Based on the methodology, this is not really a list of top 100 novels, it's a list of 100 top 10 novels. It's a subtle difference, but I think it introduces a type of bias into the results. I...
Exemplary
Based on the methodology, this is not really a list of top 100 novels, it's a list of 100 top 10 novels. It's a subtle difference, but I think it introduces a type of bias into the results.
I created a list of all the novels the reviewers ranked (172 people each picked 10 novels) and ranked them all based on just how many times they appeared in the rankings, ignoring the actual ranking.
There is a total of 659 unique novels ranked, and to place in the top 50, it only takes 6 of the 172 reviewers to include it on their list. 3 out of 172 places the novel in top 91-131.
I think anything past the top 50 or so on this list is mostly dominated by noise, there isn't enough data to really separate the novels past that, or make much conclusion about. Many of the novels ranked 100-250 here (which includes most of the books mentioned by the other commenters as missing) could have just as easily ended up in the top 100 with just different sampling.
Edit: fixed some errors and dupes, it's 659 unique novels now - there was actually a significant number of duplicates in the raw data, where either the name of the author or title were spelled differently for the same novel
Edit 2: to illustrate the type of bias I am talking about, here is a list of novels but only including novels ranked #1 on any of the top 10 lists - so this is a list of 92 #1 novels, as opposed to 100 top 10 novels. Many novels from outside the original top 100 now make an appearance due to at least one reviewer granting them the #1 spot on their list, like LotR, while some previously highly ranked novels are gone (e.g. Jane Eyre with 21 votes, but not a single #1) I bet if the reviewers were asked to list 20 or more novels each, the results would be still different. Even using a different weighting based on the top 10 placement would likely shuffle the results significantly, ending up with a different list of 100.
Thank you, I love that you did this! 666 items and Foucault's Pendulum is not among them? What a worthless jury, excuse my candor. Three people did mention The Name of the Rose and there's one...
Thank you, I love that you did this!
666 items and Foucault's Pendulum is not among them? What a worthless jury, excuse my candor. Three people did mention The Name of the Rose and there's one Murakami book listed (one I have yet to read), but where is 1Q84?
...Actually, I'd love to see a list made by Tildeians. We might get more obscure, left-field results that are equally worth reading.
I'm surprised it's 'Kafka on the Shore' that gets two votes and not 'Wind-Up Bird Chronicle,' or even 'Norwegian Wood.' 'Kafka...,' while enjoyable, always struck me as verging on self-parody,...
I'm surprised it's 'Kafka on the Shore' that gets two votes and not 'Wind-Up Bird Chronicle,' or even 'Norwegian Wood.' 'Kafka...,' while enjoyable, always struck me as verging on self-parody, it's the Murakamiest Murakami.
Thank you for doing this! I find the full list so much more interesting than only the top 100 which, of course, has plenty of familiar names due to the inevitable overlap with all the other "best...
Thank you for doing this! I find the full list so much more interesting than only the top 100 which, of course, has plenty of familiar names due to the inevitable overlap with all the other "best novels" lists out there.
I find a book that's someone's favorite a more compelling prospect than the ones that are consensus favorites.
I took your lists, sorted them by author, and then threw them into tables for readability for anyone interested.
