So, I had this chat with a friend about verious topics. It made me realize how much I love engaging in discussions, but I also noticed that I struggle to articulate my thoughts logically and effectively frame my arguments. I want to improve my reasoning and argument skills so that I can confidently present my ideas in such conversations. So I'm seeking a book recommendation that can help me develop my logical thinking and persuasive abilities. I'm looking for a book that explains things in a straightforward way, with fun examples to practice with, covering diverse topics to make logical thinking enjoyable. If you have any suggestions, I'd be super grateful

What's your general philosophy around this? In theory, we learn all our fundamental vocabulary from context. But at the same time, it may be important to know the precise meaning. When do you look it up? When do you make an educated guess and keep going?

So, I’ve recently remodeled my home office and added a big Murphy bed and bookcase wall unit. It is massive, amazing, and not nearly full enough for my literary standards. :)

I’ve been hunting for older, good condition, hardbacks from some of my favorite authors. I’m a massive Clive Barker fan (Imajica, Weaveworld, The Great and Secret Show, etc) and have been trying to track down good editions on eBay. I find it’s really hit or miss, and Amazon is really no better. Short of exploring Etsy for stuff (and my local thrift stores, which have not been remotely useful) are there any good places on the internet I should check out?

There was a time when googling for this worked, now it’s rather useless.

Thanks, all!

I have dug around the net for a little while now, and other than direct purchase from Japan I am having trouble finding light novels. Specifically for several anime series I liked and want to read the originals for. Anyone know where I can find light novels in general for purchase or otherwise?

Edit: Some context if you're unfamiliar with mistborn: A bend alloy misting (slider) can create a bubble where time moves faster. A cadmium misting (pulser) can create a bubble where time moves slower. These bubbles can't be moved, unless they're on an object of significant mass that is already moving, like a train. The civilisation in The Lost Metal is roughly in the industrial age.

I was reading "The Lost Metal" and the newspaper ad after chapter 2 mentions hiring bend alloy mistings for a fast food restaurant. And I was thinking of more commercially profitable uses. Because fast food, wouldn't (I think) have sufficient margin to support consumption of bend alloy which is supposed to be expensive. So here are some ideas I had:

• One idea I had was a CEO using a bend alloy misting to give them more hours in a day. Time for CEOs is already at a premium so giving them more I think would be economically worth it, but I don't know if they have anyone comparable to that in mistborn era 2.
• I also think this would work for lawyers. I'm not sure how much a lawyer in Elendel gets paid but we do know they exist. In the real world sometimes lawyer bill for more than 24 hours a day (illegally)! But imagine if a lawyer could do that legitimately now. Maybe even 48 hours in a day!
• An idea I had for cadmium mistings was to speed up travel. Maybe for rich people you could use a slider to get up time so that their train journey appears to them to go by really fast. But that might be counteracted by their circadian rhythm getting messed up.

The following links contain some discussion on the usage of bend alloy and cadmium for commercial uses.
https://www.reddit.com/r/Cosmere/comments/ajdsjh/practical_usage_of_powers/

Some ideas mentioned there include using a slider in the waiting room of a hospital, or to preserve food, or to reduce the amount of food needed to support a siege, or to reduce the amount of supplies needed for Interstellar travel.

What are some other ideas you have for how a pulser or slider could be used during that time period in a profitable manner?
If you find other discussion online about these powers, please link them here.

I'm currently reading The Priory of the Orange Tree, and really enjoying it, but I've got to confess I'm a bit disappointed by how predictable the world is. There's an obvious pseudo-medieval European culture, a vaguely Eastern culture of respect and honour, a wise Southern Arabic-flavoured culture, and so on.

It's making me long for some fantasy that feels genuinely different - as far away as possible from this vision of monotheistic courts, swordsman's honour and mysterious wisdom from far away. Something that feels refreshing in trying to portray a world that I have never seen before.

I recently read C.T. Rwizi's Scarlet Odyssey series, and while that definitely involves analogues to a lot of our cultures, it was told from an African perspective, which was very refreshing. So I'd welcome suggestions for fantasy books that approach the typical enemies from a perspective that I don't often see as an English-speaking European reader. But is there much in the way of fantasy that truly tries to explore places and people that are completely out there and away from any of our experiences?

