Supernatural is one of those TV shows that had some fantastic early seasons. I really miss them.
As a show I feel it kinda turned way too much into fan service in its later seasons. It stayed decent (good, even), but lost a lot of its quality.
Every season there's a bigger, badder fish and things get more and more absurd. One of the things that kind of annoyed me the most about it is that characters dying has zero impact, as they come back into the show whenever convenient using whatever silly way the writers deem worthy. (That series is the polar opposite of Game of Thrones in that regard…)

Season 5 introduced the Four Horsemen. I remember Death's intro as being possibly the most memorable moment of the entire show. Re-watching them now, the introductions of all four were seriously chilling. Thought I'd share them here.

• War: https://www.youtube.com/watch?v=1I4nFgMuciU
• Famine: https://www.youtube.com/watch?v=sQSnVPzV4_k
• Pestilence: https://www.youtube.com/watch?v=7E2aQKYEsUw&t=33s
• And best of all, Death: https://www.youtube.com/watch?v=5EcsBgxXDqc

I'll recommend Supernatural if you like a good mix of horror-comedy without too much comedy. You may like it if you liked: Psych, Chilling Adventures of Sabrina, Buffy the Vampire Slayer, Angel.

So I've spent nearly the entire weekend watching Humans and I wanted to share what I think of it and maybe get some discussion going.

For those who are not familiar with it, the basic premise is an alternate reality present day where "synths" - robots that replaced humans in most menial tasks - are part of everyday life to the point of being a common household item. Within the first episode we learn that there are a handful of synths that are sentient - thinking, feeling individuals. The show explores the implications of that - how previously-servile machines becoming sentient would impact society. There are many parallels to contemporary issues around racism, xenophobia, fear, and I think the show does good job of handling the topic. It is a smart, well-written sci-fi drama.

So, did anyone else here watch it? What do you think of it?

PS: While the post itself doesn't have any spoilers, the comments do.

Needing a down weekend, the spouse and I settled in to watch TV, and discovered that Starz' series, Counterpart - spoiler warning, is one of the better series we've seen in quite a while, let alone among science fiction stories. Though The Expanse wins for sheer SFX pyrotechnics and breadth of technical scope, it's wonderful to sit in for a deep, thoughtful drama like Counterpart. The series focuses on character, story, world-building, plausible plotting, and avoidance of the usual alternate universe cliches. Counterpart is a genuine Cold War Noir spy thriller which happens to occur in a science-fictional setting, and the writers have managed to avoid or refresh the tropes of both genres in ways that ask interesting philosophical questions. It's quiet, slow, and meticulous in a way that most current television writing seems to have abandoned. There's tense action, but no primary colored-supersuits, no scary aliens, no gaudy laser beams, just... a split of history that leaves two distorted mirrors, reflecting each other.

J.K. Simmons' performances in the roles of Howard (Prime) and Howard (Alpha) are mesmerizing in a way that outmatches Tatiana Mazlany's Orphan Black characters. There's a slow unveiling of the respective parallel worlds' history, with continuing evolution and interplay of characters and relationships, which brings to mind the best of series like The Wire or The Americans.

To the extent that Counterpart borrows from literary canon, the most significant underlying influences are John LeCarre's find-the-mole games in the Smiley series, China Mieville's The City and the City, and Philip K. Dick (particularly, The Adjustment Team).

The really guilty pleasure, and the lightweight pressure relief from the grimdark of Peaky Blinders or Counterpart, was a spit-and-giggles Canadian production called Letterkenny. I didn't have high hopes, but the 22-minute episodes are exactly what my brain needed to get over the daily doses of blah.

The opening credits of each episode refer to the fictional rural Ontario town of Letterkenny as follows:

There are 5,000 people in Letterkenny. These are their problems.

The plots are barely coat-hangers, with most of the comic tension spent on interactions among the Hicks (farm people), Skids (creative-but-disaffected Internet subculture wannabes), hockey players and Christians - a/k/a small-town tribes recognizable anywhere in North America. The portrayals are caricaturized enough to be both humorously offensive and humorously sympathetic simultaneously. [Could be some toxic racial/gender meta, but mostly, the treatment of women and minorities is in keeping with the setting.]

The banter, and the utter Spock-like deadpan of Wayne (the toughest guy in Letterkenny)'s Hick character are the stars of the show. Some people have complained that the rapid-fire use of heavy dialect in the dialogue is impenetrable; that actually helps with comic timing. When your brain catches up to what was actually said, it's like receiving a two-by-four between the eyes of funny. I've got a bit of home-team advantage in the midwestern North American dialects area, and usually get it on the first run, but it's good enough to re-watch happily if the spouse needs a do-over. Transcripts are available, but watch the show before looking.

We now have a new battery of in-jokes and gag lines to add to our secret spousal language - "Hard no.", "That's what I appreciates about ya", "...and he was never the same after that."

There's really nothing quite like Letterkenny, and it's exactly smart/dumb enough to make fantastic comedy. Two seven-episode seasons are currently available on Hulu.