I don’t know how many of you watch “nerd” movie channels, or ever did. But for those of you who don’t know what I’m talking about. I’m talking about stuff like ScreenJunkies, Collider and all their auxiliaries like SchmoesKnow.

These are the people that were made fun of by RedLetterMedia in their NerdCrew videos which funnily enough they don’t do anymore.

They were pillars of the YouTube film community. In fact, back when I was first getting into movies in the early 2010s, they were the majority of content. Until the video essay boom came into fruition circa 2015, and of which is now the primary style of video.

They would make dozens upon dozens of videos and podcasts talking about the latest trailer for a Marvel movie. They would speculate about what would happen in the next Star Wars movie. They would react to trailers and over-exaggerate. They would fully embrace all things that Funko Pop nerds embraced.

2019 was the height of all of this. The MCU’s Infinity Saga came to a close with Endgame and Spider-Man: Far From Home, and the Star Wars Sequel trilogy wrapped up later in the year with The Rise of Skywalker. The hype for these movies were unbelievable, even if one of them disappointed and left everyone with a bitter after-taste.

Then the pandemic happened and all nerd movie news stopped. There was nothing to react to, there was nothing to hype. Wonder Woman 1984 came out, but nobody liked it.

The following year was a little bit better thanks to the hype machine surrounding Spider-Man: No Way Home. But still, the views that these nerd channels were getting dropped significantly. Check out the difference between the reviews on Fandom Entertainment's channel for Endgame and Spider-Man: No Way Home. The drop in audience is remarkable. And that’s for the big reviews. The day-to-day content that these channels posted are down significantly, and in the case of Fandom Entertainment (of ScreenJunkies), they have stopped producing daily videos. It’s a YouTube channel on life support.

Collider is an empty shell of itself, they canceled all of their nerd panels and only do generic press junket videos.

It’s simple really. These things ended. Interest in the MCU has dipped since Endgame (with the exception of Spider-Man). Star Wars has stopped making movies, and the TV shows have been of mixed quality. People moved on. These channels aren't needed anymore.

The era of the 2010s movie nerd YouTube channel is over. The only ones staying alive are ones that relied more on personality rather than farming content. I’m talking about JeremyJahns, Chris Stuckmann, and Mr. Sunday Movies. Their audience stayed around because their audience liked their personality.

Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

Please just try to provide fair warning of spoilers if you can.

Golden Globe nominations come out mid-December. I don’t really see anything changing from here to the end of the year. The only movies left to premiere are Avatar and Babylon. Both of which are almost guaranteed to be good, at the very least. And Avatar is guaranteed to be a huge hit.

Here are my previous predictions for the Globes, and it’s crazy how much things have changed.

The Globes usually have a couple of weird choices and I don’t think many of these will end up with Oscar nominations.

But here’s where I think the winds are blowing.

Motion Picture - Drama:

1. The Fabelmans
2. Women Talking
3. Avatar: The Way of Water
4. Top Gun: Maverick
5. TÁR

Motion Picture - Musical or Comedy:

1. Babylon
2. The Banshees of Inisherin
3. Everything Everywhere All At Once
4. Glass Onion: A Knives Out Mystery
5. Spirited

Director:

1. Steven Spielberg - The Fabelmans
2. Damien Chazelle - Babylon
3. James Cameron - Avatar: The Way of Water
4. Martin McDonagh - The Banshees of Inisherin
5. Sarah Polley - Women Talking

Screenplay:

1. The Banshees of Inisherin
2. Babylon
3. The Fabelmans
4. Women Talking
5. Everything Everywhere All At Once

Lead Actor - Drama:

1. Brendan Fraser - The Whale
2. Austin Butler - Elvis
3. Bill Nighy - Living
4. Gabriel LaBelle - The Fabelmans
5. Tom Cruise - Top Gun: Maverick

Lead Actress - Drama:

1. Danielle Deadwyler - Till
2. Naomi Ackie - I Wanna Dance With Somebody
3. Cate Blanchett - TÁR
4. Michelle Williams - The Fabelmans
5. Jennifer Lawrence - Causeway

Lead Actor - Musical or Comedy:

1. Colin Farrell - The Banshees of Inisherin
2. Diego Calva - Babylon
3. Daniel Craig - Glass Onion: A Knives Out Mystery
4. Will Ferrell - Spirited
5. George Clooney - Ticket to Paradise

Lead Actress - Musical or Comedy:

1. Margot Robbie - Babylon
2. Michelle Yeoh - Everything Everywhere All At Once
3. Julia Roberts - Ticket to Paradise
4. Sandra Bullock - The Lost City
5. Lesley Manville - Mrs. Harris Goes to Paris

Supporting Actor:

1. Ke Huy Quan - Everything Everywhere All At Once
2. Brendan Gleeson - The Banshees of Inisherin
3. Brad Pitt - Babylon
4. Paul Dano - The Fabelmans
5. Eddie Redmayne - The Good Nurse

Supporting Actress:

1. Jean Smart - Babylon
2. Claire Foy - Women Talking
3. Kerry Condon - The Banshees of Inisherin
4. Janelle Monae - Glass Onion: A Knives Out Mystery
5. Hong Chau - The Whale

Original Score:

1. The Fabelmans
2. Babylon
3. Avatar: The Way of Water
4. Women Talking
5. Pinocchio

Original Song:

1. “Hold My Hand” from Top Gun: Maverick
2. “Carolina” from Where the Crawdads Sing
3. “Lift Me Up” from Black Panther: Wakanda Forever
4. “Ciao Papa” from Pinocchio
5. “Do A Little Good" from Spirited

Animated Feature

1. Pinocchio
2. Turning Red
3. Strange World
4. My Father’s Dragon
5. Puss in Boots: The Last Wish

I saw The Banshees of Inisherin in theaters yesterday and greatly enjoyed myself. I recommend it highly! Starring Colin Farrell and Brendan Gleeson (among others), the film takes place in a remote, pastoral part of Ireland with the Irish Civil War as a backdrop. But it's really about the people living on this island; their relationships, their lifestyle, and their internal conflicts. It's character-driven, personal, intimate, funny, surreal, shocking, troubling, and thought-provoking. The dialogue is fantastic and the narrative dramatic. You could do a lot of interesting thematic analysis about the plot and setting, but I don't want to spoil anything.

If you're the kind of person who likes movie trailers, you can watch the official one on YouTube. However, I think contemporary trailers take away from the natural revelations of a story. It's more interesting to go into this one more or less blind.

Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

Please just try to provide fair warning of spoilers if you can.

Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

Please just try to provide fair warning of spoilers if you can.

Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

Please just try to provide fair warning of spoilers if you can.

Switching gears from last week’s post.

After 2010, the Academy decided to switch from having a set 10 list of nominees to having a sliding scale. Meaning that each movie had to get at least a certain percentage of number one votes in order to secure a Best Picture nomination. This would lead to anywhere from 5 to 10 Best Picture nominees. But the math made it so that only 8 or 9 movies would get a Picture nomination. This was the rule until this past year (when CODA won). Why did they decide to switch to a sliding scale? No one knows for sure. Some speculate it was because indie darling The Winter’s Bone made it in over box office hit The Town. Others point to complaints from Academy member’s who couldn’t think of 10 movies to nominate.

Ever since then though, those of us into awards have wondered what would have made it in had the Oscar’s kept that set 10 line-up. Here’s what I think would have gotten in. I think some of these might be shocking to some of you.

2011:

Already in: The Artist, The Descendants, Hugo, Midnight in Paris, The Help, Moneyball, Extremely Loud and Incredibly Close, War Horse, and The Tree of Life

Next in line: The Girl with the Dragon Tattoo

Other possibility: Bridesmaids

The Girl with the Dragon Tattoo was nominated at the DGA, something usually reserved for movies in the top 5. It was also nominated at PGA, the combo of which usually results in a Best Picture nomination. It also ended up winning Film Editing, which are usually Picture nominees.

Bridesmaids is another possibility, having been nominated for Original Screenplay and Supporting Actress as well as getting nominated for PGA and SAG Ensemble.

2012:

Already in: Argo, Life of Pi, Lincoln, Silver Linings Playbook, D’jango Unchained, Les Mis, Zero Dark Thirty, Amour, Beasts of the Southern Wild

Next in line: Skyfall

With a nomination at PGA plus winning the BAFTA for Best British Film along with several tech nominations, considerable critical acclaim and a billion dollars, makes Skyfall an easy choice for Best Picture.

2013:

Already in: 12 Years A Slave, Gravity, American Hustle, The Wolf of Wall Street, Dallas Buyers Club, Nebraska, Captain Phillips, Her, Philomena

Next in line: Blue Jasmine

Woody Allen’s last Oscar success, getting nominations for Original Screenplay, Lead Actress, and Supporting Actress. There’s nothing else that would have made Picture, and this made PGA.

2014:

Already in: Birdman, Boyhood, The Imitation Game, The Grand Budapest Hotel, American Sniper, The Theory of Everything, Whiplash, Selma

Next in line: Foxcatcher and Interstellar

Other possibilities: Mr Turner, Nightcrawler, Gone Girl

With nominations in Director, Lead Actor, Supporting Actor, and Original Screenplay, Foxcatcher is an easy 9th place. In fact it’s odd that it missed a Best Picture nomination to begin with.

The tricky part with this year is what came in 10th. Nightcrawler and Gone Girl had similar awards trajectories including getting nominations at PGA (although Gone Girl was helped by being a box office hit). They ultimately both missed crucial nominations. Nightcrawler missed Lead Actor for Jake Gyllenhaal (in favor of Bradley Cooper in American Sniper) and Gone Girl missed a nomination in Adapted Screenplay (in favor of Inherent Vice). Interstellar recieved many technical nomintations and was a big hit with audiences, which distinguishes itself from Mr. Turner which recieved the same amount of nominations.