659 Top 10 Novels
Author
Title
Count
A. S. Byatt
Possession
2
A. S. Byatt
Still Life
1
Abdulrazak Gurnah
Afterlives
2
Abdulrazak Gurnah
By the Sea
1
Abdulrazak Gurnah
Paradise
2
Adania Shibli
Minor Detail
1
Agatha Christie
And Then There Were None
1
Agatha Christie
Sleeping Murder
1
Agatha Christie
The Murder of Roger Ackroyd
1
Ágota Kristóf
The Third Lie
1
Ahmadou Kourouma
Allah Is Not Obliged
1
Ahmet Hamdi Tanpınar
A Mind at Peace
1
Akhil Sharma
Family Life
1
Akwaeke Emezi
Freshwater
1
Alan Burns
Europe After the Rain
1
Alan Hollinghurst
The Line of Beauty
4
Alan Hollinghurst
The Swimming-Pool Library
1
Alan Moore
Watchmen
1
Alan Warner
Morvern Callar
1
Alasdair Gray
Lanark
2
Albert Camus
The Outsider
2
Albert Camus
The Plague
2
Albert Camus
The Stranger
2
Alberto Moravia
Boredom
1
Aldous Huxley
Point Counter Point
1
Alessandro Manzoni
The Betrothed
1
Alexander Pushkin
Eugene Onegin
2
Alexandre Dumas
The Count of Monte Cristo
2
Alexis Wright
Praiseworthy
2
Alfred Döblin
Berlin Alexanderplatz
2
Ali Smith
How to Be Both
3
Alice Munro
Lives of Girls and Women
2
Alice Walker
Possessing the Secret of Joy
1
Alice Walker
The Color Purple
4
Alison Bechdel
Fun Home
2
Álvaro Enrigue
Sudden Death
1
Amos Tutuola
Palm-Wine Drinkard
2
Anders Nilsen
Tongues I
1
Andrea Levy
Small Island
2
Angela Carter
Nights at the Circus
2
Angela Carter
The Magic Toyshop
1
Angela Carter
Wise Children
2
Anita Brookner
Family and Friends
1
Anita Brookner
Hotel Du Lac
1
Anita Brookner
Latecomers
1
Anita Brookner
Strangers
1
Ann Patchett
Commonwealth
2
Ann Patchett
Tom Lake
1
Ann Petry
The Street
1
Anna Burns
Milkman
1
Anna Kavan
Ice
1
Anne Brontë
The Tenant of Wildfell Hall
1
Anne Enright
The Gathering
1
Anne Enright
The Green Road
1
Annie Ernaux
The Years
3
Annie Proulx
The Shipping News
1
Anonymous
One Thousand and One Nights
2
Anonymous
Rig Veda
1
Antal Szerb
Journey by Moonlight
1
Anthony Powell
A Dance to the Music of Time
3
Anthony Trollope
Barchester Towers
3
Anthony Trollope
The Palliser Novels
1
Anthony Trollope
The Way We Live Now
1
Antonia Barber
The Amazing Mr Blunden
1
Armistead Maupin
Tales of the City
1
Art Spiegelman
Maus
1
Arthur Conan Doyle
The Valley of Fear
1
Arundhati Roy
The God of Small Things
10
Audre Lorde
Sister Outsider
1
Barbara Comyns
Who Was Changed and Who Was Dead
1
Barbara Kingsolver
Demon Copperhead
2
Barbara Kingsolver
The Poisonwood Bible
1
Barbara Pym
Quartet in Autumn
1
Barry Hines
A Kestrel for a Knave
1
Ben Okri
The Famished Road
1
Benedict Kiely
Proxopera
1
Benjamín Labatut
The Maniac
1
Bernard Malamud
A New Life
1
Bernardine Evaristo
The Emperor's Babe
1
Beryl Bainbridge
The Birthday Boys
1
Bessie Head
A Question of Power
1
Bibhutibhushan Bandyopadhyay
Pather Panchali
2
Birgit Vanderbeke
Mussel Feast
1
Bohumil Hrabal
I Served the King of England
1
Bohumil Hrabal
Too Loud a Solitude
2
Bram Stoker
Dracula
4
Breandán Ó hEithir
Lead Us Into Temptation
1
Bret Easton Ellis
American Psycho
1
Brit Bennett
The Vanishing Half
1
Buchi Emecheta
The Joys of Motherhood
1
Caleb Femi
Poor
1
Carson McCullers
The Heart Is a Lonely Hunter
2
Catherine Newman
We All Want Impossible Things
1
Charles Dickens
Bleak House
19
Charles Dickens
David Copperfield
10
Charles Dickens
Great Expectations
9
Charles Dickens
Our Mutual Friend
4
Charles Dickens
Pickwick Papers
1
Charles Dickens
The Adventures of Oliver Twist
1
Charlotte Brontë
Jane Eyre
21
Charlotte Brontë
Villette
3
Charlotte Perkins Gilman
The Yellow Wallpaper
1
Chimamanda Ngozi Adichie
Americanah
2
Chimamanda Ngozi Adichie
Half of a Yellow Sun
5
China Miéville
The City & the City
1
Chinua Achebe
Arrow of God
1
Chinua Achebe
Things Fall Apart
14
Christa Wolf
A Model Childhood
1
Christine Brooke-Rose
Textermination
1
Christopher Priest
The Affirmation
1
Christopher Priest
The Inverted World
1
Christos Tsiolkas
The Slap
1
Claire Keegan
Foster
1
Claire Keegan
Small Things Like These
2
Clarice Lispector
The Passion According to G.h.
