No holodeck adventures, no hiding in space clouds, no musical dance numbers, no soap operas ( just a tiny bit ) and no less than subtle modeling of how people should behave.

Stories that were actually interesting and that held your attention.

Some of episode 5 was derivative from other Star Trek's and other sci-fi series, but it was done well.

Episode 6 was engrossing and with a surprise ending. I like the slow buildup of King Arthur ( Kirk ) eventually pulling the sword out of the stone ( taking command of the Enterprise ).

Episode 7. I knew people in college like Beto. I thought the actor did a great portraying such a person. I even found myself getting irritated though Star Fleet is fiction. I loved how Uhura handled him. She was kind, but she completely unmasked what he was behind his behavior.

Strange New Worlds Season 3 is out. So far 2 episodes have been released. I have seen the first episode.

I have some thoughts about the underlying themes of Strange New Worlds. This will not have spoilers because most of what I'm talking about appeared in previous seasons and in the trailer for season 3.

The main theme that I see in the show is that the people in the crew are actualized adults. They have empathy and compassion. If they do something heroic, it is in the spirit of self sacrifice for their friends and colleagues and the human race in general. They have some flaws, but when they find out about the flaws they try to work on self-improvement.

This is most completely embodied in Captain Pike. He expends much of his energy getting feedback from his crew. He gets opinions from experts in various fields, and then makes a decision without doubt. He is open to criticism and fights for what he believes in. He is the opposite of an authoritarian leader.

I would contrast this somewhat to the behavior of Captain Kirk from the original series. Kirk would go to his advisors (mostly Spock and McCoy), but usually as a secondary source. Pike makes a much larger effort to check with the crew first, and relies on more different opinions.

It can also be contrasted with the behavior of Captain Picard. Picard is much more authoritarian and has a very rigid moral code which seems largely based on tradition and values like honor and service.

I enjoy Strange New Worlds very much. I am aware that it is extremely "woke", and that I am being given an example how how we should treat each other and solve problems. I don't mind this at all, and it seems completely in line with the morality which has always driven the best Star Trek.

There is one other thing I noticed in S3e1: Captain Pike takes a moment to pray. I don't remember seeing this in Star Trek before (but it probably has happened). I haven't decided yet why the writers included this. It could be to show a little background about Pike's upbringing (he mentions his dad before doing it). It could be a concession to conservatives who watch the show. It could be that Pike will try all possible avenues in case they may help.

Haven't seen a whole lot of discussion about this show on tildes. Not in weekly threads nor a main thread - so here is one!

It's a 9/10 for me.

I waited until all of season 2 was out before starting it. Realized I had forgotten almost everything since season 1 though, so rewatched that first. It turned into a binge of both seasons - I just could not stop! It has been probably 3 years since I was so glued to the screen and this engaged in a tv show (Euphoria season 1),

I will skip an analysis or further review but every character was good. Every actor delivered. Just great all around. Season 2 (9.5/10) even better than season 1 (8.5/10).

So anyways, discuss! More than happy to have my feelings about it validated lol, and also see other takes on it.

A month ago news about Dropout was shared here which is how I learned of the service. Having subscribed to it due to it, and since I liked it sufficiently in the three day trial, I'd like to share my thoughts on it.

Overall I mostly appreciate the content, especially due to the unique nature of it. The overall amount of diversity of various comedy formats and skill of the cast at improvisation(or at least the appearance of it) is pretty impressive.

Game changer is pretty amazing at how it manages to intelligently change the game presented (and sometimes format) nearly every episode. Play it by ear spinoff features an improvised musical with very good performances that are delight to watch. Dimension 20 is a tabletop gaming session show with good use of props and music and coherent and engaging storylines. These are mostly ones I watched for one but I'm sure I like some of the others it has to offer too.

But there are also some things that I consider at best suboptimal.

While not catastrophic in either intensity or frequency the crude ass/fart jokes are on average present almost every episode and definitely lower the overall quality in my opinion.

So far as I know specific to Dimension 20 is the woefully lacking content and trigger warnings descriptions. The seasons can vary massively in tone and the indication of it is basically zero until you actually watch it for a while. There are trigger warnings under episodes but only them. Using Burrow's end as example it starts as an intensive and dramatic in events but at the same time very cozy in the family interactions story, then devolves right in the next episode into intensely graphic(for the format) gratuitous gore and body horror with no sufficient indications of that in the first two hours plus long episode.

