I’m a highly creative person with strong execution skills on the makers side of things, design, fabrication, ideation, problem-solving. Where I consistently fall down is follow-through when working solo: logistics, setup, listings, shipping, scheduling, the last-mile admin that turns finished work into something that actually exists in the world.

I have a lot of very good monetizable ideas and skills, and I LOVE the creative part, but I just flounder at the rest.

I've joked in the past about needing a manager, someone who tells me what to make and how much of it, and I just make the deadlines and they ship, but more and more recently I've realized that might be exactly what I need.

Recently I've been doing some free design and branding work for a local indigenous restaurant and despite not getting paid for it, I LOVED doing it. And I've been getting asked about why I don't do it for other businesses too, as I have the experience and skills to, and it's like I would but the freelance aspect of having to find my own clients and stuff is just daunting.

And same thing with a couple ideas I've had that utilize 3D Printing and 3D design. I have a product idea that would fit a perfect niche that isn't currently being filled by any big players, as well as a monetization and resale license plan, but it's the execution.

When left to my own devices I kind of just fizzle out.

And I have a lot of designs and artwork that can absolutely translate to clothing and apparel, and I used to have a very active redbubble / society6 presence.

Like I know body-doubling is a really good ADHD hack that works, but I'm not sure how to body double something like this, but I would if I could.

So I guess I'm asking if anyone else has had to deal with this or if anyone has had to hire a creative partner/assistant/manager, and if so how'd that go and what is that like? Also where do I even go to find a person like that?

I have recently found myself wanting to learn to draw. I have very minimal visual arts skills, and feel much more comfortable with a musical instrument than a sketchbook. I would like to change that, not to become some exceptional artist or anything, but because I like the idea of being able to just sketch and draw and doodle in my spare time.

I have an iPad, Apple Pencil, and ProCreate, but I don't really know where to begin. I would be most likely learning to use ProCreate at the same time as learning to draw, although I don't know if that's a bad idea or not.

Are there books, online courses, YouTube videos that you would recommend for a complete beginner?

hey there tildes—

the job i’ve had for the past year has included heavy graphic design. i’ve never really done graphic design before so i’ve just been winging it and learning as i go. as time has gone on and the projects have become more complicated, i wonder if there’s a standardized way of organizing complex (or complex to me at least) projects in Illustrator (or for me, Affinity Designer).

one example— i create labels with 3-9 slight variations to be printed and attached to physical items (jars, in my case). these variations of the same design are roughly 75% the same, with the 25% being the “flavor” and associated text/colors. i also have to export as a layered pdf for the printing company since we don’t have the necessary equipment in-house.

another example (more related to InDesign or in my case Affinity Publisher)— a product catalogue. there are something like 30 pages and it’s just a huge click-fest of layers and nested groups.

are there any graphic designers here that have any insight on best practices when organizing large files or even practical ways to split up files?

Hi [insert tiles demonym here]!

I have an LTT backpack, and the zipper is wearing out. The other zipper already broke, which LTT paid to repair under warranty. This ended up being quite a headache, because the repair shop couldn’t find an equivalent zipper anywhere in the EU for shipping (located in France). I eventually found a company in the UK that did custom orders, but the taxes and shipping to France was expensive. The warranty paid for it, but I won’t be using the warranty for the other zipper repair (it’s already an extremely generous warranty, and the damage should absolutely have been classified as normal wear and tear, so I don’t want to take advantage of it again.

Anyway, the zipper for the laptop pouch is showing the exact same signs of wear. I asked the shop if they could repair this one too, and they said no, because the pouch is too narrow to get their sewing machine into. So I can source a zipper, but I would have to hand sew it into the backpack. I feel like I am capable of this, I just don’t really want to do it. I think their might be a way to reinforce it without replacing the entire zipper. I haven’t been able to find any info online about my theory, so I wanted to see if you all had any insight.

The important part of the post:

This zipper is a plastic coil zipper from YKK. They have a continuous coil that is sewn into the tape with thread. The top surface of this thread is ruined by the slider when you zip. This thread is starting to abrade. The other zipper abraded fully in a spot, and the coil separated from the tape.

Here is my theory. If I get a very strong and relatively thin thread, I can hand sew through the coil to replace / reinforce the factory thread.

Has anyone done anything like this before? Any tips, or things to watch out for? Will this change or ruin the smoothness of the slider when zipping?

