Formatting OwO
Formatting OwO

Formatting OwO

Formatting OwO

Formatting OwO

#Formatting OwO

Formatting OwO

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4. The number of the semi-beast.

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87. That's how many years ago it was when the Gettysberg address says four score and seven.

Again some space.

1066. Exterior. A field filled with smoking fires and armor piles. It smelled bad.

1067. The space odyssey year.

1068. June. 9th.

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I'm so sorry but it's the only ascii art I had saved

Are you ready to live forever? You guys, my name is Alan Resnick, and I'm so excited to be here. I found the secret to eternal life, and I found it on my Lapbook Pro. Now, you're looking at me, and you're saying, "Alan, you are so smart and you are so small. What is your origin tale?"

Well, it all started...Two years ago. Me and Janet were having a bit of a lovers' quarrel, and she's got me sleeping on the couch. Now, I don't mind. I'm fine with it. I'm snoozing. And I'm having a dream I'm in a foggy meadow, and in the distance, I hear a voice calling me "Alan, Alan," just like that. And the fog clears to reveal a beautiful nude woman. And she's saying, "Alan, I'm ready for you. Put your dirt in me." and I'm thinking, "Whoa, whoa, whoa. Hold on a minute. I'm in enough trouble with the wife as it is. This is the last thing I need." But...I do it anyways, and right as I'm about to seal the deal, out of nowhere, I get shot with a gun, and it completely, completely destroyed my face. And that's how I got my fantastic idea. What if I could back myself up like my best favorite mp3 file or like a gif or a pdf?

And after two months of hard work, I had done it. I had made an exact digital copy of myself. He calls himself "Teddy." I don't know why. My name is Alan. Now let's explain my 4-step program to live forever as you are now through 3-d scanning and other digital archiving techniques!

Step number 1 is the most important step: Getting to know yourself. Now, you're probably thinking, "Alan, I think I know myself pretty well. I've spent every day of my life by myself. There's nothing about me to even tell me that I don't already know." well, I got some bad news for you, Mason. No one knows you.

You see, by the age of 6, every human brain has formed a small calcified pebble called the Schrader clot, which prevents any amount of self-awareness. But don't worry, 'cause I've come up with an exercise to help us move past that pebble. All you have to do... Is look. Look at your face in the mirror. Look at your eyes. Look at the nose, the mouth, the philtrum. You're gonna do this for five hours every night. Then just borrow a pen or a pencil from a buddy or friend, flip off that light switch, and draw an image of what you think you saw in the mirror. Now hang up those drawings all over your house to remind you of what you did in the bathroom.

Step number 2 is my favorite, favorite step. You're gonna come to my house. I'm gonna strobe blindingly bright lights into your eyes and face while you spin in my living room. Now, my patterns are going to be queered by your headform, and they're gonna generate three point-cloud axes. And then all you have to do is boolean the axes, and you're gonna end up with a 3-D model mesh of your head. It captures every wrinkle, every tear. After all, it's our imperfections that make us human.

Okay. Have you ever gone over to your girlfriend's house and she's covered her face in disgusting makeup and you find out that, all of a sudden, you don't love her anymore? It's not her fault. It's not your fault. It's actually science. See, she didn't know it at the time, but she just destroyed that natural luminescent quality that makes a woman beautiful. Now, that's a property called the uncanny valley. The uncanny valley states that when a non-human object begins to appear more human, it starts to get really cute... To a point, and then it becomes creepy.

It's like this imagine I'm jogging, and I love to jog, so I'm jogging. And out of nowhere damn it!... Aaaaaaaaaaaah! ...I stub my toe on a rock. On an ugly rock. But, hey, I got my pen here. Maybe I'll draw two eyes on the rock, and now, all of a sudden whoa! This rock's looking kind of cute. I'm starting to like this rock. What if I draw a nose and a mouth on the rock? And now, all of a sudden whoa! This is the cutest rock I've ever seen! I can't believe I'm falling in love with a stone. And then you're gonna want to coat the rock in skin and flesh and ooh, uncanny valley. Your rock fell down into the uncanny valley. It's down there with moving corpses, and this is where your girlfriend lives, and we're gonna try to hop on over and land on the other side with a believable human with real skin and flesh.

Now, I got an internship at the morgue, and I found out that every human face can contain as many as six muscles. And those muscles expand and contract and wibble and nibble and pull and tug at the skin. Ooh! That's a lot of stress. Skin stress. Skin stress test. I put every avatar I make through a variety of intensive skin stress tests. I do ball tests. Yes, I have wiggle tests. Whoever said I didn't have wiggle tests was lying. I shake up those avatars. And last but not least, we have durability and tear testing, because the last thing you want is your avatar's skin to rip or tear when you're trying to chat about your day.

So, that's it. We've created a real-life avatar. I guess I can just go home now. Bye bye-oh, wait. You forgot the personality, and it's only the most important step.

I'm going to come into your house. I'm gonna come into your home, and I'm gonna stay with you for two months. I'll bring a cot and a humidifier, and I'm gonna find out what makes you you. Every morning, you're gonna wake up with me on top of you. I'm gonna ask you hundreds of personal questions. Hundreds of personal questions. Things like: Have you ever caught a friend telling a lie? What was the worst thing you ever had to clean off of a rug? What's the best pair of lips you ever kissed? How many books do you own? Have you ever had a soft-shell crab? How much water can you drink? How many times did you catch a ball at the ball game you went to? How do you feel when you touch a little dog's hair? What is it like to have your hand covered in old glue? And all that information gets scanned in, and it gets put into the USB drive of your computer, and it makes the brain of your avatar. So, now my avatar doesn't just look like me, he also thinks like me.

I have touched so many lives with this remarkable technology! Teddy, thank you so much for helping me share this message tonight. Folks, we live in a very spooky-style world. No one's gonna do it for you. But all you have to do is take that first step, reach for that sweet, sweet fruit, and make nothing else you ever do ever matter.

People tend to use the term Empire rather interchangeably with the term big kingdom or kingdom that owns lots of stuff that is not its own. But I don't like this definition. This definition does not give nearly enough importance to the term and waters it down, and it sometimes just doesn’t apply to certain things.

The other issue is some people think that an Empire is just a European expression intended to connect someone to the concept of Rome. The word Empire does come from the Roman idea of Imperium, which was Rome's concept of rule through law, order, and general Roman influence being incredibly high among people, high enough they start acting Roman, a hegemony.

But the idea that Empires are European is incorrect. First, let's start with Persia. The Persian ruler was at times the Shahanshah, or Shah of Shahs, or king of kings. Similarly, the Turkic (big group of people from which the guys in Turkey come from) and Mongolian languages have the term Khagan/Qagan/Kha Khan which means Khan of Khans. While a khan might not strictly be a king in a feudal sense due their nomadic lifestyle, the idea is similar. Both of these people have a very definite idea that there can be someone so great, kings, the guys normally at the top, swear fealty to them. Another point, Genghis Khan is not a name but a title, meaning Great Khan, under whom other Khans serve. These khans eventually broke away but Temujin, the OG Genghis Khan, wanted his empire to last with a Genghis Kahn at top, and the other khans loyal to him.

So this brings us to another definition, someone who rules over kings. Does this work? The Holy Roman Emperor ruled over a couple of kings. The Mameluke emperor ruled over sultans, the Roman emperor was described by a Chinese traveler as ruling over kings who were appointed on the death of a previous king. But what about Charlemagne and Charles Martel? The Frankish Emperor ruled over what was by right multiple kingdoms but I don't think he had kingly vassals. And in texts at the time the empire was referred to as both a kingdom and an empire. But this kingdom was something special as emphasis was placed on the fact that it united previously disunited kingdoms.

