Creatives of Tildes, I'm in dire need of help.

My plan on Nov 5th is to vote, drop my kids off at school, and then go stand next to the heaviest republican-leaning polling location within 20 miles of me until the polls close (with possible break to pick up my kids).

I need a sign. A good sign. I need 1 sign, maybe 1 pamphlet. A final plea to the Republican voter to vote against fascism. It needs to be succinct and thought provoking, but not accusitory. A visual for them to ponder as they walk in the building. Something to inspire even one voter to change their mind about voting R this year. I have ideas, but I am no artist, and not nearly as witty or empathetic as I wish I was.

It will, to the best of my knowledge, be just me. Although I invite you all to join me in spirit at your nearest equivalent.

Here are my ideas so far, but they all feel too wordy.

• Your spouse can't find out you voted for women's rights.
• Don't force my daughter to be on a menstration registry.
• The Republican party abandoned you, It's time for you to abandon them.
• If you replace "Immigrants" with "Jews", Trump sounds a lot like a Nazi.
• I don't like Kamala much, but I trust her to step down if she loses.
• Don't be on the wrong side of history.

The sky unravels, thick with ash, A chocking breath, a world's last grasp. The trees, once proud, now twist and writhe, Their shadows stretch, and darkness thrives.
The wind hums low, an ancient curse, A whispered doom, rehearsed, rehearsed. It claws the earth, it bends the bone, And leaves the living cold, alone.
Yet deep beneath the fractured stone, Where roots have bled and seeds have grown, a pulse remains, defying fate, a quiet spark, through dark, awaits.
Its wings beat soft against the gloom, A fragile light within the tomb. Through darkness reigns, it does not see
The dawn will come. It always frees.

Pork bun; pot belly; spare me the tears;
I'm getting on; you're getting old; you're getting off here.
I can't quite tell; it's hard to see; you're somewhere in my mind;
Or is it me? It's hard to see; you're losing—

I think I'll try. No, no, I won't.
This happens sometimes. All the time.
I think. Do I forget?
A half forgotten memory. Still vaguely tinged with some regret

Lately I've been interested in different types of narrative structures, namely upon discovering Kishōtenketsu, the Japanese four-act structure and how it contrasts to the traditional western three-act structure.

Obviously narrative is not an exact science, and these structures are best thought of as guide rails to get you started, and a story can be told in so many unique ways. Which brings me to this post's title: The Bear.

The Bear has strong themes revolving around family and personal growth, that's for certain, but when it comes to narrative, it is very unique. Episode length can vary quite a bit, and so too can episode content. Episode 1 of the most recent season was a time-bending, heartstring-tugging montage. Episode 2 was essentially just a single conversation.

And while there are some episodes with a traditional narrative structure with a clear beginning, climax, and ending, I would say most episodes steer away from this concept. In fact, I'd go so far as to say that any sort of resolution is very rare in this show. Episodes, or even entire seasons can pass without many of the major conflicts or problems being resolved, which certainly adds to the high-pressure, anxiety-inducing mantra of the show as a whole.

I'd say The Bear leans heavily into the Slice of Life trope. Where we're being invited into brief glimpses of the lives of the characters, where relationships are complicated, problems aren't always solved, and life is simply messy and unorganized. The Bear doesn't follow any sort of formula that audiences would find satisfying (but that certainly doesn't mean it isn't enjoyable).

So, back to the question in the title. Does anyone know where I might read or learn more about the type of narrative structure that The Bear employs? Is there even a name for it? As innovative as the show is, is still has this certain air of nostalgia that reminds me a lot of Sopranos, which is another show that I believe breaks the mold of traditional story structure, especially in an episodic format.

Any insight would be greatly appreciated! Enjoy your day, and godspeed.

Mythos

A tree unwatched does soundless fall

Without an eye its crash to mark

And starborn light in vain does call

While hearts incline instead to dark

So natural course unseen dictates

The wave of time as life begins

Nor, in our barques asea in fate

Ken we the source of distant winds

Now blown to gale, now to 'phoon —

We strike our sail, but none can dock

Our crafts beset do founder soon

For to the hours we're firmly nocked

In time's swift drifts all 'twined we are

Yet each must pass the stellar door

Through deep'ning age pass on afar

And thus return to astral moor

I aspire to better equip myself as a researcher and writer. As part of this, for me at least, I think that developing a note-taking (or marginalia) system would be useful. I read a ton of nonfiction and have especially been into history, economics, and geopolitics lately…but my “system” tends to just “highlight” insightful stuff in my Kindle and then…everything kinda falls off the map for me. I should probably start going back, reviewing the highlights, and making notes in a separate notebook/app/document for later research and writing purposes.

