I personally have been getting really into anime the last two years and Akira is by far one of the greatest movies I've seen!
Edit: Thanks for sharing all these great films! I've got a lot of good movies I gotta look into now :)

What are everyone's favorite "Guilty Pleasures" when it comes to film? You know, those movies that you love, but if someone asks you which movies you're into, the ones you don't necessarily admit to until you trust or really like the person. Here are a few of mine:

• The Fast and the Furious franchise, especially Tokyo Drift.
• Titanic
• Mean Girls. I don't know if I can count this one since it seems to waiver between guilty pleasure and cult classic depending on whom you ask.

The ending of a movie ultimately makes it or breaks it for me.

I'm old. I've seen thousands of movies. I've read thousands of stories. It's hard for me to be legitimately surprised by an ending.

The ending of Upgrade blew my mind.

If you love an unusual ending, if you love sci fi, and if you don't mind a little bit of the old ultra-violence, I fully recommend.

So, i just rewatched the prequel trilogy and had soem thoughts, far removed from my first watching, and also after the new films, The Clone Wars, Rebels etc.

It comes down to this. If you don't buy the Anakin arc, it doesn't matter how good or bad the rest is, it all fails. And for many of us, we don't buy it, for several reasons.

• There is really NO foreshadowing in The Phantom Menace (TPM) that Anakin will turn bad. He's the blonde, ever helpful, committed to others all American good kid. Missing out on putting something in here was insane. Also, relying on the acting talents of a kid this young is rarely going to work out. I think the only thing they tried to do was show he had 'attachments' to peopel which was incompatible with Jedi-ism, but this wasn't greatly effective. It always seemed to clash with the emphasis on connections between peopel Obi-wan talks about in ANH.

• I don't find the relationship between Padme and Anakin believable. I mean, I don't think anyone does. Remember this is basically THE lever for his shift to the dark side. An awful script and terrible acting aside, I don't see how it was ever going to be believable. He had a boyish crush, she is interested in youngsters? There is no development fo their relationship to speak of, he's sold from minute 1 and she doesn't seem to have any journey to falling for him. Maybe he radiates a midichlorian pheromone? I don't see what we are supposed to think drove the relationship, even had the script, acting and direction been on point. And there were so many better ways to do it. Make them the same (ish) age when they met? Then you'd have a teenage crush as an ember they both carried that reignites later. There are many other ways, but it almost seems like they didn't try any of them.

• Anakin's dark side is tied to teenage against not to character traits. He's as emo as Kylo Ren would be later. The greatest danger to the galaxy is teenage hormones and the rage that comes from intractable acne. Again its exacerbated by the acting/dialogue/direction but still. His darkness is all driven by protecting people, but very selectively some people over others. And the other part is his entitlement, that he deserves more, which is really not compatible with the character in TPM. Also, he is selective what barriers he maintains. He never goes back for his mum but he is happy to get jiggy with Padme. If protection of those he loves is his main driver, why didn't this happen in any way between TPM and AotC.

• Anakin's seduction by Palpatine is silly. Its related to the point above. I guess if you don't buy the internal driver for his change, the external one makes little sense either. He preys on the weaknesses he exhibits, but the shift to him believing patent untruths is too abrupt. We aren't shown enough for it to be believable. Had we seen Palpatine messing with the minds fo others more directly, that might have helped, but we didn't get that. Again there were so many other ways to do this. If he'd fooled Anakin into inadvertently doing soemthign really bad, he coudl have then revealed himself and basically said that if Anakin fessed up then it would also hurt those he loved. But no its 'i have a vague idea of maybe stopping an unknown future threat to your weirdly inappropriate wife, pls go kill soem kids, m'kay?'. All we get is some iffy bad dreams, but again with no previous intriduction of Anakin as prophetic, thats not very convincing. Had that, say, been established earlier, it might have worked better. .

• Anakin's change to Darth Vader (suit and all) is too quick. I think they wanted to show the entombing of Anakin, and i get that, but they jumped right to the last stage. Had they shown essentially the v0.5 beta of the suit it might have been much better. Think the hilarious home made spiderman costume in the Toby Mcguire versions, ot the MNk1 iron man suit. It would have given us Vader but left for a sense of time between RotS and ANH.