Similar situation with China. China is either the Celestial Empire or the Middle Kingdom, depending on context. But either way, the Chinese emperor, or Huangdi, was seen as someone above other rulers. Other rulers paid tribute to him and he certainly ruled over quite a vast territory. A territory so vast, it once had many kingdoms within it, but those kingdoms were all united, with quite a lot of force, by Qin Shi Huangdi. Perhaps one thing to do at this point is more properly define a kingdom. To do that, let’s look at the British Isles. Now today’s British Isles are a lot more complicated than they were circa 850 AD so we will look back then. Back then, there were many independent realms, to name a few: the Kingdom of Jorvik (Northumbria), Kingdom of West Seax, Kingdom of Mercia, and the Kingdom of East Anglia. These guys all existed in what would become simply England. Jorvik/Northumbria is the one that is most relevant to what we are looking at because something very interesting happened to it. When Alfred the Great declared himself king of England, he did so controlling Northumbria as a kingdom. One king, two kingdoms. Northumbria would slip away from the King of England due to inheritance issues because it was a kingdom, those typically are independent. This was such an issue that when Northumbria was reconquered, it was demoted from being a kingdom to being an earldom. So we have this idea that kingdoms are typically independent. The solution to making Northumbria stay part of England was to remove its kingdom status. So there is something special about kingdoms compared to earldoms or counties. But let’s keep looking at England because they do something really interesting in 300 years. In 300 years, they take control through conquest and marriage much of France. Like, a lot of France. Too much France, according to the reigning French king. The king of England was now King of Aquitaine, England, and otherwise owner of lots of stuff. But though we refer to what he owned as an empire, he did not. He was simply king of multiple individual places. Kind of like if you have a home and a summer home, you have two homes, not one grand property divided by lots of territory that’s not yours. So a kingdom is individual, multiple kingdoms can have the same king, and kingdoms have pesky habit of wanting to change hands. Another realm to consider is the North Sea Empire. The North Sea Empire was ruled over by Cnut the Great. However, Cnut did not consider himself an emperor but still a king. He also made sure to not have any big, king vassals as he divided England into earldoms. We see another aspect of kingdoms with Cnut, as he called himself, “King of all England and Denmark and the Norwegians and of some of the Swedes." So we can see that there is some connection between kingdoms and cultural groups. We see this as well with Aquitaine being the region of Occitans, Norway home Norwegians, and Denmark home to Danes. Cnut, while not seeing himself as an emperor, definitely had the goal of establishing a dominion around a specific geographic feature. Perhaps we can see this as the beginning of imperial ambitions, as he recognized that he was king of many places and he wanted to control a big area of water, kind of like how Rome controlled the Mediterranean or how the emperor of Japan controls a big string if islands considered to be one unit. The North Sea Empire, as a union of kingdoms, dissolved upon Cnut’s death. Again, kingdoms like being independent. So a kingdom likes being independent, they appear to be a distinct unit of rulership that can change hands, kingdoms can be connected to cultural groups, and kingdoms have been demoted to prevent their pesky inheritance. So if we look at this idea of a King of kings, this is a lot more powerful. A king of king is above this pesky business of kingdoms wanting to slip away. No, these kingdoms are firmly underneath their rule (as much as you can be in feudal times). So an emperor rules over multiple units associated with some shared culture that are typically independent and it’s a big deal when they are not independent. We can see this idea in Russia. Peter the Great declared himself emperor of Russia. Lots of people tried to unite the Rus but only he was able to. And he marked that conquest that culminated in Muscovite victory with a declaration that these regions were under something above a king, in idea and reality. The idea of empires really came into vogue in the 19th century, with Napoleon declaring himself emperor of the French, an idea reminiscent of the Roman first among equals for their emperor. Additionally, Mexico had an emperor a few times. Not a king, but an explicit emperor. He didn’t last too long. Germany as well was declared as an Empire, as various former kingdoms under something supposedly above the kingdom of Prussia. This idea of an emperor uniting peoples is seen as well with Victoria, who declared herself Empress of India. So it is here that I define both kingdom and empire. A kingdom is a distinct unit of government, typically independent, frequently tied to a specific group of people. An empire is a body that has kingdoms underneath it and is an idea that it is above the kingdoms, a uniter of kingdoms, and one that has heavy influence from Rome but is not a strictly European idea. Heck, some Slavic languages used the word Qagan as emperor for a period of time.

Now, after having spent some time reading this, you might be thinking “who cares? Why is this important?” Well, this is very important. During Mao’s Cultural Revolution, he worked hard to distance himself from the idea that he was the emperor of china. The European Union, in my view, is a reincarnation of the Holy Roman Empire. It has member states that are distinct, like kings, but who all show varying levels of respect to an increasingly centralized governing body. Form your opinions on this as you will, but keep in mind the cultural advances made in the HRE that would not be possible if all those fractured states were not protected by a larger body. India as well is huge, and is definitely an empire. India being united is on a similar level with Europe being united, with a huge diversity of cultures and religions spread across a large piece of land but those states probably won’t be slipping away due to inheritance anytime soon. By identifying what is an empire, we can apply the techniques other empires have to ensure efficient administration and collectivity of the populace. Now, one thing I do want to clarify here is that the idea of a country having one unified culture or people is a very new idea starting with Napoleon. Lands could change hands so seeing yourself as French when you were English a month ago is harder than saying you are from a certain village. England is a special case because it had a migration Germanic lands bringing in Angles, Saxons, and Jutes who had a very different language and culture than the Romans and Britons already there. This was a pretty clear division between the groups, as well as the Norse who would come later. In other places, this division is harder to see but you might be able to group them based upon general lingual groups. Anyways, this is something I have thought about for a long time and wanted to type out.

A wall of text is something that is frowned upon in most, actually virtually all Internet societies, including forums, chat boards, and Uncyclopedia. You should not make walls of text because it can get you banned anywhere unless it is a place that encourages walls of text. I highly doubt any place does support something so irritating and annoying, but anything can exist, but not really because unless you are in heaven then that can happen. But no one actually knows that was just a hypothesis, a lame one that is. Actually not really lame. You can create a wall of text supporting site, but you would be hated if you do that, so do not. But you can if you like, but I discourage that. Now on to the actual information of walls of texts. The wall of text was invented when the Internet was invented, but actually it was slow at that time. So whenever it became fast. But there would need to be some free or not free community for people, and that community would be able to have walls of text. But that community probably wouldn't have actually invented the wall of text. So basically, no one except God and Al Gore knows when or where or how the wall of text existed/was invented. Noobs probably invented, but probably not. Who knows. Walls of texts are usually filled with a lot of useless information and junk. Information and junk can be the same, but only if the information is junk or the junk is information. But who cares. The information/junk inside a wall of text are usually related to wherever the wall of text is located, but the best walls of text, which are actually the most irritating, most eye-bleeding ones, are completely random. Walls of text usually make the reader asplode or have their eyes bleed and fall out of their sockets. A number of people can stand it, but not read them. Actually some people can stand and read them. Those people do not have short attention spans. These are boring and patient people who have no life or have all the time in their hands, which are the same, but not really. The punishment of what making walls of text varies of the strictness of the community. But it doesn't really matter. Nobody cares. Walls of texts should be free of links, different font colors, strange characters, which are those other symbols used in society, and capital letters because it ruins the whole purpose of the infamy of walls of texts. It makes them look fucking dumb and weird. Walls of texts are obviously free of huge spaces and outstanding things like capital letters. Of course, paragraphs should never be in a wall of text. Walls of text are known to create nausea, confusion, head explosion, and others. The others being something I can not think of either because I am lazy or if I do not feel like it or I can not actually think of anything. Like what the fuck? That was a rhetorical question right there. What the fuck? You are actually not requesting a satisfactory answer, you just say that because you try to be funny or you feel like it or if you are pissed off. You must get a proper bitch-slapping to stop making walls of text, but if you are weird then that doesn't apply to you. Walls of text are defeated by deleting them or splitting them into paragraphs. But who cares. The information/junk inside a wall of text are usually related to wherever the wall of text is located, but the best walls of text, which are actually the most irritating, most eye-bleeding ones, are completely random. Walls of text usually make the reader asplode or have their eyes bleed and fall out of their sockets. A number of people can stand it, but not read them. Actually some people can stand and read them. Those people do not have short attention spans. These are boring and patient people who have no life or have all the time in their hands, which are the same, but not really. The punishment of what making walls of text varies of the strictness of the community. But it doesn't really matter. Nobody cares. Walls of texts should be free of links, different font colors, strange characters, which are those other symbols used in society, and capital letters because it ruins the whole purpose of the infamy of walls of texts. It makes them look fucking dumb and weird. Walls of texts are obviously free of huge spaces and outstanding things like capital letters. Of course, paragraphs should never be in a wall of text. Walls of text are known to create nausea, confusion, head explosion, and others. The others being something I can not think of either because I am lazy or if I do not feel like it or I can not actually think of anything. Like what the fuck? That was a rhetorical question right there. What the fuck? You are actually not requesting a satisfactory answer, you just say that because you try to be funny or you feel like it or if you are pissed off. You must get a proper bitch-slapping to stop making walls of text, but if you are weird then that doesn't apply to you. Walls of text are defeated by deleting them or splitting them into paragraphs. Or some other things that would work but will take hours to think of. People are considered a nuisance if they create walls of text. This might be the end. If you hope this is the end, I am not sure. But if I was not sure then I wouldn't be talking. I should know. Or should I? The best way to make a better and good wall of text is to copy and paste what you previously typed or write. Hey, that reminds me. Wall of text aren't always on the internet! They could be anywhere that is able to produce symbols. D'oh. A wall of text is something that is frowned upon in most, actually virtually all Internet societies, including forums, chat boards, and Uncyclopedia. You should not make walls of text because it can get you banned anywhere unless it is a place that encourages walls of text. I highly doubt any place does support something so irritating and annoying, but anything can exist, but not really because unless you are in heaven then that can happen. Or some other things that would work but will take hours to think of. People are considered a nuisance if they create walls of text. This might be the end. If you hope this is the end, I am not sure. But if I was not sure then I wouldn't be talking. I should know. Or should I? The best way to make a better and good wall of text is to copy and paste what you previously typed or write. Hey, that reminds me. Walls of text aren't always on the internet! They could be anywhere that is able to produce symbols. D'oh. A wall of text is something that is frowned upon in most, actually virtually all Internet societies, including forums, chat boards, and Uncyclopedia. You should not make walls of text because it can get you banned anywhere unless it is a place that encourages walls of text. I highly doubt any place does support something so irritating and annoying, but anything can exist, but not really because unless you are in heaven then that can happen. But no one actually knows that was just a hypothesis, a lame one that is. Actually not really lame. You can created a wall of text supporting site, but you would be hated if you do that, so do not. But you can if you like, but I discourage that. Now on to the actual information of walls of texts. The wall of text was invented when the Internet was invented, but actually it was slow at that time. So whenever it became fast. But there would need to be some free or not free community for people, and that community would be able to have walls of text. But that community probably wouldn't have actually invented the wall of text. So basically, no one except God and Al Gore knows when or where or how the wall of text existed/was invented. Noobs probably invented, but probably not. Who knows. Walls of texts are usually filled with a lot of useless information and junk. Information and junk can be the same, but only if the information is junk or the junk is information. But who cares. The information/junk inside a wall of text are usually related to wherever the wall of text is located, but the best walls of text, which are actually the most irritating, most eye-bleeding ones, are completely random. Walls of text usually make the reader asplode or have their eyes bleed and fall out of their sockets. A number of people can stand it, but not read them. Actually some people can stand and read them. Those people do not have short attention spans. These are boring and patient people who have no life or have all the time in their hands, which are the same, but not really. The punishment of what making walls of text varies of the strictness of the community. But it doesn't really matter. Nobody cares. Walls of texts should be free of links, different font colors, strange characters, which are those other symbols used in society, and capital letters because it ruins the whole purpose of the infamy of walls of texts. It makes them look fucking dumb and weird and dumb. Walls of texts are obviously free of huge spaces and outstanding things like capital letters. Of course, paragraphs should never be in a wall of text. Walls of text are known to create nausea, confusion, head explosion, and others. The others being something I can not think of either because I am lazy or if I do not feel like it or I can not actually think of anything. Like what the fuck? That was a rhetorical question right there. What the fuck? You are actually not requesting a satisfactory answer, you just say that because you try to be funny or you feel like it or if you are pissed off. Now I just copied and pasted part of this huge wall of text, which is actually not. Wait what? Nice right? Ba boom a rhetorical question right there. Is this the end for the sanity of your eyes? What the fuck did you actually read up to here? Or did you skip to near the end and read this? Either way, you fail in life. Just kidding. Or was I? Oh well. Congratulations, or not, actually not. Get a life right now. I found a cheap life on eBay, but cheap lives are rare. Well, good luck in finding one. Not! Okay go kill yourself, but I wasn't meaning that. So go sit in the corner in your house. I do not care which, just stay there and rot. If you are not in a place with a corner, then lucky you. Find one if you can. There is no other option because I said so. Now if you pity yourself for reading this like most do, then do something productive and useful to the environment. My goodness. OK this is me here. I am starting a new section of this article. I didn't read anything in this article above here, but nevermind, because I have something important to say, and you really have to read this. So just skip everything above and just come to this part and start reading and agreeing. The wall of text was invented by engineers using typewriters. Everything was in typewriter font (because it was made on typewriters - remember when I explained that in the previous sentence?) and the point was to use all of the paper, because paper was very expensive back then, it had just been invented I think. So anyway, the point was, no margins at the top or bottom or sides. If you left a quarter inch on the sides of the paper, that was very bad. And the guiding principle was "This was hard to write, so it should be hard to read". Because they were software engineers, not writing engineers. Is there even such a thing a writing engineers? Probably. But anyway, please go back to the top of this article and read it over again. You'll get the point after you read it for approx. 10 to 15 times. OK have you done that now? Good. Now let's be honest - you're not reading down this far. Are you? Nobody would read down this far, unless they were a crazy person. Are you a crazy person? You might be. Now I'm afraid - it's just me alone with a crazy person. No one else has read down this far, just you, so it's just the two of us alone together here. Are you going to do something crazy? Maybe you will. Please don't hurt me. If you promise not to hurt me, I'll give a coupon good for a free Grand Slam Breakfast at Denny's. OK? Now just do this one thing for me, read the article over again, just one more time, and if you really truly don't agree with everything in it, then fine, I'll retire from my job with the railroad and we'll call the whole thing off and just go dancing, just the two of use, me (the writer) and you (a completely random crazy person who has actually read down this far), and boy won't we turn heads when we show up at Rockefeller Center with the entire Donner Party in tow! We'll dance all night to strains of the Lemon Pipers while the Italian 12th Armored Division prevents the Allies from thrusting into our rear! Ah, what memories we'll make, I'll never forget you, my completely insane random person. By the way this is magnificent example of wall of text. You have to be proud you read it all. Now please read article again, and this time pay attention.Wait a minute. didnt it say earlier that there shouldn't be any capitals