It mostly lacks the anti user features of modern streaming services but it would have been nice if they left them out entirely. Having to go outside of the site to get basic information on the content, bad series organization(overall seasons sometimes being listed in several different series, making the series tab a mess), unchangeable(as far as I know) play next video anti feature, multitude of trackers on site or the traditional inability to buffer too much of the stream in the browser.

Overall I mostly like it, I just wish they'd have made it possible to like it more.

I don't know how well known this show is. Maybe I'm saying something obvious, like "hey, have you all heard about The Wire?", but in most of my social group this completely slipped under the radar. Since the beginning of the war in Ukraine I started following discussions about geopolitics and international conflicts on our local discussion board, and in there it's the opposite, apparently everyone knows it.

It's a show about deep undercover agents working for DGSE, the french equivalent of CIA.

It has two main layers. Firstly it's apparently quite accurate with regards to how real intelligence agencies work, plus it's obviously strongly inspired by real events. It mostly deals with ISIS, but also with Russia, relations between France and the US and other issues. This is very interesting on its own.

Secondly it's basically a psychological drama/thriller. The lives of undercover agents consist of constantly lying, constantly being on guard and never fully trusting anybody, and there cannot be a tangible division between their professional and their personal lives because they can never fully switch off. And human failures in their profession, whether small or large, cannot be fully avoided.

The premise of this whole show is exploring how those failures happen and what are their consequences. And those consequences are often terrible, so it's sometimes a heavy show to watch.

What I love about The Bureau is how it's all relatively civil, showing things without exaggeration, overly emotional music or other stylization. I want to say it's very un-american in this aspect, and on one hand mean that, I'm incredibly tired of film makers beating me over the head with horrible things like slow motion shots accompanied by emotionally simplistic music, as if I'm too stupid to understand what I'm supposed to feel simply from what's happening in the story.

But at the same time The Wire is also american and it's a good example of a show that does the exact opposite (and I love it for that). The Bureau does not go as far as The Wire, if only because human emotions are a much bigger focus of the show. However it is much closer in style and in quality to The Wire than to some imaginary "hollywood average". Overall it doesn't feel like it's playing tricks on you. People die and suffer horribly, and sometimes it is characters you love, but it doesn't feel like some cheap "ha! I got you, I bet you're devastated now!" and it doesn't happen often, for shock value (edit: actually suffering does happen all the time, but killing off characters does not).

In addition to the style feeling quite fresh in the context of mainstream cinematography, it's full of great and outside of France relatively unknown actors. They make it easy to fall in love with many of the characters. The characters have layers and development and nobody is black and white, it's a delight to watch them.

I'm putting it next to The Wire, Better Call Saul or Breaking Bad as a 10/10 show.

My thoughts on the show

An overarching theme of the show is that we aren’t very good at naming our emotions when we’re feeling them and that it’s important to learn the vocabulary for our emotions and call them by their right names.

Call stress stress, not overwhelm. (Are you “in the weeds” or “blown”?)

Call vulnerability vulnerability, not anxiety.

Call awe and wonder awe and wonder.

When we name what we’re feeling, we open up so much more agency and freedom to guide our lives in the direction we want them to go. Language is a portal.

I found this show moving and illuminating when I first watched it in 2022 and it was moving and illuminating all over again when I rewatched it over the past few days.

Awe and wonder are two of the emotions that stick out to me. These are not words I used regularly before watching the show. I use them now. I think I used to believe these emotions were nice to feel and a good part of life, but kind of like the icing on the cake. I have come to see them as necessary nutrients in the human emotional diet, more core and more central than I thought before.

Maybe we can’t feel awe and wonder very often, but maybe like the elephants who walk long distances to lick the salt off cave walls, it’s something we need in our diet and should go out of our way to feel.

I have a copy of Brené Brown’s book Atlas of the Heart, which the TV series is based on, and it mentioned that, among other things, experiences of awe and wonder make people more willing to cooperate with each other. Doesn’t that sound like something we need in this world?

Where to watch

Brené Brown: Atlas of the Heart is streaming on HBO Max in the U.S. and parts of Europe and Latin America, on Crave in Canada, on Binge in Australia, and on Sky in New Zealand.