1
Claude McKay
Home to Harlem
1
Claudia Rankine
Citizen
1
Colette
Chéri
1
Colette
The Vagabond
1
Colm Tóibín
Nora Webster
2
Colson Whitehead
Sag Harbor
1
Constance Debré
Love Me Tender
1
Cormac McCarthy
Blood Meridian
4
Cormac McCarthy
Suttree
1
Cormac McCarthy
The Road
3
D. H. Lawrence
Sons and Lovers
2
D. H. Lawrence
Women in Love
1
Daniel Defoe
Robinson Crusoe
3
Daniel Defoe
Roxana
1
Daniel Keyes
Flowers for Algernon
1
Daniel Mason
North Woods
1
Dante Alighieri
The Divine Comedy
1
Daphne du Maurier
Rebecca
4
Dashiell Hammett
The Maltese Falcon
1
David Foster Wallace
Infinite Jest
3
David Markson
Wittgenstein's Mistress
1
David Mitchell
Cloud Atlas
2
Denis Johnson
Tree of Smoke
1
Derek Walcott
Omeros
1
DH Lawrence
The Rainbow
4
Diana Evans
Ordinary People
1
Diana Wynne Jones
Fire and Hemlock
1
Dino Buzzati
The Tartar Steppe
2
Djuna Barnes
Nightwood
2
Dodie Smith
I Capture the Castle
1
Don DeLillo
Falling Man
1
Don DeLillo
Libra
1
Don DeLillo
The Names
1
Don DeLillo
Underworld
3
Don DeLillo
White Noise
1
Donal Ryan
The Thing About December
1
Donna Tartt
The Goldfinch
1
Donna Tartt
The Secret History
2
Doris Lessing
The Golden Notebook
7
Doris Lessing
The Grass Is Singing
1
Douglas Adams
The Hitch Hiker's Guide to the Galaxy
2
Dylan Thomas
Under Milk Wood
1
E. B. White
Charlotte's Web
1
E. L. Doctorow
The Book of Daniel
2
E. M. Forster
A Passage to India
2
E. M. Forster
Maurice
2
Edgar Allan Poe
The Fall of the House of Usher
1
Edith Wharton
The Age of Innocence
9
Edith Wharton
The Custom of the Country
1
Edith Wharton
The House of Mirth
3
Edmund White
A Boy's Own Story
1
Edna O'Brien
The Country Girls
1
Eduardo Galeano
Memory of Fire
1
Edward P Jones
The Known World
3
Edward St Aubyn
The Patrick Melrose Novels
1
Edward Upward
The Spiral Ascent
1
Edwidge Danticat
The Dew Breaker
1
Eimear McBride
A Girl Is a Half-Formed Thing
1
EL Doctorow
Ragtime
4
Eleanor Catton
The Luminaries
1
Elena Ferrante
My Brilliant Friend
6
Elena Ferrante
Those Who Leave and Those Who Stay
1
Elfriede Jelinek
The Piano Teacher
2
Elizabeth Bowen
Heat of the Day
1
Elizabeth Bowen
The Death of the Heart
3
Elizabeth Gaskell
Cranford
2
Elizabeth Gaskell
North and South
1
Elizabeth Jane Howard
The Light Years
1
Elizabeth Jane Howard
The Long View
1
Elizabeth Jenkins
Dr Gully
1
Elizabeth Smart
By Grand Central Station I Sat Down and Wept
1
Elizabeth Taylor
Angel
1
Elizabeth Taylor
Mrs. Palfrey at the Claremont
1
Elsa Morante
Arturo's Island
1
EM Forster
Howards End
5
Émile Zola
Germinal
2
Émile Zola
Nana
1
Emily Brontë
Wuthering Heights
15
Emily St. John Mandel
Station Eleven
2
Erich Maria Remarque
All Quiet on the Western Front
2
Ernest Hemingway
A Farewell to Arms
4
Ernest Hemingway
The Sun Also Rises
2
Eva Baltasar
Mammoth
1
Evelyn Waugh
A Handful of Dust
2
Evelyn Waugh
Brideshead Revisited
1
Evelyn Waugh
Scoop
1
Evelyn Waugh
Vile Bodies
1
F Scott Fitzgerald
The Great Gatsby
20
F. Scott Fitzgerald
Tender Is the Night
1
Fernanda Melchor
Hurricane Season
1
Flann O'Brien
At Swim-Two-Birds
1
Flann O'Brien
