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6 votes
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The Matrix forever changed the craft of Hollywood filmmaking
13 votes -
The Frighteners (1996) | Almost Cult Classics
4 votes -
Enhance your calm: Demolition Man turns thirty
10 votes -
How Australia fell in love with 'Priscilla, Queen of the Desert'
4 votes -
My retro recommendation -- "Hero", starring Dustin Hoffman
3 votes -
Sex, cyborgs and videotape: An introduction to Japanese V-cinema
5 votes -
Nuns on the Run (1990) | Almost Cult Classics
3 votes -
Gattaca is still pertinent twenty-five years later
8 votes -
Finally, the uncut version of The Muppet Christmas Carol is back
8 votes -
Movie recommendation: Falling Down (1993)
Falling Down Runtime: 1h 53m Budget: $25m Tomatometer: 75% 6.8/10 (Audience 88% 4/5) IMDB Rating: 7.6 / 10 - 188k ratings (Top 1000 7.5/10) Language: English Streaming: Vudu , Amazon Michael...
Falling Down
Runtime: 1h 53m
Budget: $25m
Tomatometer: 75% 6.8/10 (Audience 88% 4/5)
IMDB Rating: 7.6 / 10 - 188k ratings (Top 1000 7.5/10)
Language: English
Michael Douglas plays Foster, a man with 1950's era mentality who is having a really bad day. He just wants to make it across LA in time for his daughters birthday. The increasing setbacks he faces from modern 1990's society see him increasingly break down into a string of violence episodes. But his violence is guided by his 1950's era set of morals. And in spite of Fosters nerdy 50's appearance, he is surprisingly good at the modern violence thing. Does the movie glorify the violent anti-hero? Not so fast.
Robert Duvell plays Prendergast. A retiring cop on desk duty who is the only who connects the violent dots together. But because he is a retiring desk jockey who is clearly too afraid to take on a real cops job, almost no one listens to him. Almost no one. There is one person on the force who knows Prendergast has a lot more going on than people realize.
This story is an interesting analysis of the male psyche under pressure. Foster reacts with anger and aggression. Predergast bends to the point of being a doormat, and he just lies there and takes it.
What the movie uncovers at the end, is there is a middle ground, that handling life's setbacks sometimes requires patience and grace, and sometimes requires assertiveness and boldness, and that wisdom is knowing what you can and should try to change and what you can and should try to accept.
This movie has always been a favorite of mine, because I love a little bit of the old ultra violence, and I love an unusual ending that makes you rethink about the entire movie with a new perspective.
But what is really interesting, is this movie touches on the 1950's era males ideals and expectations men are still raised with today, and the outrage that arises when that sense of entitlement goes unfulfilled.
13 votes -
‘What is a yute?’: An oral history of ‘My Cousin Vinny’
11 votes -
Why all movies from 1999 are the same
9 votes -
Pure nostalgia: The oral history of ‘That Thing You Do!’
2 votes -
Scream (1996)
6 votes -
An oral history of Gremlins 2: The New Batch
6 votes -
An oral history of Vincent D’Onofrio’s perfect Men in Black ‘sugar water’ scene
8 votes -
The tech of ‘Terminator 2’ – an oral history
5 votes -
The Matrix at twenty: How the sci-fi gamechanger remains influential
13 votes -
The oral history of Office Space: Behind the scenes of the cult classic
7 votes