My buddy and I grew up in the 80's and 90's together in a mostly analog world, so we spent a bunch of time outside on bikes and getting dirty. We played board games a lot with each other and our family, but as the turn of the century hit we were more engrossed in technology.

We both ended up in careers around creative design and technology, but still have that nostalgia from our past. We have been hanging out this past year and started streaming on Twitch so we can put our skills to use in a fun hobby.

Since January we had the idea to see how far we could push AI to help us create a board game! It's been a fun time starting from nothing and producing something. While the AI craze and controversy are out there. We realized that going all AI to make a fun game wasn't going to work. We've been using it as a tool but adding a lot of ourselves to it.

We hope to give a free downloadable and 3d printable version out. We are excited to get where we are and have an actual fun game. We figured we'd share our progress of the game. Frostbite: The Curse of Doctor Frost

Does anybody know of communities that would be into downloading, printing, and playing board games?

Where do you share the art that you make with the world? Do you use a social media site? A personal website? Do you keep it all to yourself? Is your art something that can't be shared online so easily?

I figured that more than complaining about the dearth of random and weird websites, I might ought to contribute something. I almost went to MassArt for new media installations. In those days I was a web monkey with a solid design bent and very orthogonal thinking. I still have a smidgeon of the thinking, we'll see what I have left of my design skills, but my tech skills are hopeless. Back then my tools were freehand, dreamweaver, bbedit, photoshop, flash, Perl, Solaris, mySQL. My last website was done with rudimentary css.

I would like to get right to the design and expression phase, I don't have an inclination to dive into coding. I also don't want to worry about security. I'll throw a few bucks down.

I'm still comfortable in photoshop, but would like a more fun tool. I cannot stand illustrator, and would love to have a vigorous chat with the folks at Adobe who chose to promote it and shelve freehand. Better yet, an even more vigorous chat with the moron at the FTC who approved Adobe's buyout of macromedia. You can bet that will be on the website. Is there any equivalent to freehand? I saw the post about a free, online illustration tool that came through recently, that might be a smidge rudimentary. What about dreamweaver? And how to publish? I don't care to learn about content management, scripting, databases, etc. if I can avoid it.

Bonus if there are AI tools to help.

So, my background is in software, mostly but not exclusively web development. I used to do both front and back end stuff, as well as sysadmin things. I worked with graphic designers a lot, some amazingly skilled people from whom I learned the importance of getting things exactly right, visually. Exactly right. Every pixel has to be perfect, every aspect of a design thought through carefully and then polished to perfection. I'm eternally grateful for the things I learned from those people. Programming and systems admin adds a different dimension to the art of "Doing Stuff Right", that of every case being accounted for and every exception or problem caught before it happens. Beauty takes many forms, both in terms of visual design and in software too.

This focus on detail, on perfection, has carried over into my current work in the physical realm. Making stuff that is machine-perfect isn't so hard. Especially when using machines (although I don't have as many machines as I'd like). Near-perfect radiused curves or dead-square edges are do-able by hand, and ultra-high mirror finishes leave exactly nowhere to hide on the finishing front. A single tiny scratch will show up on a mirrored ring like a beacon, a slightly mis-soldered joint will be visible from metres away. That's fine, and I'm getting much better at it. I like that I don't consider something finished until it's as perfect as I can make it.

What I find hard, perhaps ironically, is wonkiness. Imperfection. It's partly due to my background via commercial design, partly due to my experience in programming - and I'm sure it's partly due to me just being rather uptight about getting things "right" (I don't see this as being too terrible a character flaw, if I'm honest..) I'm not saying everything I make is perfect, not at all - but it's what I aim for a lot of the time - everything smooth and square and tidy and "right."

Japan has the idea of wabi-sabi, the concept of beauty in imperfection. It's a very hard concept to translate into words, yet strangely it's very obvious when you see it. "wabi-sabi nurtures all that is authentic by acknowledging three simple realities: nothing lasts, nothing is finished, and nothing is perfect."

So I'm trying to be more wonky. This is the kind of thing I mean. (more, another example)

These were formed by hand from modelling clay, then cast in pure silver. At first glance I'm not 100% happy with some of the textures and tool marks on the surface, nor with the not-mirror-smooth interior, but making myself uncomfortable is part of the point of this. Without stepping outside where I'm comfortable, how will I ever progress?

But then, it turns out that the more I see it, the more I touch it's soft organic curves and see how the light reflects and scatters off it's slightly orange-peel-like surface, the more I like it. It's human, relaxing: it has a gentle, quiet serenity. Being made of pure silver rather than the harder sterling silver, it will pick up it's own textures and marks with wear, making each piece as unique as the person wearing it. Sometimes that isn't desirable in a piece of jewellery, sometimes it is. There's enough metal in these rings to not risk their structural integrity in wear (a standard wire-style ring in pure silver will bend and break very easily), so why not let it do it's own thing?

"if an object or expression can bring about, within us, a sense of serene melancholy and a spiritual longing, then that object could be said to be wabi-sabi."]

It looks a bit lumpy and perhaps a bit sharp and pointy in bits but it's polished to feel soft and gentle. It's comfortable to wear, it's everything that machine-perfect is not - not that machine-perfect is bad, but there's more ways to beauty than perfect accuracy.

Another aspect to wonkiness that I'm trying to explore is that of lack of control. Making things the outcome of which is determined by factors other than me. With the clay-to-silver ring it's my fingers forming the clay, me (consciously or otherwise) guiding the shape. So I tried to find a way to take some of that control away.

Obviously just throwing a load of precious metal into a vice or a crucible or whatever isn't going to work, so I tried to set up a system where I could allow randomness to be present, but still having someone attractive come out the other side. With some heavy copper wire wrapped at intervals in fine silver wire, I let the blowtorch do the work, let the silver flow where it would. Obviously I still have some control over the output - I can choose where to apply heat or where not to, but it's a start at least.

With this technique, I made some bangles, seeing as I have a new bangle-mandrel (hey, I still need some machined help, right?). Here's how they came out

Again, like the rings before - the result is soft, unique, unpredictable. No two bangles are identical and never can be even if I wanted them to be, yet they all share common features. Just like nature, like trees or waves, clouds or even people.

I've noticed that I keep using the word soft. Metal isn't soft. Even polished metal isn't soft. It's solid, hard stuff. Why, then, do I keep going back to that word? It's because of the feeling these pieces evoke - machines are hard, people are soft. Emotionally, hard things are bad things, but soft things are nice. Nobody ever said "I can't wait to curl up in my lovely hard bed", and that's the kind of softness I think of when I look at these things. It's embracable, it's comfortable, it's like people or nature, not machines.

Have I found wabi-sabi? Do I even understand it to be able to know if I have? I don't know. I do know I've made some beautiful things using techniques and styles I haven't used before, and I've learned some things along the way, and for now at least, I think that's enough to be going on with.

Yeah, I guess this was a bit of a pretentious post. But I make jewellery. Some people even call it art (not me, but I am flattered and mildly confused when people say that about my work). I can be pretentious occasionally, surely?

I do web and graphic design professionally, but currently have some free time.

You can see some of my work here.

You would still need to pay for the domain registration (15$/year), but I could provide hosting.

Bonus if you’re a starving artist, non-profit, or doing something humanitarian. I’d prefer not to do one for a business, since they should be able afford to pay someone, but feel free to make a case.

I would build it with Wordpress and incorporate Divi so you wouldn’t be entirely dependent on me to make future edits yourself.

I’m far from an expert and mostly do front-end, but like helping people and love the community here.