The Third Policeman
2
Flannery O'Connor
Wise Blood
1
Ford Madox Ford
Parade's End
2
Ford Madox Ford
The Good Soldier
5
Frances Hardinge
The Lie Tree
1
Francis Spufford
Golden Hill
1
Frank Norris
McTeague
1
Franz Kafka
The Castle
1
Franz Kafka
The Metamorphosis
6
Franz Kafka
The Trial
11
Fumiko Enchi
The Waiting Years
1
Fyodor Dostoevsky
Crime and Punishment
4
Fyodor Dostoevsky
Demons
1
Fyodor Dostoevsky
Notes From the Underground
1
Fyodor Dostoevsky
The Idiot
1
Fyodor Dostoyevsky
The Brothers Karamazov
10
G. V. Desani
All About H. Hatterr
1
Gabriel García Márquez
Chronicle of a Death Foretold
1
Gabriel García Márquez
Love in the Time of Cholera
3
Gabriel García Márquez
Of Love and Other Demons
1
Gabriel García Márquez
One Hundred Years of Solitude
18
George du Maurier
Trilby
1
George Eliot
Daniel Deronda
2
George Eliot
Middlemarch
56
George Eliot
Mill on the Floss
1
George Eliot
Silas Marner
1
George Orwell
Animal Farm
1
George Orwell
Nineteen Eighty-Four
19
George Saunders
Lincoln in the Bardo
1
Georges Perec
A Void
1
Gerald Murnane
Tamarisk Row
2
Gerald Murnane
The Plains
1
Gertrude Stein
The Autobiography of Alice B. Toklas
1
Ghassan Kanafani
Men in the Sun and Other Palestinian Stories
1
Gillian Flynn
Gone Girl
1
Giorgio Bassani
The Garden of the Finzi-Continis
1
Giovanni Boccaccio
The Decameron of Boccaccio
1
Giuseppe Tomasi di Lampedusa
The Leopard
6
Graham Greene
Stamboul Train
1
Graham Greene
The End of the Affair
4
Graham Greene
The Power and the Glory
2
Graham Swift
Waterland
1
Günter Grass
The Tin Drum
2
Gustave Flaubert
Madame Bovary
19
Gustave Flaubert
Sentimental Education
3
H. G. Wells
The War of the Worlds
1
Halldór Laxness
Independant People
1
Halldór Laxness
The Fish Can Sing
1
Han Kang
Human Acts
2
Han Kang
The Vegetarian
4
Hanif Kureishi
The Buddha of Suburbia
2
Hans Jakob Christoffel von Grimmelshausen
Simplicissimus
1
Hanya Yanagihara
A Little Life
2
Harper Lee
To Kill a Mockingbird
3
Haruki Murakami
Kafka on the Shore
2
Heather Fawcett
Emily Wilde's Encyclopaedia of Faeries
1
Heinrich von Kleist
Michael Kohlhaas
1
Helen Dewitt
The Last Samurai
1
Helen Fielding
Bridget Jones's Diary
1
Henry Green
Caught
1
Henry James
The Ambassadors
2
Henry James
The Golden Bowl
5
Henry James
The Portrait of a Lady
16
Henry James
The Turn of the Screw
4
Henry James
The Wings of a Dove
1
Henry James
Washington Square
1
Henry Williamson
Tarka the Otter
1
Herman Melville
Moby-Dick
18
Hermann Hesse
Siddhartha
2
Hernán Díaz
In the Distance
1
Hilary Mantel
A Place of Greater Safety
2
Hilary Mantel
Bring up the Bodies
2
Hilary Mantel
The Mirror and the Light
3
Hilary Mantel
Wolf Hall
10
Honoré de Balzac
Cousin Bette
1
Ian McEwan
Atonement
1
Ian McEwan
The Child in Time
1
Ibn Tufayl
The Improvement of Human Reason
1
Irène Némirovsky
Suite Française
2
Iris Murdoch
A Severed Head
1
Iris Murdoch
The Bell
1
Iris Murdoch
The Black Prince
1
Iris Murdoch
The Unicorn
1
Irmgard Keun
After Midnight
1
Irvine Welsh
Marabou Stork Nightmares
1
Irvine Welsh
Trainspotting
1
Isabel Allende
The House of the Spirits