Hey folks! I’m looking for some audiobook ideas (preferably fantasy and science-fiction). I want them to have a TV series or Movie about them though I could watch before listening to them.

All ideas welcome!

I just finished it today and it's hard to pinpoint exactly what parts I enjoyed.

The rest of the book felt very preachy and a lot of it felt unnecessary. I don't think I liked a single character in the book. They all felt like caricatures and not how people would genuinely act or respond to the events happening in the book. Almost every single action taken by every single character felt forced to fit a narrative.

I cannot fathom why this won a Hugo award other than the fact that it was the first piece of science fiction originally written by a Chinese author in the Chinese language to win. [edit: In terms of novelty. The fact that it was originally written in Chinese has absolutely no bearing on my opinion other than possibly due to the translation the characters seemed to have no depth.]

I listened to the audio book, as I was told the names can be confusing and the audio book helped with it. I kept waiting for it to go somewhere, and when it was over I thought to myself, "that's it?"

Maybe someone can give a different perspective on it, because right now I'm just frustrated I spent money on it.

I originally decided to review this book for Tildes because I know that there are music lovers here. I made this choice before I finished the book. This is a music focused novel. People who love music will likely get a lot out of it. But the music content provides a context for a great novel.

The first half of the story focuses on two music obsessed young men who become friends. One has a strong interest in sound technology. (I'm sure that there is a more precise way to describe it but I'm not a musician. Bear with me here.) The other is a collector, focused on old Blues recordings.

Without giving away too much the plot, a new character is introduced part way in, an older Blues collector and there is a journey into the deep South to find Blues recordings and buy them from individuals who have family connections to the Blues musicians.

About two thirds of the way through reading the book, I started to wonder about recommending it without caveats. It is extremely well written and tells a compelling story. I'm glad I read it. However, there are aspects that will probably make it difficult for some people to enjoy it. Other people will, I suspect love it, for the exact same content.

Here are some aspects of the book that might need trigger/content warnings.

Violence: There is a particularly brutal police encounter among other episodes.

Revenge: Race and racism is one of several themes of the book and African American rage over mistreatment and abuse is bluntly expressed and enacted at a few points.

Narrator (and reader) lacking real time contemporaneous understanding of what is happening:
Part of the book contains content representing what might be a fever dream or a psychotic episode or a drug induced experience. Late in the book a possible supernatural/uncanny explaination is offered, but the question of why the episode is surreal is not definitively resolved.

Strong contrast and vivid descriptions of wealth vs middle class vs poverty:

Death:

As I said, I think the book is exceptionally well written and the author quite skilled. I found it compelling, interesting, entertaining, but certain parts more fascinating than enjoyable. If someone reads it, I would love to know what you think.

Edit: I love the films too, but I'm really looking for examples in the text, even if the adaptation does the scene justice, I'm interested in how Tolkien himself wrote it.

I'm on a bit of a JRR Tolkien kick recently and revisiting some of my favorite bits from the books. One thing I really appreciate about Tolkien's writing is the outright poetry of some of the paragraphs and lines. I think the only "wordsmith" who appeals this much to me is Cormac McCarthy (and to some extent GRR Martin) -- but for very different reasons. Anyways, I'll share my favorite section from the Legendarium.

Théoden's charge at Minas Tirith - The Return of the King

To set the stage, the Rohirrim have navigated to Minas Tirith and are greeted by a dying besieged city steeped in darkess and fire. Upon seeing this, we get this line about Théoden:

But the king sat upon Snowmane, motionless, gazing upon the agony of Minas Tirith, as if stricken suddenly by anguish, or by dread. He seemed to shrink down, cowed by age.

Merry utterly loses hope at seeing the city and the reaction of the king. Then as all hope seems lost, we get one of the best sections in the whole trilogy:

At that sound the bent shape of the king sprang suddenly erect. Tall and proud he seemed again; and rising in his stirrups he cried in a loud voice, more clear than any there had ever heard a mortal man achieve before:

Arise, arise, Riders of Théoden!
Fell deeds awake: fire and slaughter!
spear shall be shaken, shield be splintered,
a sword-day, a red day, ere the sun rises!
Ride now, ride now! Ride to Gondor!

