The goal is to bring the subject of a painting to animated life, so I would want the model to be rigged as well as photo-realistic. I don't use Facebook products, and have been searching in all the wrong places so far, so why not here, too?

I've been working on some music, and while I'm not quite ready to show it to the world, I might be in the near future. I was curious where other musicians are putting their music? I've checked out both SoundCloud and BandCamp, and they both seem reasonable. Any pros or cons to using one over the other? Any other places you upload your music for streaming and/or purchase?

Suggestions from the comments:
BandCamp : Hosts and shares your music
SoundCloud : Hosts and shares your music
DistroKid : Distributes your music to various services†
TuneCore : Distributes your music to various services†
OneRPM : Distributes your music to various services†
AudioMicro : Sells your royalty-free music and sound effects
Jamendo : Hosts and shares your indie music or royalty free music

† Spotify, Apple Music, YouTube, Tidal, Amazon Music, TikTok, Pandora, iHeartRadio, Deezer, Instagram, etc.

(Only took me 2 months /s). Also this map is by no means a complete list.

Santa-pocalypse: What if santa was (a tiny bit more) realistic?

A timeline where Santa delivers his presents via quantum tunneling and due to a failure in this device, he causes a nuclear explosion when he accelerates to relativistic speeds in order to gift Children worldwide. Given nuclear fusion doesn't work like that and the Shockwave travels westward counterclockwise, I disagree with the notion this is realistic, but that's pedantry.

What the fuck: The Timeline

Someone mashed dozens of fictitious worlds and the real world at different times to make a very weird and high-effiry map.

Industrialized, colonial, imperial China

A timeline where the Ming is an expansionist empire and puppets nearly half of the world's population. Given China has been as large and populous as entire continents at times, the fact that China had so much the leadership felt they could be self-sufficient and refuse to try to expand until like, 10 years ago, I find this scenario something that could totally have happened but didn't due to disinterested leadership.

What if the new world didn't exist?

A world where columbus is right about Geography and the Americas don't exist. While I don't think it's particularly realistic, I find this scenario underrated.

A grim, dark rainbow: What if the current rightwards shift of politics doesn't stop?

What it says on the title. Not particularly realistic given the CCP and NATO apparently collapse, but I like to use this map as a stand-in for the worst-case scenario of the near-future.

The dragon in shackles: Qing China and Japan in 1932

A timeline where Qing China re-unifies China, but at large costs to their economy, independence, infrastructure and territory.

Flavo et purpura: A world in which Islam never leaves Arabia Ca 800 AD

A very detailed map with quite a few differences from what happened IRL. Far more romanized.

Spain if the re*conquista continued into North Africa

A timeline where the Spanish conquer the Western half of the Maghreb. The justificarion is that Pre-columbian empires ally themselves to other European nations to not be colonized by Spain, so the Spanish focus their imperialist efforts into neighboring Morocco. Obviously not very realistic, but the maps are cool.

Fictitious maps based on real data:

The world divided into 200 areas of equal population

What it says in the title.

— Are we dreaming? — She asked.

— I don't know, my dear. I really don’t know. — He answered.

— It feels real.

— Yeah, it does.

— Look how old we are! Isn't that crazy?

— Not really. — He says while putting his arm on her shoulder. She calms down for a moment.

— Yeah, but I thought... Well, I thought something, but everyone probably thinks the same. It’s silly.

— What did you think?

— I thought we’d be different. Old, sure, but perky, wise, matured from adventure. Something noble like that. But no. We’re the same, but older. — She shakes her flaccid arms and looks both marveled and terrified by the loose skin wiggling back and forth.

He adjusts his glasses.

— Sometimes, when I remain silent to appear profound, I’m surprised by the indigence of my thoughts. I may look like Aristotle himself while I try to remember what I ate for lunch. It’s hard to make inwards the theater we make for others.

— But, after all, when have you become so old?

— To tell you the truth, I don’t even know how we got here.

— It’s weird: despite the complete darkness, we can see everything clearly. And there’s no place to rest my legs.

— Sit here on the ground. Beside me. Put your head on my lap. — He gently caresses her head, trying to ignore his surprise with her white hairs.

— I’d be nothing without you. But I’m ashamed to say that I don’t remember your name.

— I might be offended, but I don’t remember yours either. — He smiles.

— Are we close to wake up? This old body is getting on my nerves.

