If a friend who never reads came to you and asked for book recommendations that'll grab them, what would you recommend? Furthermore, what makes those ideal choices for a habitual non-reader?

I'm not asking because I'm trying to convince someone to read something -- I'm just curious to see what some of the suggestions and reasoning will be.

Articles

Hevosenkenkä Theatre will publish an online audio play for children to enjoy on Finland's national Fairy Tale Day

On the occasion of Finland's national Fairy Tale Day, Hevosenkenkä Theatre, an Espoo children's theatre has prepared a special surprise for all children who were eagerly awaiting this Finnish tradition.

Today, 18 October, the theatre will release an audio play of the story “The Bear That Wasn't” as a virtual gift to all those who were eager to visit in person but were unable due to the pandemic. The audio play is also part of the theatre's programme celebrating its own 45th anniversary.

TheMayor.eu – Anton Stoyanov – 18th October 2020

The other worlds of fairy tale – in pictures

Take a tour of the British Academy and Folio Society exhibition of fairy tale illustrations from all over the world, exploring the idea of ‘other worlds’ from China to Native America.

The Guardian – Unknown – 12th May 2015

Resources

Scandinavian Folk & Fairy Tales: Tales From Norway, Sweden, Denmark, Finland & Iceland

A collection of folk literature from five countries, with illustrations by native artists.

Good Reads – Claire Booss – 26th October 1988

Ten of the best fairy tales everyone should read

The best fairy tales are timeless and yet forever modern, tapping into deeply held and widely shared emotions and moral attitudes. The following constitutes not an exhaustive list of the definitive fairy tales, but rather our attempt to pick the top ten greatest fairy stories.

Interesting Literature – Dr Oliver Tearle – 10th July 2017

How and where do you like to read? Tell me all about your reading environment(s), both real and idealized. Do you sit in an arm chair with a cup of coffee and a worn paperback? Lie in bed with a cat curled up next to you in the dim glow of your ereader? Under a tree in the woods, listening to the book on your headphones? If you could find/build the perfect reading space for you, what would it look like?

And then, what about your more practical reading: on your phone on your lunch break? While waiting for your kids in the car during soccer practice? Tell me about the times you fit reading in even if it's not necessarily the full focus of the moment, or the times where you settle for a comfortable but less than ideal setup.

Include any meaningful rituals or accessories too. Do you like to put a good album on the record player to accompany you? Do you have a special bookmark that you use? Do you share your book covers on social media or livetweet each chapter? Does your favorite lamp like to look over your shoulder as you turn the pages?

Basically, tell me all about what reading looks like for you -- with enough detail so we can picture it!

In school we teach kids that good stories have conflict and have them fill out plot diagrams, analyzing the different parts relative to the conflict of the story.

Every time this comes up, I always wonder about its universality. As it's taught to kids, this is "how stories are" and conflict itself is considered essential to storytelling. The conventional wisdom goes that a story without conflict is "boring".

Is this the case, though? It's always felt to me like a very limited way of looking at stories -- fine for children but something that doesn't necessarily scale up past the early stages of literary analysis -- but I don't have anything to back that up. I don't have enough in my repertoire/expertise to really go beyond it, and I'm left with just a sort of empty suspicion that may or may not be justified.

• Is conflict essential to storytelling?
• Are there examples of good stories without conflict?
• Is teaching narrative in this way effective, or limiting?

I'm not looking to gain any practical skills from these recommendations (ex: not "Clean Code", "The Pragmatic Programmer"). Last year I read through the two books in Fabien Sanglard's Game Engine Black Book series and would love to get my hands on more books like them. Books that focus on history, arcane details and secrets once thought lost to time. Sadly it appears I've already worked through Sanglard's entire bibliography. But I'm sure there's more stuff out there like it.

I asked a similar question over in ~games and am interested to hear how ~books would respond to the same setup.

Here's the task: pretend you're a professor! You have to do the following:

• Choose a focus for your class on literature (with a snazzy title if you like)
• Choose the books that you, as a professor, will have your class dive into in order to convey key concepts
• Explain why each book you chose ties into your overarching exploration

Your class can have any focus, broad or specific: victorian literature, contemporary poetry, Shakespearean themes in non-Shakespearean works -- whatever you want! It can focus on any forms of literature and does not have to be explicitly limited to "books" if you want to look at some outside-of-the-box stuff (I once took a literature class where we read afternoon, a story, for example.)