1
Italo Calvino
If on a Winter's Night a Traveller
2
Italo Calvino
Invisible Cities
3
Italo Calvino
The Baron in the Trees
1
Italo Svevo
Confessions of Zeno
1
Itamar Vieira Junior
Crooked Plow
1
Ivan Aleksandrovich Goncharov
Oblomov
1
Ivo Andrić
The Bridge on the Drina
1
Ivy Compton-Burnett
Elders and Betters
1
J. D. Salinger
The Catcher in the Rye
3
J. G. Farrell
The Siege of Krishnapur
1
J. M. Coetzee
Summertime
1
J. M. Coetzee
Waiting for the Barbarians
2
J.R.R. Tolkien
The Hobbit
1
J.R.R. Tolkien
The Lord of the Rings
3
Jabbour Douaihy
June Rain
1
Jack Kerouac
On the Road
2
Jade Sharma
Problems
1
James Baldwin
Another Country
2
James Baldwin
Giovanni's Room
7
James Baldwin
Go Tell It on the Mountain
4
James Baldwin
If Beale Street Could Talk
1
James Ellroy
American Tabloid
1
James Hogg
The Private Memoirs and Confessions of a Justified Sinner
1
James Joyce
A Portrait of the Artist as a Young Man
3
James Joyce
Ulysses
36
James Kelman
The Busconductor Hines
1
James Lloyd Carr
A Month in the Country
3
James Salter
All That Is
1
James Salter
Light Years
2
James Salter
Sport and a Pastime
1
Jane Austen
Emma
18
Jane Austen
Mansfield Park
5
Jane Austen
Persuasion
17
Jane Austen
Pride and Prejudice
20
Jane Austen
Sense and Sensibility
3
Jane Bowles
Two Serious Ladies
1
Jane Gardam
Old Filth Trilogy
1
Janice Galloway
The Trick Is to Keep Breathing
1
Javier Cercas
Soldiers of Salamis
1
Javier Marías
Heart so White
1
Jean Giono
The Man Who Planted Trees
1
Jean Rhys
Voyage in the Dark
1
Jean Rhys
Wide Sargasso Sea
6
Jeffrey Eugenides
Middlesex
1
Jen Beagin
Big Swiss
1
Jennifer Egan
A Visit From the Goon Squad
2
Jenny Erpenbeck
Visitation
1
Jerome K. Jerome
Three Men in a Boat
1
JM Coetzee
Disgrace
5
Johann Wolfgang von Goethe
Elective Affinities
1
Johann Wolfgang von Goethe
Sorrows of Young Werther
1
John Berger
Pig Earth
1
John Buchan
The 39 Steps
1
John Bunyan
The Pilgrim's Progress
2
John Dos Passos
U.s.a.
1
John Fowles
The Collector
1
John Irving
A Prayer for Owen Meany
1
John Irving
The Cider House Rules
1
John le Carré
Smiley's People
1
John le Carré
The Spy Who Came in From the Cold
1
John McGahern
Amongst Women
1
John Steinbeck
Cannery Row
2
John Steinbeck
East of Eden
2
John Steinbeck
The Grapes of Wrath
3
John Updike
A Rabbit Omnibus
1
John Updike
Couples
1
John Updike
Rabbit at Rest
1
John Updike
Rabbit Is Rich
1
Jon Fosse
Septology
3
Jonathan Franzen
The Corrections
2
Jonathan Swift
Gulliver's Travels
2
José Saramago
All the Names
1
José Saramago
Blindness
1
Josefina Vicens
The Empty Book
1
Joseph Conrad
Heart of Darkness
7
Joseph Conrad
Nostromo
1
Joseph Conrad
The Secret Agent
1
Joseph Heller
Catch-22
3
Joseph Heller
Something Happened
1
Joseph Roth
The Radetzky March
2
Joseph Roth
The Tale of the 1002nd Night
1
Juan Rulfo
Pedro Páramo
3
Julia Alvarez
In the Time of the Butterflies
1
Julian Barnes
Flaubert's Parrot
1
Julian Barnes
The Noise of Time
1
Julio Cortázar
Hopscotch
1
Jun'ichirō Tanizaki
The Makioka Sisters
2
Kate Atkinson
Life After Life
2
Kaveh Akbar
Martyr!