A wall of text consists of many lines of text that resemble a wall. A wall of text can sometimes be really big or somewhat small. Most walls of text lack grammar so they are not as appealing to read while other walls of text do contain grammar so they are actually easy to read but not as long as if you were to put a bunch of random characters or words. A wall of text might be made out of word bricks which kind of makes sense if you think of each word as a brick but that would be a tall and narrow wall unless you expand it in which case it will be a large wall in general. Most places do not allow walls of text because they count as spam and could get you banned or kicked or muted and will prevent you from posting other walls of text. Some places allow walls of text but that would be weird and probably doesn't exist. If such a platform did exist for creating walls of text and publishing them for viewers then it is probably not popular otherwise I would have seen it by now. You should refrain from posting walls of text because of the reason I stated up there that said that you could get muted for spam and another reason being that it might get a lot of dislikes or even flagged for spam. If you get flagged for spam then you will no longer be able to post walls of text which is pretty reasonable but I think people should be able to express themselves but probably not through walls of text unless you want to. I have come across a few walls of text and some of them are funny but some of them are short and there are rarely any long walls of text. Maybe walls of text were created by early internet users to troll others but that would be extremely slow because you get like a byte per second download and like a bit per second upload or something like that idk I didn't live with dial up so i wouldn't know about the internet speeds but they are probably accurate even though i should fact check that. People who create walls of text probably have a lot of time on their hands or are really boring or both and they might have very long attentions spans or maybe they are entertained by creating a wall of text because it lets them be creative with what they say. My favorite wall of text is titled "regarding walls of text" and it is a fun read because it keeps the user engaged but I don't think it is a wall of text probably more like a narration or documentary through words. Though some walls of text are large, some can be small but equally as annoying. Sometimes small walls of text are considered copy pasta because you can copy it and paste it to insert a copy of that wall of text or copy pasta. Walls of text can also be copied and pasted but what normal person would copy it? That's like copying abnormal copy pasta in a formal setting. Just imagine Jim peaking at your screen that contains a copy pasta while you're supposed to be focusing on the meeting. How would he feel? How would you feel if the roles were switched? Those questions are of course rhetorical but it's good to consider them. Are you ready to live forever? You guys, my name is Alan Resnick, and I'm so excited to be here. I found the secret to eternal life, and I found it on my Lapbook Pro. Now, you're looking at me, and you're saying, "Alan, you are so smart and you are so small. What is your origin tale?" Well, it all started...Two years ago. Me and Janet were having a bit of a lovers' quarrel, and she's got me sleeping on the couch. Now, I don't mind. I'm fine with it. I'm snoozing. And I'm having a dream I'm in a foggy meadow, and in the distance, I hear a voice calling me "Alan, Alan," just like that. And the fog clears to reveal a beautiful nude woman. And she's saying, "Alan, I'm ready for you. Put your dirt in me." and I'm thinking, "Whoa, whoa, whoa. Hold on a minute. I'm in enough trouble with the wife as it is. This is the last thing I need." But...I do it anyways, and right as I'm about to seal the deal, out of nowhere, I get shot with a gun, and it completely, completely destroyed my face. And that's how I got my fantastic idea. What if I could back myself up like my best favorite mp3 file or like a gif or a pdf? And after two months of hard work, I had done it. I had made an exact digital copy of myself. He calls himself "Teddy." I don't know why. My name is Alan. Now let's explain my 4-step program to live forever as you are now through 3-d scanning and other digital archiving techniques! Step number 1 is the most important step: Getting to know yourself. Now, you're probably thinking, "Alan, I think I know myself pretty well. I've spent every day of my life by myself. There's nothing about me to even tell me that I don't already know." well, I got some bad news for you, Mason. No one knows you. You see, by the age of 6, every human brain has formed a small calcified pebble called the Schrader clot, which prevents any amount of self-awareness. But don't worry, 'cause I've come up with an exercise to help us move past that pebble. All you have to do... Is look. Look at your face in the mirror. Look at your eyes. Look at the nose, the mouth, the philtrum. You're gonna do this for five hours every night. Then just borrow a pen or a pencil from a buddy or friend, flip off that light switch, and draw an image of what you think you saw in the mirror. Now hang up those drawings all over your house to remind you of what you did in the bathroom. Step number 2 is my favorite, favorite step. You're gonna come to my house. I'm gonna strobe blindingly bright lights into your eyes and face while you spin in my living room. Now, my patterns are going to be queered by your headform, and they're gonna generate three point-cloud axes. And then all you have to do is boolean the axes, and you're gonna end up with a 3-D model mesh of your head. It captures every wrinkle, every tear. After all, it's our imperfections that make us human. Okay. Have you ever gone over to your girlfriend's house and she's covered her face in disgusting makeup and you find out that, all of a sudden, you don't love her anymore? It's not her fault. It's not your fault. It's actually science. See, she didn't know it at the time, but she just destroyed that natural luminescent quality that makes a woman beautiful. Now, that's a property called the uncanny valley. The uncanny valley states that when a non-human object begins to appear more human, it starts to get really cute... To a point, and then it becomes creepy. It's like this imagine I'm jogging, and I love to jog, so I'm jogging. And out of nowhere damn it!... Aaaaaaaaaaaah! ...I stub my toe on a rock. On an ugly rock. But, hey, I got my pen here. Maybe I'll draw two eyes on the rock, and now, all of a sudden whoa! This rock's looking kind of cute. I'm starting to like this rock. What if I draw a nose and a mouth on the rock? And now, all of a sudden whoa! This is the cutest rock I've ever seen! I can't believe I'm falling in love with a stone. And then you're gonna want to coat the rock in skin and flesh and ooh, uncanny valley. Your rock fell down into the uncanny valley. It's down there with moving corpses, and this is where your girlfriend lives, and we're gonna try to hop on over and land on the other side with a believable human with real skin and flesh. Now, I got an internship at the morgue, and I found out that every human face can contain as many as six muscles. And those muscles expand and contract and wibble and nibble and pull and tug at the skin. Ooh! That's a lot of stress. Skin stress. Skin stress test. I put every avatar I make through a variety of intensive skin stress tests. I do ball tests. Yes, I have wiggle tests. Whoever said I didn't have wiggle tests was lying. I shake up those avatars. And last but not least, we have durability and tear testing, because the last thing you want is your avatar's skin to rip or tear when you're trying to chat about your day. So, that's it. We've created a real-life avatar. I guess I can just go home now. Bye bye-oh, wait. You forgot the personality, and it's only the most important step. I'm going to come into your house. I'm gonna come into your home, and I'm gonna stay with you for two months. I'll bring a cot and a humidifier, and I'm gonna find out what makes you you. Every morning, you're gonna wake up with me on top of you. I'm gonna ask you hundreds of personal questions. Hundreds of personal questions. Things like: Have you ever caught a friend telling a lie? What was the worst thing you ever had to clean off of a rug? What's the best pair of lips you ever kissed? How many books do you own? Have you ever had a soft-shell crab? How much water can you drink? How many times did you catch a ball at the ball game you went to? How do you feel when you touch a little dog's hair? What is it like to have your hand covered in old glue? And all that information gets scanned in, and it gets put into the USB drive of your computer, and it makes the brain of your avatar. So, now my avatar doesn't just look like me, he also thinks like me. I have touched so many lives with this remarkable technology! Teddy, thank you so much for helping me share this message tonight. Folks, we live in a very spooky-style world. No one's gonna do it for you. But all you have to do is take that first step, reach for that sweet, sweet fruit, and make nothing else you ever do ever matter.

