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I just finished watching it (pirated, because I wasn’t going to give Disney money after all the controversy regarding Taiwan).

Uhh, it.. was bad? I mean I’m usually pretty positive especially about all the Disney remakes, and I liked the general darker mood of this Mulan version. But what’s with the 90s era cgi physics?

Also, and I get the Mulan plot line is entirely about how ridiculous gender-gating is in general, but whew there is a serious case of The Stupids around a lot of the tradition, much more so than in the original. This felt very tropey to me, convenient idiocy. I mean yes okay this takes place 1200 years ago but …

I appreciated not seeing mushu, but the Phoenix could have just been a lot lot lot more subtle.

And I’ve never seen snow look so much like party foam. This is the same studio that produced Frozen?!

Man, this movie felt like it was written, produced and directed in 1998. I would say I watched the wrong one by mistake but the original was actually good for its time.

What happened, did I miss something? This could have been an amazing movie full of great music, awesome choreography, and a super dark take on the original. Instead, I watched the equivalent of a machine learning exercise in turning anime to live action.

Youtube Trailer : https://www.youtube.com/watch?v=aK-X2d0lJ_s
Netflix Link : https://www.netflix.com/title/81038963
Wikipedia page with plot summary : https://en.wikipedia.org/wiki/The_Old_Guard_(2020_film)

• Trailer topic
• Wikipedia

I watched it last week. Fantastic movie. I don't watch many war movies (in fact this is one of my first ones), but I really, really liked it. I didn't even notice the two hours go by.

The one-shot effect is really well done, and I enjoyed trying to spot the transitions.

It's not an exceptional movie or anything like that, but it's one of the rare times I just went into the theater and came out exceedingly satisfied.

From Community to House of Cosbys to Rick and Morty, Dan Harmon made a name for himself as a comedy genius. IDK much about Justin Rowland, but I assume he's at least partly responsible for some of the most brilliant moments of Rick and Morty, and I'm not just talking about the jokes. Among other episodes, The Wedding Squanchers, The Rickshank Redemption, Pickle Rick, Rickmancing the Stone and Look Who's Purging Now show great mastering of how action scenes are supposed to work. They ally irreverence, great rhythm and creative use of violence to make delicious gory spectacles. Unlike the increasingly incomprehensible movie brawls of today (I'm looking at you, Marvel...), their battles can be just as fast, but their choreographs are dramatic and easy to follow while retaining a great degree of complexity.

Dan Harmon and his team have a lot to teach to Hollywood.

This is what you get when you search VUDU for free science fiction movies. The plot is banal enough. A spacecraft is discovered in Colorado that is 14,000 years old. A linguist and her lover are hired to read an inscription and then summarily paid and told to go home by the mysterious and unlikeable head of the project, Richard Kontral.

This description in no way does justice to how bad the script is. My first theory was that a rich father gave his fourteen year old son a chance to create a movie for his birthday present. But it's really just a low budget sequel to an obscure cult film called Moontrap.

The lead character, Scout, is played by Sarah Butler who evidently rose to wordly fame in I Spit on Your Grave. Every line that Scout says to the villain includes adolescent sexual insults. The villain is I believe a washed up actor from an old sitcom called The Nanny. This guy is really hard to watch, the acting is as bad as the script.

There's a scene of robots fighting that looks like it was choreographed with Rockem Sockem Robots, a toy from my childhood. If you're a collector of bad movies, this is a true gem.

It was tough to watch, but our free streaming was slim pickings that night. I wanted to watch Day of the Triffids a classic bad movie from the '60's , but got outvoted. At least that movie was based on an interesting SF novel by John Wyndham. Maybe tomorrow night.

I Am Mother is a sci fi movie centered in a dystopian future with a novel twist.

If you prefer neat, predictable endings, then this movie is probably not for you.

What is particularly interesting, is the movie is almost deliberately ambiguous, and it constantly challenges the usual assumptions you might make.

The final reveal subtly explains away some of the elements that at first seemed a little jarring or confusing. Other aspects are not fully explained. This creates enough space to construct some very interesting back story theories, while ultimately leaving you guessing.

I wasn't too sure whether that movie warranted a Discussion Thread, given only Endgame got one here so far but… hey, I really liked the movie.

The pokemon CGI was amazing. Storyline was not half-bad (not great tho); somewhat predictable although with a nice twist I personally didn't see coming.

I'm not even a huge pokemon fan or anything, but this took me back to my childhood quite a bit. I really like how they mostly featured pokemon from the original 151, which made the movie very approachable to old-timers.

It also didn't feel awkward or childish or cringey or anything you might expect from, well, a pokemon movie. Loved hearing the theme music in the TV background early on. Loved pikachu's singing, that was pretty hilarious, felt like a nice place for the movie to poke some fun towards itself.

Coming out, I was reminded of how I felt after seeing the Warcraft movie: Seeing characters that have played such a special part in my life, being brought to a full-feature live-action. It's really a unique feeling. I guess that's why I'm looking forward to both Aladdin and The Lion King coming out this year; even though neither were as special as Warcraft/Pokemon, I still get chills thinking about the unbelievable CGI quality we get for what a few years ago we'd never have thought would go beyond plain animation.

I tried to keep the post body mostly spoilerfree but this is tagged spoiler so I guess go nuts in the comments.

Spoilers for Solo follow - you have been warned.

So a year after it's release and months after it went up on netflix, I finally got around to watching Solo.

For context: for most of my childhood, I was a huge Star Wars buff. I played Star Wars: Galaxies growing up, I was in the massive crowd that saw The Force Awakens opening night, I spent the better part of 2 years as part of a prerelease community for Star Wars: The Old Republic. There was a time where I could name nearly every planet of consequence in the canon and knew most of the expanded universe's timeline.