2015:

Already in: Spotlight, The Revenant, The Big Short, Mad Mad: Fury Road, The Martian, Room, Brooklyn, Bridge of Spies

Next in Line: Carol and Star Wars: The Force Awakens

Other Possibilties: Straight Outta Compton, Ex Machina, Sicario, Inside Out, The Hateful Eight

This was another year where the 9th place was very clear (with several technical nomiations as well as nominations in Lead Actress, Supporting Actress, and Adapted Screenplay for Carol).

But 10th place was muddy. All of these movies have their own reasons for making Picture (Original Screenplay nominations for Straight Outta Compton, Ex Machina, and Inside Out and several tech nominations for Sicario and The Hateful Eight). But I think what would have made the cut was Star Wars. It got several tech nominations, including a nomination in Film Editing which is usually only reserved for Picture nominees. As well as incredible hype, box office prowess, and pretty good reviews. Star Wars would have distinguished itself while the other more typical prestige contenders would split the vote.

2016:

Already in: Moonlight, La La Land, Manchester by the Sea, Arrival, Hacksaw Ridge, Hidden Figures, Lion, Fences, Hell or High Water

Next in line: Jackie

There wasn’t really an alternative here as PGA and WGA were busy nominating Deadpool. And movies like Nocturnal Animals and 20th Century Women severely underperformed.

Plus, Fox Searchlight was backing this film and they’re usually powerhouse campaigners.

2017:

Already in: The Shape of Water, Three Billboards, Get Out, Lady Bird, Dunkirk, Darkest Hour, The Post, Phantom Thread, Call Me By Your Name

Next in line: I, Tonya

Other possibilities: Baby Driver, Blade Runner 2049

I, Tonya got nominated for Lead and Supporting Actress and Film Editing. Baby Driver got nominated for the two sound categories and Film Editing (same nominations as Ford vs Ferrari) and Blade Runner got nominated in a lot of tech categories and won Cinematography, which are usually only Best Picture nominees.

However, I, Tonya had a lot going for it. Including the lack of genre bias (as opposed to Baby Driver and Blade Runner), and a Supporting Actress win for Allison Janney.

2018:

Already in: Green Book, Roma, The Favourite, Blackkklansman, Bohemian Rhapsody, A Star is Born, Vice, Black Panther

Next in line: If Beale Street Could Talk and Cold War

Other possibilities: First Man, Mary Poppins Returns

Beale Street is an easy 9th, having been nominated for Adapted Screenplay and Original Score, and having won Supporting Actress.

10th could go a couple of ways. Cold War was nominated for Director and Cinematography (as well as International). It had great critical reception, won an award at Cannes, and Amazon ended up prioritizing it after Beauitful Boy kind of flopped.

First Man bombed at the box office and severely underperformed with nominations. Missing things that were supposedly locks, including Cinematography, Film Editing, Adapted Screenplay, and Supporting Actress and even missing Original Score in which it was supposedly the front-runner (which is what led to Black Panther winning). Even then it got a few noms and maybe could have limped it’s way to the 10th spot.

Mary Poppins Returns ended up underperforming throughout the season. But unlike First Man, Mary Poppins Returns was a box office hit, and only missed one nomination (Lead Actress). There’s definitely an argument to be made that this was 10th, and I think it would come quite close to making it.

2019:

Already in: Parasite, 1917, Once Upon a Time in Hollywood, The Irishman, Joker, Jojo Rabbit, Marriage Story, Little Women, Ford vs Ferrari

Next in line: Knives Out

Other possibility: The Two Popes.

Knives Out got nomianted at PGA and was nominated for Original Screenplay. It was also a box office hit at a time when the Oscar’s were moving towards nominating more of those.

The Two Popes was nominated for Lead Actor, Supporting Actor, and Adapted Screenplay. But, Netflix struggles with more than two movies at a time (as we’ve seen in recent years with them missing Picture with Tick Tick Boom and Ma Rainey’s Black Bottom). And Knives Out had more passion.

2020: Already in: Nomadland, The Trial of the Chicago 7, Minari, Promising Young Woman, Mank, Sound of Metal, The Father, Judas and the Black Messiah

Next in line: Borat Subsequent Moviefilm and News of the World

Other possibilities: Ma Rainey’s Black Bottom, One Night in Miami

Ma Rainey’s Black Bottom, while critically liked, had incredibly low audience scores. It ended up missing a crucial Adapted Screenaply nomination. One Night in Miami was really weak throughout the season and Amazon ended up switching all their resources to Sound of Metal. So I don’t think either of these films would make the Picture line-up at the end of the day.

Borat got nominated for Adapted Screenplay (over Ma Rainey) and Supporitng Actress. It was also nominated at PGA and won the Comedy Globe. Maria Bakalova was also the runner-up in Supporting Actress. Borat was a big hit, everyone was talking about it, and it hit the zeitgeist in a way that few streaming films do. It was such a strong reflection of the COVID era, I can’t imagine it misses Picture at the end of the day.

News of the World had a lot of below-the-line support. And while it didn’t have a lot of passion, it was better liked than Ma Rainey and One Night in Miami, at least by audiences. It scratched a crowd-pleasing oscar bait itch that not many films did during this time.

And that’s it.