— Of course, my love. This is a dream, but no more than everything else. Time is a nightmare from which we never wake up, and old age is punishment for those that refuse to die.

— Don’t talk nonsense. This will go away in a minute. We’ll wake up young and beautiful, as always. As I remember you, and as you remember me. Everything will be fine. — She says that with forced certainty as if trying to convince herself.

— You’re right. The nightmare will end soon, and we’ll be back to our bodies.

— ... This conversation tired me. Good night, my love. — She pushes her head against his thigh.

— Good night, my angel.

And they wished to never wake up.

Every day I wake up thinking that The Horde is not there anymore. The dreams are good but few, and only make everything worse. I usually dream about The Horde. During sleep, my breathing is improved and more relaxed. I dream of a calendar without symbols.

When there's an inspiration, so I write. Delete everything afterward. A professional told me that's is a compulsion. The compulsion for the perfect word removes me from language itself. The enjoyment comes from excising something from myself, which makes me feel a bit closer to perfection.

Every once in awhile I forget The Horde is there. The writing becomes looser, I sip my coffee and take the lunch out of the freezer. The Horde is still there. The whistle makes my blood run cold.

I forgot when The Horde arrived, but since then my days are covered of night and dust. To me, The Horde has no color, they're covered in filth and dark cloth. They get a bit closer by dawn. But The Horde never comes.

They seem to enjoy tormenting me. Twice a crow's carcass hit my window. At least we were communicating. I had to open the window to clean the blood. The Horde did nothing. There's courtesy between me and The Horde. I never complain of their tiny advances, they never impale me alive and eat my viscera.

The worst consequence of The Horde was to remove my visitors. I had friends and a girlfriend, before The Horde. They came here regularly. On the other hand, there's something cozy about being surrounded by The Horde. I'm never alone.

I talked to them on a few occasions but never got an answer. I invited them to lunch and asked what they like The Walking Dead (seems like a relevant question for The Horde). Because, you see, The Horde may be savage, but they did not cut my internet. I keep telling everyone about The Horde, but no one believes me. They think I'm some internet phenomenon, an internal joke from a group they don't know about. They don't believe The Horde can come for them too, knocking on their armor of bronze and recycled aluminum.

Sometimes The Horde's shrieks seem to gain shape and order as if they obeyed a hidden commander. But this doesn't last, and they soon resume their lurid racket.

I don't know for how long I've lived with The Horde, nor for how long they'll stay. I'm afraid of waking up someday to find them gone. Because, in a certain way, I learned to love The Horde. I feel safe in their post-apocalyptic embrace.

This morning they got closer than normal. I can see it better now. They all have the same face, they're both one and The Horde. Their mouths are frozen in a permanent smile, salivating like rabid animals. One more step. They look like neanderthals. The Horde approaches slowly, with steady paces, and arrive with the furor of the sound of metal and drums. The house is hit by numerous rocks — the roof is about to give in. My crumbled body will soon become an ensign for their future marches. Or maybe become mush after being punctured by one thousand spears.

I'm only sure that this is going to end soon. Their petite steps, the threats, crows in the window. Everything is ending — finally, everything is ending. I'll never be again and so will The Horde. Nevermore.

In a time of ancient legends, Androcles was a runaway slave.

He took shelter in a cave where a wounded Lion lived.

By removing a thorn from his paw Androcles cured the beast; The Lion was very pleased.

And then The Lion ate Androcles because he was a fucking lion.

Per @mrbig:

What is a logline?: a brief summary (25 to 40 words) of a story for film, television or book that states the central conflict and an emotional "hook", with the purpose of stimulating interest (Wikipedia).

A logline is evaluated not exactly for what a story is (since it does not contain a complete story), but for what it can be. Suggestions usually seek to maximize the dramatic potential of the idea.

Create a Logline, and you can chose to reply to others with your interpretation of how their stories would go.

What is a logline?: a brief summary (25 to 40 words) of a story for film, television or book that states the central conflict and an emotional "hook", with the purpose of stimulating interest (Wikipedia).

A logline is evaluated not exactly for what a story is (since it does not contain a complete story), but for what it can be. Suggestions usually seek to maximize the dramatic potential of the idea.

Title: Endless Night (feature-film, drama).

Logline (27 words): Death has until dawn to ensure his very survival by splitting a couple whose determination in preserving their toxic relationship threatens to shred the fabric of time.

Her eyes are fixed on the cooker.