After choosing your specific focus, choose what will be included on your syllabus as "required reading" and why you've chosen each item.

While the latest hype-trains and the guaranteed oldies give me a reading list a few thousand books long, I like to read things which are left by the wayside. This list here is a good example. The author gives a list of genre classics. Books which aren't good enough to make the top 1000 books of all time, but are classics in their own genre and influenced a lot of future authors. The Princess and the Goblin is a good example. Everyone interested in Tolkien and the Inklings has read it, as well as those who like modern fairy tales, but it doesn't crop up much in recommendations lists. These are books which aren't quite as commonly discussed, but still good and important for people interested in the genre.

So, if you have a favorite genre or sub-genre I would love to read your 'genre classics' list, with maybe a sentence about why I should enjoy it. Not quite as comprehensive as a class on books, more than a bullet point.

Edit:
I just realized I didn't change the title. By the 'gap', I originally meant the gap between the books everyone suggests from the past and the mountain of dredged pulp you find in libraries and bookstores: books which are worth still reading, even if they aren't one of the 'Classics'. More like underrated recommendations.

I can understand why the journey to make this into a film is so convoluted. I'm not sure I've ever read anything so dense and epic. I was always sort of keen to the series, and always thought the worm god was just cool imagery. So I did have kind of an internal motivation to get this far, but now that I'm about to dive into God Emperor, I just feel bad for anyone that called it quits after the first book. Frank Herbert had a lot to say, and faithfully adapting this to any kind of screen, I think, is impossible.

Just finished (re-)watching the Friends TV series ... End of the last episode, sitting in the empty apartment (Joey: "Has it always been purple?" Phoebe: "Do you realize that at one time or another, we've all lived in this apartment?")

Got me thinking, more as a plot contrivance than the actual plot, a story about an apartment, spanning a century or more, and the various people that lived in it, jumping back and forth across time, linking them together through history ... perhaps even, a la "Ship of Theseus", spanning multiple centuries and multiple homes/dwellings that occupied the same space.

So specifically, I'm wondering if anyone can think of any novels that adopt this idea, or anything similar, as a primary vehicle for their storytelling?

I have a vague recollection of a short story or novella in 2ndary school, about the life of a redwood, and the various people and animals that lived in and around it over the centuries ... and also I recall reading "A Winter Tale" by Mark Helperin -- a semi-fantastical novel about the city of New York ... oh look, apparently, they made it into a movie, too.

But those two are the only examples I can think of that come close to this idea.

PS: I love to write fiction, and someday I may even finish a novel ... but generally, I get about halfway through, figure out how it's going to end, and then lose interest ... so if anyone with more ambition likes the idea, you're welcome to it.

ETA: I'm not looking for the 10,000 variations of "oooh, haunted by the ghost of a person that died here 20 years ago". Broader, covering a longer timeframe, multiple substories interwoven into the same living space, you get the idea.

There are a ton of recommendation lists out there right now, each with a ton of titles. While it's nice to see that the topic is being addressed by so many different voices and from so many different angles, it can also make it so that it's difficult to know where to start or where to go next.

I'm curious as to which books about racism people here would recommend. Please share not only what the books you've chosen are about specifically, but why you are choosing to recommend them.

Here's a fresh new thread for book recommendations! The last thread from a year ago got bumped and saw some new top-level activity but few votes or responses on the new requests. I think it's probably not visible in a lot of people's feeds due to its age, and I was planning on rebooting it anyway, so here's a fresh topic we can use for new recommendations that will be visible to all.

Top level comments should fill in the blank with some sort of descriptor identifying a kind of book you would like suggestions for.

Replies can then recommend books to that individual.

Examples of what top level posts might be are below. Get as generic, specific, abstract, or out there as you want!

• Recommend me a book that will make me cry.
• Recommend me a book with a great twist.
• Recommend me a book that deals with loss.
• Recommend me a book about the fall of the Roman Empire.
• Recommend me a book with a main character in her 80s.
• Recommend me a book to help me learn PHP.

