I love Continuum and Space 1.8! Nala has incredible talent and these albums have such a great vibe. The way they go in and out of chaotic moments throughout the album is really captivating to me...
I love Continuum and Space 1.8! Nala has incredible talent and these albums have such a great vibe. The way they go in and out of chaotic moments throughout the album is really captivating to me and the selection of instruments is perfect. I also appreciate that both albums are true to her style while being distinct enough to be separate works of art.
This is a tangent, but I find myself liking one or two albums at most by any musician because of how much they tend to change between albums. As artists, I understand they want to move forward, grow, and produce something new. At the same time, some albums leave me feeling like there could have been so much more. I appreciate that Nala produced two works in a similar vein.
I love that, too. There are so many beautiful moments in both albums, loosely dancing around themes, the contrast between the synths arpeggios and the soft sax and synth pads, it's really...
The way they go in and out of chaotic moments throughout the album
I love that, too. There are so many beautiful moments in both albums, loosely dancing around themes, the contrast between the synths arpeggios and the soft sax and synth pads, it's really beautiful. It's also a selection of sounds that works great together and feels very fresh to my ears, she found a wonderful style here.
Wikipedia says: "Nala Sinephro (born 1996) is a Belgian-Caribbean experimental jazz musician based in London. She is best known for her ambient jazz compositions, where she predominantly plays the...
Wikipedia says: "Nala Sinephro (born 1996) is a Belgian-Caribbean experimental jazz musician based in London. She is best known for her ambient jazz compositions, where she predominantly plays the pedal harp, modular synthesiser, keyboards and piano"
I love Continuum and Space 1.8! Nala has incredible talent and these albums have such a great vibe. The way they go in and out of chaotic moments throughout the album is really captivating to me and the selection of instruments is perfect. I also appreciate that both albums are true to her style while being distinct enough to be separate works of art.
This is a tangent, but I find myself liking one or two albums at most by any musician because of how much they tend to change between albums. As artists, I understand they want to move forward, grow, and produce something new. At the same time, some albums leave me feeling like there could have been so much more. I appreciate that Nala produced two works in a similar vein.
I love that, too. There are so many beautiful moments in both albums, loosely dancing around themes, the contrast between the synths arpeggios and the soft sax and synth pads, it's really beautiful. It's also a selection of sounds that works great together and feels very fresh to my ears, she found a wonderful style here.
Wikipedia says: "Nala Sinephro (born 1996) is a Belgian-Caribbean experimental jazz musician based in London. She is best known for her ambient jazz compositions, where she predominantly plays the pedal harp, modular synthesiser, keyboards and piano"