— Look.

Points at the egg.

— What?

— Can’t you see?

— Has it gone bad?

She takes a deep breath.

— I noticed the way you broke the shell, but I needed to confirm. Can you see how the yolk is soft yet whole, with a small cut in the lower portion slowly leaking a yellow thread at a regular pace?

— Yes...

— Don’t you get it?

— No.

— When the yolk leaks like that, it can only mean two things.

She hesitates.

— You’re either going to murder me...

— What you’re talking about?

— Or you’ll get a Ph.D. in Physics in 2035.

— You’re kidding, right?

— Nope.

— You saw all that? On a fucking egg?

— I knew you wouldn’t understand...

— You were right.

A second goes by. He cleans his throat, kinda embarrassed.

— Honey?

— Yeah, babe.

— I’m terrible at physics.

He holds a knife with a confused expression on his face.

Logline

During the 2017 Solar Eclipse, a thick-skinned female police officer must prevent millennial Shadows from returning from the depths of the Earth to dominate humanity.

Notes

Post 1

You can also read it in my blog (no advertising, no annoyances, no bullshit).

- As before, this is not my first language. All criticism is extra welcomed
- I included the previous content - the prelude - just because it's so small

@cfabbro, here's the ping you requested! Love to know what you think of it!

Prelude

Before time was time, nights were dreamless. No one narrated the hunts, and death was just a cessation of the body. Births were joyful but meaningless. Statements were nothing more than intentions among roaring, shouts, and racket. Sometimes two sounds came together in funny ways, but meaning was still far away from our primitive cogitations.

In these times of monotony, the Shadows entertained the primitive men. With no timbre or elocution, they came from the deepest layers of Earth’s mantle to tell stories under the moonlight. They lived in harmony, feeding on each other. The Shadows came to life with the laughter and the souls of the Men, and the Men lost the fear of the night with the histories told by the Shadows in a primitive symbiosis.

One day, a man died after eating a tasty looking fruit. Hunting was a gamble, and eventually, men needed to eat potentially dangerous elements. Another, more intelligent man, noted that the juice from his mouth indelibly marked the rock with a pattern that was pleasant to the eyes. He collected more of that fruit, avoiding to put it in contact with sensible areas. This man did not have a proper name. None of them did. They just knew that there was “The Boss”, “The Hunter”, “The Large” and “The Delicate”.

Some men had soft lumps in their chests and above the thighs. Eventually, their bellies got big and other men came out from them. “The Delicate”, who discovered painting, was of this kind. In secret, he drew their hunts in the cave. He made everything bigger and more menacing than it was: the spears, the beast, the joy, the moon, and the flames, that reached the sky.

It took some gestures and vocalizations for The Delicate to make The Hunter understand that that set of traces was him and that the thick line with a pointing end penetrating The Beast was his spear. But soon they understood and had great silence. Followed by a great laugh.

The Hunter imitated the muffled sound of the Beast’s steps and learned to use this sound to talk about the Beast even when it wasn't there. War shouts, death songs, the cutting of the meat, the crackle of the fire, the crickets, the frogs and all animals soon had their sounds, their own “words”.

Men stories gained life by their own making.

The Shadows never came back.

Weakened, they returned to the depths. And, in the emptiness of their soulless existence, felt profound pain.

Chapter 1

Worn books on the balcony: The Physics of the Light, Introduction to Modern Physics and Modern Optics, paid with greasy notes. Stumbles on a rock, knock the books on the sidewalk. On a dark tunnel, fluorescent light flicker irregularly. Hands in his knees, catch his breath and run with the rest of his lungs.

The front is completely black of smut. Turns the key with difficulty. The stairway creaks under his feet. A stack of old newspapers behind the door. Turns on a weak desk lamp. A crack of light comes from the sheets. Closes it with tremble hands and throws himself in the armchair. A thick cloud of smoke leaves Ernesto's relieved self.

The curtain drops with a thud. Behind him, a dark silhouette smiles.

The badge for the "Civilian Police of the State of São Paulo" swing above the toilet. In the ground, two pregnancy tests. Two lines in each. In the holster, a Taurus 38. Impeccable blue jeans. Mariana pees in the third test and waits. Two lines. She's fucking pregnant.