People tend to use the term Empire rather interchangeably with the term big kingdom or kingdom that owns lots of stuff that is not its own. But I don't like this definition. This definition does not give nearly enough importance to the term and waters it down, and it sometimes just doesn’t apply to certain things. The other issue is some people think that an Empire is just a European expression intended to connect someone to the concept of Rome. The word Empire does come from the Roman idea of Imperium, which was Rome's concept of rule through law, order, and general Roman influence being incredibly high among people, high enough they start acting Roman, a hegemony. But the idea that Empires are European is incorrect. First, let's start with Persia. The Persian ruler was at times the Shahanshah, or Shah of Shahs, or king of kings. Similarly, the Turkic (big group of people from which the guys in Turkey come from) and Mongolian languages have the term Khagan/Qagan/Kha Khan which means Khan of Khans. While a khan might not strictly be a king in a feudal sense due their nomadic lifestyle, the idea is similar. Both of these people have a very definite idea that there can be someone so great, kings, the guys normally at the top, swear fealty to them. Another point, Genghis Khan is not a name but a title, meaning Great Khan, under whom other Khans serve. These khans eventually broke away but Temujin, the OG Genghis Khan, wanted his empire to last with a Genghis Kahn at top, and the other khans loyal to him. So this brings us to another definition, someone who rules over kings. Does this work? The Holy Roman Emperor ruled over a couple of kings. The Mameluke emperor ruled over sultans, the Roman emperor was described by a Chinese traveler as ruling over kings who were appointed on the death of a previous king. But what about Charlemagne and Charles Martel? The Frankish Emperor ruled over what was by right multiple kingdoms but I don't think he had kingly vassals. And in texts at the time the empire was referred to as both a kingdom and an empire. But this kingdom was something special as emphasis was placed on the fact that it united previously disunited kingdoms. Similar situation with China. China is either the Celestial Empire or the Middle Kingdom, depending on context. But either way, the Chinese emperor, or Huangdi, was seen as someone above other rulers. Other rulers paid tribute to him and he certainly ruled over quite a vast territory. A territory so vast, it once had many kingdoms within it, but those kingdoms were all united, with quite a lot of force, by Qin Shi Huangdi. Perhaps one thing to do at this point is more properly define a kingdom. To do that, let’s look at the British Isles. Now today’s British Isles are a lot more complicated than they were circa 850 AD so we will look back then. Back then, there were many independent realms, to name a few: the Kingdom of Jorvik (Northumbria), Kingdom of West Seax, Kingdom of Mercia, and the Kingdom of East Anglia. These guys all existed in what would become simply England. Jorvik/Northumbria is the one that is most relevant to what we are looking at because something very interesting happened to it. When Alfred the Great declared himself king of England, he did so controlling Northumbria as a kingdom. One king, two kingdoms. Northumbria would slip away from the King of England due to inheritance issues because it was a kingdom, those typically are independent. This was such an issue that when Northumbria was reconquered, it was demoted from being a kingdom to being an earldom. So we have this idea that kingdoms are typically independent. The solution to making Northumbria stay part of England was to remove its kingdom status. So there is something special about kingdoms compared to earldoms or counties. But let’s keep looking at England because they do something really interesting in 300 years. In 300 years, they take control through conquest and marriage much of France. Like, a lot of France. Too much France, according to the reigning French king. The king of England was now King of Aquitaine, England, and otherwise owner of lots of stuff. But though we refer to what he owned as an empire, he did not. He was simply king of multiple individual places. Kind of like if you have a home and a summer home, you have two homes, not one grand property divided by lots of territory that’s not yours. So a kingdom is individual, multiple kingdoms can have the same king, and kingdoms have pesky habit of wanting to change hands. Another realm to consider is the North Sea Empire. The North Sea Empire was ruled over by Cnut the Great. However, Cnut did not consider himself an emperor but still a king. He also made sure to not have any big, king vassals as he divided England into earldoms. We see another aspect of kingdoms with Cnut, as he called himself, “King of all England and Denmark and the Norwegians and of some of the Swedes." So we can see that there is some connection between kingdoms and cultural groups. We see this as well with Aquitaine being the region of Occitans, Norway home Norwegians, and Denmark home to Danes. Cnut, while not seeing himself as an emperor, definitely had the goal of establishing a dominion around a specific geographic feature. Perhaps we can see this as the beginning of imperial ambitions, as he recognized that he was king of many places and he wanted to control a big area of water, kind of like how Rome controlled the Mediterranean or how the emperor of Japan controls a big string if islands considered to be one unit. The North Sea Empire, as a union of kingdoms, dissolved upon Cnut’s death. Again, kingdoms like being independent. So a kingdom likes being independent, they appear to be a distinct unit of rulership that can change hands, kingdoms can be connected to cultural groups, and kingdoms have been demoted to prevent their pesky inheritance. So if we look at this idea of a King of kings, this is a lot more powerful. A king of king is above this pesky business of kingdoms wanting to slip away. No, these kingdoms are firmly underneath their rule (as much as you can be in feudal times). So an emperor rules over multiple units associated with some shared culture that are typically independent and it’s a big deal when they are not independent. We can see this idea in Russia. Peter the Great declared himself emperor of Russia. Lots of people tried to unite the Rus but only he was able to. And he marked that conquest that culminated in Muscovite victory with a declaration that these regions were under something above a king, in idea and reality. The idea of empires really came into vogue in the 19th century, with Napoleon declaring himself emperor of the French, an idea reminiscent of the Roman first among equals for their emperor. Additionally, Mexico had an emperor a few times. Not a king, but an explicit emperor. He didn’t last too long. Germany as well was declared as an Empire, as various former kingdoms under something supposedly above the kingdom of Prussia. This idea of an emperor uniting peoples is seen as well with Victoria, who declared herself Empress of India. So it is here that I define both kingdom and empire. A kingdom is a distinct unit of government, typically independent, frequently tied to a specific group of people. An empire is a body that has kingdoms underneath it and is an idea that it is above the kingdoms, a uniter of kingdoms, and one that has heavy influence from Rome but is not a strictly European idea. Heck, some Slavic languages used the word Qagan as emperor for a period of time. Now, after having spent some time reading this, you might be thinking “who cares? Why is this important?” Well, this is very important. During Mao’s Cultural Revolution, he worked hard to distance himself from the idea that he was the emperor of china. The European Union, in my view, is a reincarnation of the Holy Roman Empire. It has member states that are distinct, like kings, but who all show varying levels of respect to an increasingly centralized governing body. Form your opinions on this as you will, but keep in mind the cultural advances made in the HRE that would not be possible if all those fractured states were not protected by a larger body. India as well is huge, and is definitely an empire. India being united is on a similar level with Europe being united, with a huge diversity of cultures and religions spread across a large piece of land but those states probably won’t be slipping away due to inheritance anytime soon. By identifying what is an empire, we can apply the techniques other empires have to ensure efficient administration and collectivity of the populace. Now, one thing I do want to clarify here is that the idea of a country having one unified culture or people is a very new idea starting with Napoleon. Lands could change hands so seeing yourself as French when you were English a month ago is harder than saying you are from a certain village. England is a special case because it had a migration Germanic lands bringing in Angles, Saxons, and Jutes who had a very different language and culture than the Romans and Britons already there. This was a pretty clear division between the groups, as well as the Norse who would come later. In other places, this division is harder to see but you might be able to group them based upon general lingual groups. Anyways, this is something I have thought about for a long time and wanted to type out.

Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ 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Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰ Ỏ̷͖͈̞̩͎̻̫̫̜͉̠̫͕̭̭̫̫̹̗̹͈̼̠̖͍͚̥͈̮̼͕̠̤̯̻̥̬̗̼̳̤̳̬̪̹͚̞̼̠͕̼̠̦͚̫͔̯̹͉͉̘͎͕̼̣̝͙̱̟̹̩̟̳̦̭͉̮̖̭̣̣̞̙̗̜̺̭̻̥͚͙̝̦̲̱͉͖͉̰̦͎̫̣̼͎͍̠̮͓̹̹͉̤̰̗̙͕͇͔̱͕̭͈̳̗̭͔̘̖̺̮̜̠͖̘͓̳͕̟̠̱̫̤͓͔̘̰̲͙͍͇̙͎̣̼̗̖͙̯͉̠̟͈͍͕̪͓̝̩̦̖̹̼̠̘̮͚̟͉̺̜͍͓̯̳̱̻͕̣̳͉̻̭̭̱͍̪̩̭̺͕̺̼̥̪͖̦̟͎̻̰

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4102˙80˙12 :puɐʇs ɥɔılʇläɥɹǝ € 00'85 qɐ ƃunllǝʇsǝq/oɟuı
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plǝƃɹɐɐq ɹopoǝɥʇ sǝuuɐɥoɾ

˙ɐpɐpsɟdɯnɹɹɹɹɹɹ 'ʇɹɥöɹ ǝɹɥöɹɯɹɐɥ ǝıp 'ɹɥoɹɹɥoq 'ɹoqɐlloɔ ˙ƃunpıǝlʞɹǝʌsʇɥɔǝlɥɔsǝƃ uı ɹǝpɹöɯʇsqlǝs ɹǝp ʇsı ɹǝʞıʇoƃ ɹǝp ˙ɹǝıǝzʇolʞ ɹǝp sılɐuoıʇıqıɥxǝ ǝpuǝɹǝıssɐɯıɹƃ ɹǝp ʇsı ʞıʇoƃ ǝıp :ǝɹɥöɹɥǝʇs ¡ǝʇɐɹoqɐlloɔ ¡uǝɹɥöɹ ʇɥǝʇs ˙ǝɹɥöɹ ʇɥǝʇs ("ɐ" ǝqɐƃsnɐ ulöʞ uı ǝʇsuüʞ ɹǝp ʇɟɐɥɔsllǝsǝƃ ɹǝp uoʌ uǝƃɐlɥɔsɹǝʇun uǝɥɔsılƃuǝ ɯǝp snɐ) plǝıɟʇɹɐǝɥ puɐlǝıʍ ˙ǝɹɥöɹ ʇɥǝʇs ʇuɐsǝq - ıuuɐ - ǝıp ˙ǝɹɥöɹ ʇɥǝʇs pnoƃǝd ˙uıǝquǝɹɥöɹ ˙ǝɹɥöɹ ɹǝp uı pun uɐ ɹnʇʞǝʇıɥɔɹɐuǝɹɥöɹ ǝıp uǝllos ɹıʍ ˙uǝɥɔılƃǝƃsnɐ uǝpuǝɹǝıpnʇsʇʇodɯoʞ-lɐızos uǝuoʇılıɯɯoɔ uǝɥɔsıuıǝɥɹ ǝıp uɐ ǝʇsɹüʍuɥɐzɹɐɐɥßoɹ ǝɥɔsʇnǝp 029 ʇɐɥ ƃunƃǝʍǝq uǝɥɔsıʇsıɐpɐp ɹǝp ɥɔıɹüz ǝʞɔnusʇɹo ǝıp ˙sɯǝʇsʎsuǝɹɥöɹ sǝp ǝɟlıɥ ʇıɯ ǝuısäɹpǝƃɐuäɹp ǝuıǝ sʇıǝɹǝq pun 'ʇsı ǝlnäɟuɥɐz ɹǝp ƃunuıǝɥɔsɹǝ-suoıʇɐɯoʌ ǝʌıʇʞǝɹǝ ǝuıǝ ʞıʇoƃ ǝıp ßɐp 'uǝɯɯoʞ nz sıuqǝƃɹǝ ɯǝp nz ʇqnɐlƃ dɹɐ ˙uǝsıǝlǝƃ ǝsǝɥʇuʎsuǝɹɥöɹ uǝɥɔsıuıʇsnƃnɐ ɹǝp ǝssüƃɹoʌ ǝıp ǝʇʇıu ɹǝuıǝs uoıʇɐʞɹǝqnd uǝʇsɥɔäu ɹǝuıǝs uı ʇǝlǝɥʇɐlıɥd ǝʇqǝılɹǝʌ ɹǝp pɹıʍ uǝƃǝƃɐp ˙uǝƃɐɹʇɹǝʌ ıǝp sılɐnʇʞǝllǝʇuı ɹoɯɐ uǝp ɹǝläɥɔs uoʌ plodoǝl ˙ɟoɹd uǝʇǝlǝɥʇɐlıɥd sǝp ǝʇʇıu ɹǝp ʇɐɥ "p" sǝssnɥɔssnɐsuoıʇʞɐ uǝlɐuoıʇɐuɹǝʇuı sǝp ɹässıɯǝ 'dɹɐ suɐɥ ʇsıuıʇɐs ɹǝp ˙ʇɥǝʍǝƃ slǝʇıdɐʞɯop sǝp uǝızıɟɟo ǝıp ɥɔɹnp lɐɯıǝʍz ǝzʇlnɥɔs ˙ɹp ɟoɥɔsıqzɹǝ ɯoʌ 51˙3 ˙ɯɥɔɐu ǝpɹnʍ "uoıssɐd ǝƃızuıǝ uıǝɯ" ʞɹǝʍɹɐʇlɐ ǝuǝɟɟıɹƃɹǝ sɐp ˙ʇǝpuǝlǝɹǝʌ uıʇʇɐƃ ɹǝuıǝs ƃunlɐɯsnɐ ǝɥɔsıʇsıuoıssǝɹdxǝ ǝıp uǝuǝssılɟǝqɯoldıpuǝuuoq ɹǝp ƃunzʇıs ɹǝɥɔsıʇuǝpnʇs uı uuoq - ɹǝƃuıɥɔɐɟ ˙ɥlıʍ ˙ɟoɹd uoıʇʞǝɾɹǝʇuı ɹǝp ʇsıpuɐƃɐdoɹd ɹǝp ʇɐɥ ɯǝpzʇoɹʇ ˙ʇƃɐɹʇuɐǝq ɹǝlloɹ ɹǝzɹɐɥ ɥɔɹnp suǝsǝʍuǝʇuǝuɹǝzǝp sǝp ƃunɹǝısıɹɐuɐʞ ǝıp ɹǝɥɐp ʇɐɥ ƃunƃıuıǝɹǝʌuǝʇuǝɯnsuoʞ ǝıp ˙ʇzʇɐldǝƃ plǝɟɹǝǝɯ ɐlɐsoɹ uıʇsıɐpɐp ɹǝp uǝsɐʌ ǝıp puıs sɹǝssɐʍɥɔoɥ-ɹɐnuɐɾ sǝp ǝƃloɟ slɐ ˙uǝpɹoʍ ʇɹǝıdıʇsuoʞ uɥos ɯǝuıǝs ʇıɯ ʇlʎs ƃunlpǝısuǝɹɥöɹ ɹǝp uı ɹǝuıqnɹ ˙ɹ uuɐɥoɾ uǝʇsıɐpɐp sǝp ƃunɹɥüɟɹǝʌ ɥɔɹnp ʇsı ɹǝʇlɐʍuǝsɐɥ ˙uǝssoƃǝq uɥos ɯǝuıǝs uoʌ ,ǝpǝıʍ ,ǝʇıǝʍ pɹıʍ ɹǝʇlɐɟuǝsɐɥ ɹǝʌǝlɔ uǝɥɔlıǝʍouıʞ sɐp ˙uǝnɐʞnzsnɐ ɹnʇʞǝʇoɹɥdɐuǝɹɥöɹ ɹǝp uouɐʞlɐʇuǝɯɐuɹo uǝp ʇʞɐ uǝɥɔılqıǝʍ ɯɐ uǝƃunplıqlɹǝd pun uǝƃunɹǝuıǝʇsʇoʞ 'uǝƃunɹɐɐɥ ɹǝɯɹouqɐ 'uǝƃunsɥɔɐʍʇuǝ lɥɐzɟnɐ ɹǝuıǝ ʇıɯ ʇƃıʇɥɔısqɐǝq ʇnʇıʇsuı sɐp ˙ʇǝʇɥɔıɹɹǝʌ ǝʇɹɐʍlɐʇuǝɯɐuɹo ǝɥɔsıɯoʇɐuɐuɐld ǝuıǝ (1944ɐ ˙lǝʇ '451-051 ƃǝʍɹǝƃɹnqsɹǝɟǝıɥɔs 'sǝddıu) sʇlɐʍɹǝʌsƃunʇɹǝʍʇuǝɹǝıʇɹǝız ˙ʇpäʇs sǝp uǝɯnäq uǝp uı ʇɐɥ ˙q˙p˙q ǝʞɥɔsɐɯ ɐpɐp sǝp "ƃunɹǝʇıǝʍɹǝǝʇʇäʇs" uɹnɯıǝɥǝƃ ɹǝp ˙ʇzʇǝs ɥdɐʇıdǝlǝllɐɹɐdoɥɔʎsd uıǝ ƃɐʇ ɯǝp slǝʇɹǝıʌ sǝuıǝs uɹǝʇuıɥɹǝsnäɥ pun uɹǝnɐɯpuɐɹq uǝp uɐ uǝpɐɔɹɐɟuǝɹɥöɹ uoʌ uǝƃuıɹquɐ ɥɔɹnp ɹǝp 'ʇpuɐsǝƃ lǝʇʇüq ɯǝp ʇıɯ ɹnʇʞuıʇıɥɔɹɐuǝɹɥöɹ ˙ʇqɐ 3/ʍ ǝlɐɹʇuǝz ǝıp uɐ ɥɔıs ʇɐɥ ɹɐɐdlǝqnɾ sɐp ˙ʇǝʇɐɹıǝɥǝƃ ǝʇqǝılǝƃ ǝuıǝs ʇɐɥ ʇǝʍıǝs oǝl pılodoɯsoʞ ɹǝp ˙ʇɥɔıɹdsɹǝpıʍ sǝɟɹnʍʇuǝzʇǝsǝƃuǝɹɥöɹqǝıɹʇǝq sǝp uǝƃunɯɯıʇsɹǝʌ uǝp pun ʇsı ɹǝllǝʞ ɹǝʇƃǝlǝƃıǝɹɟ uıǝ ɹǝp 'puıs uǝqɐɹƃɹǝʌ nz sǝɯɹnʇlǝɟɟıǝ sǝp uǝıǝʇɹɐdǝqlöʍǝƃ ǝıp qo 'uǝssɐl uǝɯɯıʇsǝq ɥɔıs uǝpɹǝʍ ǝʇǝıqǝƃsƃunɯɯıʇsqɐ ǝıp ˙snɐ ɹnʇʞǝʇıɥɔɹɐuǝɹɥöɹ ɹǝp uǝpoq ɯǝp ɟnɐ ɥɔıǝlƃɹǝʌ uǝuıǝ ʎqɹǝp-uɐsǝzöıp ǝƃıllıʍıǝɹɟ-ƃıɹɥäɾuıǝ sɐp ɹüɟ ɐpɐp ƃunƃǝʍǝq ɹǝp 3/ʍ ǝlɐɹʇuǝz ǝıp ʇƃäs 'ulǝʞäɥ ǝɯɯɐɹƃǝlǝʇɥɔsunʍʞɔülƃ uıpoɹ ǝʇsnƃnɐ uıʇsılɐızos ǝıp pun uıǝʇsuıǝ ʇɹǝqlɐ puǝɹɥäʍ ˙nɐɹɟ ɹǝuıǝs ƃunɹǝısılɐunɯɯoʞ ɹǝp ʇıɯ ʇɥoɹp pun ǝɥǝ ɹǝp nɐqqɐ slɐ ʞıʇoƃlɐunɯɯoʞ ɹǝp ƃunlɥüɟuıǝ ǝıp ʇsɹǝ ǝsolɥɔnɐɹ ʇʞɐpıpouɹod ǝpuǝɥɔǝʇs ʇɥɔılɟdʇɟɐɥ ɹǝp qlɐɥɹǝßnɐ ɹǝp ʇɹälʞɹǝ 'uǝɯɯouǝƃ ƃunllǝʇs uǝsoɥɹǝıɹɟǝƃ uoʌ uǝƃnɐsuɐ ɥɔɹnp ʇʞǝɹpod ɯǝp nz sǝpunq sǝp lǝƃuılʞ ǝuɹodolıɥd ǝıp ɯǝpɥɔɐu ˙sɯop ɹǝulöʞ sǝp ɟnɐlɟnɐ uǝp ɥɔɹnp sɯǝʇsʎsuǝɹɥöɹ sǝp ƃunpuɐsǝq ǝıp ʇlǝpuɐɥɹǝʌ pun uǝʞɔɐqǝƃuıǝ puoɯǝɹ zʇıɹoɯ uǝʌǝlǝnɐqlɐunɯoʞ uǝp ɥɔɹnp ɥɔıluösɹǝd ˙ɯɹoʌ 03˙11 ɹɐnuɐɾ ˙51 ɯɐ ǝpɹnʍ ˙ɥǝƃ 0291/3332 ʇʞǝɹpod ɹǝp ˙uǝßoʇsǝƃ ˙ɥǝƃ 0291/3332 ˙ou ɟɹnʍɹoʌlɐuıɯıɹʞ uǝp ɟnɐ uǝʇıǝqɹɐ uǝʇɹǝıɹouoɥ puǝɟnɐlɥɔɹnp ɹǝuıǝs ƃunɹǝıʌouǝɹ ɹǝp ıǝq ʇsı uǝʇʞǝʇıɥɔɹɐsnıʇɐlnʞǝds ǝʌıssǝɹdxǝ lǝʌ ɹǝƃuäƃuǝʇuıɹd ɹǝɥɔsıuısɐɯoɥʇ ʇɟɐsuǝɥɔsɹnq ɹǝp ˙ɯɹnʍpuɐq 'puɐqzzɐɾ 'zzɐɾ