I thought it might be interesting to learn more about everyone’s reading/studying routine and specifically note-taking processes. I’m especially curious about those who blog/publish writings, and how they work to gather their thoughts and information as they are reading.

If you don’t mind sharing a bit about your note taking process or systems, here are some questions for discussion:

1. What is your process, generally? (Do you read print/digital/audio? Does your note taking change depending on different formats? Do you highlight with specific colors for certain reasons? What do you find yourself notating most frequently?)

2. Do you use pen/paper or is there a specific app you like to use for note-taking/research purposes?

3. If you use an app, what is your process for book notes? Do you take notes on paper and then transfer it to the digital app later when you’re reviewing? Do you take notes directly into the app?

4. Any other advice for someone looking to improve their learning/knowledge through more focused and intentional reading and note taking?

I've spoken with some authors who are working on non-fiction books. I've noticed that some of them know their books intimately and can correct me if I mis-relay a section back to them that I've read. They can do this without checking the actual book and I've then verified that I was incorrect.

Others have told me that by the time they were finished a seemingly infinite number of edits, they can't bear to read their own book again and just sent it to an editor at that point and released it.

I was surprised by the latter but it does remind me of my own experience writing very long papers in college. Is this common in your own experience?

So, over the pandemic, I decided to follow a dream and write a novel. I followed all of the best practices I could find, had it beta read by folks so that the finished product would be as polished as possible, posted it on Amazon's kdp site in ebook and paperback/hardcover, and then set out to get the word out, but nothing seems to be attracting any attention to it.

To be fair, I know I'm not going to be the next Stephen king, but at the same time I feel like I should be able to find an audience somewhere. I've tried Facebook ads, i run a blog I post to semi regularly, as well as mirror posts on FB and insta, I've tried a couple of short videos on tiktok, but since its launch a couple years back, I've managed to amass just under 20 bucks Canadian in royalties.

Now, money wasn't a motivator when I began this new trek, but it would be nice to feel like the world I created has reached a few people and given them at least a small amount of entertainment.

If you're an author that's had success with some form of marketing, please share, and if you're someone who reads new stuff on the regular, where do you go to find new stories?

Apologies to @etiolation, if they are still around and it's a problem, for coopting this thread.

I want to start writing. My goal is to be a famous and well-compensated pundit with lots of beautiful young groupies and first class tickets spilling out of my inbox.

I'll settle for having a minor impact making someone's life a little better.

But, I really don't know how to get started in making it useful, how to engage in a broader community of writiers and develop and connect with an audience.

So I'm reaching out to the highest quality online community of which I am a part:

Is there anyone here who knows their writing has impacted another? Would you care to share the how's, the why's, and the wherefores?

Is anyone here a part of a writing group that's open to new members? Would you share?

Is there anywone here who has made money as a writer?

My particular writing focus is how to increase the level of "goodness" in the world. I don't even yet have a fully formed idea of what I think that is, perhaps a good topic for an essay. But, I don't even really know what an essay is. Somehow I got through a liberal arts education with decent grades, but don't seem to really know diddly squat about abstract thinking. More importantly, I don't have a well defined goal of the point of anything, with one exception: connection. The only time I truly feel at peace in this world is when I feel connected to another human. And it's a thing that perhaps a lot of folks take for granted, but which I was (presumably inadvertently) trained to avoid at all costs as very young person.

So, if you have any thoughts on how to develop focus and form, and identify venue, and raise profiles and get feedback, I'd be most obliged.

All the best and all the blessings

Writing, at its core, is a shared experience between the author and the reader—an exchange of thoughts, emotions, and ideas. This connection, built on trust and authenticity, is the bedrock of any meaningful relationship, even one as seemingly one-sided as the parasocial relationship between an author and their audience.

When AI is introduced into the realm of writing, it disrupts this delicate balance of trust. Readers inherently believe that they are engaging with the genuine thoughts and expressions of a fellow human being. However, the introduction of AI blurs this line, creating a scenario where the words on the page may not be the product of human experience or creativity.

Imagine delving into a piece of writing, believing you are connecting with the unique perspectives and emotions of another person, only to discover that those words were crafted by a machine. The sense of betrayal and disillusionment that may follow disrupts the very essence of the reader's trust in the author. It's akin to thinking you are having a heart-to-heart conversation with a friend, only to later realize it was an automated response.