Ernesto's suit seems expensive twenty-year ago. He looks like a bum that made an effort. He holds a thick notebook with paper falling from the edges and a paper folder that seems to be about to explode. Dries his eyes constantly, and there are black spots bellow his armpits. In the edge of the table, it reads: "Mariana Diniz – Commissioner of Police" Ernesto gives her his card: "Eye of Horus - Paranormal Investigations". Below, a stylized eye with Egyptian inspirations. And a landline.

— I don't trust cellphones.

Smiles uncomfortably, trying to hide the nervous tic that makes his head swing like a salamander.

– It may not look, but I'm a busy woman.

Gives her two 15x20 pictures. The first is completely out of focus. The second shows an oddly slim, dark silhouette on a sewer canal. Ernesto sweats like an amphibian having a panic attack.

— For millennia, these creatures have been confined in the interior of the earth. Suffering the monotony of an incomplete existence. Waiting for a chance to come back.

— Yes.

– You don't believe.

Puts the card in her wallet.

– You got my number.

The long hills do not affect Mariana. Sumptuous homes, beautiful landscaping, mutilation, and infanticide. They're all part of the same world.

In a deserted square, eight hood teenagers assemble in a circle. Metal-heads and RPG players never caused her any trouble, but, as commissioner of that town, she has the duty of investigating anything out of the normal. She takes care to not flaunt the weapon.

They ignore her. The kids emit no sound, make no gesture. They're not injured, and their dark eyes are probably contact lenses. They have an ironic smile in their faces. No drug would generate such severe catatonia on a group that size, and there was no law against looking spooky on public premises. Sent two patrol cars to watch the group and went home.

The basic Chevrolet goes through the carefully constructed path, with exotic plants on both sides. Between two neoclassic towers, a slightly lower white house. In the living room, Eliza, short-exquisite-hair, beautiful and androgynous, stare at the TV with thick frame glasses. Notices Mariana's gun.

— Comes with the job.

In slow motion, a voluptuous Marilyn Monroe impersonator pours milk on a bowl of cereal.

– Bruno?

– Upstairs.

A plate brakes in the kitchen. To the left of the sink, dozens of cups organized by color, size, and format. To the other, plastic utensils organized by function and material. Scapular in the neck, Sofia é very white. She wraps the glass in paper, writes "GLASS" in wide letters and ties everything in a thick, transparent plastic bag.

– Your kitchen was too… Illogical.

– Of course.

Mariana notices a red spot below Sofia's long sleeve. She holds the arm of her friend: bruises.

— They're old, diz Sofia.

— Doesn't look like.

Takes the car keys. The pregnancy tests are in the same pocket. Mariana takes a deep breath and looks at the stairways.

Law books on the shelf, almost all sealed. Bruno is on the computer. It's hard to get why they're still married. Mariana has always been stubborn. He's on the computer most of the time. At 40, Mariana has silky black, perfumed hair. Tells good stories in a welcoming way. Mariana loves what the does. She's hit on constantly, by both sexes. And has a way to politely decline that doesn't make anyone uncomfortable.

There's a month since they had sex.

— I'm pregnant.

— Are you sure?

The tests in the keyboard.

— They're from a pharmacy.

— Yep. Three.

She pulls the plug from the computer. Bruno looks at her. His eyes are black.

I used to work at Amazon, and one of their internal "chatter" mailing lists had a tradition that every Friday people would write haiku, often about how their week went, or something in the news, or just something random. Going to try to resurrect that here.

If you want lines to color within, the "normal" requirements for a haiku are:

The essence of haiku is "cutting" (kiru). This is often represented by the juxtaposition of two images or ideas and a kireji ("cutting word") between them, a kind of verbal punctuation mark which signals the moment of separation and colours the manner in which the juxtaposed elements are related.

Traditional haiku often consist of 17 on (also known as morae though often loosely translated as "syllables"), in three phrases of 5, 7, and 5 on, respectively.

A kigo (seasonal reference), usually drawn from a saijiki, an extensive but defined list of such terms.

But of course often the 5-7-5 syllable structure is the only part used in Westernized haiku. Feel free to follow the guidelines above as narrowly or as loosely as you want.

raindrop

on the tongue

of the parched, de-

flated beach ball

in the hands of the young, lit

cig 'tween the fingers

of a nun,

one sin's never gonna be enough

fuck the prose

words will never be enough.

the writing's on the walls

but you can't read it

you aren't here

i need a sign you

can't ignore or a call

you're bound to hear

.

the words just aren't enough

on their own

to pull my heart strings

i can't find peace

without my blood

on guitar strings.

