Do Jedi study warfare and tactics? I know they study dueling, but do they also look at more large-scale battles? I was thinking about the Clone Wars revival today and I was kinda wondering why the Republic entrusted their military power to what were essentially warrior monks. Was it just a case of “there’s literally no one else”?

Even if you're only lightly aware of superhero movie tropes and the criticisms of the genre in general, you will have a lot of gags to laugh at.

I know a lot of people my age (20s-30s) will be reluctant to see the movie if they were fans of the original Teen Titans show and haven't watched Teen Titans Go! (which I think is fair). But those are the people who will enjoy it the most.

It is a kids' movie, no doubt about it. But I'd put it in the vein of the Lego Movie, which still had a lot to offer if you're an adult.

For me personally I'm excited because I really like what they've done with the MCU. It's not perfect but I think they've done a fine job so far and would prefer them to have a go at the X-Men (and FF) franchise. As a long time fan the movies have been hit and miss with the Fox X-Men for me so far. For example:

Love:

First Class
X2
Logan

Like:

DOFP
X1
The Wolverine

Don't care for whatsoever:

Wolverine Origins
X3
Apocalypse

So really Fox did okay with the rights but not as good as they could have. The Fantastic Four specifically movies are laughable. Hell the Roger Corman flick was better than it's successors. I didn't even bother with the most recent as you could tell it was slap dashed together.

So what do you guys think?

Every now and then we get a change in a traditional medium that has the potential to completely change the medium itself. In TV, we went from black and white to colour to 3D, and now to VR. In theatre, we've been seeing more use of screens, and other technologies.

In the last few years, Broadway saw two amazing game-changers - Hamilton, and Deaf West's revival of Spring Awakening. Hamilton, honestly needs its own post.

Deaf West, as their name suggests, casts deaf actors with other actors supplying their voices. American Sign Language is incorporated into the dialogue, songs and choreography. It adds a whole new dimension to existing works and allows the theatre medium to be enjoyed by a more inclusive audience.

I really hope to see productions like this more.

Thoughts? Anything new or old brought to theatre that you love? Any changes you'll like to see?

I always had a little problem with Laura Charles in this 1985 cult classic.

At the beginning of the movie, Laura's manager is begging her to play a tape. He tells her a man named Eddie Arcadian will hurt him if he doesn't get it played. He is literally terrified and begging. You can see he is terrified.

Laura actually says to him, "My life isn't filled with all that...... Drama." That's how she says it, she pauses before the word drama. Think about how dismissive that is. He is scared for his life and tells her as much, and she just says something that dismissive. Then she berates him like it is his fault he is in the situation. And the kicker is, she says her life isn't filled with all "of that drama" for two reasons. She liked the idea of it. The idea of thinking she was this person with no drama. And because she didn't care because it didn't affect her.

So the movie goes on. Now Laura is in danger of Eddie. It was all because Eddie wanted the tape played. There wasn't any "drama" in her life that caused it. But does she stop and realize that? Nope. Does she for one second think, "Gee maybe it wasn't my manager's fault he was in this situation. I wonder if he is okay?" Nope. She suddenly cares because it affects her.

And then everything in the end works out for her of course. And we never know if Eddie killed the manager or what happened to him. Laura never even looked for him to even just apologize, let alone make sure he wasn't dead.

What are your thoughts?

This movie absolutely destroyed me.

To be fair, I am very affected by the sadness and trauma of others, so it's not surprising that this movie almost killed me. To borrow from a comment I made on another user's post "This movie was a 2 hour long gut punch, and the end was a fever dream." It was so very traumatic, exhausting, uncomfortable, and TERRIFYING. And traditional horror movies do not ever scare me.

My overwhelming feeling for most of the movie was profound sadness. This family torn apart, the horrible things they say and think... the panic attack that Peter has and when he asks his friend to hold his hand? That was one of the times I actually cried. His numb stupor after his sisters head gets knocked off by a telephone pole(!!!!!). His mother's screams when she finds her headless daughter in the back of the car. The desperation when Steve splashes Annie in the face with water. The two times (one reality, one dream) Annie says just awful things to Peter. Peter smashing his face into the desk. Peter screaming/pleading "Mommy!" as Annie tries to get into the attic after him. These are all times I felt overwhelming sadness. Tons of other feelings: anger, disgust, terror, etc. But huge amounts of sadness that I've never felt during other horror movies.

Let me preface this by saying I know what the director has said about his vision and "what the movie really means." But I've never cared about a movie enough to actually fundamentally disagree with the person who created it before. self-deprecating eyeroll

This movie as a straightforward demon-possession/ occult movie does nothing for me. The whole time I had no doubt that it was a family torn apart by mental illness and that devastated and terrified me.

I'm going to post my inexpert interpretation as a comment. It won't be a synopsis, but there will be oodles of spoilers.

*Edit: I thought the movie was great. I don't know if I'll ever see it again.