I am writing this short story. It is part of the overall book that I am writing, but it is also a story that can be enjoyed completely on its own. In that story, a planet-sized ship approaches our Solar System, and, ultimately maybe, Earth. For dimensions, let's say it is equal to 1.5 of Earth's diameter. According to Google, that's 25,512 19,134 kilometers. The Planet-Ship is probably less dense than Earth, as it is largely occupied by biomass and weird alien electronics. You may think of it as a round Borg cube, from Star Trek.

My "Round Borg Cube" is completely black and spherical, with a smooth surface without any visible features.

What I wanna know is...

• Assuming that the object is on a very slow path towards Earth, at what proximity will its effects be known?
• At which point will scientists observe its effects, view it, or detect it with instruments?
• If that is at all possible, what would be a threshold in which the "Round Borgs" would have to interrupt their movement in order to remain undetected?
• At which distance will it be visible to the naked eye (if at all)?
• And if they chose to get dangerously close to Earth, what would be the impact on our environment?

I understand that is a lot to ask, but I just can't trust GPT for that kind of stuff, even if their answers sound plausible. Perhaps someone with astronomical knowledge as well as an interest in science fiction will find my questions enticing. I don't expect precise answers because I am not providing precise information. So feel free to speculate on that scenario. In any case, I am grateful for any answer I can get.

Thanks!

Hey, Tildes! cqns here -
After four-ish years, I've finally sat down and realized that my "novel thing" is...non-conventional at best. As such, it required a whole rewrite of the introduction, beginning with a cold open, an autopsy report. Problem with that is (1) I'm not a medical professional in any capacity and (2) I've already looked up how to do this (Reddit's no help, obviously). Basically, I want this autopsy report to look realistic and to also increase my understanding of how to decipher one so I can get an idea of how to write it...

Creatives of Tildes, I'm in dire need of help.

My plan on Nov 5th is to vote, drop my kids off at school, and then go stand next to the heaviest republican-leaning polling location within 20 miles of me until the polls close (with possible break to pick up my kids).

I need a sign. A good sign. I need 1 sign, maybe 1 pamphlet. A final plea to the Republican voter to vote against fascism. It needs to be succinct and thought provoking, but not accusitory. A visual for them to ponder as they walk in the building. Something to inspire even one voter to change their mind about voting R this year. I have ideas, but I am no artist, and not nearly as witty or empathetic as I wish I was.

It will, to the best of my knowledge, be just me. Although I invite you all to join me in spirit at your nearest equivalent.

Here are my ideas so far, but they all feel too wordy.

• Your spouse can't find out you voted for women's rights.
• Don't force my daughter to be on a menstration registry.
• The Republican party abandoned you, It's time for you to abandon them.
• If you replace "Immigrants" with "Jews", Trump sounds a lot like a Nazi.
• I don't like Kamala much, but I trust her to step down if she loses.
• Don't be on the wrong side of history.

Does anyone here have any advice on repairing a book spine? I have a hard back that an excited puppy chewed off the outer part of the spine. Now that said puppy is well out of her "chewing on random stuff" stage I'm trying to figure out how to repair/reinforce the binding since it's otherwise a brand new book. I'm a crafty person so I'm trying to embrace the accident and treat it as a book with a bit more character.

Most of the glue is intact, so my current thought is to add additional glue (book binding glue I'd assume?) and then use a tape or fabric to reinforce the spine.

I'm not expecting a repair that looks like new. I'm looking for something functional and durable that will keep the book from falling apart with use. If there's a good tape for this application that would probably be sufficient. Just soliciting some additional feedback in case someone has done something similar before I take a stab at the project.

Here's some pictures of the book and of course puppy tax: https://postimg.cc/gallery/wyskQn1

Oftentimes I find myself feeling overwhelmed when listening to music that speaks to me. I feel vivid imagery cover the landscape in my mind's eye, as if a custom made music video was being created on the spot to accompany the sound.

I encounter a frustrating obstacle when considering how to best translate this surge of inspiration into art. I know exactly what I want to create but feel limited by a lack of experience in animation, modeling, illustration etc. and the time it would take to approximate my vision. Altogether, it becomes discouraging and the idea withers before it has a chance to blossom.

My question to the creatively-minded is this—what strategies are deployed to counteract your self-doubt before it undermines your inspiration?

.

Thank you for any wisdom offered. The tildes community is special and dear to my heart ♡

Lately I've been interested in different types of narrative structures, namely upon discovering Kishōtenketsu, the Japanese four-act structure and how it contrasts to the traditional western three-act structure.

Obviously narrative is not an exact science, and these structures are best thought of as guide rails to get you started, and a story can be told in so many unique ways. Which brings me to this post's title: The Bear.