.

the words are going cold

the poetry has not a heartbeat.

i need to take the stage

and pray to god that they can't see me.

Hello, Music Makers.

What are you all working on? Any pieces/tracks you've created that you're particularly proud of? Any part of your process that warrants special mention? Any part of your process that is particularly dull?

Let it rip.

So, a little background, my profession is technical writing. I want to write a novel but I'm struggling a little with getting the creative side of my brain going. Technical writing seems to further inhibit my creativity with all its rules.

I'm looking into local writers' workshops but they're all full at the moment. In the meantime, I was wondering if anyone here has any advice for exercises or things I could do to stimulate my creativity and free my mind from all the rules of technical writing. Thoughts?

I have writing, prose and in verses, that I want to start submitting to magazines. I can't decide if I should use a pseudonym or not. My reasons for using one:

• I have problems with my name: it is ideologically loaded, people can tell my dad was a nationalist, which is an ideology I reject and oppose

• I feel like it would somehow good for me to distance myself a bit from my work, don't know why really

• I guess I am intimidated by potential failure a bit, so maybe "getting my feet wet" with a pseudonym could help me get over it.

But I also want to own my work, and feel like using a pseudonym with complete secrecy is a bit... cowardly, if I am totally honest. I consider using a pseudonym which I will publicly own later, but then, is there a point to it?

What do you think about it?

For those that don't know, NaNoWriMo (National Novel Writing Month) is an annual challenge to write a 50,000 word novel over the course of the month of November. That translates to roughly 1,600 words a day. More info on NaNoWriMo here.

I first tried it two years ago though I fizzled out at around 10,000 words and moved on to another WIP. Last year I didn't formally participate though I made an effort to write something every day. Not sure about my word count.

This year I'm doing a series of short stories in a shared setting since I've been doing more short form writing as of late and I've been mulling over the idea for a few weeks now. It's a nice way to experiment with different settings and themes within a "singular" work. I've made some notes on plot hooks, settings, characters, and ideas I wanted to explore, so it's only a matter of writing the stories now. Maybe I'll even share excerpts as I go along.

So has anyone else made plans to do it this year?

FUCCCCCCCCCCCC IT WE DRUNK AGAIN

WE OUT HERE GEN Z PAINN VIBIN

*#BIGMOOD*

dont @ me if u aint catch tha links

https://www.youtube.com/watch?v=ShI6axFfqj4

https://i.imgur.com/LKIwWHa.png

https://www.youtube.com/watch?v=DjhJ_Sv0MlI

ich schlaf'
auf einem Bett
das ich aus Stein
gemacht hab'

ich schließe
fest die augen
aber finde keine
Schaffe

einfach nur
das Mädel das
hat mich früher
verlassen

dann klebt mein arm
in der erde ein
um mich zu
begraben

-.

ich hab an
sie gelacht und
sie sieht mich
an mit Hass

ich hämmert auf'm
Nachttisch
bis ich wurde
aufgewacht

dann fragte ich
an Gott warum
ich denke immer
krass

Hände in die
Taschen, lauf'
alleine auf'm
Strass

ich möchte kein mehr
Weihnachten,
ob sie nicht an
mir sagt:

-.

Schätzi, guten
Morgen und
mich küsste auf'm
Hals

Ja ich
möchte Kaffee
ja ich lieb' dich
ebenfalls

"Liebe macht das
Heim" hat sie auf
unserem Wand
gemalt

lustig, dass sie
nicht mehr ruft
mich an oder
mich halt

-.
?
i dreamed
of you
with angered eyes,
a gaze that
filled with hate

i felt my arm
beat on my dresser
'til i did awake

a soft and shaky
soul succumbed to rub
against the grate

life has been for nothing since february eighth.\

https://www.youtube.com/watch?v=KvlGMCVGkQA

Today I had to leave a social site group dedicated to original Haiku poetry from its members. I enjoy the format and structure, and find hard not to get whiskers flying when people violate either or both. Everyone in the group was posting maligned content. Haiku is strictly about nature. Insult to injury was their improper use of structure. The first two lines are a fluid combination of thought. The third is a separate observation tied to the first two. Everyone was making all three lines what would be a single sentence if punctuation was included, like this:

land gives way to sea’s
constant struggle where they clash
yet life strives to be

This is a Hailku, as I have come to understand based on teachings and learned poets:

milky morning fog
smothers inner forest realm
doe rests peacefully

Many were posting what they must have thought was Haiku, but was in fact Senryu (theme based on human feelings and condition) :

moonlight shimmers bright
across the pond’s smooth stillness
a peace flows through me

Granted, there is still international debate over the rules and intent of the Japanese art of Haiku. Most American poets agree with the 5-7-5 English language syllable count, the last line distant but related by theme to the first two lines, and that they be strictly about nature.

