I can mention many movies that influenced me in major ways.

• Stand By Me made me realize the importance of friendship
• High Fidelity helped me understand romance is not entirely about passion. It's also about respect, love, and care. There's value in something that's simply "good", and "good" is not something to brush off.
• Goonies and Godfather showed that, when shit hits the fan, family is everything.
• Manhattan taught me love is nothing without courage
• A Bronx Tale taught me that our parent figures can be imperfect and even downright criminal, but this doesn't mean they don't love us.

Ant the list goes on...

The end of the year has me in a movie-watching mood and I want to add the best of the best into my queue for the next few weeks. Similar to games of the decades, what are your movies of the decades and why?

I'm interested to find out who you think is making good films? I'm also interested in what your favourite film from them is, and why you like it.

Feel free to interpret it how you like -- I'm interested in distribution as well as production companies, as well as producers, directors, writers, and actors.

We have about a million films showing vampires, zombies, werewolves, and ghosts.

But despite rich folklore traditions we see very few films about other creatures. There is a handful of films dealing with leprechauns, pixies, trolls, fairies, witches, goblins, gnomes, etc. And that's just the western traditions. We have huge range of unexplored creatures from around the world. If I had to sit through yet another vampire film I'd rather it was based on adze traditions than Bram Stoker reinventions.

Why are there so many films that tread the same ground about vampires, zombies, and ghosts, and so few films about everything else?

Some of the works of Peckinpah had been on my watch list for months, sitting there in a subfolder of a subfolder. From the choice of Straw Dogs and Cross of Iron, I chose the aforetitled, liking the idea of embarking on a bit of a journey through Mexico with a gritty protagonist as we experience splatterings of violence and negotiate the thoughts of a down and out vagabond making a ran for his riches.

The film left me with mixed feelings. I enjoyed the path of Benny, experiencing how his character is unwavering in his desire to take that last lucky ticket out of debauchery street, but didn't care much for his journey's partner. While I appreciated the dynamic of the relationship, the understanding they both had that they weren't in love with each other, but all they both had, the chemistry and dialogue didn't really resonate with me at parts. I actually was rather glad when this relationship came to its abrupt end as the film entered its final 3rd.

On top of that, there was major issues with the sound which made it difficult to fully immerse myself in the journey at times. I found myself feeling I was watching a caricature of a 70s movie now and again, as opposed to be engrossed in a gritty noir-esque adventure.

But all in all, an enjoyable film which has left an impression. I always appreciate watching unpolished characters navigating circumstances plotted outside their usual courses, then watching how they deal with the inevitable implosion. From what I've read since, the film was one which perhaps accurately portrayed the director's life at the time of filming; dealing with various booze-infused demons. That rawness definitely shows, as does the inevitable imperfections in this movie's execution.

7.5/10

Since we're fast approaching the second half of the year, I think it's a good time to look back on the first half, to the movies that came out this year and to share our favorites. I'm giving my favorite 10 (though in no particular order) but if more or fewer stood out to you and you want to share all of them, feel free! Blockbusters, indies, comedies, dramas, whatever stands out to you from 2019 so far. Don't feel pressured to write anything but the title or a basic synopsis if you don't want to.

• Apollo 11: Okay, I know I said this list isn't in order, but this one is definitely #1. It's history in motion, and its images and editing will surely be seared into my mind as the way I think of the Apollo launch.
• An Elephant Sitting Still: Technically came out in 2018 in some regions, but has a 2019 release in my country, which is the order I'm organizing this list in. A beautiful and heartbreaking journey into universal pain and suffering and catharsis in the tiniest things. At nearly 4 hours and with an oppressively melancholy tone, I struggle to recommend it to everyone and anyone, but if the description interests you, definitely give it a look.
• The Farewell: Hilarious and sad, often in the same moment. My love of this may well have been colored by my experiences as an immigrant under very similar circumstances as its main character, but it's an interesting look at differing cultural philosophies of the worth of the individual on their own versus their relation to society.
• The Last Black Man in San Francisco: A layered critique of gentrification and the personal individual obsessions that keep us from truly seeing it and other issues in our world as they happen. It's filled to the brim with things to say, sometimes to a detriment, and some of the screentime spent just showing the sad beauty of San Francisco could've been used to further flesh out some of its ideas, but I still found it extremely compelling all the way through.
• John Wick: Chapter 3- Parabellum: I think the John Wick movies get a little more bloat on them every entry(much like their titles, actually), but the action only seems to get slicker. I still like the balance of the world, character work, and action in Chapter 2 the best, but while I think 3 drags itself down into its lore a bit too much, its setpieces are still top of the line. I find Keanu endlessly killing people left and right to be incredibly cathartic. Should probably talk to someone about that.
• Burial of Kojo: This doesn't say "Netflix original" on it, but it does seem to be distributed by them in all the countries I checked, so I don't know what's happening there. Regardless, there's a good chance you'll find this on Netflix in your country. I'm willing to admit this movie is heavily, deeply flawed. It overtelegraphs many of its plot points repeatedly, for one. But I also think it is filled with a gorgeous charm. It's light fantasy and grounded fairy tale feels half Tarsem and half Guillermo del Toro, and I was captivated from beginning to end.
• Booksmart: I find the new crop of female led high school movies (Booksmart, Edge of Seventeen, Eighth Grade) to be far more relatable and interesting than the dozens of high school movies of decades prior. It feels like the hands of the filmmakers is more on the pulse of the struggles of modern kids. Booksmart is very much a heightened comedy compared to the other examples I mentioned, but it is great at it. It's hilarious, even if there's one scene in particular that goes on forever. The comparisons to Superbad are mostly warranted, and I still lie awake at night, sad at the fact that I saw this opening night and the theater was mostly empty.
• Dear Ex: The Netflix revolution of every indie movie ending up on streaming services and leaving the theaters to the blockbusters isn't quite happening at the speed originally anticipated, but it definitely seems like more and more of my favorites of the year end up being a streaming original. Dear Ex is a Netflix film about different people grappling with the loss of one man, and it shows the power of the individual to connect the lives of the people they love, and of the many tools we employ to try to get over losses in our lives.
• High Flying Bird: Yet another Netflix movie. Steven Soderbergh is one of the people who can make a bearable heist movie in this day and age imo, and he lends that gift to this to make a movie where the heist isn't money or jewels, but the basic rights of human beings being trampled on by a system that creates middle men to suck up money, leaving the real workers with pennies. It's shot on an iPhone, and there are moments where that seems like a limitation, but honestly, a lot of it looks really impressive.
• Ash is Purest White: This is Jia Zhangke well within his comfort zone, looking at the strain put on human relationships by the passage of time and the everchanging effects of globalization and shifting national landscapes. The World(2004) (aka Shijie) is still my favorite of his, and it is definitely an idea he's explored before, but his ideas and commentary on it have never failed me to keep me enthralled all the same.