With that he seized a great horn from Guthláf his banner-bearer, and he blew such a blast upon it that it burst asunder. And straightway all the horns in the host were lifted up in music, and the blowing of the horns of Rohan in that hour was like a storm upon the plain and a thunder in the mountains.

Ride now, ride now! Ride to Gondor!

Suddenly the king cried to Snowmane and the horse sprang away. Behind him his banner blew in the wind, white horse upon a field of green, but he outpaced it. After him thundered the knights of his house, but he was ever before them. Éomer rode there, the white horsetail on his helm floating in his speed, and the front of the first éored roared like a breaker foaming to the shore, but Théoden could not be overtaken. Fey he seemed, or the battle-fury of his fathers ran like new fire in his veins, and he was borne up on Snowmane like a god of old, even as Oromë the Great in the battle of the Valar when the world was young. His golden shield was uncovered, and lo! it shone like an image of the Sun, and the grass flamed into green about the white feet of his steed. For morning came, morning and a wind from the sea; and darkness was removed, and the hosts of Mordor wailed, and terror took them, and they fled, and died, and the hoofs of wrath rode over them. And then all the host of Rohan burst into song, and they sang as they slew, for the joy of battle was on them, and the sound of their singing that was fair and terrible came even to the City.

This might be my favorite bit in all of LOTR because we see good king Théoden shed all his fears and doubts and actualize into the man he was meant to be. And to be compared to the Valar Oromë to boot! Wow. I am also a total sucker for any moment in the trilogy when a deed or character gets compared to events or characters of the First Age. Anytime that happens, you know it's a big deal since the First Age was so much "larger than life" than the events of the Third Age. Tolkien does a similar thing when Sam faces off Shelob noting that not even Túrin or Beren with any craft of the elves could have injured her -- yet Sam stood his ground, nonetheless.

I am not a Tolkien scholar, but I know Tolkien was incredibly steeped in medieval and ancient literature (I mean, he was a Professor of English literature) so I know his heart was really in old mythologies in Germanic or Norse traditions (for example Túrin Turambar's story is directly inspired by the Finnish tale of Kullervo, or how almost word-for-word bits of The Wanderer poem end up in Rohan's culture and song). Because of his Christian faith though, I suspect he had qualms with the often-brutal mortality of those tales and the cultures which produced them. This section with Théoden charging bravely against hopelessness and despair I think represents the "merger" of all the positive qualities he found in heroes like Beowulf with his more temperate worldview. It's an idealization of the heroic good-pagan Germanic king.

• ‘Taking a leaf out of Trumpism’: Yumi Stynes on the ‘misguided’ backlash to sex book

The book has been criticised by campaigners including Rachael Wong, the chief executive of Women’s Forum Australia, an organisation critical of pro-trans activism. Speaking to 2GB’s Ben Fordham on Tuesday, Wong called it a “graphic sex guide for children”, adding that she felt “physically ill at the thought of children reading it”. Other conservative media figures have amplified the criticism.

“This book was a response to genuine questions asked by adolescents to [magazine column] ‘Dolly Doctor’ for more than 20 years. [Dr Melissa Kang, one of the co-writers], was exposed to what kids were too ashamed to ask anyone else.”

• Big W has withdrawn Welcome to Sex from its stores to protect staff – but teen sex education can keep young people safe

Critics have taken particular issue with small sections of the book that address inclusive sexual practices beyond penetrative sex, including “fingering”, “oral sex”, “scissoring”, and “anal sex”.

They are also critical of the inclusion of what they term “gender ideology”. Others are accusing the authors of “grooming” children – a term that is increasingly misused.

• 'I make no apologies': Yumi Stynes responds to Welcome to Sex critics

The backlash has been so intense Big W stopped selling the book in-store after staff members were abused, although the retailer has defended it and it remains available online.

"I've seen people saying to me 'I want to kill you' or 'You should die'," Stynes told SBS News.

It's one of those highly praised series that I've been waiting to read for years. When I finally did (I bought the full set of used and slightly wearied paper books), I bounced off quick. I tried reading it in 2019, so my memory of that book ("The Shadow of the Torturer") is foggy, but I wrote down some notes at the time.