So look, we've all heard of Grammar Nazis, relating to nitpicking and over-zealous protection of grammatical structure in written content. In this case, I'm addressing the simplest structured form of modern poetry in use. Three freakin' lines. Seriously, shouldn't Haiku be composed correctly, like any other form of structured poetry?

have i ever done post-drunken poetry before?

i've got to be breaking some sort of rule with the amount i've been spamming this site over the last four hours.

I'm gonna go make breakfast and take a few days away to compensate.

sorry. thanks for listening.

much love

i woke up after
three hours of sleep
took a look around my room
and everything was tinted green
had a sobering reminder about
why i shouldn't drink
i get caught up in the moment
and try too hard not to think.

i'd do anything to go numb,
i'm afraid of that side of me.
it's hard, i hate myself
when in the middle of sobriety.
the room is tinted yellow as
the sunlight slips in quietly
i'm at a fork in the road,
man, i gotta choose carefully.

to the left a road of headaches,
heartache, a masochistic fantasy
take everything the hard way.
drunken, spinning memories
thinking of the good days,
accepting they're behind you
and your options won't change.
you're numb but somehow bitter
life is shorter, and it starts to fade.

off right a path of effort and torment,
pushing through the years of shit
that you drink just to forget.
the subtle kisses on your forehead
are bullets of a war chest
you're naked and afraid and
your perspective's all distorted
tryna shake your obsession with the morbid
it's been about a year since you last felt worth it.

and say you choose the better
of the two, here's the evil thing.
the second road is always there,
quiet, calm, and glistening.
internal scars and all the
hurt will start to dissipate
just share another secret,
close your eyes, and disintegrate

you're still quite young,
there's time to do the right thing.
maybe depression in aesthetic
isn't really worth you dying
and you won't find steady love
by telling everyone you're crying
that just attracts the broken, you
need something solid and inspiring
to all of you who noticed,
heard my wishes and my wailing

i'll switch to water, hope
that better starts prevailing

Voting has closed for this week's topic.

The prompt is...

The Road Trip

Some questions to help you get started:

Who is the traveler?
Why are they traveling?
Where are they going? Are they going anywhere?

The questions are only meant to help you get started. Make it happy or sad, adventure or horror, romance or tragedy. Go where your imagination takes you. Don't feel constrained by what may seem to be the obvious response to the prompt.

Please keep your submissions between 1000-2000 words (for reference, this topic section is about 200 words), make sure to properly format to Tildes when submitting to the submission thread.

Submission thread will be created on Wednesday, Aug 29, EST.

Please feel free to use this thread to brainstorm or share ideas or post any other comments you have about the writing prompt group.

Have fun everyone! I can't want to see what you create!

Things I may change:

I may do away with topic voting if/until the group gets big enough, and I'll just post a weekly prompt.

Depending on the number of submissions, I may increase the max length.

One aspect of the Writing Prompts subreddit that frustrated me the most was that the submission that got the most responses was often the one that was submitted first. I found that in order to ensure that I got feedback and criticism, I often found myself rushing or submitting sloppy work so that I could submit first. Often times I would ignore prompts I liked because other posts had already taken off.

I’d like to try something here that addresses some of those issues. I imagine it working like this:

1. The first post would be a number of prompts that participants would choose from to be that week’s prompt.

2. After a prompt is chosen, I wouldn’t accept submissions for one/two weeks to give people time to develop their ideas and submissions.

3. A new post would be created for submissions for the past week’s prompt and providing a new list of potential prompts for the following week.

4. Go to 2...

So long as it is practical, I will read and provide feedback and constructive criticisms for every submission.

I hope this encourages people to develop fledgling ideas as they have the time to let their ideas breathe and they have the promise of feedback at the end of it.

Of course this isn’t meant to replace other casual writing prompts.