1
Kawakami Hiromi
Record of a Night Too Brief
1
Kazuo Ishiguro
Klara and the Sun
1
Kazuo Ishiguro
Never Let Me Go
5
Kazuo Ishiguro
The Remains of the Day
13
Kenneth Patchen
The Journal of Albion Moonlight
1
Keri Hulme
The Bone People
2
Khaled Hosseini
A Thousand Splendid Suns
1
Kingsley Amis
Lucky Jim
1
Kiran Desai
The Loneliness of Sonia and Sunny
1
Knut Hamsun
Hunger
2
Kurt Vonnegut
Cat's Cradle
1
Kurt Vonnegut
Slaughterhouse-Five
2
Laila Lalami
The Moor's Account
1
Larry McMurtry
Lonesome Dove
2
Lauren Groff
Matrix
2
Laurence Sterne
A Sentimental Journey
1
Laurence Sterne
The Life and Opinions of Tristram Shandy
5
Lawrence Durrell
The Alexandria Quartet
1
Leila Aboulela
The Translator
1
Leila Mottley
Nightcrawling
1
Leo Tolstoy
Anna Karenina
26
Leo Tolstoy
Ivan Ilyitch
1
Leo Tolstoy
War and Peace
20
Leslie Silko
Ceremony
1
Lewis Carroll
Alice's Adventures in Wonderland
3
Lorrie Moore
Who Will Run the Frog Hospital?
2
Louise Erdrich
Love Medicine
1
LP Hartley
The Go-Between
3
Lucas Rijneveld
The Discomfort of Evening
1
Lucy Maud Montgomery
Anne of Green Gables
2
Madame de La Fayette
La Princesse De Cleves
2
Madeline Miller
The Song of Achilles
1
Maggie O'Farrell
Hamnet
1
Máirtín Ó Cadhain
The Dirty Dust
2
Malcolm Lowry
Under the Volcano
1
Malorie Blackman
Noughts & Crosses
1
Marcel Proust
In Search of Lost Time
27
Margaret Atwood
The Handmaid's Tale
9
Margaret Drabble
The Millstone
2
Margaret Oliphant
Miss Marjoribanks
1
Marghanita Laski
Little Boy Lost
1
Marguerite Duras
Moderato Cantabile
1
Marguerite Duras
The Lover
1
Marguerite Yourcenar
Memoirs of Hadrian
1
Marian Engel
Bear
1
Mariana Enriquez
Things We Lost in the Fire
1
Marilynne Robinson
Gilead
2
Marilynne Robinson
Home
1
Marilynne Robinson
Housekeeping
7
Mario Vargas Llosa
Aunt Julia and the Script-Writer
1
Mario Vargas Llosa
Conversation in the Cathedral
1
Mark Twain
Huckleberry Finn
3
Mark Z. Danielewski
House of Leaves
1
Marlon James
The Book of Night Women
1
Martin Amis
Money
3
Martin Amis
The Information
1
Mary Shelley
Frankenstein
10
Mathias Enard
Zone
1
Matthew Gregory Lewis
The Monk
1
Max Porter
Grief Is the Thing With Feathers
1
Mercè Rodoreda
In Diamond Square
1
Mercè Rodoreda
The Time of the Doves
1
Mervyn Peake
Gormenghast
2
Mervyn Peake
Titus Groan
1
Mia Couto
A River Called Time
1
Michael Chabon
The Amazing Adventures of Kavalier and Clay
1
Michael Frayn
Towards the End of the Morning
1
Michael Ondaatje
Coming Through Slaughter
1
Michael Ondaatje
In the Skin of a Lion
1
Michael Ondaatje
The English Patient
2
Miguel de Cervantes
Don Quixote
11
Mikhail Bulgakov
The Master and Margarita
5
Milan Kundera
The Unbearable Lightness of Being
1
Min Jin Lee
Pachinko
1
Miriam Toews
Women Talking
1
Miroslav Krleža
On the Edge of Reason
1
Mohsin Hamid
Exit West
1
Murasaki Shikibu
The Tale of Genji
3
Muriel Spark
A Far Cry From Kensington
1
Muriel Spark
Loitering With Intent
2
Muriel Spark
Memento Mori
1
Muriel Spark
The Girls of Slender Means
2
Muriel Spark
The Prime of Miss Jean Brodie
10
Nadine Gordimer
A Guest of Honour
1
Nancy Mitford
The Pursuit of Love
1
Natalia Ginzburg
All Our Yesterdays
2
Natalia Ginzburg
The Road to the City
1
Nathaniel Hawthorne