I dropped the book somewhere around the Botanical Gardens, mostly because of very annoying female characters, all of whom were the protagonists so-called love interests. It seemed like every attractive woman he met would fall for him and it was so unnatural. I don't even have a problem with the idea per se, for example I'm buying into how macho-men are getting women in Wilbur Smith's adventure books because it feels organic, in Wolfe's book it was like a teenage boy fantasy.

I don't actually remember it well, but here's an excerpt from what I noted at the time:

I don't understand Severian's actions - he is challenged to a duel using the flower of vengeance - neither he nor the reader knows what's going on. At the same time, he is tasked with reaching Thrax and assuming the position of local executioner there. He interrupts his journey and decides to take up the challenge, of course, with a girl he has just met in some inn. He is convicted and instead of serving his sentence, he engages in some foolishness. I wanted the girl to disappear from the pages of the novel. Then a second woman appears and I feel that there will also be something between her and Severian.

The Polish edition which I read is 326 pages long, I dropped off at page 245, I just couldn't bear it anymore. I occasionally see those books, either on my shelf (I have not given them away) or in stores and keep thinking that maybe I misunderstood it or didn't see their greatness and wondering if it would click if I tried again.

Maybe it is just me?

I'm part of an IRL bookclub, and we choose books based on themes each month. Our upcoming theme is "short story collection", and I'm looking for suggestions.

Don't worry about specific genres or catering your recommendations to our group's tastes. I'll filter that myself and nominate the one that I best think fits the group's interest (we all nominate books to the group and then everyone votes to determine what we actually read). I want the topic here to be general so that anyone looking for short story recommendations across any genre can get them.

Virtually none of my friends read books. I don't think my neighbors do, either. Sometimes I feel like I'm the only book reader. There's no one to talk to about the books I'm reading. I can post on the Internet and I will get a few upvotes here and there, sometimes a comment, but there's no depth to it. Also, I'd like to talk about books in person, not keyboard. The statistics of readership as conducted by our national library (Poland) were always piss poor, while I think they don't cover the whole society (because they focus on books lent from libraries?) it still seems accurate. Our nearest southern neighbors (Czechia) have high readership, same as our western neighbors (Germany, gosh I envy the sheer amount of books published in German). Poles not only don't read, but because of that we get only a small chunk of published books, oftentimes I search for a book online and there are English, German, Spanish, Russian, Czech (not as often, but a lot more than Polish) translations available, but not Polish -- I understand it, it's not worth it business-wise to publish some obscure books in Poland. It's a sad affair.

Hi all. As the title says, I'm looking for recommendations on books about African American history. I'm Irish and I know the basics about the civil rights movement and some other bits through documentaries like 13th . Outside of that I've realized that my understanding of what African Americans have been though over the last couple of hundred years is pretty piss poor. I'd really like to educate myself a bit more, so any recommendations would be greatly appreciated.

I've recently become interested in exploring history. However, though I am usually quick to read and process large amounts of information in other genres, I find myself struggling with the dates in history books. For example, here's a excerpt from the book I'm currently reading [1]:

During this period, tsarist policy was contradictory along its Western borders. In Finland, a Parliament was convened in 1863 for the first time in fifty-four years. In 1860, its own currency, the Finnish markka, was introduced, initially tied to the Russion rouble before being tied to the value of silver from 1865, which enabled the Duchy to trade more easily with the West. By 1906, Parliament had passed 400 separate pieces of legislation, and by 1883, Finnish had equal status as a language to Russian.

It takes me surprisingly long to process this; my mind struggles to put together the timeline and most relevant facts. This style is used throughout the whole book and others like it, where multiple dates (and names or facts) are mentioned in a short piece of text, often in seemingly random order. This makes it difficult for me to truly get something out the book -- either I don't remember the information well afterwards or I can't relax while reading because I'm constantly puzzling it together.

For people more familiar with historical works: are there any tricks to this? Does it perhaps get easier in time, when you become more familiar with the genre (similar to keeping track of the characters in fantasy books like Game of Thrones)? Or do some people have a natural affinity for dates, same as others have a mind for numbers or for languages? Looking forward to hearing your opinions and experiences.

[1] N. Taylor, "Estonia, A Modern History", 2nd edition, C. Hurst & Co, 2020.