Thread reading tip: use the "collapse replies" button to see only top-level requests.

In a recent topic on ~books, I mentioned my own efforts at organizing my bookshelves, and took some pics to showcase that effort... and it got me curious what other Tildes users bookshelves looked like, and what organization methods they use.

So, what do your bookshelves look like, and how do you organize them?

p.s. Feel free to also talk about anything related to this, e.g. what books you like the cover art of, what you do with annoyingly oversized books, ask others about particular books on their shelves, etc... :)

I eventually recommend Neil Postman's writing to anyone I can. These books are absolutely fantastic, especially Technopoly, though I'd also recommend Amusing Ourselves to Death and The End of Education (pun in the title intended).

One of Neil Postman's big contributions to how I think was by explaining an extended notion of the Sapir-Whorf Hypothesis. Instead of trying to insist that different human languages have different ways of communication, Neil Postman makes the assertion that different media, books, oral communication, TV, radio, the internet, have world-views embedded into them. So, you will (almost) never find a serious philosophical discussion in a film. Books, being linear can afford to give a cursory examination, and the person reading can follow at their own pace, while film can't do that. However, films are better at communicating emotion, so the stories in film are more experience/emotion/in-the-moment driven. Postman's argument was better, so ignore the weaknesses in my summary. I'm just trying to give some flavor to the type of things he wrote, like he also predicted how people would communicate on the internet.

The thing which really stands out to me is how Neil Postman was just a good thinker. He wasn't a one hit wonder for ideas. I'd be willing to read his thoughts on just about anything, even if I disagree. So anyway, read him! You won't have any regerts.

I've been on a long and steady roll reading classic literature, both fiction and non-fiction. I think it's important to get a perspective from earlier times that influenced our current culture and also because many of these works have withstood the test of time.

However, I'm having real trouble reading some of the non-fiction e.g. Plato's Republic and Nietzsche's Genealogy of Morals. With both fiction and non-fiction I accompany my readings with Sparknotes to make sure I'm not missing anything important. In the case of non-fiction I often can barely get a cohesive thought out of the original text. In some cases the text is too old to be understood on it's own and in others the author has great ideas but poor writing (e.g. Nietzsche, famously). But Sparknote's is much too brief—I'd like a more involved experience.

My request is this: I'm looking for books (or resources to find such books) about classic non-fiction that

1. distill the concepts without watering them down
2. provide context with either modern culture and/or other works that are related
3. are written for an intelligent layman; prose meant to communicate to a non-expert audience but with scholarly rigor

Basically, I read at a high level but I am not a professional scholar of literature, philosophy or history, yet I would like to have a bridge to such an understanding.

EDIT: I found this site to be exactly what I was looking for: https://plato.stanford.edu/index.html

EDIT: This is an old thread that's fallen off many people's feeds. See a current version here.

Top level comments should fill in the blank with some sort of descriptor identifying a kind of book you would like suggestions for. Be as generic or specific as you want.

Replies can then recommend books to that individual.

Examples of what I'm thinking for top level posts, in case my description was unclear:

• Recommend me a book that will make me cry.
• Recommend me a book with a great twist.
• Recommend me a book that deals with loss.
• Recommend me a book about the fall of the Roman Empire.
• Recommend me a book with a main character in her 80s.
• Recommend me a book to help me learn PHP.

I'm about to finish my semester and, since I've been taking a lot of walks lately, I figured I should listen to some audiobooks. In particular, I'd love some suggestions for nonfiction audiobooks. I recently read Boom Town by Sam Anderson, a sort of pop history about Oklahoma City and its basketball team, and I listened to Silver Screen Fiend, by Patton Oswalt, about his addiction to movies.

Are there any audiobooks you recommend? Preferably they would be good books that also have particularly good audio versions (well-produced).

Thanks!

I just finished binging The Habitat, the awesome podcast about NASA's simulated mission to Mars. And I'm feeling the urge to read something along those lines: fiction or true stories and indulge my fascination with space (and things coming from it) and how that relates to contemporary imagination.

Any suggestions?