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schwieriges los:

Ɱⱻ|И ŦℜⒺUηⒹ & K❍⎳⎳€g트

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//uⓇDҼ ⩕i† KUⒸⒽέƝ GⓇⓄϟ$g∑ZʘGⒺN

(seine mutter kann zwar sehr gut kuchen backen, aber nicht so gut kochen)                

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'Hannover' - Kurt Schwitters

Die Hannoveraner sind die Bewohner einer Stadt, einer Großstadt. Hundekrankheiten bekommt der Hannoveraner nie. Hannovers Rathaus gehört den Hannoveranern, und das ist doch wohl eine berechtigte Forderung. Der Unterschied zwischen Hannover und Anna Blume ist der, daß man Anna von hinten und von vorn lesen kann, Hannover dagegen am besten nur von vorne. Liest man aber Hannover von hinten, so ergibt sich die Zusammenstellung dreier Worte: "re von nah". Das Wort "re" kann man verschieden übersetzen: "rückwärts" oder "zurück". Ich schlage die Übersetzung "rückwärts" vor. Dann ergibt sich also als Übersetzung des Wortes Hannover von hinten: "Rückwärts von nah". Und das stimmt insofern, als dann die Übersetzung des Wortes Hannover von vorn lauten würde: "Vorwärts nach weit". Das heißt also: Hannover strebt vorwärts, und zwar ins Unermeßliche. Anne Blume hingegen ist von hinten wie von vorne: A-N-N-A.
(Hunde bitte an die Leine zu führen.)

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ASCII table , ascii codes :
American Standard Code for Information Interchange
The complete table of ASCII characters, letters, codes, symbols and signs.
[ Home ]
[ español ]

ASCII control characters
00NULL(Null character)01SOH(Start of Header)02STX(Start of Text)03ETX(End of Text)04EOT(End of Trans.)05ENQ(Enquiry)06ACK(Acknowledgement)07BEL(Bell)08BS(Backspace)09HT(Horizontal Tab)10LF(Line feed)11VT(Vertical Tab)12FF(Form feed)13CR(Carriage return)14SO(Shift Out)15SI(Shift In)16DLE(Data link escape)17DC1(Device control 1)18DC2(Device control 2)19DC3(Device control 3)20DC4(Device control 4)21NAK(Negative acknowl.)22SYN(Synchronous idle)23ETB(End of trans. block)24CAN(Cancel)25EM(End of medium)26SUB(Substitute)27ESC(Escape)28FS(File separator)29GS(Group separator)30RS(Record separator)31US(Unit separator)127DEL(Delete)
ASCII printable
characters
32space33!34"35#36$37%38&39'40(41)42*43+44,45-46.47/48049150251352453554655756857958:59;60<61=62>63?64@65A66B67C68D69E70F71G72H73I74J75K76L77M78N79O80P81Q82R83S84T85U86V87W88X89Y90Z91[92\93]94^95_96`97a98b99c100d101e102f103g104h105i106j107k108l109m110n111o112p113q114r115s116t117u118v119w120x121y122z123{124|125}126~
Extended ASCII
characters
128Ç129ü130é131â132ä133à134å135ç136ê137ë138è139ï140î141ì142Ä143Å144É145æ146Æ147ô148ö149ò150û151ù152ÿ153Ö154Ü155ø156£157Ø158×159ƒ160á161í162ó163ú164ñ165Ñ166ª167º168¿169®170¬171½172¼173¡174«175»176░177▒178▓179│180┤181Á182Â183À184©185╣186║187╗188╝189¢190¥191┐192└193┴194┬195├196─197┼198ã199Ã200╚201╔202╩203╦204╠205═206╬207¤208ð209Ð210Ê211Ë212È213ı214Í215Î216Ï217┘218┌219█220▄221¦222Ì223▀224Ó225ß226Ô227Ò228õ229Õ230µ231þ232Þ233Ú234Û235Ù236ý237Ý238¯239´240≡241±242‗243¾244¶245§246÷247¸248°249¨250·251¹252³253²254■255nbspThe complete table of ASCII characters, codes, symbols and signs most consulted ñénye, n with tilde(alt + 164)■black square(alt + 254)²superscript two, square(alt + 253)°degree symbol(alt + 248)'apostrophe, single quote(alt + 39)µletter Mu, micro, micron(alt + 230)©copyright symbol(alt + 184)®registered trademark(alt + 169)³superscript three, cube(alt + 252)áa with acute accent(alt + 160)
frequently-used
(spanish language)
ñalt + 164Ñalt + 165@alt + 64¿alt + 168?alt + 63¡alt + 173!alt + 33:alt + 58/alt + 47\alt + 92
vowels acute accent
(spanish language)
áalt + 160éalt + 130íalt + 161óalt + 162úalt + 163Áalt + 181Éalt + 144Íalt + 214Óalt + 224Úalt + 233
vowels with
diaresis
äalt + 132ëalt + 137ïalt + 139öalt + 148üalt + 129Äalt + 142Ëalt + 211Ïalt + 216Öalt + 153Üalt + 154
mathematical
symbols
½alt + 171¼alt + 172¾alt + 243¹alt + 251³alt + 252²alt + 253ƒalt + 159±alt + 241×alt + 158÷alt + 246
commercial / trade
symbols
$alt + 36£alt + 156¥alt + 190¢alt + 189¤alt + 207®alt + 169©alt + 184ªalt + 166ºalt + 167°alt + 248
quotes and
parenthesis
"alt + 34'alt + 39(alt + 40)alt + 41[alt + 91]alt + 93{alt + 123}alt + 125«alt + 174»alt + 175Brief History of ASCII code:
The American Standard Code for Information Interchange, or ASCII code, was created in 1963 by the "American Standards Association" Committee or "ASA", the agency changed its name in 1969 by "American National Standards Institute" or "ANSI" as it is known since.

