Apple Music
BandCamp
Spotify

Canadian hardcore punk outfit Fucked Up is back with their first new full length since 2014. The group has been known for their art rock output as of late, concept EPs they put out years following the Chinese Zodiac. The band is known for disliking each other, sometimes to the point of physical altercations. It is likely a side effect from both the front man and one of the guitarists being songwriters and lyricists, resulting in butting heads. But the result is hard to argue with, Fucked Up has been adored by critics since they came on the scene.

This album sees one of those two songwriters, lead vocalist Damian Abraham, take a back seat. His vocals don't even appear in ever song on this album. Instead, the whole group does leads at various points throughout the record. It's much more experimental and broad in its genre, employing a lot of pop influences. This results in an album that some how continues the art rock sound they had been cultivating and challenging the listener, while at the same time being very poppy. With a mammoth 18 tracks, the album gives the band plenty of room to explore this new space they find themselves in.

Like the past couple Fucked Up albums, it's also concept. It has a story and follows a main character in rock opera-like fashion. Their anti-capitalist message comes through in the magical reality of the story of a factory worker that is shown the drudgery of modern life by a sorceress.

It's ambitious, fun and at the end of day, still very much punk. Super enjoyable, in my opinion. A good introduction to the band if you've never heard them, though you may find their past work a little more one dimensional.

What have you been listening to this week? You don't need to do a 6000 word review if you don't want to, but please write something!

Feel free to give recs or discuss anything about each others' listening habits.

You can make a chart if you use last.fm:

http://www.tapmusic.net/lastfm/

Remember that linking directly to your image will update with your future listening, make sure to reupload to somewhere like imgur if you'd like it to remain what you have at the time of posting.

It's week 15, and time for another classic record discussion: Songs in the Key of Life by Stevie Wonder!

Songs in the Key of Life is the eighteenth album by American recording artist Stevie Wonder, released on September 28, 1976, by Motown Records, through its division Tamla Records. It was the culmination of his "classic period" albums. The album was recorded primarily at Crystal Sound studio in Hollywood, with some sessions recorded at the Record Plant in Hollywood, the Record Plant in Sausalito, and The Hit Factory in New York City. Final mixing was performed at Crystal Sound.

An ambitious double LP with a four-song bonus EP, Songs in the Key of Life became the best-selling and most critically acclaimed album of Wonder's career. In 2003, it was ranked number 57 on Rolling Stone magazine's list of the 500 greatest albums of all time. In 2005, it was inducted into the National Recording Registry by the Library of Congress, which deemed it "culturally, historically, or aesthetically significant."

Here's the place to discuss your thoughts on the record, your history with it or the artist, and basically talk about whatever you want to that goes along with Songs in the Key of Life! Remember that this is intended to be a slow moving thing, feel free to take your time and comment at any point in the week!

If you'd like to stream or buy the album, it can be found on most platforms here.

Don't forget to nominate and vote for next week's obscure record in response to this comment!

hey all! just wanted to share a really interesting response to the title question i came across today.

this discussion spawned on the /r/justfuckmyshitup subreddit, a page dedicated to those with bad haircuts, and was based around rising (you guessed it) emo rapper, bexey.

as with many others in the genre, most of bexey's following is still very underground even though popular tracks like 'cutthroat smile' and 'stay alive' have reached 2.9 million and 7 million hits, respectively, on youtube.

while a bit of controversy surrounds bexter as he was once a good friend of late emo rap frontrunner
lil peep
(linked: 'your favorite dress') though has been rumored to have stolen several of peeper's clothes after his death, the musical point of discussion quickly turned to the question in the title:

when did rap turn into this? we need to start over.

not shortly after, user /u/GNAR-gemniii responds.