This violation of trust erodes the foundation of the parasocial relationship, leaving readers questioning the authenticity of the connection. Human communication is a dance of shared experiences and emotions, and AI, no matter how advanced, lacks the depth of personal understanding that defines true human interaction.

In essence, while AI may expedite the writing process and provide creative insights, it does so at the cost of jeopardizing the sacred trust between the writer and the reader. As we navigate this digital era, let us not forget the importance of preserving the authenticity that underlies our human connections through the written word.

Generated by ChatGPT.

I enjoy writing letters, but my hands have progressively hurt more and more from handwriting. For a time, I tried typing letters on my computer, the personal feeling of my letters diminished. Having printed it out, looking clean and mechanically perfect made my letters feel less valuable, they didn't feel like I spent time on them.

So, for the last few years, I've typed letters on two older typewriters and that has felt like a happy medium. I make mistakes and have to fix them, sometimes the text looks odd or the paper moves, I love it.

I have two questions I need help with:

1. Does anyone know of a mechanical typewriter that doesn't utilize the rolling pin to secure the paper? When I write on cards, they have to be bent and sometimes they never retain their former shape. I'd also like to get into journaling this way, but can't feed a whole journal through the rolling pin.

2. Can anyone think of other ways I could write letters, other than the methods I've listed already, that may bring a personal nature to my letters?

Thanks!

I have tried and tried to write a daily journal/diary and always gave up after a while. My longest stretch was over the course of five years. It always devolves into a litany of banality, though, and when I look back at it, invariably appears a bit cringy.

So I have decided to start keeping a commonplace book- a place to write down interesting thoughts, quotes, ideas I come across and so forth. Without the chronological format of a journal I feel less compelled to list down stuff for the sake of it and am actually listing down ideas I'd like to remember.

Do any of you do something similar?

For anyone who is writing fiction, it can be difficult to find suitable readers who are willing to provide extensive notes on their work, especially when writing anything over 300 words. Generally speaking, the longer the story, the harder it is to get notes on it.

One of the most successful subreddits for fiction criticism is /r/DestructiveReaders/. That sub has a series of rules and recommendations for its functioning, but, to summarize, you are only allowed to request feedback on a story if you have previously provided quality feedback to a story of equal or larger length than yours.

Each critique you make gives one "credit" that you use to receive a critique on something of your own.

It's a great idea and, by and large, it works.

The issues of /r/DestructiveReaders/ are, essentially, the issues of Reddit as a whole, as a consequence of the existence of downvotes. Members can take the notion of "quality critique" to an extreme, going way above what the rules actually require. They may require something overly lengthy, or something that appeases a subjective criteria. Some may even downvote the "competition" so their own posts stand out.

That can lead to some unfair, frustrating experiences the mods can do little to prevent.

In this post, I am proposing that we create a series of recurring posts that function in many ways similarly to /r/DestructiveReaders/, but in a way that is more flexible and adapted to the needs and peculiarities of the Tildes community.

The posts could be either monthly or created when the previous got too long.

I would maintain the "credit" system, but I would use a notion of "effort" which takes everything into account, including the length of the review, but other criteria we can come up with as a group. We could possibly have a scheme in which the authors themselves would say how useful that review was. Sometimes, three paragraphs can be useful, and I would like us to have a way to ascertain this.

I wouldn't have any powers to remove anything, so the whole thing would be in the honor system. Essentially, I would be merely suggesting behavior, and, if someone decides to simply not follow the rules, I won't even try to admonish or shame anyone.

I would track credits and submissions on the body of the post itself. At least in the beginning, I could serve as the sole organizer, but anyone else who wishes to contribute will be welcome.

And, oh: we could be open for non-fiction as well. That could mean biography, history, or even technical writing. But I'm not sure how to incorporate everything into that idea.

What does everyone think?

I wrote this story yesterday. I translated to English with the help of Google Translate and added my own revisions and fixes.

As an author who normally writes a lot of thrillers with dark subjects, I found at the outset of last year that I just couldn't add any more darkness to the world. Lisica is a story I've been incubating for over 20 years, about a fictional island 1600 km off the coast of Oregon in the middle of the Pacific. I've just finished the series and it needs a new set of eyes to take it to the next level.

It is pure escapism, a love story about eleven researchers who are sent to Lisica for eight weeks to categorize the island's life before a new global satellite agreement comes into force and the USAF has to reveal the island to the wider world. The novels are equal parts scientific discovery, (with special emphases on data science, field biology, geology, meteorology, marine science, archaeology, and linguistics) and equal parts torrid romance between all these beautiful people. In many ways it is a utopian story, about people in paradise doing valuable work who can also love without hurting others. There is no toxic masculinity or bullying on this island, no sophomoric communication problems, no jealousy nor regret. It is my belief that natural challenges such as storms and cliffs and the mystery of the unknown is enough. This isn't Lost. There is magical realism here but it is more realism than magic.