Update: This was my first post here, and I’m loving the thoughtful replies. Here’s a summary of the tips so far:

• Combining specific dates into a higher level time periods, e.g. start/middle/late century.
• Using historical dates with a personal meaning as anchors to keep an overview of the time period.
• Paying special attention to the first line of each paragraph, the first section of each chapter, and the first chapter of each book, which should be a summary of the following paragraph, chapter, and book, respectively.
• Writing or drawing your own timeline of events, outside of the book.
• Adding context information to your own timeline, based on understanding why each event occurred in that time and that way.

Some of my favorite books are nonfiction, so I'm looking for more. These could be from your field of expertise, but could also just be books you have enjoyed. They just need to be comprehensible to a moderately intelligent reader with little to no background in the subject matter.

Here a few I have enjoyed.
A Civil Action by Jonathan Harr,
Being Wrong Adventures on the Margin of Error,
Cadillac Desert,
Facing the Mountain by Daniel Brown,
The Man Who Mistook His Wife for a Hat,
Born a Crime by Trevor Noah,
The Day the World Came to Town,
Travels With Charley by Steinbeck

Edit, a couple more,
Flow the Psychology of Optimal Experience,
Bowling Alone by Putnam,
Because Internet by McCulloch

Books that make you want to side eye the author, because why....would you come up with that?

For example, Frank Herbert, you know, the guy that came up with a beloved series that examines philosophy, religion, human nature, and the dangers of power, also wrote The Whipping Star - a book about a noirish, twice-divorced space detective who has to free a star from being contractually obligated to be whipped to death by a notorious, billionare dominatrix.

I'm looking for books where the premise is played straight, like the author doesn't know what a little weirdo they're being.

I appreciate Goodreads for its pretty extensive catalogue of books, the ability to see reviews from other readers, and the social aspect of following what my friends are reading. However, I find both the website and the app very slow and not very well designed. Plus, I liked to minimize my interactions with Amazon. Has anyone used or built any alternatives? While the features I listed above are nice, the only ones I would really want are:

• The ability to quickly look up and add a book to my "want to read", and to keep track of books I have read
• The ability to leave notes or reviews on books (not necessarily visible to others).

I've started to keep a reading log in Notion which satisfies the second point above, but there's no easy way to search through a data base of books and add a book to one of my lists. It would be nice to be able to do so on the fly as I browse books at the store. So Tildeños, what solutions have you all come up with to track your reading?

Currently on book 3 of the Red Rising series. I've been trying to get back into reading for years but I've felt like "quicker" forms of entertainment (video games, etc.) have broken my ability to sit down and focus on a book. Case in point - I've had Red Rising book 1 downloaded to my kindle for years after a friend of mine gave it a overwhelmingly positive recommendation. I tried reading it a few times but my lack of attention span made me fail after just a few pages.

Well all that changed recently when I finally sat down again and gave the book a proper chance by reading more then 3 pages I feel like I'm 14 years old again just crushing books in a few days. Several times I have not been able to put the book down and read until 2AM.

Since the end of June I've finished the first 2 books and am around 1/3rd through the 3rd one.

I'm in need of "the next" great Sci-Fi / action series to binge on. I've currently gone through read most / all of:

• Craig Alanson
• Andy Weir
• Jeremy Robinson
• John Scalzi
• Jonathan Maberry
• Timothy Zahn (all his Star Wars works)
• Max Brooks (WWZ)
• Earnest Cline (RP1/2)

I like Star Trekky plots and plucky nerd protagonists.

Also, I'm finding that I'm getting a bit tired of R.C. Bray (I think he narrates the majority of the above. At some point every snarky AI sounds like Skippy). Marc Thompson of the Star Wars series is an amazing narrator.

Side comment: I'm inclined to listen to a good audiobook just for the narrator's performance alone.

We're halfway through 2023, and I thought I'd check in and ask if anyone has a favorite book they've read this year. Doesn't have to be released this year, just a book that wow'd you in 2023 up to this point.

My contribution I read this year is Three Day Road by Joseph Boyden. Two boys with Cree upbringing find themselves enlisting in World War I. A hard book to read that doesn't pull punches, with descriptions that put you right there with them. Broke my heart several times.

How about you?