The Bear has strong themes revolving around family and personal growth, that's for certain, but when it comes to narrative, it is very unique. Episode length can vary quite a bit, and so too can episode content. Episode 1 of the most recent season was a time-bending, heartstring-tugging montage. Episode 2 was essentially just a single conversation.

And while there are some episodes with a traditional narrative structure with a clear beginning, climax, and ending, I would say most episodes steer away from this concept. In fact, I'd go so far as to say that any sort of resolution is very rare in this show. Episodes, or even entire seasons can pass without many of the major conflicts or problems being resolved, which certainly adds to the high-pressure, anxiety-inducing mantra of the show as a whole.

I'd say The Bear leans heavily into the Slice of Life trope. Where we're being invited into brief glimpses of the lives of the characters, where relationships are complicated, problems aren't always solved, and life is simply messy and unorganized. The Bear doesn't follow any sort of formula that audiences would find satisfying (but that certainly doesn't mean it isn't enjoyable).

So, back to the question in the title. Does anyone know where I might read or learn more about the type of narrative structure that The Bear employs? Is there even a name for it? As innovative as the show is, is still has this certain air of nostalgia that reminds me a lot of Sopranos, which is another show that I believe breaks the mold of traditional story structure, especially in an episodic format.

Any insight would be greatly appreciated! Enjoy your day, and godspeed.

So, over the pandemic, I decided to follow a dream and write a novel. I followed all of the best practices I could find, had it beta read by folks so that the finished product would be as polished as possible, posted it on Amazon's kdp site in ebook and paperback/hardcover, and then set out to get the word out, but nothing seems to be attracting any attention to it.

To be fair, I know I'm not going to be the next Stephen king, but at the same time I feel like I should be able to find an audience somewhere. I've tried Facebook ads, i run a blog I post to semi regularly, as well as mirror posts on FB and insta, I've tried a couple of short videos on tiktok, but since its launch a couple years back, I've managed to amass just under 20 bucks Canadian in royalties.

Now, money wasn't a motivator when I began this new trek, but it would be nice to feel like the world I created has reached a few people and given them at least a small amount of entertainment.

If you're an author that's had success with some form of marketing, please share, and if you're someone who reads new stuff on the regular, where do you go to find new stories?

I drew a LOT in my childhood and youth, but later forgot about it. My skills and my patience is pretty much gone. I look at my old drawing and wonder, did I really make that? Damn. But I'm slowly trying to get back in the game.

I know how to get the outlines in place first, but I'm unsure how to go about the shades of grey. Some instruction online suggest that you concentrate at one area at the time. Others seems more like you're supposed to start out with the brightest shadows and slowly move towards softer leads.

Does any of you have some kind of structure here?

I enjoy writing letters, but my hands have progressively hurt more and more from handwriting. For a time, I tried typing letters on my computer, the personal feeling of my letters diminished. Having printed it out, looking clean and mechanically perfect made my letters feel less valuable, they didn't feel like I spent time on them.

So, for the last few years, I've typed letters on two older typewriters and that has felt like a happy medium. I make mistakes and have to fix them, sometimes the text looks odd or the paper moves, I love it.

I have two questions I need help with:

1. Does anyone know of a mechanical typewriter that doesn't utilize the rolling pin to secure the paper? When I write on cards, they have to be bent and sometimes they never retain their former shape. I'd also like to get into journaling this way, but can't feed a whole journal through the rolling pin.

2. Can anyone think of other ways I could write letters, other than the methods I've listed already, that may bring a personal nature to my letters?

Thanks!

I just got into felting, and I have already made 3 siamese cat ball.. ornament... things. I plan to sell these on Etsy for some side income.

Does anyone have any good sources for wool, with a good selection of colors (preferably earth tones)?

What about tips in felting strategies for things like keeping lines neat, or blending colors together, fading them, general design layout planning, etc?

Pics of my first felt cat, the seal point: https://imgur.com/a/u6hJOgy

Let's say I want to draw/paint things like this: 1 2

Think black/death metal album covers, medieval renaissance, dark/sci fi scenarios.

I know this takes years of practice and I just want to do these as a hobby.

I am just lost to where I start. Just pen and paper and focus learn how to draw people first? Is there any online courses/resources?

The second thing is I don't want to spend money so I won't learn to do these with oil or any real world material. If I do commit to the hobby with pen and paper, I will go to digital (drawing tablet + Linux/krita) and stay on that forever.