HBO Max: https://www.max.com/shows/brene-brown-atlas-of-the-heart/dfad262e-b764-4b92-ae63-72886f8a0d81

Crave: https://www.crave.ca/en/tv-shows/brene-brown-atlas-of-the-heart

List of countries and streaming services where the show is available: https://brenebrown.com/find-the-series-outside-of-the-us/

JustWatch, a generally useful tool for this sort of thing: https://www.google.com/search?q=site%3Ajustwatch.com+Brené+Brown+Atlas+of+the+Heart

Homeland - 5/10

First paragraph works as both the tldr as well as the beginning of the review.

This show is all over the place. Some parts are really good, some parts are really bad, most parts are just meh. This show lends itself to be picked apart too easily. There are plot holes, convenient coincidences, contrived nonsense, and so often intelligent characters behaving like idiots over and over again which leaves you wanting to yell at the screen. So many eyeroll moments, cheesy stuff, questionable story writing, a lot of times that they tell, not show - it should be show, don't tell of course - and that classic trope that everything would have been solved if they just talked to each other, and another about just doing one single simple thing instead of getting distracted for dumb reasons. It is also pretty unrealistic despite trying to appear grounded. A lot of this show is too reminiscent of Jason Statham movies, if that makes sense. However I was entertained enough by it to keep watching, and it worked fine to pass the time when I was bored. Despite never really getting all that into the show as a whole, the good parts or episodes were worth the wait.

Family drama in this show was not good. It was just kind of something you had to sit through to get to those good parts. Monica Baccarin was fine and Damian Lewis was incredible, but I really just didn't care all that much about their relationship nor their children. It's a show that is being sold as an action spy thriller, but too large a part of it is this sort of more or less regular drama. It reminds me of The Americans where you of course don't watch it for the family stuff with the children, but because they were super cool undercover Soviet spies. This type of show's biggest weakness is this stuff. It just acts as filler and drags things out unnecessarily. And this goes for the main character's family too. The relationship with the sister was alright, but when the main character gets a daughter? Just kind of felt like a waste of time.

Most characters are pretty run-of-the-mill spy show stereotypes. Not great, not terrible. The main character, Carrie, was quite unique with a lot of depth, but she ends up going through way too many unbelievable situations. She and her tiny team, or even she all alone, saves the world half a dozen times. Her character at best decent, and that was only in the first few seasons. But then she goes completely down the drain and off the rails in season 4 and never recovered. I am probably in the minority with this opinion but I can't imagine most people see it this way since it's the star of a show that ran for 8 seasons so I guess take this opinion with a grain of salt.. but she just does not land for me after seasons 1-3.

She is highly unlikable. She is one of the worst mothers I have ever seen in any show or movie. She is very neglectful and abusive mother, she is also a mass murderer who practically never repents or regrets what she has done, she disobeys orders constantly, mostly making things worse, she uses people all the time, and she has such a massive victim complex so 90% of the time she blames someone else for her often fatal fuckups - of which there are a lot. By far the biggest problem with all this is that it is quite clear that the creators of the show want the audience to sympathize with her and are trying to pass her off as the reluctant hero. She was never that good a character, nor do I think actor Claire Danes is very good in the role - just alright. However season 4 and onwards she just in no way works. Just impossible to root for, which is of course a big problem when it's the main character. She's not a cool antihero, it just became a chore to watch her scenes. The best summation is something Saul said to her in season 2: "You're the smartest and the dumbest fuckin' person I've ever known." Characters that are supposed to be intelligent who then do such truly dumb things.. characters are only as smart as their writers. So it's just bad writing.

On a more positive note, there are a few characters I really liked: Astrid, Quinn, Saul, Max. Astrid was not in the show very much but she was great as the German spy counterpart in the BND. She just had a way about her and I felt the relationship she had with Quinn was quite interesting. She was a joy to watch, just like Quinn, played by Rupert Friend whom I recently saw in Hitman: Agent 47 which was an awful movie, so I was kind of nervous when he first appeared here in Homeland. Turns out though that he was just horribly miscast in the former because in this show, he is great! There's no nonsense with him, it's the "competency porn" feeling while watching him. Same goes for Saul and Max. Saul's actor Mandy Patinkin (who also played Inigo Montaya, couldn't believe it when I looked him up lol) steals most scenes he's in. He is great as the older, experienced spy, the mentor for our main character. His voice is both soothing and dramatic to listen to and even though half his face is invisible because of his huge beard, he still has such good expressions and body language that he really draws you in. As for Max, he was a very minor character to begin with but his role became bigger towards the final two seasons and like I said, it was a joy to watch him on screen and great that he was given more screentime.