• [ Added, forgot this before] - Anakin seems nothing like OT Darth Vader. The mannerisms, tone, style and feeling fo the two are hugely different. If you watch the end of RotS then the start of ANH, you get this right away. Again had you had the feeling the metamorphosis took longer it might have worked, but with the presto chango Vader makeover, its more jarring

So there are a gazillion other issues with the films. Some narrative, some continuity, many script, some racial, mostly all summed up as 'George Lucas made ANH accidentally, and peaked at that'. I will list a few in a comment below that occurred to me on this rewatch, but the core is this. The Original Trilogy is the Story of Luke. The prequels are the Story of Anakin. Had this worked better, i think we'd have been able to overlook the rest muuuuch more easily. There were missed opportunities all over the place. Maybe when they reboot the prequels :-D soem of this can be fixed up.

Have any of you seen Solo? Possible spoilers if not.

Personally, I loved it. After having been dissapointed by The Last Jedi, Solo was refreshing, in my opinion it felt like a classic Star Wars film. I loved all the characters, including Ehrenreich's potrayal of Han which I fully bought.

Also the humour, compared to The Last Jedi, was far better. Whilst there weren't many laugh out loud moments, I was grinning throughout. And I far preferred it to the eye rolling cheesy jokes of TLJ.

And as someone who has watched the Clone Wars and Rebels series, I loved the reveal of that certain character.

Of course there were some cons, but they were relatively minor, in my opinion. The opening was a bit rough, and I got a bit confused at the end with the constant changing sides. And to be honest, I didn't really care for Marauders.

What did you guys think?

Quick intro: My personal problem with Reddit's movie sub is with its narrow perspective on films. I know it might sound elitist, but I just found most of the discussions to be circlejerks or full of references/memes done to death. The anti-theater Netflix-can-do-no-wrong attitude is confusing at best (considering the overwhelming love for Nolan/PTA/Taratino who are championing the analog film experience). /r/truefilm is full of insightful writing but it's not exactly a welcoming place for newbie cinephiles who got into films via MCU, Star Wars, or other blockbuster franchises. Don't get me wrong, I visit both subs everyday, but I kind of wish there's a balance: A place where you can have both casual discussions about high-brow cinema AND in-depth essays about comedy with dick jokes.

Hence why I am writing this while ~movies is still fresh (hopefully I am adding something of value and not come off too rambly). Now of course I could just start a post asking for foreign film recommendations, but I just don't find those post to go anywhere, they usually just end up with people listing out films without any thought or explanation. Cinema is about your personal experience in relations to what you see on screen, and I think we are doing ourselves a disservice if we watch something and just shrug it off as "it's great you should watch it" or "it sucks". So putting money where my mouth is, here are some recommendations for non-english films. Sorry for the long set-up, but I hope this encourages a dialogue, even if you disagree with the above or my recommendations.

ANYWAY. I settled on 6 because I didn't want it to a Top-5 list and 4 seems too short. 6 just feels right. Cannes just ended and I feel like it's a good time to start talking about the directors of this year's festival as their newest films will be available in the near future. So in no particular order, here are six quality films from the directors of this year's Cannes:

1. "Mountains May Depart" (2015) - Jia Zhangke
   An ambitious piece of work that spans 25 years with an intro that goes for about an hour before the title card. Even if you don't like the film, the confidence of Jia Zhangke is in full display here.
2. "Secret Sunshine" (2007) - Lee Chang-dong
   If Lars Von Trier films aren't realistic enough for you, here's a good one to kickstart your misery. After I finished watching it for the first time, I had to go for a walk and ended up wandering the city for 3 hours. It affected me in such a meaningful way. Surprising funny, if you can see the irony in it.
3. "Ida" (2013) - Pawel Pawlikowski
   The cinematography! The framing in this movie is incredible, as if Ida is having a silent ever-going conversation with God. Not to mention the beautiful black and white!
4. "A Separation" (2011) - Asghar Farhadi
   It was my first Farhadi film, and I quickly went on a hunt for all other Farhadi films right after. The writing grips you and really puts you in the place of all the characters. I could recommendation any other of his films, but to me, A Separation is perfect writing and a must-watch for any screenwriters.
5. "Nobody Knows" (2004) - Hirokazu Kore-eda
   Heartbreaking. You know how the characters will end up (spoiler: not a good place) but you can't look away. I'm glad Kore-eda won Palme d'Or. Can't wait for his new one!
6. "Vivre sa vie" (1962) - Jean-Luc Godard
   The only film pre-2000 on my list, but it's a film that feels quite modern. I've always felt that "Vivre sa vie" should be everyone's first Godard film instead of, say, "Breathless". It's the most coherent and it's a easy watch. It's a good starter movie before you take a deep dive into Godard's filmography (his work ranges from groundbreaking to borderline unwatchable IMO).