It's the same with guitar. I play guitar for years and I'm settled for life with a nice guitar + mid priced digital pedalboard with nice effects/simulations (ampero II stomp) and a 1x12 flat speaker cabinet. No more purchases.

I'm trying to get back into drawing. Ye gods, my skills have gone downhill. As a total pro, I started out drawing a head and went from there with no care for composition and no clue where I'm going with this one—guess it should be some sorta chibi barbarian or something? Anyhows, any suggestions appreciated.

I know I need some darker tones to give it that spatial feel. Some pencil pieces, even if they're merely sketches, manages to get the tones just right. I think some of it is about having degrees of shading, where some smaller detail have even darker shadows. But it is hard to get right, don't even know if there's a word for it.

Here's my sucky drawing!

I've never really been much of an artist myself, but one of my kids (11m) really likes drawing, painting and making small animations on his ipad. I'd like to give him some gentle encouragement, if that's likely to help him enjoy creating artwork more, but I'm not sure what would be a good approach. Does anyone have some suggestions? He told me that he likes drawing objects and landscapes, but I think that's only because he's not confident in drawing live subjects.

Some ideas I had, but I'm not certain of:

• Sketchpad?
• Guide or drawing techniques book?
• Finding and recommending a good youtube channel?

If there's something that helped you at this time of life please let me know, thank you!

I'm looking at making a major career change and I'm considering trying out one of our local newspapers to see if I can get into a semi regular gig with them. Is there anything in particular I should know or be looking for?

I have two goals this year. The second is to submit at least one short story to a literary magazine. The first is to write one good short story (just kidding, the first is to write one story a week in the hope that one will be good enough to submit).

Of course the goal in my secret heart is to have my submission accepted but let’s not get ahead of ourselves here. Walk before you can run, and so on.

So, writers (particularly of fiction), have you ever submitted a short story to a literary magazine? How did it go? Did you learn anything in the process that you wish you’d known before? Any tips for a rookie?

If i have a lot of acrylic on canvas paintings and I want to produce prints to sell, where do you make the prints? Local Kinko's/staples?
Clear plastic bag or no? Brief artist blurb at the back? Post card?

Have you ever bought a print? What made you want to buy it or what stopped you, and what would have made it go from no to yes?

When talking with my therapist, the subject of writing is a constant. My obsessive approach to writing is a source of frustration.

I write well in my first language, and aspire to create short fiction . But I'm an over planner and way too critical of my own writing.

Anything longer than a single page is impossible for me because I'll obsess with editing and some misguided sense of "perfection", cutting paragraph after paragraph until I'm left with a decent micro story that you can read in two and a half minutes. Most of the time I don't even get this far.

So my question is, how can I force myself to be less self critical and obsessive, let things flow, and write longer stories? Are there any advices, books, courses, practices and exercises I can use?

Many years ago I used to record a variety of music on an old Macbook and a dodgy copy of Logic Pro with various Native Instruments VSTs.

I had so much fun playing the drums badly on my midi pads, tightening them up in Logic, and then doing random stuff with the beat editor (changing velocity curves for specific notes like hi-hats, adding in random hits) to make it sound less rigid. Then maybe I'd record my acoustic guitar with my crappy mic, throw some reverb on it, add some vocals. Man, it was a blast!

It's been over a decade since I did that, and now I'd like to get back into that world again and produce some of my own backing music for my YouTube and TikTok videos, but I honestly don't know where to start.

I guess the big difference now is that I'm on Windows, and there is no Logic Pro here. The Ableton and Maschine layouts don't really make sense to me (I think these are more loop driven?). Reaper seems quite spartan compared to how I remember Logic (I know this is probably not actually the case, but the discoverability is not great imo).

If anyone has any suggestions about where I should start - I'm mostly looking for something that has the same layout as Logic did 10+ years ago (or at least, something that would feel similar and intuitive)- a big timeline where I can drag stuff around and try different arrangements, a piano editor I can break out at the bottom, a drum editor I can break out, set the note length and just drag my left-clicked mouse across to have a million hi-hat hits and then play around with deleting different hits until I get the right vibe, the draw the velocity across all of them easily.

The gear I have right now:

• Maschine MK3
• Some M-Audio super mini midi keyboard
• An old-school Metric Halo ULN-2 (this thing STILL costs a thousand bucks?!)
• A few Shure mics and a Wave 3 USB mic

Thanks in advance!