I have a list of all the 2019 movies I see that I consider "good" here (29 films at the time of writing this) if anyone wants to take a look at all of them.

After reading the recent ArsTechnica review of the latest Godzilla movie, I realized that I haven't really dived into the Kaiju genre and it might make for a fun weekend to watch a few of what you all consider fun and good. I know I have seen Kaiju movies in the past but this was when I was younger so any memory is long and forgotten. I am also not averse to non-english language movies as long as the subtitling is good!

Any you recommend and why you would recommend them?

What sites do people use for movie reviews and news? I've been following movie news via the internet since the late 90s. I used to frequent sites like Coming Attractions and C.H.U.D. multiple times per day.

For the past few years, I've mostly been using Twitter to follow news, but I'm trying to use Twitter less so I was curious where other people get their movie news...

This is just a quick list based on my bookmarks...

News Sites

• Birth.Movies.Death - For general movie news
• Bloody Disgusting - For horror specific movie news

Reviews/Thinkpieces

• Bright Wall/Dark Room - Good longform articles
• Horror Movie a Day - My go to reviewer for horror movies
• Jordy Reviews It
• Outlaw Vern - My go to reviewer to find out if an action/martial arts movie is worth watching
• Talk Film Society

I'm in search for new ones to watch, but can't seem to find anything. I'm curious about what they are going to do with the new Child's Play reboot.

Anyway, the ones i liked so far:

• Hereditary
• Suspiria
• The Ritual
• Halloween
• The Clovehitch Killer
• The Void
• Gerald’s Game
• It
• Get Out

I’ve been using Letterboxd for a few years to track what I watch.

But I’ve got a large collection of physical media and sometimes it’s tough to remember exactly what I have when looking for something to watch. Plus the eternal “Did I lend that to a friend?” question.

If anyone has any ideas on how to keep track of this stuff, I’d love some suggestions.

What's your favorite movie that features average-looking people? We all know the industry selects for youth and attractiveness mostly, but have any good movies risked casting only normal-looking people?

Edit: TV show suggestions are also welcome!

Yep. It's that time of year. We buy presents, go to parties, listen to carols... and watch old Christmas movies!

What's your favourite movie? Is it an old classic drama? A big glitzy spectacle? A soppy tear-jerker? A goofy comedy? Which Christmas movie is the one you watch over and over again, year after year?

I already canceled moviepass. Their new rules of only 3 movies a month plus getting "up to" 5 dollars off on more movies was a kick to the kidneys. The blacking out of mission impossible was absolutely it for me.

Anyone keeping it or have you already canceled? My sub lasts until the 15th. Hopefully I'll be able to see christopher robin and a few others before then.

So I have been hearing mixed things about Hereditary and was wondering if anyone here has seen it?

My GFs sisters BF said he fell asleep in it and we normally have pretty similar taste in movies, which makes me hesitant to see it. I LOVE horror and thrillers, but I've heard that it is kinda boring from a few people I trust.

Just wondering what people think! Try not to spoil anything. ;)

What are everyone's favorite "Guilty Pleasures" when it comes to film? You know, those movies that you love, but if someone asks you which movies you're into, the ones you don't necessarily admit to until you trust or really like the person. Here are a few of mine:

• The Fast and the Furious franchise, especially Tokyo Drift.
• Titanic
• Mean Girls. I don't know if I can count this one since it seems to waiver between guilty pleasure and cult classic depending on whom you ask.