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I recently finished reading Edward Abbey's Desert Solitaire, and prior to that I read his novel The Monkey Wrench Gang. I was left feeling quite differently than what I was expecting to feel. I'm an outdoorsman, a conservationist and an activist. I spent a good portion of my time last year on The Colorado Plateau, much of it in the places Edward Abbey has been and discusses frequently in his work. There is a distinct emotional connection I feel to this land, so my mental conflictions are especially notable. I recently wrote a friend a letter, much of it including my thoughts on Abbey thus far, and I felt posting the relevant excerpt here would be a good conversation starter. Let me know what you think!
"I just finished Abbey's Desert Solitaire, while I enjoyed many aspects of the work, it also left me feeling conflicted. I wholeheartedly concur with many (but not all) of his views on conservation. He challenged my views in some positive aspects as well, his disdain for the automobile in national parks, for example. Other views of his I cannot ignore or absolve him of. His views on traditional family values (read: misogyny) are quite apparent in The Monkey Wrench Gang and seep into this work as well. Furthermore, his views on indigenous peoples are outdated, even for his time. His incessant diatribe on the blights that impact Native Americans and other indigenous populations, blaming their own attitudes (victim blaming, if you will), while simultaneously railing against the federal government and The Bureau of Indian Affairs is at best hypocritical (while also patently racist).
Edward Abbey's actions also do not reflect his writing. The man continually rants about the ongoing destruction of this Earth, he blames everybody (The National Park Service, Bureau of Land Management, Forest Service, Bureau of Indian Affairs, the modern consumer, tourists, oil and gas corporations, mining companies, logging businesses and wannabe outdoorsmen) but himself. He went so far as to work for the NPS, while admitting their culpability in their own decimation. During his time there he constantly capitulated to the tourists, the modern consumers in their iron contraptions. Some federal employees I've met have set out to change their respective agencies from within, but what did Abbey do? He left. He saw a problem, railed against it, and left.
So I ask: Why didn't he do more? It has been suggested that Ed had engaged in some less-than-peaceful activities, "eco-terrorism" they call it. I personally don't believe it, I believe that any actions taken were never near the magnitude of the happenings of The Monkey Wrench Gang. Ed's books were his personal fantasies, which while not a guide, a reference point. He prefaces Desert Solitaire, describing it as an elegy. Almost as if he is passing an extinguished torch on to our time. It is frustrating and demoralizing to say the least. While grateful to read his words and as much as I concur with his notions, I disagree with hits actions (or lack thereof). I finish this book left feeling angry."
I just finished Andrew Marantz's Anti-Social: Online Extremists, Techno-Utopians, and the Hijacking of the American Conversation, and I think it's a book that would interest a lot of the people on this site. Marantz is a journalist for the New Yorker who embedded himself with alt-right influencers and social media companies. This book is a compilation of all of those stories; part memoir, part retelling, part observation, part commentary.
Despite its title, the book is not a one-dimensional hit piece. I actually strongly dislike the title as I feel it's a bit too barbed for a book that's rooted in extensive, thoughtful contemplation. The author is honest, open-minded, and critical. I hate the word "balanced" for all of the baggage it brings to the table, but it really feels like the best word to use, especially as an antonym for "unbalanced". He deftly handles a lot of different subjects here. He doesn't shy away from giving criticism where its due, but he's also not quick to judge, trying to understand the broader picture first before casting any judgments about it.
I mention it here because I think it has a lot of relevance to Tildes as a site, as well as the type of people that have congregated here. It covers a lot of ground of direct interest to Tildes: the role of social media platforms to police speech and ideology; how the structure of social media creates influence; how bad faith actors can manipulate systems; how noxious ideologies continue to appeal and propagate. I also know that Tildes trends toward the left, and as someone far on that side myself, I appreciated this book for giving me what I feel was a fair and thoughtful window into the lives of certain high-profile people on the right. It's easy to think of them as a monolith, but I was surprised by the differences between all of his various character portraits. Marantz never loses the individual humanity of his subjects, even when some of them are abjectly abhorrent people.
I should mention that the book is very US-centric, as that was where he focused his journalistic efforts. As such, readers outside the US might not appreciate it as much, but I still think a lot of what he shares is relevant no matter where you are located since we all share space together online.
What are you reading currently? Fiction or non-fiction or poetry, any genre, any language! Tell us what you're reading, and talk about it a bit. Previous topics Previous topics are listed in the wiki.
People like me are why I believe the slippery slope is a fact, not a fallacy...
I'm asking this in the context of a school project mainly because of 2 things:
1: 2 of the questions of the project are about main and secondary characters and their physical and psychological characteristics, so the book is gonna require those unless I'm misinterpreting those questions.
2: The project is for March 12th so something like 1984 with 300+ pages is probably too long. (Although there are probably many technicalities to blur this, like how much text there is in a page and the actual amount of pages I can read in a given time and how much time can I dedicate to reading the damn book.)
I read a lot (my wife gets mad at me because I read so much faster than her), and these days I do most of my reading on Kindle. Fortunately there are ways to do this for little or no money. If you're interested here are some ways to get more ebooks without spending a lot of money:
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I've recently realised I read a lot of American literature. I'd like to broaden my horizons so I'm wondering for fun if anyone out there can suggest an international (i.e non-US) counterpart for any of the following or just general non-US recommendations?
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I'm in the middle of writing my thesis and I've been (re)reading some excellent, unconventional style guides (The Sense of Style by Stephen Pinker and Stylish Academic Writing by Helen Sword). I'm also rereading Thank You for Arguing by Jay Heinrichs, which is less about style but is essentially a guide for effective communication.