This is natural progression in genres of music.
Hip hop starts somewhere, has it's defining characteristics established, then people start pushing the genre in different directions because the same old same old has been done before.
We're in a weird sort of teenage state with hip hop right now, where people are taking the genre and mixing in characteristic of other genres - some good, some bad. This, combined with the 'viral' nature of social media means we get people who do crazy things to stand out like the above, as part of pushing the genre in all these weird directions. This guy specifically is a blend of modern trap production with goth and emo influences (if you couldn't tell).
as always, there are gonna be people who do it better than others, and people who rely on gimmicks for attention. This guy is a solid 6/10 talent wise, but has an image that appeals to a younger generation. This pattern is as old as music and culture, and people said the same things about every genre when we start getting some really wacky stuff that doesn't really fit within the confines that we would normally associate with the genre.
Nu-metal is a great example of this. traditional rock and metal music had been done to death, so we had this infusion of hip hop characteristics in to metal. In its infancy, a lot of it is really bad as people figure out what works, then as the subgenres become more popular you have people who hit a nice groove that combines the best characteristics of both genres into something that actually appeals to people who might like one or the other, and can now appreciate the other part of the blooming subgenre. something like Limp Bizkit or Kid Rock vs. Linkin Park or Korn. They're very similar genre wise but you can see maturation of the style and the progression of people doing it well.
We've already had some really nice subgenres blooming out of hip hop. Cloud rap is one that I think blends very well, and has been around long enough for people who were inspired by the artists at the forefront to come out and do it themselves, sometimes pushing it even further. Recently Lil Peep was an artist that many felt blended nicely the attitude of punk rock / emo / grunge with the banging beats that dominate modern hip hop currently. In the past couple years NY has had a surge of artists who grew up listening to the boom bap greats that paved the way for hip hop and are now blending that into the modern trap beats. The Underachievers are a personal favorite who demonstrate their understanding and respect for the origins of hip hop by showing master of both old and new styles (infused with the ideals of hippy counter culture) on their album Evermore: The Art of Duality. Seriously it's great, give it a listen. If you like old hip hop you will definitely like some of the songs at least, and it could open your eyes a bit and see how they translate traditional skills on top of more modern production.
As the genre continues to dominate main stream music we're going to have people inspired by artists in these weird hip hop subgenres come out and do it better than their idols, giving us a further refined and more tasteful progression of the subgenres that are currently in their infancy.
As time goes on, we forget the gimmicky trash that tends to flare out quickly and tend to remember the ones that did it well. Within the next 10 years i feel we're going to see some of the subgenres really shine and define themselves separately from the genres they have their roots in.
I just love the culture so on some level I can enjoy some objectively not that great music because I appreciate the art and what these artists are trying to do.
e. Don't even get me started on how metal has stagnated and it's energy has evolved into modern dubstep.

We're at week 14, friends. Here we've got this week's user-voted record: Public Strain by Women!

Taken from @Cleb's pitch:

Noisy post-punk that sounds exactly like the image the cover depicts: Marching your way through a cold wasteland in the middle of a blizzard. It builds a wonderfully hopeless atmosphere and comes together so well.

Here's the place to discuss your thoughts on the record, your history with it or the artist, and basically talk about whatever you want to that goes along with Public Strain. Remember that this is intended to be a slow moving thing, feel free to take your time and comment at any point in the week!

If you'd like to stream or buy the album, it can be found on most platforms here.

What have you been listening to this week? You don't need to do a 6000 word review if you don't want to, but please write something!

Feel free to give recs or discuss anything about each others' listening habits.

You can make a chart if you use last.fm:

http://www.tapmusic.net/lastfm/

Remember that linking directly to your image will update with your future listening, make sure to reupload to somewhere like imgur if you'd like it to remain what you have at the time of posting.

I don't put a ton of stock in rateyourmusic's numbers, but I do think it's fun to check in every once in a while to see how my tastes line up with the votes from the userbase. Occasionally I'll find an album I love that, for whatever reason, has a particularly low score.

For example, I was listening to Something to Die For by The Sounds and was surprised to see that it has a 2.88 rating. I love pretty much all of The Sounds' output, and everything else of theirs was well-received by the site. This album, however, was not.

The same goes for Glasvegas's Euphoric Heartbreak which sits at 2.93. Granted, the title is terrible (it has unnecessary slashes that I couldn't figure out how to format right), and it strays from their debut, but I still thoroughly enjoy it.

What are some of your low-rated favorites?

EDIT: If you've never used rym, you can search for any artist in the search field on the top right. That will pull up a list of all artists with that name (or a similar name). Select your desired artist from the list and you'll be taken to their discography page which will show the average rating for each release, as well as the number of ratings and reviews.