This code arises from reorder and expand the set of symbols and characters already used in telegraphy at that time by the Bell company.

At first only included capital letters and numbers , but in 1967 was added the lowercase letters and some control characters, forming what is known as US-ASCII, ie the characters 0 through 127.
So with this set of only 128 characters was published in 1967 as standard, containing all you need to write in English language.

In 1981, IBM developed an extension of 8-bit ASCII code, called "code page 437", in this version were replaced some obsolete control characters for graphic characters. Also 128 characters were added , with new symbols, signs, graphics and latin letters, all punctuation signs and characters needed to write texts in other languages, ​​such as Spanish.
In this way was added the ASCII characters ranging from 128 to 255.

IBM includes support for this code page in the hardware of its model 5150, known as "IBM-PC", considered the first personal computer.
The operating system of this model, the "MS-DOS" also used this extended ASCII code.
Almost all computer systems today use the ASCII code to represent characters and texts. (151) .

How to use the ASCII code:
Without knowing it you use it all the time, every time you use a computer system, but if all you need is to get some of the characters not included in your keyboard should do the following, for example:

How typing: Spanish letter enye, uppercase N with tilde, EÑE, enie ?
WINDOWS: on computers with Windows operating system like Windows 8, Win 7, Vista, Windows XP, etc..
To get the letter, character, sign or symbol "Ñ" : ( Spanish letter enye, uppercase N with tilde, EÑE, enie ) on computers with Windows operating system:

1. Press the "Alt" key on your keyboard, and do not let go.
2. While keep press "Alt", on your keyboard type the number "165", which is the number of the letter or symbol "Ñ" in ASCII table.
3. Then stop pressing the "Alt" key, and ...you got it! (152)

