First up: that “spoiler” tag isn’t there for fun. This essay is going to focus on a climactic moment in ‘Toy Story 4’. If you haven’t seen it and don’t want to know what happens, close this topic NOW.

I saw ‘Toy Story 4’ last night. I’ve been catching myself up on the previous movies over the past few weeks (I’d never seen any of them before), so they’re reasonably fresh in my mind. I surprised myself by enjoying the movies a bit more than I expected to. I had assumed they were very much children’s movies, but I found them engaging and enjoyable even as a middle-aged adult.

So I was all caught up, and went out last night to see the latest instalment in the franchise with a friend who’s a massive fan of all things Disney.

I liked it. It was yet another “toys having adventures in the big wide world” story line. That seems to be the main story line of all the Toy Story movies: the toys get lost or misplaced, or have to go rescue a toy who is lost or misplaced, so they end up having adventures outside of their home.

But there’s usually an emotional heart to each movie. And that emotional heart often comes from the character of Woody, whose goal has always been to make sure that the toys are doing what toys are supposed to do: bringing joy to children. As we often get told, mostly by Woody, being a child’s plaything is the most noble thing a toy can do. To that end, Woody seems willing to do almost anything. The toys have mounted ridiculous rescue missions, they’ve manipulated humans (it wasn’t Andy’s idea to give his toys to Bonnie), and they’ve made personal sacrifices. Even in this movie, Woody was willing to give up his voice box so that he could get brand-new toy Forky back to Bonnie who had made him, and to give Gabby the chance to belong to a kid.

Then…

Woody met Bo Peep in this movie, and found her living an independent life as a lost toy. We know they’ve had romantic feelings towards each other, but she was given away by Andy’s little sister some years back. Then she got given away again, to an antique store. Now she turns up living near a caravan park, and she’s noone’s toy except her own.

Normally, Woody would have moved heaven and earth to reunite Bo with her previous kid, or to find her a new one. But she doesn’t want one. She’s an independent toy now, and that suits her fine.

So they have their adventures. And, at the end of those adventures, Woody and his fellow toys are returning to Bonnie, while Bo is returning to her independent life. And Woody has a moment of indecision. Does he return to Bonnie, or does he go with Bo?

But, there’s not really that much tension because we know how this is going to end. Woody has told us so many times that being a child’s plaything is the most noble thing a toy can do. Of course he’s going back to Bonnie.

And then he chooses to go with Bo.

I sobbed.

Let me give some context for my reaction to this moment. I do respond emotionally to movies and television. I laugh loudly when something is funny, and I cry openly when something is sad. I jolt back in my seat in response to scary moments, and I’ve been known to cover my eyes during exceptionally gory scenes. I’m not ashamed to feel things in response to events on the screen, nor to express those feelings. That’s normal for me. However, I felt a very strong emotional reaction to this moment in the movie – much stronger than most. I wanted to burst out in loud unmanly sobs because of how upset I was. I wanted to shout at the screen. I felt a real and physical reaction in my gut: it was literally a gut-wrenching moment for me (and that almost never happens!). This was the strongest emotional reaction I’ve had to any moment in movies or television for years. It was strong enough to prompt me to write about it!

I know I was supposed to feel happy that Woody and Bo had found each other, and they loved each other, and this was the start of their romantic “happy ever after”. But that’s not why I cried. I cried because Woody turned his back on nobility and chose selfishness.

Woody had been the conscience and the heart of the whole franchise, reconciling toys to their place in life, and helping toys to achieve their goal in life. Even in this movie, he had turned Forky around from wanting to be trash to wanting to help Bonnie. Woody showed toys their noble goal in life, and did everything he could to help them achieve it.

And then he turned his back on everything he’d said and believed up till now.