Not much of a joy however was all the nonsense that they had to implement in order to make the show work - they took the easy route to explain things away instead of actually implementing them well. For example they practically never have surveillance drones or satellites available, nor nightvision or thermal cameras, so they constantly lose track of people that they are following. Nor do they have much more than pistols most of the time. The agency does have these things available, and more, so it's just dumb that they pretend it doesn't exist in this show - some special ops guys had nightvision one time in one of the first seasons but I think season 7 was the first time a thermal camera was used and then we saw it maybe twice more. There are also often no contingency plans. Back-up being nonexistent 90% of the time, handwaved or ignored with a quick line or reason that wouldn't really make sense. Plus, everytime they needed to make something thrilling, they added a time constraint element to do it.

Something I did like was the representation of mental illness. You really see the ugly side of Carrie's bipolar and even though I don't have it, and so can't actually speak to whether or not it's actually a good portrayal, it seemed good. I feel it's important to show regular people what it looks like, and I felt the same way with Max's neurodivergency - that he was quiet and forward added a lot to his character. He could have definitely just been the kind of techy nerd stereotype that is seen everywhere, but I'm glad they didn't go that route.

And another great thing, I think the best even, was Damian Lewis. It was such a shame that he was written out but it does make sense that they couldn't do all that much with his character. I have only seen him in Band of Brothers, but he was one of the highlights in that show too, so it's not surprising that I liked him in this one too. The best scene of the show for me was the one where he is wearing the bomb vest in the bunker next to all the high ranking officers. The up close shot of his trembling and shivering face.. I have no idea how he was able to even do that. He has won awards which is well deserved.

Bingewatching the show over about a month instead of watching it week to week across 8 years probably did not do this show any favours. I think maybe it's easier to see through the formula then. Better shows barely even have formulas, but this one certainly does, and I'm not a fan of it. Every single season has ways that they can't trust anyone anywhere. It's always this small team versus the world. That's not unique to this show but it stands out because it's often the same way they do it - they think they can't trust anyone, there's a mole, they're on their own because reasons, etc. In any case, the show was an alright use of my time but definitely not going to watch it again.

Would love to hear anyone's thoughts about either the show or what I have written here!

To me this is the best thing I've ever seen, movie or series or otherwise. Characters, artstyle, writing, animations, worldbuilding, character depth, mental issues and disability representation and the music.

It's bold, it's flashy, it's outright heartbreaking and earth-shattering yet comforting and soft when it wants to be and then totally can spin the story again in a new direction. Bravo.

And I've seen anything from the Shawshank Redemption and The Dark Knight on release to obscure anime and bad TV series these past 25 years.

I bow to the incredible talent that has made this possible.

"Scavengers Reign" eluded me when it released last year, but I was made aware of it after MAX canceled the show in May (Netflix has since picked it up but may or may not put in for more, is how I understand the situation).

The trailer has been posted here but I wanted to check in and see how everyone else felt about it (keep it spoiler free!). Personally I was enthralled all the way through. It has such an interesting blend of Miyazaki-esque "creature-y" world building with more meditative displays of nature and the violence and balance that is integral to it. If that sounds at all interesting I would suggest watching the first of twelve episodes, you will probably know if you are interested or not after it's over.

Here's hoping Netflix green lights more, assuming the creators want to continue. It really could stand as-is with where they left it.

I watched the 2003 miniseries which I thought was decent enough. It certainly piqued my interest, so I went into the show itself with an open mind and kind of excited that I had a nice, long sci-fi series to get into.. but.. I'm now solidly underway with season 1, a lot of it falls totally flat. I just finished episode 5 and while it's not the worst show I've ever watched, it certainly isn't great either and I have to say I don't understand why this show is praised. It feels really dated.

