Welcome to the 23rd week, it had to come eventually...another classic record discussion: The Dark Side of the Moon by Pink Floyd! Posting a little early since I'll be busy celebrating Thanksgiving, have a great day everyone.

The Dark Side of the Moon is the eighth studio album by English rock band Pink Floyd, released on 1 March 1973 by Harvest Records. It built on ideas explored in Pink Floyd's earlier recordings and performances, but without the extended instrumentals that characterised their earlier work. Its themes explore conflict, greed, time, and mental illness, the latter partly inspired by the deteriorating health of founding member Syd Barrett, who left in 1968.

Developed during live performances, Pink Floyd premiered an early version of The Dark Side of the Moon several months before recording began. New material was recorded in two sessions in 1972 and 1973 at Abbey Road Studios in London. The group used advanced recording techniques at the time, including multitrack recording and tape loops; analogue synthesizers are prominent, and snippets from interviews with Pink Floyd's road crew and others provide philosophical quotations. Engineer Alan Parsons was responsible for many sonic aspects and the recruitment of singer Clare Torry, who appears on one track. The iconic sleeve was designed by Storm Thorgerson; following keyboardist Richard Wright's request for a "simple and bold" design, it depicts a prism spectrum, representing the band's lighting and the record's themes.

The Dark Side of the Moon produced two singles: "Money" and "Us and Them". The album topped the Billboard chart for a week, and remained on the chart for 741 weeks from 1973 to 1988. Following a change in how Billboard counts sales in 2009, it re-entered the chart and has since appeared for over 900 weeks. With estimated sales of over 45 million, it is Pink Floyd's bestselling album and one of the bestselling worldwide. It has been remastered and rereleased several times, and covered in its entirety by several acts. It is regarded as one of the greatest albums of all time.

Here's the place to discuss your thoughts on the record, your history with it or the artist, and basically talk about whatever you want to that goes along with The Dark Side of the Moon! Remember that this is intended to be a slow moving thing, feel free to take your time and comment at any point in the week!

If you'd like to stream or buy the album, it can be found on most platforms here.

Rather than get an obscure record this week, I'd love to hear from you in responses to this comment!

Filling in again this week at Whom's request.

What have you been listening to this week? You don't need to do a 6000 word review if you don't want to, but please write something!

Feel free to give recs or discuss anything about each others' listening habits.

You can make a chart if you use last.fm:

http://www.tapmusic.net/lastfm/

Remember that linking directly to your image will update with your future listening, make sure to reupload to somewhere like imgur if you'd like it to remain what you have at the time of posting.

Welcome to week 22! Here we've got this week's user-voted record: Survival by Bob Marley & The Wailers!

Taken from @koan's pitch:

Does Bob Marley have gold and platinum records? Definitely. Survival is not one of them, but in my opinion it is by far his greatest album -- hands down, no competition. Everybody has an opinion about Bob Marley, whether you've actually given him a shot or not. Reggae can be polarizing. Some love it, some think it's corny. But Survival is not corny. It's Marley's greatest roots reggae record.

While some Bob Marley songs might make you want to relax on a beach and sip cold cocktails, the songs on Survival make you want to get up and do something about shit. When I was absolutely stewing in dissatisfaction with my corporate job, listening to Survival on my commute in the morning inspired me to change my life. Be careful, because listening to it too much might turn you into a revolutionary.

If you're unfamiliar with reggae in general, or you think it's silly, give this record a chance. It might change your perspective about a very deep and varied genre of music.

Here's the place to discuss your thoughts on the record, your history with it or the artist, and basically talk about whatever you want to that goes along with Survival. Remember that this is intended to be a slow moving thing, feel free to take your time and comment at any point in the week!

If you'd like to stream or buy the album, it can be found on most platforms here.

Filling in again this week.

What have you been listening to this week? You don't need to do a 6000 word review if you don't want to, but please write something!

Feel free to give recs or discuss anything about each others' listening habits.

You can make a chart if you use last.fm:

http://www.tapmusic.net/lastfm/

Remember that linking directly to your image will update with your future listening, make sure to reupload to somewhere like imgur if you'd like it to remain what you have at the time of posting.

Releases of the week 10/11/2018 - 16/11/2018

Featured Release

Anderson .Paak - Oxnard (R&B, Hip Hop)

Oxnard marks .Paak’s first release on Dre’s Aftermath Entertainment and last of “his beach series.” “You know, we went to Venice, we went to Malibu,” .Paak noted, “so it’s only right that we take it to the next place, up the coast, up to the next beach.” As hinted previously, Dre was “heavily” involved in the making of the LP, serving as executive producer. “His music was everything to me,” Paak said of his mentor. “It molded me.”
Another famous name that pops up on Oxnard is Madlib, a veteran rapper and producer who is also known for his collaborations with DOOM, J Dilla, and Freddie Gibbs.
The new album features “sprawling psychedelic grooves and confident verses,” according to Rolling Stone, and per .Paak, a special ingredient missing from the current musical landscape. “I feel like ambition is missing from today’s music,” he explained. “This is the album I dreamed of making in high school, when I was listening to [Jay-Z]’s The Blueprint, The Game’s The Documentary, and [Kanye West’s] The College Dropout.”

Source: Consequence of Sound

Listen

Notable Relases

The Smashing Pumpkins - Shiny and Oh So Bright, Vol. 1 / LP: No Past. No Future. No Sun. (Rock, Grunge)

Imagine Dragons - Origins (Pop Rock)

Mariah Carey - Caution (R&B, Pop)

The Black Eyed Peas - Masters of the Sun, Vol. 1 (Hip Hop, Pop Rap)

Feel free to discuss or feature any and all other releases in the comments below

Discussion Points

Have you listened to any of these releases?
What are your thoughts?
What are you looking forward to listen to?
What have you enjoyed from these artists in the past?