In reading these books and applying their teachings to my writing, I've been reinvigorated with a passion for writing, namely for the craftsmanship of prose. All three books analyze excerpts from examples of great (and sometimes poor) writing. But, I'm now looking for a more immersive experience in good (i.e. stylish, evocative, concise etc.) writing in the hopes that, with my newly refined perspective and sensitivity, I can improve my own writing even more. Good writers read good writing.
Now, starting new books now won't help my current cause (my thesis) but my academic career will call for much more writing in the future. And I'm hoping that maybe the suggestions I get here will help me prioritize my current queue of books and articles—I know they're all great books but I'd like to read the ones with better writing, first.
So, I would love some recommendations on authors who you would consider as masters of writing. It can be either books or articles. Preferably non-fiction and modern (20 years?), only because fiction and older books have different standards (FWIW I love old-school sci-fi, but that's definitely not the style I'm after). My current shortcut is to read basically any "longread" on WIRED, as most of the time they are high quality and often explain complex topics.
Any other resources are also welcome! Though maybe no more style guides...
Following on from this post
I've just finished The Sirens of Titan from 1959 (after seeing it recommended here, actually) and something struck me compared to more recent books. A lot of the more technical stuff is kind of hand-waved away. It's not a criticism, just something that stuck out as I was reading. Is this a trend? Do readers demand more details these days? I've read a bunch of sci fi from the 60s until the present day, but I've only really gotten back into it more recently with Sirens.
Perhaps I've read too much Neal Stephenson, who has likely never hand-waved anything away! The Martian also springs to mind, but that's very deliberately focused on the details and keeping it realistic, IIRC.
I'm mostly thinking about the radio-controlling of the Martian army beyond "there is a little box in their pocket" and most of the atmospheric questions beyond how they breathe.
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Here's a little setup I'm going to try out with my reading habits this year. I figured I'd share the idea, in case anyone else is interested in running it (or something similar) for themselves.
I realize that's hard to visualize, so here's how the first few letters might look once completed (these books are placeholders):
A: Jeff VanderMeer - Annihilation
B: Tina Fey - Bossypants
C: Arthur C. Clarke - Rendezvous with Rama
D: Dava Sobel - Longitude
Let's say the first book I read is Kurt Vonnegut's Slaughterhouse-Five. I could have that count for K (Kurt), V (Vonnegut), or S (Slaughterhouse).
I'm choosing to ignore articles in titles. The Martian would thus count for M (Martian) rather than T (The).
If an author has a single name (e.g. Voltaire), I can only use that one letter (V). If an author commonly uses more than first and last names (e.g. Chimamanda Ngozi Adichie, Hunter S. Thompson), I can use any parts (C N or A, and H S or T, respectively).
If the book title is/begins with a number or symbol, I can count it under the letter that corresponds to the name/pronunciation of the number or symbol (e.g. 1984 would be N (Nineteen) while 1Q84 would be O (One)).
As the process goes on and more letters get filled, my choices will get narrower. I am allowed to swap around books in order to accommodate new choices, but only within the parameters of the rules above. So if I initially had Kurt Vonnegut's Slaughterhouse-Five down for S but then I decide to read Stanley Schmidt's The Sins of the Fathers, I can move Slaughterhouse-Five to V for Vonnegut since Sins can only work for S.
I came up with this for a couple of reasons:
I'm only going to count books I read with my eyes rather than books I listen to. This isn't because I have anything against audiobooks (I love them!) but because I've actually gotten TOO dependent on them and am not sitting down to read books like I used to. I'm hoping this can restart my reading habit. I put this here rather than in the rules because I don't want to restrict anyone else should they choose to do this exercise.
I plan to post updates on my "alphabet progress" in the scheduled "What are you reading these days?" threads.
Anyway, feel free to share your thoughts on this process. This is entirely theory-based at the moment, as I've never actually attempted it, so if there's anything I've failed to account for or any potential hiccups you see, let me know.
Also, if you're wanting to steal the idea, whether wholesale or in part, go for it! It is ripe for modding or tweaking. I'm considering doing a second, separate alphabet for myself that's limited only to graphic novels, for example. I also think it would be neat for people to do it in other alphabets, in languages other than English.
Furthermore, it's a generic enough setup that you could do it for more than just reading too. You could use the ruleset as written with music (using artist and album names) or movies (using titles and directors). Games are a bit tougher since you really only have the title to work with (since there's often not an identifiable "author"), but with some tweaks I think it could still happen.
For any of you who have been in a book club before. Any lessons learned? Nice to haves? Things to avoid? This is going to be limited to a fairly small group (4-6 people), so I feel like I don't need to get too formal with anything. But at the same time, I know that a good structure goes a long way to a successful regular reading club.
We have pretty a varied reading pace between us. One of us can read a book a day. I'm more at the book (300~ pages) every week or two pace myself. I'm sure that others may read faster or slower than that still. So I figure a book a month is decent for keeping to a casual-but-intentional reading pace for most of us.
Part of this is intended to be a way to keep in touch with friends I don't get to talk to as often anymore, and part of it is just reading new books I wouldn't even think to read.
Note: the books do NOT have to be from this year (i.e. published in 2019). Any book you read this year regardless of publication date counts.
What are you reading currently? Fiction or non-fiction or poetry, any genre, any language! Tell us what you're reading, and talk about it a bit. Previous topics Previous topics are listed in the wiki.