Why I teach Machiavelli through his letters

From the article:

I want my students to come away from my courses not thinking about historical figures like that, but remembering that every historical figure had to pay for socks, or had to deal with laundry, or have a servant who dealt with laundry for them and then they had to deal with the servant. But they all had everyday practical existences, and they all mess up. Machiavelli’s letters give you access to somebody who feels like a real human being. Some of the things he’s doing are really weird. Some of the things he’s doing involve bizarre sexuality. Some of the things he’s doing involve uncomfortable politics. Some of the things he’s doing involve very astute politics. Some of them involve very terrifying moments like his wife saying: “I’m so glad you’re alive, we heard that Cesare Borgia massacred all of his people, I’m so glad you’re alive!” And others are very much “We’re trying to get my brother a job and no one will give him a job because it was corruptly given to the other person and we have to figure out how to get my brother a job,” which is not the sort of thing we imagine such people giving their hours to.

When you read Michelangelo’s autobiography there’s an interesting point in it where he stops talking about art for a while and starts talking about the lawsuit that went on between him and people associated with Giuliano della Rovere because he was contracted to build Giuliano della Rovere’s tomb, but then for a variety of complicated reasons the tomb did not materialise as it was supposed to have, largely because the plan for the tomb was the most insane ridiculous over-the-top impossible tomb that you could ever possibly conceive of. That was obviously never going to happen. But also there were lots of fights between him and della Rovere over who had to pay for the marble and whether the marble was delivered and he said the marble was delivered and Della Rovere said the marble wasn’t delivered and there was a crack in it… and all these lawsuits went back and forth, and also Guiliano della Rovere was starting a giant war and invading Ferrara. At one point Michelangelo ran away from Rome saying “I’m not going to work on this stupid tomb any more” and went to Florence, and then Giuliano della Rovere moved an army over to besiege Florence and started threatening them “Florence! I will besiege you and burn you down unless you give me back Michelangelo!” We have these great documents where Michelangelo is begging Signoria “Please don’t make me go back to Della Rovere! I hate him and he just torments me. I’ll build you really good defensive walls! Look at my engineering ideas for how to improve the walls!” and they had to say “No, I’m sorry Michelangelo, we’re not going to war with the Battle Pope just for you, go back to Rome, build the stupid thing.” And he did go back to Rome, and then Della Rovere made him paint the Sistine Chapel ceiling knowing Michelangelo hated painting, basically as punishment for trying to run away. I’m not exaggerating. And that’s why there are lots of angry figures in the Sistine Chapel ceiling. But the wonderful horrible flirtatious strange antagonism between Michelangelo and Giuliano della Rovere is magnificent.