I'm hoping to find a few qualified beta readers who have a background in these sciences, to help me make sure I present them correctly. But it's a lot to ask, for sure. Each of the four volumes is 15 chapters of exactly 26 pages each. 1560 pages in all. 425,000 words. If anyone knows a retired biology teacher with plenty of time on their hands, that's basically who I need at this stage.

My next step is to turn each chapter into audio episodes. As well as an author, I'm an Audible narrator and professional character actor. It is why each chapter is exactly 26 pages long. They make for sixty 42 minute audio episodes. I will eventually release the series week by week for free on my literary podcast over the next year.

Hopefully, this scratches someone's itch. Thanks for reading!

I'm looking at making a major career change and I'm considering trying out one of our local newspapers to see if I can get into a semi regular gig with them. Is there anything in particular I should know or be looking for?

This is quite possibly one of the greatest struggles to writers: choosing a title. You'd think that writing a chapter or story would be the hard part, and to an extent it is, but somehow I almost always draw a blank at the title. Sometimes, I get lucky and a title just comes to me instantly. Usually though, I'm left staring at the top of the page after finishing trying to figure out what to call it. This doesn't just include the overall story, but even the title of individual chapters. Last year when submitting a short story for a contest, I had no clue what the heck to title it and ended up going with something like "Hawksbills and Ospreys" because the deadline was right there.

I know this is a common problem for writers. As someone who's active in the fan fiction sphere, the most common trick I see (and that I've used myself) is to pull a title from song lyrics or poems.

What about you? What are your tricks for trying to get inspiration for titles, and what sorts of "guidelines" do you follow to try to make them stand out?

I have two goals this year. The second is to submit at least one short story to a literary magazine. The first is to write one good short story (just kidding, the first is to write one story a week in the hope that one will be good enough to submit).

Of course the goal in my secret heart is to have my submission accepted but let’s not get ahead of ourselves here. Walk before you can run, and so on.

So, writers (particularly of fiction), have you ever submitted a short story to a literary magazine? How did it go? Did you learn anything in the process that you wish you’d known before? Any tips for a rookie?

Uneasy. The invite received days ago ye respond today.
Betraying your identity, self…
Click here, add this, add that, oh my, what have ye become?
Continue lurking.
Continue being who you are!
I miss my NSFW days. Never mind!
Hours turn to days, and days to weeks, what have ye become?
From the shadows thy step, and ye become, A POSTER!
Do not judge me.
Do not look upon me.
Do not think of me.
Do not. Do not!
And to the rest of you, a great day.

Hello, long-time lurker here who only recently obtained an account!

I personally like Uniball pens (although annoyingly they do tend to smudge more than I'd like). I'm trying to find a less wasteful option (i.e. a refillable pen) but not really sure which models are good.

I'm looking to obtain a nice notebook, but I do feel that a lot of the popular models (e.g. Moleskine, Leuchturm) are a bit overpriced!

What kind of stationary do you use?

When talking with my therapist, the subject of writing is a constant. My obsessive approach to writing is a source of frustration.

I write well in my first language, and aspire to create short fiction . But I'm an over planner and way too critical of my own writing.

Anything longer than a single page is impossible for me because I'll obsess with editing and some misguided sense of "perfection", cutting paragraph after paragraph until I'm left with a decent micro story that you can read in two and a half minutes. Most of the time I don't even get this far.

So my question is, how can I force myself to be less self critical and obsessive, let things flow, and write longer stories? Are there any advices, books, courses, practices and exercises I can use?

I rarely get ideas for fun writing prompts, but I love reading them and the stories they spark. Since Tildes doesn't have a community for just prompts, I'd like to see if a thread would be a replacement!

Rules:

Every new prompt is to be a top level comment and replies are to be child comments underneath the correct prompt. Mistakes happen, but my little heart can only stand so much messiness!

I've been using Obsidian for notes for a year now and iA Writer for writing prose for a decade (wow!) and love both of them for their simplicity, cloud sync, and most importantly, their innate ability to get out of the way and let me work.

But I'm always interested in other people's workflows! What do you use to write or take notes?

With thanks to @cfabbro, who kindly provided feedback on a previous version of this story.