This is a new format I'm trying out to help immerse people into new album discussion. I welcome and look forward to any feedback!

okay

okay

what in the actual fuck

so i'm a southern boy myself. ever since i was a little kid my mom tried so hard to make me into a little cowboy. i was bought cowboy boots, cowboy hats, and boot-cut blue jeans. even at my young toddler age, i detested all of it lmao.

i was always a city boy.

i loved the idea of big cities like new york, los angeles, chicago, etc. hell, i even fantasized about spending my days in dallas of all places when i was in school daydreaming.

my music tastes trended as far alternative as my style in clothes and girls - in middle school i listened to everything from Shinedown to Disturbed to A Day to Remember to Dimmu Borgir (spooky!)

when i was in higschool - everything from showtunes (Phantom of the Opera) to Eminem to more metal (We Butter The Bread With Butter) to indie rock (Mumford and Sons)

but never in my life was country even a blip on my radar.

sure there were one or two songs you pick up that you get to know like

"Back When" x Tim McGraw

"Pretty Good at Drinking Beer" x Billy Currington

(my stepdad is a country musician. it's hard not to pick up something here and there.)

but

i just discovered a new genre of music (new to me).

i just discovered a new sound.

i just discovered my new favorite song.

and it's country.

Hank Williams III - "Ghost to a Ghost"

like oh my God

i just earlier this week discovered something called "Outlaw Country". i'd somehow managed to go my whole life without ever coming into contact with this.

will you listen to this fucking song??

it's the same classic country instruments that we've heard for decades.

paired with dark, angsty, grungy, emo lyrics.

with an incredibly metal breakdown serving as the chorus.

with a terrifically orchestral and bluesy viola/violin backing the entire song.

WHAT IN TARNATION!?

why did no one ever tell me there was an entire subgenre of emo cowboys running around talking about sleeping on the blacktop, relationship struggles, and popping hella pills

i now listen to country music and i'm never admitting it to my parents lmao.

if you didn't catch the link earlier, this song is a fucking work of art and literally brought me from awe to tears to fuck yeah! all in the span of six minutes in public in this cafe.

https://youtu.be/RoJwrSTIZM0

i think i've looped it back 7-8 times in a row now.

i'm floored.

what did you lot think?

do you listen to outlaw country?

please pass on any recommendations you have

21 weeks and yet another classic record discussion: At Folsom Prison by Johnny Cash!

At Folsom Prison is a live album and 27th overall album by Johnny Cash, released on Columbia Records in May 1968. After his 1955 song "Folsom Prison Blues", Cash had been interested in recording a performance at a prison. His idea was put on hold until 1967, when personnel changes at Columbia Records put Bob Johnston in charge of producing Cash's material. Cash had recently controlled his drug abuse problems, and was looking to turn his career around after several years of limited commercial success. Backed with June Carter, Carl Perkins and the Tennessee Three, Cash performed two shows at Folsom State Prison in California on January 13, 1968. The resulting album consisted of fifteen tracks from the first show and two tracks from the second.

Despite little initial investment by Columbia, the album was a hit in the United States, reaching number one on the country charts and the top 15 of the national album chart. The lead single from the album, a live version of "Folsom Prison Blues", was a top 40 hit, Cash's first since 1964's "Understand Your Man". At Folsom Prison received positive reviews and revitalized Cash's career, becoming the first in a series of live albums recorded at prisons that includes "At San Quentin" (1969), "Pa Osteraker" (1973), and "A Concert Behind Prison Walls" (1976). The album was rereleased with additional tracks in 1999, a three-disc set in 2008, and a five LP box set with bonus rehearsals in 2018 for Record Store Day. It was certified three times Platinum on March 27, 2003 by the Recording Industry Association of America for US sales exceeding three million.

Here's the place to discuss your thoughts on the record, your history with it or the artist, and basically talk about whatever you want to that goes along with At Folsom Prison! Remember that this is intended to be a slow moving thing, feel free to take your time and comment at any point in the week!

If you'd like to stream or buy the album, it can be found on most platforms here.

Don't forget to nominate and vote for next week's obscure record in response to this comment!

Hey, we made it to week 20! Here we've got this week's user-voted record: Washing Machine by Sonic Youth!

Washing Machine is the ninth studio album by the American experimental rock band Sonic Youth, released on September 26, 1995 by DGC Records. It was recorded at Easley Studios in Memphis, Tennessee and produced by the band and John Siket, who also engineered the band's previous two albums. The album features more open-ended pieces than its predecessors and contains some of the band's longest songs, including the 20-minute ballad "The Diamond Sea", which is the lengthiest track to feature on any of Sonic Youth's studio albums.

Taken from @Cleb's pitch:

I listened to this fairly recently and after my previous experience with Sonic Youth (Daydream Nation, Sister), which I thought was mostly just okay, fine, whatever, I did not expect to get as much enjoyment out of this album as I did. Yeah, it's Sonic Youth going even less no-wave inspired than before, but I think they fit far better into that groove of noisy-ish alt rock without the no-wave coming in at times. Maybe I just think the writing is cooler. All I know is it made me finally able to say "I appreciate Sonic Youth."

Here's the place to discuss your thoughts on the record, your history with it or the artist, and basically talk about whatever you want to that goes along with Washing Machine. Remember that this is intended to be a slow moving thing, feel free to take your time and comment at any point in the week!

If you'd like to stream or buy the album, it can be found on most platforms here.