with the Jennifer Lawrence trilogy (Silver Linings Playbook, American Hustle, and Joy). Which analyze American perseverance in the face of hopelessness.

      The main characters here played by Christian Bale, Margot Robbie, and John David Washington are all a found family of outsiders who don’t fit anywhere else but with each other.

      The film was savaged by film critics, earning a 31% on RottenTomatoes. In spite of film critics having their knives out for O. Russell, it is one of the most prescient films of the decade about the rise of fascism in the U.S. And contains perhaps the best performance of Margot Robbie’s career.

      1. A Rainy Day in New York (2020)

      Originally scheduled for release in 2018 by Amazon, as part of their now rescinded deal with Woody Allen, the film was shelved for close to two years before becoming widely available during the pandemic.

      The last Hollywood film Allen ever made stars Timothee Chalamet, Selena Gomez, Elle Fanning, Jude Law, Liev Schreiber, and Diego Luna.

      Once again, in a post-Metoo landscape, the film received a 47% on RottenTomatoes. One imagines that if this released prior to 2017 it would receive similar positive notices to Allen’s first Amazon film Cafe Society.

      The film plays sweet and comforting, like much of Allen’s work. Chalamet makes an excellent Woody replacement (makes you wonder how many films they would have done together under different circumstances). And the chemistry between Chalamet and Gomez is wonderful, it is also probably the best performance Gomez will ever give.

      1. The Greatest Beer Run Ever (2022)

      On the topic of vengeful film critics, Peter Farrelly’s follow up to his Best Picture winner Green Book received a 43% on RottenTomatoes. Critics were not-so-subtlety punishing Farrelly for beating the critical darling Roma for the industry’s top prize.

      It’s a beautifully shot Vietnam war drama with an incredibly layered and empathetic performance from Zac Efron. It blends comedy and drama much like its predecessor Jojo Rabbit. It’s never boring and gets criticized for “insensitivity” for whatever reason.

      1. Cry Macho (2021)

      Likely to be Clint Eastwood’s final lead performance, Cry Macho received a 57% on RottenTomatoes.

      The film sees Eastwood do what he does best. Deconstruct masculinity through the lens of Americana, with the added element of the impending death that comes with old age.

      The type of crowd-pleaser Eastwood specialized in and which was broadly better received thirty years ago.

      1. The Strangers: Chapter Two (2025)

      A bizarre follow up to the near shot for shot remake that was The Stranger: Chapter One. The film throws you off completely from any expectations you might have had for a horror sequel.

      The lowest rated of these films at 15% on RT, it’s an energetic chase film that doesn’t let down and somehow tries to also be The Revenant. Gonzo choices are made here that somehow work as pure entertainment. And it’s anchored by a genuinely good performance by Madeline Petsch. It will be a cult classic with horror fans in a few years.

      37 votes
    9. Midweek Movie Free Talk

      Warning: this post may contain spoilers

      Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

      Please just try to provide fair warning of spoilers if you can.

      6 votes
    10. Midweek Movie Free Talk

      Warning: this post may contain spoilers

      Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

      Please just try to provide fair warning of spoilers if you can.

      9 votes
    11. Recommendations needed: Favorite “comfort” movies

      Warning: this post may contain spoilers

      Hi Everyone,

      I am looking for recommendations of your favorite “comfort” movies. Movies, I don’t have to take too seriously and can be watched over and over and can fall asleep to.

      As an example a few of mine would be:

      MoneyBall
      Jesse Stone movies
      Dave
      Avengers Infinity War and Endgame
      Star Trek Generations
      Major League
      Clear and Present Danger
      Ghostbusters Afterlife
      Batman Begins
      Batman Returns
      Grinch animated movie
      Indiana jones dial of destiny
      Rocky balboa
      Moonfall
      Goldeneye
      X-men 1 & 2, Days of Futures Past
      Rainmaker
      Runaway Jury

      41 votes