I'm wondering how to read this book. I'm about 2 chapters in, and I've read all of these footnotes/references to other material at the bottom of the page. So far, they basically mean nothing to me, and I think it was implied during the introduction that some of the footnotes are real and some of them are fake? Do they reference other parts of the book? Am I supposed to be flipping somewhere else in the book every time a footnote refences something? Or should I be going outside of the book to hunt down the references to read those? Is it worth it to try that if some are fake and some are real? Is there a wrong way to read this book? Can those footnotes/references be ignored sometimes or most of the time? Am I overthinking this and I should just keep reading normally without thinking about the footnotes?

New to Tildes, so I wanted to kick things off by asking—do you have any sci-fi horror recs you reckon I might be interested in? Here's some of what I've read:

Annihilation by Jeff VanderMeer

• Solid read, but definitely more about the weird vibes than anything else. Sequels didn't hook me as much.

Blindsight by Peter Watts

• I generally try not to DNF my reads. But this was one of them. I'm sorry, I just can't buy vampires in a sci-fi world that's trying to take itself seriously, without proper grounding. It's also incredibly dry.

Dead Silence by S.A. Barnes

• A pretty solid read, I like how the narrative is told via flashbacks and then suddenly terminates in a way that makes you want to know more, in the most tantalizing of ways. Unfortunately I thought the reveal of the lurking horror was incredibly meh, and it went mostly downhill from there.

Diamond Dogs by Alistair Reynolds

• Fantastic novella with a mysterious locale functioning as the backdrop of the setting, and the horror elements being both external (as in the setting) and internal (how far our characters are willing to go to crack the mystery).

Paradise-1 by David Wellington

• A really solid space horror novel, with a pretty interesting protagonist trio (including a self-aware robot with plastic bodies) and it has some genuinely uncomfortable moments of horror that I can absolutely get behind. My main issue though, is that it ends in a cliffhanger and I'm still mad about it.

Salvaged by Madeleine Roux

• Decent read, but the horror reveal came super early and in reality, it's less space horror than it is human drama involving horror elements which is basically the Protomolecule from the Expanse. Fun read though, if you're okay with that.

Salvation Day by Kali Wallace

• I thought this was somewhat bland, the concept and initial plot were interesting, but it trails off and overall, overstays its welcome with some scenes that pacing-wise, feel like they belong in the middle part of the book. Some solid moments of horror though.

Ship of Fools by Richard Paul Russo

• Probably the quintessential space horror book for me. A fantastic setting, an intriguing protagonist narrative interspersed with religious themes and a genuinely solid pacing, horror-wise.

Six Wakes by Mur Lafferty

• This would have been an interesting murder mystery in space... if it actually had good and compelling characters. It does not. Everyone feels like a cardboard cutout with One Defining Trait and that's it.

The Luminous Dead by Caitlin Starling

• This was... a disappointment. I still rank it amongst the worst books I've read, simply because the protagonist is unbelievable. I can buy a protagonist doing things under duress or from being manipulated, but I cannot buy a protagonist who constantly flip flops 5 minutes after making a decision and then
  hooks up with the person who was manipulating her, because yay fucked up sexytimes! Look, I want queer representation in my books too, but this came off too much as just doing it for the vibes. Queer rep deserves better than stupid protagonists.

Walking to Aldebaraan by Adrian Tchaikovsky

• A great novella; it's a retelling of a really well-known story but reframed in sci-fi terms, and I love that approach.

We Have Always Been Here by Lena Nguyen

• A really haphazard book I think; I like some things about it, but others just don't make sense, or contradict it. E.g. the protagonist is a psychologist, but is absolutely horrible at reading human emotion and speech, and a loner who prefers robots. Throw in some Michio Kaku-esque pseudoscience and while it's not a horrible read, it feels like a book that could have been better with a rewrite. The setting and suspense are pretty neat though.

So, as you can see, I have met the good, the bad and the ugly of sci-fi horror. I'd love to find more! For non-book horror or horror adjacent works I've enjoyed, those include Alien, The Thing, Event Horizon, Sunshine, Underwater and Dead Space. Please don't recommend tie-in novels though; I can find those myself and generally I've found that they're not really up to par.

I think the most interesting and individual suggestions come not from someone's absolute favorite book, but from the contenders, the runners up. These are more likely to reflect a niche interest or unique perspective imho. Anyway, if you are willing, please name some of your best lifetime book experiences.

