This is probably a niche subject, but here we go. The album version of Protect Ya Neck is censored and I hate how it was done. Luckily we have Protect Ya Neck (The Bloody Version) from the single. I don't like all of this version, so I took my European remaster and edited it all to replace the >drrrrtttt< with the swearing.

Today I got the Music on Vinyl release from 2009 and liked it enough, I figured I'd patch it. When I brought it into Audition I noticed that the audio was inverted.

Is there any reasoning behind this?

Savannah Locke’s “Oh Holy Night” has a vocal quality that I’ve heard many times before in other songs and I was always curious what it was called, as well as the general EQ settings to reproduce it.

I name this song because I feel like it’s a very over the top example that I first heard over the holidays on a random playlist. I can only describe the vocals as “paper-like”. The style is folksy but it’s that particular sound of the vocals I’m interested in identifying.

Also, if there’s a particular nomenclature to these different types of styles or a glossary of some kind I’d appreciate it.

Full disclosure: I’ve sat behind a mixing board as an enthusiast but am no means educated beyond lows, mediums, highs.

Many thanks in advance!

Merrily abusing my piano with my horrifying lack of skill, I keep noticing songs beginning with the notes C-F:

• Moonlight Shadows
• Auld Lang Syne
• Es hatt ein Bauer ein junges Weib
• Der sad to katte på et bord
• Forest Green

It sorta feels like the melody exists in the area around F, while C is used as kind of special effect. Are there some connection or tradition behind those C-F openings, or is it just me seeing patterns where there is none?