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33 votes
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Inside ‘Elio’s’ “catastrophic” path: America Ferrera’s exit, director change and erasure of queer themes
14 votes -
Everyone in Hollywood is already using AI (and hiding it)
29 votes -
Every Wes Anderson movie, explained by Wes Anderson
23 votes -
Hollywood has left Los Angeles. For years, studios found it cheaper to shoot elsewhere. Post-industry-collapse, elsewhere is the only place they’ll shoot.
16 votes -
“NO CGI” is really just invisible CGI (5/5)
15 votes -
‘Superman’ faced major changes after test screenings — Reshoots, less humor, shorter runtime, new editor and composer
23 votes -
The Hook: Scene transitions in classical cinema (2008)
6 votes -
“Capitão Astúcia” takes an alternative path in filmmaking: straight to YouTube, free of charge
6 votes -
Oscars finally give stunts their day, will add category beginning in 2027
40 votes -
Aspect ratios with Sinners director Ryan Coogler
6 votes -
Framing Godland
3 votes -
Here's how they finished Gladiator after Oliver Reed died
8 votes -
‘Captain America: Brave New World’ insiders say ‘everyone knew this is probably not going to be a good film’
36 votes -
The sustained two-shot
30 votes -
Secret tomb found under ‘Indiana Jones’ holy grail filming location in Petra
24 votes -
Consumer 360° cameras in professional VFX
4 votes -
The making of Age of Ultron was a sh*t show
11 votes -
How M. Night Shyamalan came back from the dead
7 votes -
How 'Reservation Dogs' sparked a Native filmmaking boom in Tulsa
11 votes -
Is serviceable CGI here to stay?
I'm here watching Furiosa which has noticeable CGI. So noticeable in fact that my partner, who doesn't give a second thought to the technicalities of movie making commented on it. Painted...
I'm here watching Furiosa which has noticeable CGI. So noticeable in fact that my partner, who doesn't give a second thought to the technicalities of movie making commented on it. Painted backgrounds, obvious green screen and so on.
What is also noticeable is that the movie wasn't cheap to make. It has also excellent, energetic direction, camera work and action set pieces and the character design has the same care as Mad Max Fury Road.
The movie also has this cooky, kinda goofy tone from the get go. Stylistically the CGI doesn't really get in the way because there's a real distinct step between our reality and this crazy world on screen. It serves its purpose.
So what's y'all's thoughts about this? I think with money and time (I guess they're the same thing) the movie could've looked a lot better and avoided the paintbrushly fogginess that comes with the green screen -- but would've that actually been worth it?
(There's also a lot of stunts, real handcrafted care and crazy, inspired camera movement. The movie's good, you should probably consider seeing it.)
10 votes -
The real-life ‘Fall Guys’: How a tight-knit stunt team pulled off Ryan Gosling’s death-defying scenes
6 votes -
Denmark punching above its weight to become a global powerhouse in the documentary world
11 votes -
‘Has this guy ever made a movie before?’ Francis Ford Coppola’s forty-year battle to film Megalopolis
24 votes -
"No CGI" is really just invisible CGI
47 votes -
Data show that the amount of sexual content in top films has sharply declined since 2000
33 votes -
‘Red One’ down: How Dwayne Johnson’s tardiness led to a $250 million runaway production
22 votes -
‘Ideal’ movie running time is ninety-two minutes, poll claims
18 votes -
Aaron Sorkin is writing some kind of ‘Social Network’ sequel
13 votes -
Chatting slow mo with Zack Snyder
4 votes -
Interview with the creators of the AI generated short film 'Air Head'
8 votes -
The Matrix forever changed the craft of Hollywood filmmaking
13 votes -
I found Frank Herbert’s Dune script. It’s hard to imagine a weirder film version of Dune than the one David Lynch released in 1984, but Frank Herbert found a way. Dune: Part Two is better.
32 votes -
Denis Villeneuve hates dialogue in film
15 votes -
When Hollywood gets it right – the best fencing scenes
11 votes -
‘Gladiator 2’ budget “ballooned” from 165 million to 310 million
20 votes -
The lost version of Three Amigos
11 votes -
Poor Things’ intimacy coordinator on consent, orgies and Emma Stone
27 votes -
Showgirls | re:View
9 votes -
Making emotional films: The enticing contradictions of Norman Jewison’s movies
5 votes -
Nickelodeon Studios | Abandoned
16 votes -
Ridley Scott picks a favorite shot from each of his most iconic movies | My Best Shots
16 votes -
Queen Margrethe of Denmark is embracing her first passion – royal served as costume and production designer for Netflix film ’Ehrengard: The Art of Seduction’
12 votes -
Pee-Wee's Big Adventure | re:View (ft. Macaulay Culkin)
16 votes -
What wipes in Star Wars teach us about the brain and also interface design
27 votes -
Is cinema dying? And if so, who is responsible? – A murder mystery.
23 votes -
The Frighteners (1996) | Almost Cult Classics
4 votes -
Paddington in Peru films in Colombia – sparking row over legislation in Peru
7 votes -
The genius behind Hollywood’s most indelible sets
6 votes -
Martin Scorsese breaks down his most iconic films
3 votes