The secret gay love affair behind Alfred Hitchcock's Rope
3
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Showing only topics with the tag "analysis.film".
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Lindsay Ellis - We don’t talk about ET
6 votes -
The politics of nostalgia and Top Gun: Maverick
2 votes -
The real villain of Nope
2 votes -
When a modern director makes a fake old movie
3 votes -
Why Thor (2011) is still the best Thor movie
4 votes -
How Taika Waititi shoots a film at three budget levels
5 votes -
Watch the original 16mm Blade Runner convention reel (13 minutes)
9 votes -
Silence - The deconstruction of faith
2 votes -
Why all movies from 1999 are the same
9 votes -
The art of editing and Suicide Squad
11 votes -
The invisible horror of The Shining
9 votes -
Why Dune's visual effects feel so different
11 votes -
Presidential historian reviews Presidents in film and television
4 votes -
The problem with film criticism
7 votes -
Why Mad Max: Fury Road works
8 votes -
How to read a movie
5 votes -
A tale of two Ripleys: Gender and genre in 'Alien' and 'Aliens'
6 votes -
How Tarantino shoots a film at three budget levels
5 votes -
'12 Monkeys' was Brad Pitt's career-defining performance
5 votes -
Why Borat works better in 2020 than in 2006
9 votes -
David Fincher’s impossible eye
6 votes -
A beginner's guide to the subgenres of film noir
8 votes -
Adaptation and nostalgia on an alien world: Scavengers analysis and speculative biology
4 votes -
Triumph of the Will and the cinematic language of propaganda
15 votes -
How the "impossible" mirror scene in Contact was filmed
17 votes -
How Starship Troopers aligns with our moment of American defeat
13 votes -
‘Duel’ Is David vs. Goliath on the Highway to Hell
3 votes -
Casino Royale — How action reveals character
4 votes -
Sergei Eisinstein: Disney Fan | Brows Held High
3 votes -
Director Rian Johnson breaks down a scene from Knives Out
7 votes -
The Lighthouse – A short visual analysis
9 votes -
How Star Wars was saved in the edit
12 votes -
Why Hayao Miyazaki's animation feels alive
9 votes -
The real fake cameras of Toy Story 4
8 votes -
In praise of Hook, a flawed classic
5 votes -
How the Shawshank Redemption humanizes prisoners
6 votes -
The Girl With The Dragon Tattoo – Breaking convention
5 votes -
Triumph of the will and the cinematic language of propaganda
7 votes -
Film Theory: It's A Wonderful Life's ending is a living nightmare
9 votes -
Guillermo del Toro - Monsters, makeup and movie magic
7 votes -
Annihilation and decoding metaphor
8 votes -
Red Letter Media discussing original Psycho
9 votes -
Disney - The magic of animation
13 votes -
How The Last Jedi defies expectations
16 votes -
Postmortem: Every Frame a Painting
15 votes -
The fantastic masculinity of Newt Scamander
11 votes -
The fantastic masculinity of Newt Scamander
4 votes -
Memories of Murder (2003) - Ensemble staging
5 votes