Reddit refugee here, I've been posting my book reviews on /r/Fantasy for years and figured some of you all would be interested in a best of list. My full list of all book reviews can be found here, but most of the links are broken right now because the Fantasy subreddit is still private. Still, perhaps the titles, authors and keywords are helpful.

What I enjoy

A brief list of things I care about in books, to help you jugde whether your taste overlaps:

• a good balance of romance and plot, where there is prominent romance but never feels like the story is just about that
• quality prose and dialogue
• believable relationship development, including romantic tension and explicit payoff for it
• high stakes drama, be it interpersonal, warfare, duels, court politics or heists
• LBGTQ+ main characters and queer romance

Note that these aren't the only qualities of the books listed below, just generally what I look for. I'll also gladly take recommendations for fantasy books that fit these criteria if you have any!

Books

Kushiel's Legacy by Jacqueline Carey

A divinely blessed masochistic courtesan and spy uncovers conspiracies against the crown of fantasy France. This series is probably my absolute favorite for how it combines intrigue, romance, kink and action, all with excellent prose and characterization. It has deliciously horny worldbuilding and ends up telling an epic fantasy story with an incredibly unique protagonist.

Silver Under Nightfall by Rin Chupeco

A recent addition to my absolute favorites. The author described the book as "vampire couple finds himbo in the trash and takes him in". If you're not sold on that, imagine a vibe like Netflix Castlevania and The Witcher - vampire hunter who's highly competent but looked down upon, vampire science, undead threat, dark gothic kind of setting, sprinkled with some "who's the real monster actually?" philosophy.

A Dowry of Blood by S.T. Gibson

A Dowry of Blood is about healing from abusive relationships through murder. It's also walks an excellent line between being sexy and horrible. It tells the story of Dracula's "brides", and the beautifully messed up relationship the four of them have.

Note: this one can't be described as having a "romantic subplot", since that implies some sort of happy ending. You know, because of the murder. (that's not a spoiler, it's revealed on page one)

A Charm of Magpies by KJ Charles

A disgraced nobleman returns to England years after escaping his father and finds himself and his family estate haunted. He hires a magician - who happens to bear his family a grudge. The Magpie series is fast paced, highly entertaining, well written, and plays with some delicious power dynamics between its initially hostile and soon reluctantly mutually attracted main characters.

Folk of the Air by Holly Black

The only YA series on this list, Folk of the Air holds a special place in my heart for its delicious fairy court politicking and for not pulling its punches. The titular Cruel Prince is a wonderfully hateable love interest, and even though I feel a few years too old to properly enjoy this series, the stabby and vicious dynamics between the two leads is just wonderful.

Nightrunner by Lynn Flewelling

A young man gets innocently imprisoned and receives unexpected help from his cellmate: a spy, rogue, thief and nobleman. The latter offers him a way out and an apprenticeship, which leads to well... spying and thievery, but also sinister necromantic plots against the throne. The highlight of this series is the ongoing relationship development between its leads. Book 1-2 are fantastic, book 4-5 are really weird, but the whole series remains a favorite despite some strange choices.

Rook & Rose by M.a. Carrick

A skilled con artist, a masked vigilante that challenges aristocrats to duels, and a dashing crime lord turned nobleman. The Rook & Rose series shines in its rich worldbuilding and prose, but especially in its handling of its main characters' multiple secrets, cons and identities. And especially shines when those schemes start crumbling down and some of the secrets become unveiled.

If the third book in the trilogy sticks the landing later this year, this series will firmly establish itself among my all time favorites.

The Stariel Quartet by AJ Lancaster

Years after leaving her family, a young woman returns home for her father's funeral and soon needs to deal with a magical estate that has a mind of its own, and discover that there may be more magic in the world around her than she's realized. The Stariel series is cozy and home-y in many ways, but doesn't shy away from tension either, and I find myself still in love with the main characters even long after finishing the series. I also really enjoyed the spinoff, A Rake of His Own recently!

Harrow Faire by Kathryn Ann Kingsley

Most of the books on here are fantasy with romance, while this one sits more firmly in the capital R Romance genre. But it is dark romance ("villain gets the girl"), and features an absolutely unhinged love interest, a lot of murder, and an evil circus. The series isn't without flaws (some of the side characters get a bit too much page for
how flat they are, and the pacing is a tiny bit uneven in parts), but I blasted through all five (short) books in a week because I had so much fun with it.

