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  • Showing only topics in ~books with the tag "fiction". Back to normal view / Search all groups
    1. New sci-fi book recommendations?

      Whenever I hear sci-fi being discussed it’s usually in the context of the classic titles, and there’s nothing wrong with that but I wanna read sci-fi of the now! One series I just picked up is the...

      Whenever I hear sci-fi being discussed it’s usually in the context of the classic titles, and there’s nothing wrong with that but I wanna read sci-fi of the now! One series I just picked up is the Terra Ignota series by Ada Palmer - the first book is called Too Like The Lightning, it’s a really rich and dense text that - and it’s hard to describe without spoiling anything - manages to discuss a lot about human nature in the past, present and perhaps in the future through a really well told narrative. It’s mysterious and a thrilling read as more and more of the world is revealed to you.

      Does anyone have any cool sci-fi published recently that they’re reading?

      21 votes
    2. What are some good young adult fiction books that are somewhat contemporary?

      I really like Young Adult fiction. I am a big fan of contemporary/realistic fiction in general. Fante is probably my favorite author. Favorite YA author is Robert Cormier. Does anyone have any...

      I really like Young Adult fiction. I am a big fan of contemporary/realistic fiction in general. Fante is probably my favorite author. Favorite YA author is Robert Cormier.

      Does anyone have any suggestions on some good YA novels?

      7 votes
    3. Dystopian disappointment

      I first read "The Giver" circa 1998 when I was still in elementary school, and it changed my life. From that moment on, I craved idyllic utopias with undercurrents of death and despair but...

      I first read "The Giver" circa 1998 when I was still in elementary school, and it changed my life. From that moment on, I craved idyllic utopias with undercurrents of death and despair but couldn't find them anywhere. I moved onto ghost stories and fantasies and Harry Potter, but still I read The Giver several times a year, inevitably kicking off a pre-family-computer search for more. The simple but powerful themes made me feel wise and the promise of euthanasia made me feel dangerous, and I was changed again.

      Imagine my relief when I found Margaret Atwood's "The Handmaid's Tale." And Aldous Huxley's "Brave New World." And, finally, a name for my favorite genre. Even after I learned the phrase "Dystopian Fiction" and told everyone I could about it, it wasn't easy to find all the books I wanted. But I read "1984," "Fahrenheit 451," and the classic allegorical novels. When I was in high school, I read Kazuo Ishiguro's "Never Let Me Go" and Cormac McCarthy's "The Road," and I was shaken to my core and felt content enough.

      [This ended up being more melodramatic than I originally intended; I'm definitely not a writer. I just wanted to get across my adolescent depth of feeling for dystopian fiction before I actually come to the point in my timeline when "it" happened. *self-deprecating eye roll emoji]

      I actually enjoyed "The Hunger Games." The world compelled me even when the characters did not, and while I would have liked a touch more exposition about how the high society came to accept the murder of children, it was still chilling. But then the world exploded. YA dystopian novels were spilling from publishing houses with abandon as the populace became as obsessed as I was, and of course I was thrilled! And then I was miffed. And then I was disappointed, and then I became some sort of crotchety old-man/hipster hybrid. "No I'm not just jumping on the bandwagon! I was here before the world even knew its name! Back in my day, dystopian books had actual themes, not just unhealthy love-triangles and shadowy-but-one-dimensional villainous overlords!" The genre became overrun, in my opinion, with authors trying to cash in on the success of the big name novels without any passion for subject matter. Characters were flat, love stories were rampant and boring, and the dystopian world-building was over-the-top, reaching, and unearned. I still feel a little bit cheated.

      I do feel bad about being so petulant; I'm glad that this surge has fostered a love of reading in zillions of children. I'm honestly probably missing out on some excellent novels, but now I'm hesitant to read a post-2012 book marketed as "Dystopian" lest I'm forced to live in yet another world where love is a disease ("Delirium"-Lauren Oliver) or, preserve me, where all forms of language have become deadly to adults ("The Flame Alphabet"-Ben Marcus).

      Hopefully that wasn't too boring! I'm done now! I want to know if you've ever felt similarly, if you think I'm flat wrong, if you have some post-2013 novels I should read, if you want to talk about the genre... anything!

      11 votes
    4. Which Hogwarts House is best?

      And why is it Ravenclaw? I figure we might as well get a thread going about the Harry Potter series of books, show that it is popular and that ~HarryPotter needs to be a thing. Which Hogwarts...

      And why is it Ravenclaw?

      I figure we might as well get a thread going about the Harry Potter series of books, show that it is popular and that ~HarryPotter needs to be a thing.

      Which Hogwarts house are you? Find some like-minded friends and start the seeds of a community here.

      14 votes
    5. About Prose Novelists: Who writes novels that speak to you because of the quality and style of the writing? How would you describe them or their books?

      I don't mind reading a fast book with lots of action or a twisting plot, but over the years have discovered authors that seem to have a style unique to them apart from what's going on: Richard...

      I don't mind reading a fast book with lots of action or a twisting plot, but over the years have discovered authors that seem to have a style unique to them apart from what's going on:

      Richard Powers seems to play with the sounds and meanings of words strung together like pearls on a necklace(The Echo Maker, Orfeo).

      John Banville (Athena) creates descriptions that sound poetic and deep while remaining clear and visual.

      Donna Tartt (The Goldfinch) puts you into a scene so that you feel the emotion of being there.

      Don Delillo (The Names) makes a continental paradise seem like a dense forest of scholars and bright sunlight all at the same time.

      Those are a few of mine, what are your favorites?

      8 votes