The Little Mermaid opened this Memorial Day weekend. Pre-sales, being the tickets that people buy in advance, were looking strong. It looked like it would open to over 100 for the 3-day weekend, and 130 for the 4-day. Potentially the highest opening weekend for Memorial Day ever.

That didn't happen. While it had a strong opening day, it failed to keep up the pace for the rest of the weekend. Ultimately opening under 100 for the 3-day weekend. The expected casual audience, referred to as "walk-ups" didn't show up in the numbers that were expected (based on past live-action Disney films). Hollywood trades are seemingly ignoring this, most of them calling the opening weekend a success.

While the Domestic opening weekend is certainly not bad, it's worldwide opening weekend is terrible. Internationally the film opened behind Fast X's second weekend. It's acting closer to Dumbo, a big bomb for Disney in 2019, than any of the successful live-action Disney films. Domestically, also, the film is acting closer to Solo, another bomb, than Aladdin (which had amazing legs).

Why this happened is still being debated. Some say that having a black lead turned off a lot of the international audience, others say they were turned off from a lack of a big star in the film (like say Will Smith in Aladdin or Emma Watson in Beauty and the Beast). Whatever the case is for the international audience, it's clear that there was a total market rejection of the film. Domestically, it seems like casual audiences are experiencing a bit of fatigue with these live-action movies (perhaps due to all the bad ones going straight to Disney+).

And maybe, perhaps, Disney betting big on Disney+ in 2022 while the other studios started to refocus on theatrical, was a mistake. Maybe that's diluted the Disney brand in all forms.

But whatever it is, Disney now has two bombs on their hands. Ant-Man failed to make a profit and now Little Mermaid is unlikely to reach that as well (considering the huge 250 million dollar budget on it). And the rest of the year is not looking any better for them.

Disney went to Cannes with Indiana Jones and Elemental. Which we all assumed was a sign of confidence in the films. That ended backfiring as both Indiana and Elemental ended up rotten on RT. Now they have to deal with a negative reception for both films, on top of the fact that there was very little excitement for both to begin with. Pixar, and Disney animation as a whole, is now looking at back to back to back bombs (Lightyear, Strange World, and now Elemental). Indiana Jones had an inflated budget of 300 million and now looks like it won't break even either.

Haunted Mansion might surprise, but it's gonna be a tough ladder to climb considering the really big 150 million dollar budget.

The Marvels will need to be as well received as Guardians in order not to be Ant-Man'd out of existence, which most people are not expecting, especially as you need to watch two TV shows to understand it.

Wish could finally be a win for Disney's animation department, but considering the track record I wouldn't count on it.

It's really not looking good for Disney, what a fall considering the immense success they experienced in 2019. They really might just end up with one success this year (Guardians).

So instead of just posting a link to the opening weekend of Guardians of the Galaxy Vol 3 (which is looking to open in the low 110s) I thought I'd just make a post talking about the recent box office of super-hero movies and the fatigue going on with general audiences.

Let's rewind to the far distant past of December 2021. Spider-Man: No Way Home just opened to over 200 million dollars. It re-invigorates movie going among the general public. Grosses at the box office afterwards are vastly higher. Spider-Man makes nearly two billion dollars at the box office. The next super-hero movie to come out is Batman, which does pretty well considering it's the first entry in a rebooted series.

Then, the summer movie season kicks off with Doctor Strange in the Multiverse of Madness. Seemingly, the movie is heading towards a 200+ opening weekend (much like Spider-Man). The film was sold as a follow-up to No Way Home, but in reality it had little to nothing to do with that movie. General audiences caught on, and were overall mixed on the film, so the opening weekend landed under 200 million. The film ultimately went on to gross over 900 million at the box office, but with terrible legs.

The next film after that was Thor: Love and Thunder. Again, the film garners a mixed reception with both critics and audiences. It ultimately grosses less than it's predecessor Thor: Ragnarok (although L&T did not open in China or Russia). It did okay all things considered, but it was another poorly received entry in the franchise.

Black Panther: Wakanda Forever comes out in November with much better reception. Although it still ended up dropping 500 million worldwide from it's predecessor (300 domestic). Again, considering this was dealing with the loss of it's star, it did okay all things considered. Still, it was a disappointment compared to what it was expected to make and the critical reception was weaker than anticipated.

Then the big dumpster fire happens. Ant-Man and the Wasp: Quantumania is released. It gets the MCU's second rotten score on RT, and gets the worst audience reception of the series since Eternals. The film manages to get the highest opening of the Ant-Man franchise, but with terrible reception it also gets the worst legs of the MCU. It ends up with the lowest gross of the Ant-Man movies despite opening higher than both of them.

The GA got burned from a constant flood of mediocre product (and we're not even talking about all the TV shows).

Guardians of the Galaxy Vol 3, despite much better reception than most recent MCU films, is ending up with a lower opening than it's predecessor, and will most likely end up with a lower gross than the first film. This is referred to as "paying for the sins of the father."

This will be the lowest May opener since The Amazing Spider-Man 2 opened in 2014 (not counting 2020 or 2021).

Super-hero movies will still be around, and some of them might make a lot of money, but it's clear the utter dominance it had at the box office for the past 10 years is over. Which is kind of insane to think about how quickly this all came crumbling down (only 1.5 years!). But it goes to show there's a limit to how many mediocre/bad movies the GA can handle in a franchise.

And this isn't even counting how poorly both Shazam and Black Adam did for DC.

It seems like Quantumania might have been the "Heaven's Gate" for the MCU, it was the straw that broke the camels back.

So what will happen with super-hero movies? Probably a return to the pre-Avengers normal. Mainline superheroes (like Batman and Spider-Man) will remain lucrative. But lesser known superheroes are now riskier bets, and if those lesser known heroes are in a bad movie, there's no saving it. Logically, budgets for these movies should get lower to accommodate the lower grosses bound to happen from now on. And there needs to be actual effort put into the film in order to make it a good film first and foremost.

Unfortunately for the MCU, many of the movies slated for 2024 were greenlit before they could change direction (like Captain America: New World Order which went into production a few months ago). The budgets for these films are probably going to be really high like they've all been (200M+) and the grosses will get even lower as these movies were not given proper re-writes to right the ship.

As for DC, it puts a lot of pressure on Gunn to make Superman a good movie. And not just a good super-hero movie, but a good movie. Like how Batman Begins was just a good movie.

Hollywood is now looking towards video game movies as the next big thing, thanks to the massive success of Mario, so these movies are going to have to build themselves back up.