The Last Binding by Freya Marske

This series takes place in an early 20th century England where a secret magical society exists in parallel to the world 'as we know it'. There's even a bit of magical British bureaucracy that reminded me of aspects of the Harry Potter books, though the series have little in common otherwise.
Every book in this trilogy follows the same overarching plot, but features a different pairing of main characters and romantic leads. It's queer, fun and fast-paced, though sometimes a bit on the fluffy and romancey side for my taste.

That's just a brief selection of favorites, I highly recommend heading over to the reddit post (I should back that up at some point with Reddit's future being a bit shaky rn) to find more titles.

Thank you for reading! There's lots more to say on each of theses books of course, but I didn't want this to get way too long.
Let me know if you found this interesting, if you have similar books you'd recommend to me, or just share if you also enjoyed any of these books. This is my first post on Tildes and I'm happy to meet new fellow readers :)

I usually just read ebooks on my phone using ReadEra, but I'm going to the beach in a few weeks and I'd like to buy a dedicated eReader so I don't burn through my phone charge (I usually stay on the beach from as close to sunup as I can manage to sundown). I'd like something that handles multiple file types, especially ePub, or at least doesn't require a proprietary file type or have RDM. I'd also like it to have a long-lasting battery (I frequently read for several hours at a time), and be sturdy/waterproof (because beach). I guess backlighting might be nice, togglable if possible, and if I could get on the internet to download files directly to the Reader that'd be nice too so I don't have to plan ahead. It doesn't need to be huge, in fact smaller is probably better. Price is definitely a factor, but I'm open to refurb if available for a higher-priced model.

Needs: Inexpensive, waterproof/sturdy, strong battery, ePub/open file types/no DRM

Wants: Backlighting, internet

I've done some comparison shopping but I'm waffling so I want other people's opinions. TIA!

From what I have seen discussions here seem mostly about published books but I had figured I will try posting here and see if anyone is interested. They have both positives and negatives compared to published/or even just completed fiction but mostly I am interested in them for the higher variance which also means that it is harder to find something good.

Just listing some I liked over the years, both more and less known:

• The Gods are bastards by DD Webb (on hiatus, extremely long) - set in a world in a magical industrial revolution where adventuring as career is all but over it follows a class of students in the University. Contains several other viewpoint characters and ever expanding cast.

• Fall of Doc Future trilogy(and extras) by WD Rieder (on hiatus, very long) - a story about superhumans where the abilities and their effects are treated seriously. Contains some social commentary and several polyamorous relationships in later parts.

• Time to Orbit: Unknown by Derin Edala (ongoing, long) - a psychological mystery/horror set on a colony ship. A colonist wakes five years early to find that the crew is missing and things are wrong. The mysteries so far constantly escalate but in way that mostly makes sense. The culture of this future is detailed and interesting.

• Mother of Learning by nobody103 (complete, extremely long) - a time loop progression fantasy following Zorian - a student mage from a minor merchant family.

• This Used to be About Dungeons by Alexander Wales (complete except epilogues, very/extremely long) - a slice of slice comfy story(at the beginning it slightly escalates later) containing extremely light litrpg elements. Focuses on the group dynamics of a party going to dungeons(sometimes).

What are some good ones that you would recommend?

The title pretty much says it all. The "evil" could be just switching sides to what was initially thought as the antagonizing force, or could be giving in to what we as the reader know is evil. Thanks in advance!

You always see a lot of threads around the best books of the year or of their favourite ever books, but how about the opposite - let’s have a thread of books you hated. There are so many books in the world to read, it can be handy to know which ones to avoid!

I’ll start in the comments! I’m not sure how to do spoiler tags (if that’s possible here?) so I suggest putting the title of the book in the first line so anyone who hasn’t read it can minimise the comment without seeing spoilers :)

Like the title had said is there any books that you had picked up multiple of times but simply set down?

Mine would be Dune by Frank Herbert. I simply can not get through the first chapter, let alone the whole book. I think I had picked up the book like 5 times already from my library and failed to get through it. I get that is a classic sci-fi space opera, part of the reason I keep punishing myself with trying to read it. And because I keep hearing good things about it.
Edit: forgot a period