Full list of ASCII characters, letters, symbols and signs with descriptions:
ASCII control characters non printable :ASCII code 00 = NULL ( Null character )
ASCII code 01 = SOH ( Start of Header )
ASCII code 02 = STX ( Start of Text )
ASCII code 03 = ETX ( End of Text, hearts card suit )
ASCII code 04 = EOT ( End of Transmission, diamonds card suit )
ASCII code 05 = ENQ ( Enquiry, clubs card suit )
ASCII code 06 = ACK ( Acknowledgement, spade card suit )
ASCII code 07 = BEL ( Bell )
ASCII code 08 = BS ( Backspace )
ASCII code 09 = HT ( Horizontal Tab )
ASCII code 10 = LF ( Line feed )
ASCII code 11 = VT ( Vertical Tab, male symbol, symbol for Mars )
ASCII code 12 = FF ( Form feed, female symbol, symbol for Venus )
ASCII code 13 = CR ( Carriage return )
ASCII code 14 = SO ( Shift Out )
ASCII code 15 = SI ( Shift In )
ASCII code 16 = DLE ( Data link escape )
ASCII code 17 = DC1 ( Device control 1 )
ASCII code 18 = DC2 ( Device control 2 )
ASCII code 19 = DC3 ( Device control 3 )
ASCII code 20 = DC4 ( Device control 4 )
ASCII code 21 = NAK ( NAK Negative-acknowledge )
ASCII code 22 = SYN ( Synchronous idle )
ASCII code 23 = ETB ( End of trans. block )
ASCII code 24 = CAN ( Cancel )
ASCII code 25 = EM ( End of medium )
ASCII code 26 = SUB ( Substitute )
ASCII code 27 = ESC ( Escape )
ASCII code 28 = FS ( File separator )
ASCII code 29 = GS ( Group separator )
ASCII code 30 = RS ( Record separator )
ASCII code 31 = US ( Unit separator )
ASCII code 127 = DEL ( Delete )
Printable ASCII characters :
( alphanumeric, symbols and signs )ASCII code 32 = space ( Space )
ASCII code 33 = ! ( Exclamation mark )
ASCII code 34 = " ( Double quotes ; Quotation mark ; speech marks )
ASCII code 35 = # ( Number sign )
ASCII code 36 = $ ( Dollar sign )
ASCII code 37 = % ( Percent sign )
ASCII code 38 = & ( Ampersand )
ASCII code 39 = ' ( Single quote or Apostrophe )
ASCII code 40 = ( ( round brackets or parentheses, opening round bracket )
ASCII code 41 = ) ( parentheses or round brackets, closing parentheses )
ASCII code 42 = * ( Asterisk )
ASCII code 43 = + ( Plus sign )
ASCII code 44 = , ( Comma )
ASCII code 45 = - ( Hyphen , minus sign )
ASCII code 46 = . ( Dot, full stop )
ASCII code 47 = / ( Slash , forward slash , fraction bar , division slash )
ASCII code 48 = 0 ( number zero )
ASCII code 49 = 1 ( number one )
ASCII code 50 = 2 ( number two )
ASCII code 51 = 3 ( number three )
ASCII code 52 = 4 ( number four )
ASCII code 53 = 5 ( number five )
ASCII code 54 = 6 ( number six )
ASCII code 55 = 7 ( number seven )
ASCII code 56 = 8 ( number eight )
ASCII code 57 = 9 ( number nine )
ASCII code 58 = : ( Colon )
ASCII code 59 = ; ( Semicolon )
ASCII code 60 = < ( Less-than sign )
ASCII code 61 = = ( Equals sign )
ASCII code 62 = > ( Greater-than sign ; Inequality )
ASCII code 63 = ? ( Question mark )
ASCII code 64 = @ ( At sign )
ASCII code 65 = A ( Capital letter A )
ASCII code 66 = B ( Capital letter B )
ASCII code 67 = C ( Capital letter C )
ASCII code 68 = D ( Capital letter D )
ASCII code 69 = E ( Capital letter E )
ASCII code 70 = F ( Capital letter F )
ASCII code 71 = G ( Capital letter G )
ASCII code 72 = H ( Capital letter H )
ASCII code 73 = I ( Capital letter I )
ASCII code 74 = J ( Capital letter J )
ASCII code 75 = K ( Capital letter K )
ASCII code 76 = L ( Capital letter L )
ASCII code 77 = M ( Capital letter M )
ASCII code 78 = N ( Capital letter N )
ASCII code 79 = O ( Capital letter O )
ASCII code 80 = P ( Capital letter P )
ASCII code 81 = Q ( Capital letter Q )
ASCII code 82 = R ( Capital letter R )
ASCII code 83 = S ( Capital letter S )
ASCII code 84 = T ( Capital letter T )
ASCII code 85 = U ( Capital letter U )
ASCII code 86 = V ( Capital letter V )
ASCII code 87 = W ( Capital letter W )
ASCII code 88 = X ( Capital letter X )
ASCII code 89 = Y ( Capital letter Y )
ASCII code 90 = Z ( Capital letter Z )
ASCII code 91 = [ ( square brackets or box brackets, opening bracket )
ASCII code 92 = \ ( Backslash , reverse slash )
ASCII code 93 = ] ( box brackets or square brackets, closing bracket )
ASCII code 94 = ^ ( Circumflex accent or Caret )
ASCII code 95 = _ ( underscore , understrike , underbar or low line )
ASCII code 96 = ` ( Grave accent )
ASCII code 97 = a ( Lowercase letter a , minuscule a )
ASCII code 98 = b ( Lowercase letter b , minuscule b )
ASCII code 99 = c ( Lowercase letter c , minuscule c )
ASCII code 100 = d ( Lowercase letter d , minuscule d )
ASCII code 101 = e ( Lowercase letter e , minuscule e )
ASCII code 102 = f ( Lowercase letter f , minuscule f )
ASCII code 103 = g ( Lowercase letter g , minuscule g )
ASCII code 104 = h ( Lowercase letter h , minuscule h )
ASCII code 105 = i ( Lowercase letter i , minuscule i )
ASCII code 106 = j ( Lowercase letter j , minuscule j )
ASCII code 107 = k ( Lowercase letter k , minuscule k )
ASCII code 108 = l ( Lowercase letter l , minuscule l )
ASCII code 109 = m ( Lowercase letter m , minuscule m )
ASCII code 110 = n ( Lowercase letter n , minuscule n )
ASCII code 111 = o ( Lowercase letter o , minuscule o )
ASCII code 112 = p ( Lowercase letter p , minuscule p )
ASCII code 113 = q ( Lowercase letter q , minuscule q )
ASCII code 114 = r ( Lowercase letter r , minuscule r )
ASCII code 115 = s ( Lowercase letter s , minuscule s )
ASCII code 116 = t ( Lowercase letter t , minuscule t )
ASCII code 117 = u ( Lowercase letter u , minuscule u )
ASCII code 118 = v ( Lowercase letter v , minuscule v )
ASCII code 119 = w ( Lowercase letter w , minuscule w )
ASCII code 120 = x ( Lowercase letter x , minuscule x )
ASCII code 121 = y ( Lowercase letter y , minuscule y )
ASCII code 122 = z ( Lowercase letter z , minuscule z )
ASCII code 123 = { ( braces or curly brackets, opening braces )
ASCII code 124 = | ( vertical-bar, vbar, vertical line or vertical slash )
ASCII code 125 = } ( curly brackets or braces, closing curly brackets )
ASCII code 126 = ~ ( Tilde ; swung dash )
ASCII Extended Characters :ASCII code 128 = Ç ( Majuscule C-cedilla )
ASCII code 129 = ü ( letter u with umlaut or diaeresis , u-umlaut )
ASCII code 130 = é ( letter e with acute accent or e-acute )
ASCII code 131 = â ( letter a with circumflex accent or a-circumflex )
ASCII code 132 = ä ( letter a with umlaut or diaeresis , a-umlaut )
ASCII code 133 = à ( letter a with grave accent )
ASCII code 134 = å ( letter a with a ring )
ASCII code 135 = ç ( Minuscule c-cedilla )
ASCII code 136 = ê ( letter e with circumflex accent or e-circumflex )
ASCII code 137 = ë ( letter e with umlaut or diaeresis ; e-umlauts )
ASCII code 138 = è ( letter e with grave accent )
ASCII code 139 = ï ( letter i with umlaut or diaeresis ; i-umlaut )
ASCII code 140 = î ( letter i with circumflex accent or i-circumflex )
ASCII code 141 = ì ( letter i with grave accent )
ASCII code 142 = Ä ( letter A with umlaut or diaeresis ; A-umlaut )
ASCII code 143 = Å ( Capital letter A with a ring )
ASCII code 144 = É ( Capital letter E with acute accent or E-acute )
ASCII code 145 = æ ( Latin diphthong ae in lowercase )
ASCII code 146 = Æ ( Latin diphthong AE in uppercase )
ASCII code 147 = ô ( letter o with circumflex accent or o-circumflex )
ASCII code 148 = ö ( letter o with umlaut or diaeresis ; o-umlaut )
ASCII code 149 = ò ( letter o with grave accent )
ASCII code 150 = û ( letter u with circumflex accent or u-circumflex )
ASCII code 151 = ù ( letter u with grave accent )
ASCII code 152 = ÿ ( Lowercase letter y with diaeresis )
ASCII code 153 = Ö ( Letter O with umlaut or diaeresis ; O-umlaut )
ASCII code 154 = Ü ( Letter U with umlaut or diaeresis ; U-umlaut )
ASCII code 155 = ø ( Lowercase slashed zero or empty set )
ASCII code 156 = £ ( Pound sign ; symbol for the pound sterling )
ASCII code 157 = Ø ( Uppercase slashed zero or empty set )
ASCII code 158 = × ( Multiplication sign )
ASCII code 159 = ƒ ( Function sign ; f with hook sign ; florin sign )
ASCII code 160 = á ( Lowercase letter a with acute accent or a-acute )
ASCII code 161 = í ( Lowercase letter i with acute accent or i-acute )
ASCII code 162 = ó ( Lowercase letter o with acute accent or o-acute )
ASCII code 163 = ú ( Lowercase letter u with acute accent or u-acute )
ASCII code 164 = ñ ( eñe, enie, spanish letter enye, lowercase n with tilde )
ASCII code 165 = Ñ ( Spanish letter enye, uppercase N with tilde, EÑE, enie )
ASCII code 166 = ª ( feminine ordinal indicator )
ASCII code 167 = º ( masculine ordinal indicator )
ASCII code 168 = ¿ ( Inverted question marks )
ASCII code 169 = ® ( Registered trademark symbol )
ASCII code 170 = ¬ ( Logical negation symbol )
ASCII code 171 = ½ ( One half )
ASCII code 172 = ¼ ( Quarter, one fourth )
ASCII code 173 = ¡ ( Inverted exclamation marks )
ASCII code 174 = « ( Angle quotes, guillemets, right-pointing quotation mark )
ASCII code 175 = » ( Guillemets, angle quotes, left-pointing quotation marks )
ASCII code 176 = ░ ( Graphic character, low density dotted )
ASCII code 177 = ▒ ( Graphic character, medium density dotted )
ASCII code 178 = ▓ ( Graphic character, high density dotted )
ASCII code 179 = │ ( Box drawing character single vertical line )
ASCII code 180 = ┤ ( Box drawing character single vertical and left line )
ASCII code 181 = Á ( Capital letter A with acute accent or A-acute )
ASCII code 182 = Â ( Letter A with circumflex accent or A-circumflex )
ASCII code 183 = À ( Letter A with grave accent )
ASCII code 184 = © ( Copyright symbol )
ASCII code 185 = ╣ ( Box drawing character double line vertical and left )
ASCII code 186 = ║ ( Box drawing character double vertical line )
ASCII code 187 = ╗ ( Box drawing character double line upper right corner )
ASCII code 188 = ╝ ( Box drawing character double line lower right corner )
ASCII code 189 = ¢ ( Cent symbol )
ASCII code 190 = ¥ ( YEN and YUAN sign )
ASCII code 191 = ┐ ( Box drawing character single line upper right corner )
ASCII code 192 = └ ( Box drawing character single line lower left corner )
ASCII code 193 = ┴ ( Box drawing character single line horizontal and up )
ASCII code 194 = ┬ ( Box drawing character single line horizontal down )
ASCII code 195 = ├ ( Box drawing character single line vertical and right )
ASCII code 196 = ─ ( Box drawing character single horizontal line )
ASCII code 197 = ┼ ( Box drawing character single line horizontal vertical )
ASCII code 198 = ã ( Lowercase letter a with tilde or a-tilde )
ASCII code 199 = Ã ( Capital letter A with tilde or A-tilde )
ASCII code 200 = ╚ ( Box drawing character double line lower left corner )
ASCII code 201 = ╔ ( Box drawing character double line upper left corner )
ASCII code 202 = ╩ ( Box drawing character double line horizontal and up )
ASCII code 203 = ╦ ( Box drawing character double line horizontal down )
ASCII code 204 = ╠ ( Box drawing character double line vertical and right )
ASCII code 205 = ═ ( Box drawing character double horizontal line )
ASCII code 206 = ╬ ( Box drawing character double line horizontal vertical )
ASCII code 207 = ¤ ( Generic currency sign )
ASCII code 208 = ð ( Lowercase letter eth )
ASCII code 209 = Ð ( Capital letter Eth )
ASCII code 210 = Ê ( Letter E with circumflex accent or E-circumflex )
ASCII code 211 = Ë ( Letter E with umlaut or diaeresis, E-umlaut )
ASCII code 212 = È ( Capital letter E with grave accent )
ASCII code 213 = ı ( Lowercase dot less i )
ASCII code 214 = Í ( Capital letter I with acute accent or I-acute )
ASCII code 215 = Î ( Letter I with circumflex accent or I-circumflex )
ASCII code 216 = Ï ( Letter I with umlaut or diaeresis ; I-umlaut )
ASCII code 217 = ┘ ( Box drawing character single line lower right corner )
ASCII code 218 = ┌ ( Box drawing character single line upper left corner )
ASCII code 219 = █ ( Block, graphic character )
ASCII code 220 = ▄ ( Bottom half block )
ASCII code 221 = ¦ ( Vertical broken bar )
ASCII code 222 = Ì ( Capital letter I with grave accent )
ASCII code 223 = ▀ ( Top half block )
ASCII code 224 = Ó ( Capital letter O with acute accent or O-acute )
ASCII code 225 = ß ( Letter Eszett ; scharfes S or sharp S )
ASCII code 226 = Ô ( Letter O with circumflex accent or O-circumflex )
ASCII code 227 = Ò ( Capital letter O with grave accent )
ASCII code 228 = õ ( Lowercase letter o with tilde or o-tilde )
ASCII code 229 = Õ ( Capital letter O with tilde or O-tilde )
ASCII code 230 = µ ( Lowercase letter Mu ; micro sign or micron )
ASCII code 231 = þ ( Lowercase letter Thorn )
ASCII code 232 = Þ ( Capital letter Thorn )
ASCII code 233 = Ú ( Capital letter U with acute accent or U-acute )
ASCII code 234 = Û ( Letter U with circumflex accent or U-circumflex )
ASCII code 235 = Ù ( Capital letter U with grave accent )
ASCII code 236 = ý ( Lowercase letter y with acute accent )
ASCII code 237 = Ý ( Capital letter Y with acute accent )
ASCII code 238 = ¯ ( Macron symbol )
ASCII code 239 = ´ ( Acute accent )
ASCII code 240 = ≡ ( Congruence relation symbol )
ASCII code 241 = ± ( Plus-minus sign )
ASCII code 242 = ‗ ( underline or underscore )
ASCII code 243 = ¾ ( three quarters, three-fourths )
ASCII code 244 = ¶ ( Paragraph sign or pilcrow ; end paragraph mark )
ASCII code 245 = § ( Section sign )
ASCII code 246 = ÷ ( The division sign ; Obelus )
ASCII code 247 = ¸ ( cedilla )
ASCII code 248 = ° ( Degree symbol )
ASCII code 249 = ¨ ( Diaresis )
ASCII code 250 = · ( Interpunct or space dot )
ASCII code 251 = ¹ ( Superscript one, exponent 1, first power )
ASCII code 252 = ³ ( Superscript three, exponent 3, cube, third power )
ASCII code 253 = ² ( Superscript two, exponent 2, square, second power )
ASCII code 254 = ■ ( black square )
ASCII code 255 = nbsp ( Non-breaking space or no-break space )
Links : [ Home ] - [ PDF format ] - [ plain text ] - [ Excel spreadsheet ] - [ Word document ] - [ image 1 ] - - [ en español ] Keywords for this page - The complete table of ASCII characters, codes, symbols and signs :
How to type or write The complete table of ASCII characters, codes, symbols and signs ascii, ascii art, ascii table, code ascii, ascii character, ascii text, ascii chart, ascii characters, ascii codes, characters, codes, tables, symbols, list, alt, keys, keyboard, spelling, control, printable, extended, letters, epistles, handwriting, scripts, lettering, majuscules, capitals, minuscules, lower, case, small, acute, accent, sharp, engrave, diaresis, circumflex, tilde, cedilla, anillo, circlet, eñe, enie, arroba, pound, sterling, cent, type, write, spell, spanish, english, notebooks, laptops, ascii, asci, asccii, asqui, askii, aski, aschi, aschii, (153) .

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