There are some truly awful scenes where it feels like I'm being preached to, like "remember to go in for your breast cancer screening!" and "prisoners aren't slaves!" and the scene from this episode where the president appears on the Galactica just to tell the commander "ackshually 45000 people are more important than just 1!" as though it's some deep philosophy, and then he changes his mind off of that, but like, his character really isn't dumb enough to not have already considered the morality of the situation. He should have perfectly well realized that they'd expended half of their fuel reserve searching for the downed pilot, and that's more than they can afford. He is not stupid, but the writing certainly can be.

There are also a ton of cliches and cheap story beats like fake-outs, cliff-hangers, characters that could solve all their problems if they simply communicated, dundundun dunnn moments with fabricated tension, not to mention the amount of halfway meaningless filler. It's a shame because the lore and overarching plot is interesting, but when every episode has so much pointless conflict in them that always gets resolved 10 minutes later, it starts to really drag. The episodes are self-contained and I get that, but I mean most of it is to the point that it's borderline a soap opera.

And it's not even filmed or directed well or anything else to make up for it. The desaturated colours are depressing as fuck, there is no cinematography to speak of, the special effects are (understandably) very cheap, everything is truly ugly which while I understand that's the point, it just detracts even more. The lighting is also inconsistent between some scenes, and the fight choreography is honestly laughable. You also have shoddy camera work and obnoxious, never ending close-ups of every actor's face - I have seen all of their pores by now, thank you very much. And omg why are they so obsessed with wide shots of the ships and then snap zooming not once, but twice, every time!!

Also, variations of the word "frak" is just so grating but I'm nitpicking at this point lol

I apologize to any fans of the show because this turned into a bit of a rant, but goddamn.. I'm kind of grasping at straws to find things I actually like about BSG. Maybe it's because it's a network production? Perhaps I'm too young to watch and truly appreciate it/its era of American network TV? Like the only of these kinds of shows we had in my country that I watched when they were current was things like Friends, Monk, Desperate Housewives etc., so I missed out on all of these supposedly great shows back then (I was only 11 years old when BSG started airing). I really love some of the other things from the 00's that I've watched much later on though, but those were cable shows like The Wire, so it's not just because it's from the 00's.

Anyway, all of the above reasons (and more) are why I usually stay far away from network shows with 20-episode seasons, but I thought BSG was going to be different because it's my impression that it has a really good reputation? Like I said in the beginning, the miniseries was decent so I'm not sure what changed between it and season 1? I think I'm gonna demote it to a background show unless the next few episodes pick up a bit. Should I keep going? Does it get better after season 1?

I just finished this show, having waited for it all to come out before getting into it -- other Disney+ Star Wars series taught me the lesson that they are much better binged than watched week to week and I was not wrong.

Spoilers below

The endless references to a children's animated show that I have less than zero interest in viewing really drags it down, which is why my main take away as per the title is that it doesn't really work. Most of the premise of the show is finding Thrawn and Ezra -- two characters you have no way of knowing about unless you watched that cartoon. Yet these two characters are constantly referenced and for some reason important, but you're never really sure why.

It kind of works with Thrawn because there's a mysterious villain type of thing going on. But Ezra? Why do we miss him? Who is he? What did he do? Almost none of my questions are ever answered, even after we find him! Aside from simply being told by other characters that he is important, I am never told how or why. Nothing they say or do makes me care about him. They don't show me anything that makes me want to get emotionally invested in him. And no, I am not watching hundreds of hours of cartoons to understand the context. That is simply too much.

This show is in a very strange place between obviously trying to cater to a large audience (it is a Disney property after all, so $$$), but it simultaneously can only be fully understood by extremely hardcore Star Wars fans. I consider myself a fan. I have watched all live action movies and shows, even the laughably bad stuff like the Boba Fett and Kenobi shows. That they intentionally mix together animated and live action storylines though -- especially with any context lacking -- is a major misstep.

I like the Star Wars universe a lot. And while a lot of it is entertaining, it feels very bad to feel left out. It would be different if it was a small cameo or name drop once in a while. But the main storyline gets impacted by this, and it just kind of leaves a sour taste after finishing it.

I was decently entertained and it had some very good moments, particularly the Baylan and Shin duo was intriguing -- which is ironic as I understand that they are among the only original characters in this show. Regurgitating old canon is not the way.

7/10. Entertaining but unsatisfying.

I thought I'd take the time to post about a series I've been looking forward to for over a year now.

