I'm not sure if this would be better for ~music, ~tech, or what, but after messing around with Udio for a bit, I made some stuff I liked and wanted to get folks' thoughts. Imo, it's incredible to be able to get music from a text prompt - it means I, as someone who is mostly ignorant to music production, can have my musical idea and actually render that out as music for someone to hear. I can think "damn that would be cool" and then in kind of a fuzzy way, make it happen then and there. Whether it's good, I don't know. That's not up to me, really, but it is the kind of sound I wanted to happen, so I'm left conflicted on how to feel about it. Figured it would be worthwhile to show folks some of it, and see what they think.

I do enjoy synth and metal, so there's a lot of that in these. Feel free to be as critical as you like. If I can apply your criticism I will try to do it, and if you want to see how that works out, I'll share.

1. Cosmoterrestrial
2. A Floyd, Pinkly
3. Empire's Demise, Foretold
4. Metal for Ghosts Bedsheet Edition (the very end of this one is hilariously appropriate)
5. Multi-3DS Drifting

And here's a link to my profile, if you would like to browse. It will update too when I put more up.

They're all instrumental. Lyrical music is less appealing to me in general and Udio's voices do sound kinda weird to me more often than not. The way I made the tracks, I would start with a clip combining some genres/moods, and then add to either end of the clip until I had a complete song. Along the way, I could introduce new elements/transitions by using more text/tweaking various settings and flipping "manual mode" on and off. The results were fuzzy; I didn't always get what I wanted, but I could keep trying until I did, or until I got something that sounded "better". I wrote all the titles after the song was finished. The album art is from a text prompt.

I'm not sure what I think, to be honest. On the one hand, a lot of the creative decision-making wasn't mine. On the other, the song would not be what it is without me making decisions about how it came about and what feelings/moods/genres were focused upon/utilized. I think the best I can say is "use the tool and see whether it's enough to count". To me it feels almost 50/50, like I've "collaborated with my computer" rather than "made music". Does it matter? If the sound is the intended sound, the sound I hoped to make and wanted to share, is that enough to say it is "my music"? Is this perhaps just what it looks like to be a beginner in a different paradigm?

When I used Suno, I had a much more rigid opinion. What it produced, I called "computer spit". Because, all I could actually control was telling it to continue, changing the prompt, and giving it structure/genre tags that felt like a coin flip in terms of effectiveness. I had a really hard time trying to get it to keep/recall melody, and my attempts to guide it along felt more like gambling than deliberate decisions. It also couldn't keep enough in context to make the overall song consistent with respect to instrumentation. It's different with Udio, both because you have a lot of additional tools, and because it feels like those tools work more consistently at making the model do what you want. I still call the results "computer spit" where I've shown them off, but I'm unsure now whether the production has enough of myself in it to be something more. Perhaps not on the same level as something someone produced by playing an instrument, or choosing samples/arranging things in software, but also not quite the same as the computer just rolling along, with me going "thumbs up" or "thumbs down". Maybe these distinctions don't actually matter, but I'd be curious if anyone has thoughts along these lines.

I'm intentionally trying to avoid a discussion about the morality of the thing or what political/social ramifications it has, not because I don't care about that but because I'm in the middle of trying to understand the tool and what its results mean. Would you consider what I've posted here work I could claim as my own, or do you think the computer has enough of a role to say it's not? Is my role in the production large enough? Or perhaps you have a stronger position, that nothing the computer can possibly do in this way counts as original music. Does any of this change that position for you? I ask because I've gone through a lot of opinions myself as I've been following things, and one interesting bit is that I have not gotten any copyright notices when I've uploaded the music to Youtube (I did get notices with Suno's music). As far as I can tell, with what is available to me, this is all original.

And of course, the most important one: Did you like it? Is there something you think would make them better? Do they all suffer from something I'm not seeing/hearing? I'm not an expert technician nor a music producer, so perhaps my ignorant ears are leading me astray. Either way, I've had a ton of fun doing this, and the results to my ear are fun to listen to while I'm doing stuff. I wouldn't call any of it the best music I've ever heard, but I can also think of a lot that is worse. I think what I wonder the most is whether it comes off bland/plain. Most of the folks I show things to are a bit too caught up in being astounded/disturbed to really give me much feedback, so perhaps putting the request in this form will work out a bit better - ya'll have time to think on it.

As always, your time and attention is greatly appreciated

Edit: I should clarify. I am not attempting to be a musician. Hence calling it "computer spit" with anything public, and the lack of any effort to pitch it as something I did only on my own. Rather, I recognize the limit of my own understanding, and felt I'd hit a point where my ignorance of production meant I could not judge the results as well as I'd like. That means it's time to engage some folks because folks out there are likely to know what I do not and see things I can't. From that angle, a lot of the discussion is very interesting, and I'll be responding to those in a bit. But there's no need to argue for doing the work - I recognize that. I'm trying to see past my own horizons with a medium I don't put the work into. I'm a consumer of music, not a creator, so getting some perspective from folks more acquainted with creating and with the technology is really what I'm after in sharing the experience.

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Texts, documents hint at convicted witness bail bond business owner Scott Hall's wide ties to Coffee County breach, Trump allies ahead of trial

Hall played a part in various post-election events, and he's taken a plea deal. He will testify in the Georgia 2020 election trials.

https://www.11alive.com/article/news/special-reports/ga-trump-investigation/scott-halls-witness-trump-case-georgia/85-ad5ca637-6272-448b-8f52-c0c8aba74ef0

Hall's alleged involvement following the 2020 election reaches beyond the small south Georgia county. This includes personal relationships with those close to the former president.

Several media outlets, including CNN, have reported that Hall is related to David Bossie, chairman of the conservative group Citizens United who briefly led the former president's post-election legal challenges. Bossie's name appears in the Fulton indictment.

In late November 2020, David Shafer introduced Hall to a group of individuals including Robert Sinners, a current spokesperson for the Georgia Secretary of State's office who then worked for Trump's campaign. In the email, Shafer said Hall was "looking into the election" on behalf of the former president at Bossie's request.

This is described in Act 4 in the indictment, though Sinners is referred to as "unindicted co-conspirator Individual 4" by Fulton prosecutors. Sinners has since disavowed the post-2020 election activities that took place in Georgia.

Hall may also know about the letter former Justice Department official Jeffery Clark wanted to send that alleged the agency "identified significant concerns that may have impacted the outcome of the election in multiple States, including the State of Georgia."

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