Edit:

For those interested a few questions:

1. Is one week enough time to write?

2. Would it be better for the writing time to include the weekend?

3. Would you be okay with certain restrictions like 1,500 words? Is that too many words? Too few?

Edit2:

Okay, I'll try to set this up!

Over the weekend I'll think up some prompts. Here's how I see it rolling out right now. Feel free to suggest other things as it's all fluid right now. I'm open to any and all suggestions.

1. Monday, Aug 20, I'll post three or four prompts. I'll leave voting up to participants? Or maybe allow the whole Tildes community to vote on the kind of story or theme they would like to read (hopefully to bring writers more feedback)?

2. Tuesday, Aug 21, I'll announce the weekly prompt. Remaining prompts with good support will be carried over to the following week? Remaining prompts with little support will be removed from the pool?

3. The following Wednesday, Aug 29, I'll open a thread for the past week's submissions and post a pool of three or four prompts to choose from.

Not sure how voting for prompts will work, I'm thinking of posting the possible prompts in the comments and using Tilde's voting system.

You're home alone and watching TV. Yawning, you tilt your head to loosen up the knots in your neck and out of the corner of your eye see a dark, fast, blur. When you focus on that spot, you can't see anything, so you turn back and continue watching. It happens again during a blink, but as you turn your head you almost catch it. Another round of this and you are positive you aren't going crazy, so you blink but turn your head as you open your eyes.

Shout-out to Mozzribo for the idea. I hope this is inspiring enough to the writers out there! If anyone is interested in doing a prompt next week just say so in the comments. Thanks everyone!

been sitting on two of these most of the day, might be a little messy.

i feel like it's a little stale since i left it waiting, and i'm significantly more sober than when i usually write.

as always, comments welcome. or ignore this entirely if you're not feeling it<3

bless.

bishop

also this one gets somewhat graphic, gonna start leaving these trigger warnings up top - drugs, alcohol, suicide, covers it i think, let me know if i should add anything else

been smoking and drinking
just so i can cope
gave her the ring
she put me on the ropes
new girl show up but
i don't got no hope
my heart is still sinking
i'm trying to float like

Gretel, baby, where did you go?
no crumbs left I can throw
Hansel in the forest alone
put me out of house and my home
hands full of green and some blow
no drinks left but the coke
she's laughing now - am I the joke?
turned my heartthrob into a stroke -

your bedside's left wide
open to the moonlight
head high, red eye
stranded on the roadside
you kissed, i cried,
while i watched papaw die
No sleep, four nights
you told me it's alright
helped me keep my head high
helped me say my goodbyes
then you hit me blindside
didn't get a goodbye

peace, bye, next flight,
right into his arms like
you've been biding time,
waiting for the day to strike me

down.

down.

down.

Left me tied strapped to the bed
Headphones looping what you said
Promises we could stay friends.
Cool ones pour down my head
I know the river Styx runs red
Little siren told me "Baby, dive in"
Closed eyes, woke up dead.
Didn't know God's a raven.

Now you got your Raybans
and your black Timbs
Got your new Amex,
one in the black print
Hope it was worth it
on your conscience
that you lied through your teeth
and he fucking lost it

costless

Must be nice right?
If it's not on the bill
it don't have a price
Fuck being nice,
Fuck doing what's right,
What's another sad white
boy taking his life?

Masochistic statistic
when his legs kick
Fuck vacation,
Miami,
Fuck a new chick
Cool one rain straight
to the forehead
Gorgeous.
One less problem
to deal with. Lord, yes.

Gretel, baby, where did you go?
no crumbs left I can throw
Hansel in the forest alone
put me out of house and my home
hands full of green and some blow
no drinks left but the coke
she's laughing now - am I the joke?
turned my heartthrob into a stroke -

I have been writing for quite some time, but always look for new ideas, new perspectives, new genres, new ways of promoting or improving or sharing my work. I'm not a professional and still have lots to learn. I am open to all kinds of writing and levels of expertise, and want to open a space where there is genuine and helpful sharing, rather than snarky and dismissive barbs.

I don't think this should be a place where someone writes a quick and sloppy sub-first draft and then eagerly begs for only positive comments. Writing is hard work. It is a craft and takes serious study and time. It can also be lonely and discouraging.

I envision a virtual coffee shop where we have all gathered with our latest work, wondering what our next step is, how a good editor can be found, how to write a query letter, is self-publishing a good choice, how did you get an agent...those sorts of discussions.

How is a new group formed?