Hidden is a fantastic crime drama set in Wales, and a third series was announced early last year. The Welsh version, Craith, aired late last year. This week, the bi-lingual version airs on BBC One Wales and BBC Four. In my opinion it's the perfect crime drama: set in the mountains of North Wales, with a great soundtrack and unconventional storyline. Some shows focus only on the investigation and the victim, who probably just admits to the crime at the end. Not so here.

Sian Reese-Willams, who plays DCI Cadi John, explained what the series is about back in 2018:

It’s not a classic detective drama in that it deals with the whodunit and the police catching the bad man. It’s much more of a personal drama. It takes time to delve into the lives of everybody that gets caught up in the crime - the detectives, the victims, the family of the victims and even the bad guy. You’re trying to understand him.

It really plays with the idea of nature versus nature and almost tries to twist you into sympathising against your better judgement; it’s exciting and thought provoking. The characters are really interesting and it covers a lot of human emotion.

Here's another interview ahead of the second series.

Series two picks up around nine months after series one ends. We find Cadi trying to deal with the grief of losing her father, while trying to keep her head in her work.

It’s a difficult time for her - just as one begins to come through the initial shock of losing someone and start to try and deal with it, that’s the time that everyone around you starts to forget and move on. She’s also faced with dealing with the estranged daughter of the victim of the case, and the parallels she sees between the two of them are difficult for her to navigate professionally.

The first two series are on iPlayer now, and if you speak Welsh (or like subtitles) the third series is already on S4C Clic under the title Craith. Hidden is on BBC One Wales this Wednesday at 9pm, and BBC Four this Saturday at the same time.

The Cowboy Bebop live-action adaptation caught the attention of many users here, so I'll link some of the reviews I could find. The show is not yet available to the audience, but entertainment websites clearly had access to it.

AV Club: Netflix’s Cowboy Bebop is a bloodless substitute for the real thing.

EW: A colorful, campy attempt at live-action anime doesn't justify itself.

The Verge: Netflix's Cowboy Bebop has heart, style, and some rough edges.

Indie Wire: Netflix’s Live-Action Riff on Everyone’s Favorite Anime Is a Cosmic Disaster

Games Radar: A Stellar Remix That Hits All the Right Notes

Polygon: Cowboy Bebop turns a classic anime into a Saturday morning cartoon

IGN: mixed

Slate: Cowboy Bebop Is Netflix’s Latest Live-Action Anime Mistake

Hollywood Reporter: negative

Rolling Stones: The Live-Action ‘Cowboy Bebop’ Takes an Anime Classic Into the Stratosphere

The Atlantic: What’s Lost When a Classic Anime Is Adapted by Netflix

RogerEbert.com: Cowboy Bebop Fails to Find a Rhythm

Time: Netflix's Live-Action Cowboy Bebop Misunderstands What Made the Original a Classic

Vulture: Cowboy Bebop’s New Shine Can’t Replace Its Old Soul

Collider: Netflix's Live-Action Show Is a Colorless, Soulless Copy of a Landmark Anime Series

Vanity Fair: Netflix’s Cowboy Bebop Is the Rare Remake That Works

Rotten Tomatoes: currently 41%

Metacritic: currently 40, Mixed or average reviewsbased on 18 Critic Reviews

You know, I can't get over how good DuckTales is. It's clever, funny, beautiful and well-animated. The voice actors are fantastic (Tennant is Scrooge! Lin-Manuel Miranda is Gizmoduck!).

You know, I tried watching the old one, just to have something to compare to, and it's shocking how bad it is compared to the new one (I needed several days to get through the first episode). Some examples:

• Donald Duck still has the "duck voice", but he's the only one with it, and I won't spoil it but it's more of a gag nobody acknowledges. The old ducktales has everyone with voice quirks and it is just irritating to listen to.
• In the remake, the triplets have three proper very distinct personalities. They dress differently, have different voices, behave differently.
• Scrooge really is a miser in the old series, in a "how did this guy ever become a billionaire" way (I'll walk for four hours instead of spending $10 on a taxi my time is worth zero yaaay). The new one has him be a penny-pincher, but he actually has some business sense. Hell, there's quite a few jokes at the expense of silicon valley… which I will not spoil.
• The 2017 Gyro Gearloose is kind of a dick, and it's great! The "mad scientist with dubious intent" angle is a pretty cool addition to the cast.

