Moving camera forced perspective
18
votes
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Why movies just don't feel "real" anymore
32 votes -
Guillermo del Toro in the Video Club
4 votes -
The Boxcar Fight - Short and documentary
5 votes -
When two films tell the same story differently
9 votes -
After years in the shadows, Norway has finally found its place in the international spotlight with a number of distinctive, relationship-centred and critically acclaimed films and television shows
6 votes -
Bland, easy to follow, for fans of everything: what has the Netflix algorithm done to our films?
24 votes -
‘Dune: Part Three’ gets official title, will include sequences shot with IMAX cameras
33 votes -
Inside ‘Elio’s’ “catastrophic” path: America Ferrera’s exit, director change and erasure of queer themes
14 votes -
Everyone in Hollywood is already using AI (and hiding it)
29 votes -
Every Wes Anderson movie, explained by Wes Anderson
23 votes -
Hollywood has left Los Angeles. For years, studios found it cheaper to shoot elsewhere. Post-industry-collapse, elsewhere is the only place they’ll shoot.
16 votes -
“No CGI” is really just invisible CGI (5/5)
15 votes -
‘Superman’ faced major changes after test screenings — Reshoots, less humor, shorter runtime, new editor and composer
23 votes -
The Hook: Scene transitions in classical cinema (2008)
6 votes -
“Capitão Astúcia” takes an alternative path in filmmaking: straight to YouTube, free of charge
6 votes -
Oscars finally give stunts their day, will add category beginning in 2027
40 votes -
Aspect ratios with Sinners director Ryan Coogler
6 votes