Analyzing Frank Herbert's Dune from an architectural perspective

That video is great. I'm not someone who is super into Dune, but the video was awesome

I wonder what she would think of Muad'dib's throne room from Dune Messiah

The passages through which she was being escorted grew larger by subtle stages—tricks of arching, graduated amplification of pillared supports, displacement of the triangular windows by larger, oblong shapes. Ahead of her, finally, loomed double doors centered in the far wall of a tall antechamber. She sensed that the doors were very large, and was forced to suppress a gasp as her trained awareness measured out the true proportions. The doorway stood at least eighty meters high, half that in width.

As she approached with her escort, the doors swung inward—an immense and silent movement of hidden machinery. She recognized more Ixian handiwork. Through that towering doorway she marched with her guards into the Grand Reception Hall of the Emperor Paul Atreides—“Muad’dib, before whom all people are dwarfed.” Now, she saw the effect of that popular saying at work.

As she advanced toward Paul on the distant throne, the Reverend Mother found herself more impressed by the architectural subtleties of her surroundings than she was by the immensities. The space was large: it could’ve housed the entire citadel of any ruler in human history. The open sweep of the room said much about hidden structural forces balanced with nicety. Trusses and supporting beams behind these walls and the faraway domed ceiling must surpass anything ever before attempted. Everything spoke of engineering genius.

Without seeming to do so, the hall grew smaller at its far end, refusing to dwarf Paul on his throne centered on a dais. An untrained awareness, shocked by surrounding proportions, would see him at first as many times larger than his actual size. Colors played upon the unprotected psyche: Paul’s green throne had been cut from a single Hagar emerald. It suggested growing things and, out of the Fremen mythos, reflected the mourning color. It whispered that here sat he who could make you mourn—life and death in one symbol, a clever stress of opposites.

Behind the throne, draperies cascaded in burnt orange, curried gold of Dune earth, and cinnamon flecks of melange. To a trained eye, the symbolism was obvious, but it contained hammer blows to beat down the uninitiated. Time played its role here. The Reverend Mother measured the minutes required to approach the Imperial Presence at her hobbling pace. You had time to be cowed. Any tendency toward resentment would be squeezed out of you by the unbridled power which focused down upon your person. You might start the long march toward that throne as a human of dignity, but you ended the march as a gnat.