From what I have seen discussions here seem mostly about published books but I had figured I will try posting here and see if anyone is interested. They have both positives and negatives compared to published/or even just completed fiction but mostly I am interested in them for the higher variance which also means that it is harder to find something good.

Just listing some I liked over the years, both more and less known:

• The Gods are bastards by DD Webb (on hiatus, extremely long) - set in a world in a magical industrial revolution where adventuring as career is all but over it follows a class of students in the University. Contains several other viewpoint characters and ever expanding cast.

• Fall of Doc Future trilogy(and extras) by WD Rieder (on hiatus, very long) - a story about superhumans where the abilities and their effects are treated seriously. Contains some social commentary and several polyamorous relationships in later parts.

• Time to Orbit: Unknown by Derin Edala (ongoing, long) - a psychological mystery/horror set on a colony ship. A colonist wakes five years early to find that the crew is missing and things are wrong. The mysteries so far constantly escalate but in way that mostly makes sense. The culture of this future is detailed and interesting.

• Mother of Learning by nobody103 (complete, extremely long) - a time loop progression fantasy following Zorian - a student mage from a minor merchant family.

• This Used to be About Dungeons by Alexander Wales (complete except epilogues, very/extremely long) - a slice of slice comfy story(at the beginning it slightly escalates later) containing extremely light litrpg elements. Focuses on the group dynamics of a party going to dungeons(sometimes).

What are some good ones that you would recommend?

Here are a few of my favorite examples:

1. "Long had he believed that a gentleman should turn to a mirror with a sense of distrust. For rather than being tools of self-discovery, mirrors tended to be tools of self-deceit." p. 36

2. "For if a room that exists under the governance, authority, and intent of others seems smaller than it is, then a room that exists in secret can, regardless of its dimensions, seem as vast as one cares to imagine." p. 64

3. "After all, what can a first impression tell us about someone we've just met for a minute in the lobby of a hotel? For that matter, what can a first impression tell us about anyone? Why, no more than a chord can tell us about Beethoven, or a brushstroke about Botticelli. By their very nature, human beings are so capricious, so complex, so delightfully contradictory, that they deserve not only our consideration, but our reconsideration - and our unwavering determination to withhold opinion until we have engaged with them in every possible setting at every possible hour." pg. 120-121

Speculative fiction contains elements that don't exist in reality. It includes genres such as science fiction, fantasy, and supernatural horror.

A producer friend is looking for stories with a focus on LGBT issues. As someone with a predilection for speculative fiction, it would be great to read/watch some speculative stories that deal with issues in that area. I am aware of some stories with LGBT characters, but gender and LGBT issues are generally not the main themes. I'd love to get suggestions for movies, TV shows, and books (especially short stories) that deal with those issues in a proper and inventive way.

As usual, Wikipedia has an extensive list on the subject, but I was hoping to get some more personal suggestions from the Tildes crowd.

Thanks!

Just finished (re-)watching the Friends TV series ... End of the last episode, sitting in the empty apartment (Joey: "Has it always been purple?" Phoebe: "Do you realize that at one time or another, we've all lived in this apartment?")

Got me thinking, more as a plot contrivance than the actual plot, a story about an apartment, spanning a century or more, and the various people that lived in it, jumping back and forth across time, linking them together through history ... perhaps even, a la "Ship of Theseus", spanning multiple centuries and multiple homes/dwellings that occupied the same space.

So specifically, I'm wondering if anyone can think of any novels that adopt this idea, or anything similar, as a primary vehicle for their storytelling?

I have a vague recollection of a short story or novella in 2ndary school, about the life of a redwood, and the various people and animals that lived in and around it over the centuries ... and also I recall reading "A Winter Tale" by Mark Helperin -- a semi-fantastical novel about the city of New York ... oh look, apparently, they made it into a movie, too.

But those two are the only examples I can think of that come close to this idea.

PS: I love to write fiction, and someday I may even finish a novel ... but generally, I get about halfway through, figure out how it's going to end, and then lose interest ... so if anyone with more ambition likes the idea, you're welcome to it.

ETA: I'm not looking for the 10,000 variations of "oooh, haunted by the ghost of a person that died here 20 years ago". Broader, covering a longer timeframe, multiple substories interwoven into the same living space, you get the idea.

Recently I was reading through a discussion on Reddit in which Tolkien's writing and prose were quite heavily criticised. Prior to this I'd never seen much criticism surrounding his writing and so I was wondering what the general consensus here is.

The first time I read through The Lord of the Rings, I found myself getting bored of all the songs and the poems and the large stretches between any action, I felt that the pacing was far too slow and I found that I had to force myself to struggle through the book to get to the exciting parts that I had seen so many times in the films. Upon reading through The Lord of the Rings again recently my experience has been completely different and I've fallen in love with his long and detailed descriptions of nature, and the slower pacing.

Has anyone else experienced something similar when reading his works? Are there more valid criticisms of his prose that extend beyond a craving for the same high-octane action of the films?