The Scarlet Letter
2
Nella Larsen
Passing
1
Nella Larsen
Quicksand
1
Nellie Campobello
Cartucho
1
Nick Hornby
A Long Way Down
1
Nicola Barker
Darkmans
1
Nino Haratischvili
Eighth Life
1
Norton Juster
The Phantom Tollbooth
1
Nuruddin Farah
Maps
1
Ocean Vuong
On Earth We're Briefly Gorgeous
1
Octavia E Butler
Kindred
4
Octavia E. Butler
Parable of the Sower
1
Olga Ravn
The Employees
1
Olga Tokarczuk
Drive Your Plow Over the Bones of the Dead
3
Oliver Goldsmith
The Vicar of Wakefield
1
Osamu Dazai
No Longer Human
1
Oscar Casares
Where We Come From
1
Oscar Wilde
The Picture of Dorian Gray
2
P. G. Wodehouse
The Code of the Woosters
1
Pat Barker
Union Street
1
Pat O'Shea
The Hounds of the Morrigan
1
Patricia Highsmith
The Talented Mr Ripley
4
Patrick Chamoiseau
Slave Old Man
1
Patrick Hamilton
The Slaves of Solitude
1
Patrick O'Brian
Aubrey-Maturin Series
1
Paul Auster
Leviathan
1
Paul Beatty
The Sellout
2
Paul Bowles
The Spider's House
1
Paul Golding
Senseless
1
Paul Murray
Bee Sting
1
Paulo Coelho
The Alchemist
1
Penelope Fitzgerald
The Beginning of Spring
2
Penelope Fitzgerald
The Blue Flower
3
Percival L. Everett
James
1
Percival L. Everett
Telephone
1
Percival L. Everett
The Trees
1
Peter Carey
Oscar & Lucinda
1
Peter Carey
True History of the Kelly Gang
1
Peter Høeg
Miss Smilla's Feeling for Snow
1
Philip Pullman
Northern Lights
2
Philip Roth
American Pastoral
3
Philip Roth
Operation Shylock
1
Philip Roth
Portnoy's Complaint
1
Primo Levi
If This Is a Man / the Truce
1
Pu Songling
Strange Tales From a Chinese Studio
1
R. J. Palacio
Wonder
1
R. K. Narayan
Swami and Friends
2
Rachel Carson
Silent Spring
1
Rachel Cusk
Outline
2
Rachel Cusk
Transit
1
Ralph Ellison
Invisible Man
9
Ray Bradbury
Farenheit 451
1
Raymond Chandler
The Big Sleep
2
Richard Adams
Watership Down
1
Richard Brautigan
Trout Fishing in America
1
Richard Ford
The Sportswriter
1
Richard Hughes
A High Wind in Jamaica
1
Richard McGuire
Here
1
Richard Powers
Overstory
1
Richard Wright
Black Boy
1
Richard Yates
Revolutionary Road
1
Richard Yates
The Easter Parade
1
Roald Dahl
Danny the Champion of the World
1
Robert Louis Stevenson
The Strange Case of Dr. Jekyll and Mr. Hyde
2
Robert Musil
The Man Without Qualities
4
Robert Stone
A Flag for Sunrise
1
Roberto Bolaño
2666
2
Roberto Bolaño
By Night in Chile
1
Robertson Davies
The Deptford Trilogy
1
Rohinton Mistry
A Fine Balance
6
Rokeya Sakhawat Hossain
Sultana's Dream
1
Romain Gary
Promise at Dawn
1
Rose Tremain
Restoration
2
Rosemary Tonks
The Bloater
1
Rudyard Kipling
Kim
1
Russell Hoban
Riddley Walker
2
Ruth Ozeki
Tale for the Time Being
1
S. E. Hinton
The Outsiders
1
Sadegh Hedayat
The Blind Owl
1
Sally Rooney
Intermezzo
1
Sally Rooney
Normal People
1
Salman Rushdie
Haroun and the Sea of Stories
1
Salman Rushdie
Midnight's Children
13
Salman Rushdie
The Satanic Verses
1
Samuel Beckett
Molloy
1
Samuel Beckett
Murphy
1
Samuel Beckett
Samuel Beckett Trilogy Molloy; Malone Dies; the Unnamable
1
Samuel Richardson
Clarissa Harlowe
1
Samuel Selvon
The Lonely Londoners
1
Sarah Bernstein
The Coming Bad Days
1
Sarah Moss
Ghost Wall
1
Sarah Orne Jewett
The Country of the Pointed Firs
1
Sarah Waters
Fingersmith