I figured that more than complaining about the dearth of random and weird websites, I might ought to contribute something. I almost went to MassArt for new media installations. In those days I was a web monkey with a solid design bent and very orthogonal thinking. I still have a smidgeon of the thinking, we'll see what I have left of my design skills, but my tech skills are hopeless. Back then my tools were freehand, dreamweaver, bbedit, photoshop, flash, Perl, Solaris, mySQL. My last website was done with rudimentary css.

I would like to get right to the design and expression phase, I don't have an inclination to dive into coding. I also don't want to worry about security. I'll throw a few bucks down.

I'm still comfortable in photoshop, but would like a more fun tool. I cannot stand illustrator, and would love to have a vigorous chat with the folks at Adobe who chose to promote it and shelve freehand. Better yet, an even more vigorous chat with the moron at the FTC who approved Adobe's buyout of macromedia. You can bet that will be on the website. Is there any equivalent to freehand? I saw the post about a free, online illustration tool that came through recently, that might be a smidge rudimentary. What about dreamweaver? And how to publish? I don't care to learn about content management, scripting, databases, etc. if I can avoid it.

Bonus if there are AI tools to help.

I'm asking specifically about writing fiction.

I need to write a lot in a short time. I'm a perfectionist -- a therapist once called me obsessive. Sometimes I spend hours on just a few paragraphs. I eventually make good paragraphs but that is not very productive. Deadlines fly by, I become anxious and stressed. I wish to write more, even if it's not as good. Better to have something to edit and correct than nothing at all.

I reckon that a book is not made of 100% perfect phrases. At some point you gotta lift the house, even it is not as pretty as you want. I want to experiment with writing more freely, finding ways to overcome my self-criticism and impostor syndrome. I see people writing 3000 words a day... maybe I don't need to write that much, but I envy them. I often don't write more than 500 words per day. This is just not working for me as a professional writer.

Maybe I could try something like stream of consciousness. But I don't know. Looking for advice. Not necessarily on literary techniques, but also on how to put myself in a position to avoid self-recrimination, let things flow a bit more. I'm looking for a better psychological outlook. Right now I edit my stuff so aggressively that I transform pages into tweets.

The goal is to bring the subject of a painting to animated life, so I would want the model to be rigged as well as photo-realistic. I don't use Facebook products, and have been searching in all the wrong places so far, so why not here, too?

For a class I have to compose soundtracks and music, and I have no experience whatsoever.
Okay, I played classical guitar for a decade but I never was good at music theory and can barely read notes.

My issue is that I come up with a tune, and I need to dump that information to a recording medium as soon as possible. Translating that tune into a short term memory and playing it out on my guitar doesn't work, as I'll end up forgetting it nearly instantly. The one instrument that I can play is whistling, but that's kinda hard to do for long.

I'm looking for a more intuitive way to input notes into a computer.
I was thinking of some kind of pitch slider that continuously plays a note (limited to notes, no microtones) that I can control with an external input device like a knob or potmeter / by moving my mouse up and down, and then hit a button to input that sound, moving on to the next note. No delays inbetween, just immediately starts playing a new note.

Like the computer whistling a note for me, and me adjusting the pitch and length.

I can move my mouse quite precisely & can adjust pitch pretty easily when whistling, it's just that translating music from head to an instrument will never be as intuitive as something like whistling.

It's not supposed to be perfect, on-point music, just enough to record the vague idea and process it later. It also should be super minimalistic, I'd preferably only have the slider, the play/pause button, the confirm note button and a "save to file" button.

I'm not sure where I can even start finding something remotely related to this. I've looked around and tried a bunch of music software, but it's all either complicated or unintuitive.

Anyone know something like this?

Edit: As this website puts it;

Intuitive music composition requires that you hear the musicality of the music as you are composing it. Which means that you have no choice but to compose by playing.

and

You cannot intuitively compose music by entering note data into a software application.

Hello everyone! I wasn't sure where to post this, so into ~misc it goes.

I'm currently looking into auditioning for a professional musical theatre production. Now, being a baritone (E2-C5) would kind of put me at a disadvantage as most musical theatre roles are for tenors, but I found a musical soliciting online auditions for baritones. Usually with musical theatre, they don't really care about your voice type; they care more about your vocal range. "If you can sing it, you're more likely to get the role."

Anyways, my passagio (or vocal break) is around E4 and the audition (and therefore the musical) is requiring me to sing a G#4. I know that I'd be able to sing it because a) my range can do it and b) I've belted probably incorrectly an A4. I've never really had to use my chest mix range before, so would anyone have any tips?

Some days ago I came back home to visit my parents during these holidays.

