So the discussion at https://tildes.net/~movies/1ar2/martin_scorsese_says_fight_back_against_comic_book_movie_culture_by_supporting_directors_like made me think about mainstream Hollywood way of movies versus - well everyone else? I am not even sure I like the term "arthouse" movies, because movies are movies regardless of the boxes we put them in, but for the sake of the argument movies that don't fall in the category of traditional mainstream storytelling. Is it just French artsy fartsy pretentious weirdness or is (quote) real cinema (unquote)?

I think my movie habits have been pretty average. I am not American, but most of what I have watched during my lifetime have been Hollywood productions. By a huge margin. In recent years I found myself going more and more bored with both movies and tv series from whatever the algorithms at the streaming services were pushing to me. Not that it was bad, just felt more and more like a product designed after a specific set of criteria aimed at my taste demographic. So I forced myself to break out of the bubble and watched movies totally outside my comfort zone with something I am sure the algorithms would never have recommended me. Started with movies by Kieslowski and Wong Kar-wai. And since then I feel like a whole new world of movies has opened up for me. Not that everything is magically great. There are still pretentious French movies that make me roll my eyes, but most of all it is something different. Story telling rules I thought couldn't be broken are thrown in the air and something completely unexpected appears on screen instead.

It takes some getting used to. I really struggled with a good deal of self-doubt whether I could actually understand these movies, because I have studied film theory or went to art school. At the end of the day it is really just about watching things intuitively and trying not to analyze everything or thinking about what things are supposed to mean, and be curious to why the movie does things that maybe the complete opposite of the film techniques I was used to from more mainstream movies.

This is not to bash at the Hollywood blockbuster way of filmmaking, because when that formula works - it really damn well works. But so can something completely different like Hlynur Pálmason's Godland, Haneke's Funny Games or Bujalski's Computer Chess - just to name a few of my recent very compelling movie experiences.