I'm reading a book right now that I am finding fascinating, but I don't want to forget the thoughts and ideas presented in each chapter by the end. I was wondering what you all do when reading books like this. In college, I would usually jot down a few notes on the chapter I was reading, but I always found the act of interrupting my reading to write to be very disruptive.

• Do you take notes and highlight directly in the book, or use another notebook or software?
• Do you take notes as you go, or wait until the end of a chapter or section?

I want to arrive at a system that works well for me, so I'm looking for suggestions here.

Understandably, my interest has piqued on this topic cluster (as I'm sure it has for many others), and I should have more time than usual to read in the coming weeks. I also am spending far too long jumping around aimlessly to assorted news articles and would like to tame that nervous energy into a more focused approach on longer writings.

While I'm interested in non-fiction primarily, I'm also open to fiction suggestions. Also, anything that lands in the ballpark of what we're dealing right now with the novel coronavirus fits (though it certainly doesn't have to be specific to coronavirus, nor COVID-19).

I recently finished reading Edward Abbey's Desert Solitaire, and prior to that I read his novel The Monkey Wrench Gang. I was left feeling quite differently than what I was expecting to feel. I'm an outdoorsman, a conservationist and an activist. I spent a good portion of my time last year on The Colorado Plateau, much of it in the places Edward Abbey has been and discusses frequently in his work. There is a distinct emotional connection I feel to this land, so my mental conflictions are especially notable. I recently wrote a friend a letter, much of it including my thoughts on Abbey thus far, and I felt posting the relevant excerpt here would be a good conversation starter. Let me know what you think!

"I just finished Abbey's Desert Solitaire, while I enjoyed many aspects of the work, it also left me feeling conflicted. I wholeheartedly concur with many (but not all) of his views on conservation. He challenged my views in some positive aspects as well, his disdain for the automobile in national parks, for example. Other views of his I cannot ignore or absolve him of. His views on traditional family values (read: misogyny) are quite apparent in The Monkey Wrench Gang and seep into this work as well. Furthermore, his views on indigenous peoples are outdated, even for his time. His incessant diatribe on the blights that impact Native Americans and other indigenous populations, blaming their own attitudes (victim blaming, if you will), while simultaneously railing against the federal government and The Bureau of Indian Affairs is at best hypocritical (while also patently racist).

Edward Abbey's actions also do not reflect his writing. The man continually rants about the ongoing destruction of this Earth, he blames everybody (The National Park Service, Bureau of Land Management, Forest Service, Bureau of Indian Affairs, the modern consumer, tourists, oil and gas corporations, mining companies, logging businesses and wannabe outdoorsmen) but himself. He went so far as to work for the NPS, while admitting their culpability in their own decimation. During his time there he constantly capitulated to the tourists, the modern consumers in their iron contraptions. Some federal employees I've met have set out to change their respective agencies from within, but what did Abbey do? He left. He saw a problem, railed against it, and left.

So I ask: Why didn't he do more? It has been suggested that Ed had engaged in some less-than-peaceful activities, "eco-terrorism" they call it. I personally don't believe it, I believe that any actions taken were never near the magnitude of the happenings of The Monkey Wrench Gang. Ed's books were his personal fantasies, which while not a guide, a reference point. He prefaces Desert Solitaire, describing it as an elegy. Almost as if he is passing an extinguished torch on to our time. It is frustrating and demoralizing to say the least. While grateful to read his words and as much as I concur with his notions, I disagree with hits actions (or lack thereof). I finish this book left feeling angry."

People like me are why I believe the slippery slope is a fact, not a fallacy...

I'm asking this in the context of a school project mainly because of 2 things:

1: 2 of the questions of the project are about main and secondary characters and their physical and psychological characteristics, so the book is gonna require those unless I'm misinterpreting those questions.

2: The project is for March 12th so something like 1984 with 300+ pages is probably too long. (Although there are probably many technicalities to blur this, like how much text there is in a page and the actual amount of pages I can read in a given time and how much time can I dedicate to reading the damn book.)

I've recently realised I read a lot of American literature. I'd like to broaden my horizons so I'm wondering for fun if anyone out there can suggest an international (i.e non-US) counterpart for any of the following or just general non-US recommendations?

• Denis Johnson
• David Foster Wallace
• Flannery O'Conner
• Carson McCullers