The complicated production of Mission Impossible 7
3
votes
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Judd Apatow interviews Mel Brooks: "The Immortal Mel Brooks"
11 votes -
Indiana Jones and the Temple of Doom | re:View
7 votes -
Wes Anderson’s secret weapon: The camera moves of Sanjay Sami
8 votes -
Spider-Verse artists say working on the sequel was ‘death by a thousand paper cuts’
41 votes -
Denmark is the latest European country to push for a levy on streamers' local turnover to fund local TV and film content
8 votes -
Your Highness | Forgotten failures
2 votes -
Injuries on set of Gladiator 2
8 votes -
The new Barbie movie used so much pink paint on set that it caused an international shortage, according to its production designer
22 votes -
Villain therapy: Severus Snape
11 votes -
A week in the life of playing Nebula in Guardians of the Galaxy Vol. 3
4 votes -
The lost version of Indiana Jones and the Temple of Doom
5 votes -
Producers of the latest Mission: Impossible film have dropped their attempt to obtain permission for dozens of helicopter landings on Svalbard
3 votes -
The death of fantasy
6 votes -
Why Top Gun’s sound design is Oscar worthy
3 votes -
Why does Dune sound like that?
2 votes -
Why we all need subtitles now
6 votes -
The optical audio of sound-on-film
5 votes -
James Cameron breaks down his most iconic films
3 votes -
British Film Commission and the Norwegian Film Commission have signed a memorandum of understanding to boost filming collaboration
5 votes -
Leftover Star Wars sets
5 votes -
Inside the documentary cash grab
8 votes -
When you only cast non-actors in your movies
3 votes -
Indigenous Sámi cinema meets a global audience – transformation of the Nordic Pavilion into the “Sámi Pavilion” at this year's Venice Biennale
5 votes -
Film productions from around the world are eager to capture Iceland's dramatic landscapes – and to take advantage of an attractive incentive scheme
3 votes -
When a modern director makes a fake old movie
3 votes -
Please bring back voice actors, stop celebrity voices
17 votes -
Noah Baumbach’s ‘White Noise’ chaotic production lasted 270+ days
4 votes -
How Taika Waititi shoots a film at three budget levels
5 votes -
How A24 became the ultimate film cult
8 votes -
‘Top Gun: Maverick’ first reactions: ‘Hollywood filmmaking at its most rah-rah ridiculous’
8 votes -
Watch the original 16mm Blade Runner convention reel (13 minutes)
9 votes -
Tom Scott plus InCamera play with special effects and set Tom on fire
5 votes -
Workflow breakdown of every 2022 Oscars Best Picture nominee
5 votes -
Films made for Netflix look more like TV shows — here’s the technical reason why
12 votes -
What we do: Disney's filmmaking process
5 votes -
The art of editing and Suicide Squad
11 votes -
Why Dune's visual effects feel so different
11 votes -
Finnish director Jalmari Helander has started principal photography in Lapland and Helsinki on the majority English-language World War II action film ‘Immortal’
6 votes -
Queen Margrethe II, reigning monarch of Denmark, is to design the sets for a forthcoming Netflix film adapted from a novel by Karen Blixen
6 votes -
The hook: Scene transitions in classical cinema
5 votes -
Flight of the Navigator | VFXcool
16 votes -
How do you act drunk on screen – Danish film 'Another Round' features performances so convincing that it's tempting to believe the actors were tipsy
5 votes -
Why biopics go so wrong
6 votes -
How Quentin Tarantino shoots a film at three budget levels
5 votes -
David Fincher’s impossible eye
6 votes -
Samurai sword master rates ten Japanese sword scenes in movies and TV
8 votes -
AI robot cast in lead role of $70M sci-fi film
12 votes -
Tom Cruise plots movie to shoot in space with Elon Musk’s SpaceX
8 votes -
Finnish director Jukka-Pekka Valkeapää ensured that his new film was torture for his actors, literally – but he insists his immersive methods are just like gardening
5 votes