But the new trilogy has been... well, nothing. I found it to be a mediocre, hole-filled mess most of the time, too busy being Disney's Star Wars^tm politically correct safe-kid to actually be good movies on their own. Rogue One was an enjoyable exception, but still not particularly amazing... but the point I'm driving at is, the last couple of years, I've pretty thoroughly come down from the Star Wars high.

When Solo came out, I assumed it would be more of the same - panned by critics, it was presumably going to be another politically correct, lackluster, rehashed or nonsense story, this time using Han Solo's name as a marketing tactic. No desire to see a childhood hero Anakin Skywalker'd, I skipped it, and didn't even care to watch it when it popped up on Netflix.

Tonight, out of pure boredom, I decided to give it a watch and was surprised to learn that I couldn't have been more wrong. Which is to say, I enjoyed the crap out of it!

It had romance! Snappy writing! Memorable, enjoyable, non-trope characters (mostly!) Although it had some of the same flaws as Rogue One (namely that it started to drag on), it also had something that Star Wars hasn't truly seen since the original trilogy: heart and soul.

More importantly, it did something that no movie in the franchise has done since the original trilogy, and actually engaged me with the story. And this is where the spoilers come in.

First, credit where it's due: although the story tended to go on and on, at no point did I feel like any of it was unnecessary - it just felt like it was too constrained by being a single movie.

I was invested in seeing an actual romance in the story (since apparently ONLY Han Solo can do that), which saw a satisfying, and rather complex resolution. The dirty, street-level setting and story was an awesome break from the epic, world-shaking conflicts that the movies have clung to until this point (or whatever the hell The Last Jedi was). It was powered by characters, and I appreciated that.

To top it off, the reveal of Maul at the end of the movie was totally intriguing, and (IMO) beats any other reveal in the series hands-down. I was a fan of his appearances in the cartoons, and seeing him on the villain's throne in a movie, I think, would've made for a much spicier and more intriguing story than whatever/wherever/whoever Snoke was. From getting his ass kicked by the Emperor for the plot, to getting beat down by ol' Ben (for the plot), the guy's a damn competent villain that still hasn't had a real shot.

Don't get me wrong, it had its flaws: as mentioned, it was REALLY long, and I don't mean to imply that every character was perfect, or that the plot wasn't totally ridiculous in places. But the story was good enough, and the movie enjoyable enough, that I could overlook it, and that's more than I could say about the movies that caused me to not see it in the first place...

Which, to my final point, is the greatest disappointment: with the cancellation of all the non-trilogy entries in the series, it's safe to assume that Disney's learned all the wrong lessons from Solo.

Rather than attributing it's A- performance to the point that people just haven't much enjoyed their epics, remembered what happened the last time someone tried to do an origin story in the series, or were feeling Star Wars fatigue, and didn't go to see it as a result, they'll blame the format, the story, the stakes, the setting, the characters - all the things that made the movie worth watching at all.

So, with Episode 9 coming out sometime this year and us presumably going to see a mediocre conclusion to what has at this point been a completely mediocre and forgettable trilogy (with lightsabers!), all I can say is, Solo sadly will stand out in my mind as the only movie in this era that carries on the legacy of the originals. I'm disappointed, more by circumstance than anything. I think, had Solo come out 5 years ago, it would've been hailed as the proper return to the franchise that it deserved to be, far more than any of the other franchise entries have succeeded in doing since.

What'd you think of Solo, Tildes? Am I stark raving mad?

Prometheus (2012), Alien: Covenant (2017), Life (2017), The Cloverfield Paradox (2018), you name it. Why is everyone in the team is a complete incompetent buffoon? Why is the science behind the films so bad? Why do the protagonists do stupid crap? The crew from Alien IV looks like geniuses compared to these people.

Am I the only one who is seriously disturbed by this trend?

Old stories are always being updated for lots of reasons, ranging from trying to appeal to new audiences to correcting toxic depictions to fitting better to the current social or political climate and more. There's nothing new there. However, one thing I find a bit odd lately, as in the last five years or so, is that a lot of this modernization is actually done pretty poorly in main stream media. We see more forced diversity, queerbaiting, and generally bad storytelling. Not totally sure how I'll do this yet, but I'm thinking of posting stories that stand out to me for better or for worst, starting with a classic.

There will be spoilers for both movies.

Cinderella (2015)

This is one I honestly didn't think worked at all. To be fair, I believe Disney's goal was just to sell a beautiful movie, and not a good story. This whole movie was gorgeous. It was also really boring, which I honestly believe is the greatest sin in storytelling.

Cinderella herself is "smarter" in this movie than the old classic cartoon. She's well read and has some agency, which honestly makes her more a damsel than the original cartoon for me. In the cartoon, she was an abused child that had no where to go. Her being trapped made sense. In the new one, she's sort of a fighter...who doesn't fight. I didn't get it.

Another issue is that Cinderella was really the only character they modified, which is why the story is still shallow.

Ever After (1998)

This is honestly one of the best modernization of the fairy tale I've ever seen. What worked for me, is that they fleshed out all their characters. Danielle, Henry, the stepmother, stepsisters, everyone! This makes for a much richer story, where characters themselves can be modernized, but still fit the time of the period piece. It's not about dropping a fourth wave feminist into an aged story, but about adding the dimensions that would have still existed then. Danielle is strong, well read, and obedient. Her servitude is not without reason. She's seeking a "mother", and her relationship with her stepmother is more than simply being a slave. The audience is shown the moments of kindness Danielle seeks from her stepmother.

My quick two-cents. I also find it interesting that Ever After came out over 15 years before Cinderella.

So what are you thoughts? Any good fairy tale adaptations you can mention?