I've thoroughly enjoyed my first watch-through, and I'm really enjoying leaving it running in the background to rewatch it. Highly recommended as an "adult" kids show. It is 100% on the same level as Gravity Falls.

I'm currently re-watching all episodes of Detectorists and it's one of my favourite tv things ever, so I thought maybe Tildes would be interested. Detectorists is a single camera sitcom about two men and their friendship around their metal detecting hobby.

Here's the link to the BBC Four webpage for it: https://www.bbc.co.uk/programmes/b06l51nr

Some review sites -

Rotten Tomatoes 100% (few reviews), 99% audience score: https://www.rottentomatoes.com/tv/detectorists

IMDB 8.6 : https://www.imdb.com/title/tt4082744/

Guardian review (because she writes about it far better than I can): https://www.theguardian.com/tv-and-radio/2017/dec/09/detectorists-rich-portrait-unremarkable-lives-gone-slightly-awry-mackenzie-crook

Detectorists is about nothing and everything. Made with palpable love, it’s about people and their passions; camaraderie and community. As a portrait of male friendship, it is closer to documentary than drama, delving beneath the topsoil of mid-life ennui via the sparsest of exchanges. You won’t find a laughter track, or smart-arse punchlines or an oh-so-subtle veil of irony here; instead of begging for your attention, Detectorists is notable for its avoidance of snark. It’s the drama least likely to culminate in alpha plonkers blowing up cars, taking down baddies or ravishing beautiful women.

Instead, it lingers lovingly over dewdrops on grass, magpies on gateposts, scudding clouds and gently fluttering leaves. Even an alfresco wee takes on a painterly aspect, viewed solely through the steam cloud billowing from behind a sunlit tree. Meanwhile, the camera makes high art out of Lance’s face in closeup, crestfallen as he unearths a scaffolding bracket instead of an Anglo-Saxon nugget, and from Andy’s silent incredulity when a colleague jokes about Richard Attenborough when he means David.

Radio Times review https://www.radiotimes.com/news/tv/2017-12-13/detectorists-series-3-review/

If all British programmes took this much care over their tone, look and overall distinctiveness, the golden age of television would never go away.

Modern comedies are often predicated on cruelty: laughs are hard, clanging or sharp as barbed wire. In its quiet, undemonstrative way, Detectorists has ploughed its own furrow. Buried in its field of fun are evergreen truths about life, and the things we don’t say but should. So if kindness and companionship are unfashionable, I know which side of the hedge I’d rather stand.

Apple has spent a lot of money on The Morning Show for its new tv service. It has a bunch of actors that I love. In particular I'm excited to see Anniston, Duplas, Carell, and Crudup in this.

Metacritic gives it only 60. https://www.metacritic.com/tv/the-morning-show Sometimes a single terrible review can drag that number down, but that doesn't appear to be the case here. There are a few bad reviews, and lots of mixed reviews.

I don't know much about critique or how reviewing works, so I'm curious: is The Morning Show bad, or are critics terrible at reviewing, or is something else going on?

Channel 4 describe the programme "Series that captures the work of police, probation, prison, prosecution and parole".

Here's a link to the first episode: https://www.channel4.com/programmes/crime-and-punishment/on-demand/64655-001

Crime and punishment is a documentary series that looks inside prison to tell the stories of the criminal justice system from the viewpoint of those involved.

The first episode spends some time talking about the unjust "Imprisonment for Public Protection"[1] sentences (these are no longer given by the courts but there are thousands of prisoners still imprisoned on them), how they went wrong, and the awful effect they have upon prisoners. It's a difficult watch. It shows how severely the mental health of prisoners is when they're on this type of sentence, including their serious self harm.

Episode two talks about pressure inside prisons and how that results in "riots", about how prisoners use the only power they have available to them.

I like the programme because it avoids judgmentalism. The prisoners are not reduced to the bad guys; the officers are not simplified to the good guys. You hear a little bit about some of the offences committed by the prisoners

Here's a Twitter thread from someone working in the English NHS. She works in forensic services as a psychologist. https://twitter.com/SarahE_Davidson/status/1173707912981700608

I guess Channel 4 On Demand have geo-blocking. I don't know if it's available on other services, or on torrent.

[1] https://en.wikipedia.org/wiki/Imprisonment_for_public_protection