Yesterday evening, while we were watching a movie, nature called and I had to go to the bathroom. Because I'm a lazy bozo and it is closer to the living room, I did what no man should ever do - I used my parents' bathroom.

Stumbling in the dark in this unfamiliar place I had no right being in, I clumsily bumped on the towel rack (an old 80s coat hanger looking thing) and to my horror, managed to snap one of its plastic arms off.

Because it's a relic of its time, and perhaps because the bathroom is a sacred personal space which should never be altered if not for strictly necessary reasons, mom and pops were upset.

I felt like shit, an outcast whose madness lead an entire family to despair and misfortune while trying to save himself literally a handful of pitiful steps.

But a shining beacon of hope came from a fading memory, one which sounded utterly absurd, yet in times of desperation still came out as somehow plausible.

"Just use baking soda and Loctite forehead"; this had been uttered from a German friend of mine while he had been admiring the broken mess that is my duct taped ps4 controller some time ago. Was it a joke? Was it a serious suggestion? German humor is often lost in translation...

Still, I had to give it a go. I had to try something. And this morning an attempt was made.

I'm still feeling ecstatic. Never have I hever felt this good about a DIY tryout. I can confirm that baking soda is an incredible catalyst for super glue; the result while somewhat sloppy-looking is rock solid.

Pops couldn't believe his eyes when he saw his good ol' towel rack hanger thing stoically standing where it always did, in its rightful place, with no defects at all.

Thank you baking soda and super glue, you saved Christmas.

To all of you whose plastics need some fixing, remember this combo and give it a go - it will save you as well.

Any other similar hacks that you might want to share are very much appreciated.

TL;DR
Baking soda and regular superglue are incredible for fixing plastics.

Edit: forgot to put tags in post. Apologies.

What creative projects have I been working on? It’s almost a labor to answer that one concisely, hence my lack of participation.

My mind is of never ending creative ideas, some great and some not, most not.. but they don’t ever seem to stop. I also like to be creative, and as a result, have ended up with more “started” projects then I’m willing to count.

So my question to fellow traverses of the tilde-verse is, what are some methods you use to sustain productivity in individual projects when creativity itself inspires starting new projects?

I am considering to start an educative podcast in a couple months (just considering, nothing certain). I want to monetise it with a freemium model where the most elementary thing---the audio---is free or very cheap (e.g. $1 on Patreon), but handouts (non-essential but very useful) are slightly more expensive. It will probably be weekly to begin with, and I mgiht add some extra material if it will be viable financially. I can't really afford pro or prosumer gear at this point, so I'd like to avoid that if possible.

My question is, what are your tips for a totally beginner podcaster like me? Either my case directly, or a more general newbie with little funds tobdedicate to this in the beginning.

So, a little background, my profession is technical writing. I want to write a novel but I'm struggling a little with getting the creative side of my brain going. Technical writing seems to further inhibit my creativity with all its rules.

I'm looking into local writers' workshops but they're all full at the moment. In the meantime, I was wondering if anyone here has any advice for exercises or things I could do to stimulate my creativity and free my mind from all the rules of technical writing. Thoughts?

I have writing, prose and in verses, that I want to start submitting to magazines. I can't decide if I should use a pseudonym or not. My reasons for using one:

• I have problems with my name: it is ideologically loaded, people can tell my dad was a nationalist, which is an ideology I reject and oppose

• I feel like it would somehow good for me to distance myself a bit from my work, don't know why really

• I guess I am intimidated by potential failure a bit, so maybe "getting my feet wet" with a pseudonym could help me get over it.

But I also want to own my work, and feel like using a pseudonym with complete secrecy is a bit... cowardly, if I am totally honest. I consider using a pseudonym which I will publicly own later, but then, is there a point to it?

What do you think about it?

I have been writing for quite some time, but always look for new ideas, new perspectives, new genres, new ways of promoting or improving or sharing my work. I'm not a professional and still have lots to learn. I am open to all kinds of writing and levels of expertise, and want to open a space where there is genuine and helpful sharing, rather than snarky and dismissive barbs.

I don't think this should be a place where someone writes a quick and sloppy sub-first draft and then eagerly begs for only positive comments. Writing is hard work. It is a craft and takes serious study and time. It can also be lonely and discouraging.

I envision a virtual coffee shop where we have all gathered with our latest work, wondering what our next step is, how a good editor can be found, how to write a query letter, is self-publishing a good choice, how did you get an agent...those sorts of discussions.

How is a new group formed?