Sure, Bonnie wasn’t playing with him as much as Andy did. Sure, he wasn’t top dog in Bonnie’s playroom (that place belonged to Dolly, who’d been there much longer than Woody and his fellows). But Woody was always selfless. Woody was always looking out for the children’s best interests. Woody was always putting the children’s needs ahead of his own. He had previously told his fellow toys that even being stored in the attic was a good thing because it meant their child (now a college man) still cared about them to some degree. So, even if Bonnie wasn’t playing with him all the time, he would still want to stay around to be there for her – or even to be there for the other toys she did play with.

Wouldn’t he?

Or was it all a lie? Was it all about his own selfish desire to be important and, then, when that importance was taken away, he decided to walk out?

Or was it as basic as choosing pleasure over service?

How could you do that, Woody? How could you turn your back on everything noble and good, and choose your own selfish desires instead?

Woody, you broke my heart.

Hello fellow Tildos! I normally never write reviews, but i just had to after i finished watching. It's also an easy way for me to continue practice my English/writing skills, feel free to pm any feedback that you might have :)

The first time i put on the movie Primer closer to it's release i ended up putting it on the shelf half way through or so, i was probably to tired and not in the mood, because it´s one of those movies that requires your full attention.

Years went by and i forgot all about the sci-fi indie that shook Sundance back in 2004, only for it to emerge not long ago when i made another list of movies to either watch or re-watch once more, as i do now and then. I usually make these lists with a theme, or dedicated to a specific genre, this time it being sci-fi.

During my time watching this super low budget movie made by the software engineer Shane Carruth(his background really shows off in the movie) i had a hard time not thinking about the high quality of cinematography. We are shown some really nice angles right from the start, and very appealing lines of symmetry all the way through, similar to scenes found in movies made by Wes Anderson for example. Same goes for the acting and writing, - some of the dialogue really got me captivated. Every scene had things to say about the characters early on, but it also leaves enough out to keep you curious of who they really are, and what their motives might be, character development, check. An example of this is how they used wardrobe + setting to describe said characters, which obviously was very limited due to the extremely low budget, I have not looked up the actual numbers, but i think i have watched enough indie movies to identify extreme cases like this one. They did a lot with how little they had, which is an art in itself in the business of movie making. This probably bit me in the butt a bit(in a good way, no not that way, grow up:), instead of trying to figure out the time paradoxes, i was captured by how well the movie was made.

After i finished watching i had an ocean of questions. Questions i wont mention here because it might spoil the experience for you. This is a good tell that it's a movie in my taste in a sense that it leaves gaps in the story for you to fill in yourself, it´s a type of storytelling i enjoy, but also a type of storytelling that many dislike.

There is no hand holding in this movie, no explanation at the end, it trusts you to re-watch the movie until you have figured it out, or at least think you have, which is bold, but also embraces the charm of time traveling themed story's in a way, making you travel back in time by rewinding and figure out the time-lines. Or do as i did and watch an explanation video on youtube for closure.

I understand now what all the fuzz was about, why it won prices at sundance, and why it became such a strong cult classic almost instantly.

If you want a mind bender, and a movie that treats you with the respect that you can think for yourself, this might be something for you. If you are into sci-fi, and especially time travel, it's a must watch as long as you can allow yourself to get confused more then you usually get by this type of movie. I also recommend watching this when you have a fresh and rested mind, not after a long day of work.

7.8/10 - will paradox again sometime in the future

I Am Mother is a sci fi movie centered in a dystopian future with a novel twist.

If you prefer neat, predictable endings, then this movie is probably not for you.

What is particularly interesting, is the movie is almost deliberately ambiguous, and it constantly challenges the usual assumptions you might make.

The final reveal subtly explains away some of the elements that at first seemed a little jarring or confusing. Other aspects are not fully explained. This creates enough space to construct some very interesting back story theories, while ultimately leaving you guessing.

After reading the recent ArsTechnica review of the latest Godzilla movie, I realized that I haven't really dived into the Kaiju genre and it might make for a fun weekend to watch a few of what you all consider fun and good. I know I have seen Kaiju movies in the past but this was when I was younger so any memory is long and forgotten. I am also not averse to non-english language movies as long as the subtitling is good!

Any you recommend and why you would recommend them?