Today is day three of my "war against writer's block"!
As I keep fighting with my proverbial pen, I hope that some day I'll be able to get out of my block and be able to write some real stuff like research paper or novel or story book.

What I realized today is that Word Power is a very important skill. A writer is essentially a Wordsmith or someone who carves and arranges the words and phrases into sentences, just as a sculptor or carpenter would do with wood or other raw materials. To be a better writer, you must learn to fall in love with words which is probably easier said than done - especially for us non-native speakers!

Having a regular habit or routine helps with this. Each time you come across a difficult word, you open the dictionary software or app and learn its meaning. It hardly takes a few minutes but it's a very useful skill as each new word you know of acts like a raw material or building block for your writing. Better still, develop linguistics as a hobby as mastery of grammar is equally important and so is learning about how languages, cultures and people basically work and interact at the core.

Apart from that, noting down right ideas as they come is also very important. For example, the idea about the Wordsmith thing occurred to me yesterday when I was having a cup of tea. I noted it on time (before it could vanish into the depths of that dark matter called subconscious mind and become irretrievable again!), and made a note of that on my computer so that I can write it in today's proverbial pen.

Even after having these basic tools and ingredients, you may not be able to write anything at all if you lack that focused energy or passion to write about a particular topic - be it a research paper, novel, story book or something else. You need to have that energy to write which I feel I'm lacking right now. I might be able to feel that energy some day as I continue with my battles, at least I hope so! Thanks for reading this and staying with me in these challenging times.

My further apologies to anyone who has looked forward to another Writing Club while I was busy running from a cruel summer. Finally stationary, I send this from a bewitched region.

I've wandered into a church of horrors recently, at 10 pm, completely ignorant of the liturgical occasion for it standing open and illuminated at that time of night. An elfin woman in a sweatshirt spotted me and my wife as we took in a St. Sebastian statue.

"Come take your photos of this!" she said, and drew us toward a glowing pit under the tabernacle. Besides a priest scribbling behind a cracked door we were the only souls stirring. I kept him in view as we climbed the steps to the high altar.

"Is this OK... are we OK here?" asked my wife, in sparse Castilian.

"Yes, yes, yes, yes, yes," replied the churchwoman. I'm learning that such verbal generosity is typical here.

What she led us to was the sacred center of the church, the relic over which swarmed a hundred angel heads, pewter candelabras, attendant saints and golden aureole. But they were above ground. Beneath the floor it stood, lit extremely: a worn, worn, sea-washed stone, about the size of a cocooned 10-year old child. Coins rested in a depression at its crown. It bore a jumble of an inscription in a font you could count on James Cameron to pick if he had to display an "ancient curse." What or whom the monolith hallowed was beyond our powers to decipher or the churchwoman's to explain. But it seemed older than the cross barely scratched into it. Somehow I knew it had stood apart for millennia. It was the sick feeling it provoked in me, the reflexive reverence it forced from someone. Down the aisle a Mater Dolorosa wept tears like glue beads into her properly black Spanish dress. St. Lucy served her eyeballs on a platter. An underlighted St. Iago trampled moors unlucky enough to have been caught inside the glass case with him and his white charger. The viscera of belief.

We left without understanding, and the lady promptly shut the doors to us and the night.

The stone might have moored a ship purported to have carried St. Iago. Its letters might signify a dedication to Neptune. It may have come from a flooded temple.

Surely these are elements for an eerie tale, but this was merely my birthday on a full-moon night.

And now I would really like to read some Halloween writing. Please plan on sharing some short, tense, spooky, autumn-scented, decay-touched words with the writing club. Due on October 31.

I'm asking specifically about writing fiction.

I need to write a lot in a short time. I'm a perfectionist -- a therapist once called me obsessive. Sometimes I spend hours on just a few paragraphs. I eventually make good paragraphs but that is not very productive. Deadlines fly by, I become anxious and stressed. I wish to write more, even if it's not as good. Better to have something to edit and correct than nothing at all.

I reckon that a book is not made of 100% perfect phrases. At some point you gotta lift the house, even it is not as pretty as you want. I want to experiment with writing more freely, finding ways to overcome my self-criticism and impostor syndrome. I see people writing 3000 words a day... maybe I don't need to write that much, but I envy them. I often don't write more than 500 words per day. This is just not working for me as a professional writer.

Maybe I could try something like stream of consciousness. But I don't know. Looking for advice. Not necessarily on literary techniques, but also on how to put myself in a position to avoid self-recrimination, let things flow a bit more. I'm looking for a better psychological outlook. Right now I edit my stuff so aggressively that I transform pages into tweets.