1
Saul Bellow
Herzog
3
Saul Bellow
Humboldt's Gift
1
Saul Bellow
Seize the Day
1
Saul Bellow
The Adventures of Augie March
2
Selby Wynn Schwartz
After Sappho
1
Shirley Hazzard
The Transit of Venus
6
Shirley Jackson
The Haunting of Hill House
1
Shirley Jackson
We Have Always Lived in the Castle
2
Simin Daneshvar
Savushun
1
Stendhal
The Red and the Black
1
Stephen Crane
Red Badge of Courage
1
Stephen King
The Stand
1
Susan Cooper
Grey King
1
Susan Cooper
The Dark Is Rising
2
Susanna Clarke
Jonathan Strange & Mr. Norrell
1
Susanna Clarke
Piranesi
2
Sybille Bedford
A Compass Error
1
Sylvia Plath
The Bell Jar
2
Tarjei Vesaas
The Ice Palace
1
Tayeb Salih
Season of Migration to the North
1
Thomas Bernhard
The Loser
1
Thomas Bernhard
Woodcutters
1
Thomas Hardy
Jude the Obscure
4
Thomas Hardy
Tess of the D'urbervilles
2
Thomas Hardy
The Return of the Native
3
Thomas Mann
Buddenbrooks
4
Thomas Mann
Death in Venice
2
Thomas Mann
Joseph and His Brothers
1
Thomas Mann
The Magic Mountain
7
Thomas Pynchon
Gravity's Rainbow
2
Tim Winton
Breath
1
Tim Winton
Cloudstreet
1
Tom Wolfe
The Bonfire of the Vanities
1
Toni Morrison
Beloved
43
Toni Morrison
Song of Solomon
7
Toni Morrison
Sula
2
Toni Morrison
Tar Baby
1
Toni Morrison
The Bluest Eye
4
Torrey Peters
Stag Dance
1
Tove Jansson
Moominland Midwinter
1
Tove Jansson
The Summer Book
3
Truman Capote
In Cold Blood
1
Tsitsi Dangarembga
Nervous Conditions
4
U. R. Anantha Murthy
Samskara
1
Umberto Eco
The Name of the Rose
3
Ursula K Le Guin
The Left Hand of Darkness
4
Ursula K. Le Guin
A Wizard of Earthsea
2
Ursula K. Le Guin
Earthsea
1
Ursula K. Le Guin
The Dispossessed
1
V. S. Naipaul
A Bend in the River
2
V. S. Naipaul
The Enigma of Arrival
2
Vasily Grossman
Life and Fate
3
Victor Hugo
Les Misérables
2
Victor Hugo
The Hunchback of Notre-Dame
2
Vikram Seth
A Suitable Boy
1
Vikram Seth
The Golden Gate
1
Virginia Woolf
A Room of One's Own
2
Virginia Woolf
Jacob's Room
3
Virginia Woolf
Mrs Dalloway
18
Virginia Woolf
Orlando
5
Virginia Woolf
The Waves
5
Virginia Woolf
To the Lighthouse
31
Virginie Despentes
Vernon Subutex 1
1
Vladimir Nabokov
Invitation to a Beheading
1
Vladimir Nabokov
Lolita
13
Vladimir Nabokov
Pale Fire
10
Vladimir Nabokov
Pnin
2
Vladimir Nabokov
The Real Life of Sebastian Knight
1
VS Naipaul
A House for Mr Biswas
4
Walker Percy
The Moviegoer
1
Walter Scott
The Heart of Midlothian
1
Wang Xiaobo
Golden Age
1
WG Sebald
Austerlitz
4
WG Sebald
The Rings of Saturn
5
Willa Cather
My Ántonia
4
Willa Cather
Shadows on the Rock
1
William Faulkner
As I Lay Dying
2
William Faulkner
Light in August
3
William Faulkner
The Sound and the Fury
5
William Gaddis
The Recognitions
1
William H. Gass
The Tunnel
1
William Hope Hodgson
House on the Borderland
1
William Makepeace Thackeray
Vanity Fair
6
William Somerset Maugham
The Razor's Edge
1
William Trevor
Felicia's Journey
1
William Trevor
Reading Turgenev
1
William Trevor
The Story of Lucy Gault
1
Wole Soyinka
Seasons of Anomy
1
Yael van der Wouden
The Safekeep
2
Yoko Ogawa
The Memory Police
2
Yoko Tawada
Scattered All Over the Earth
1
Yukio Mishima
Confessions of a Mask
1
Yukio Mishima
Thirst for Love
1
Yuko Tsushima
Territory of Light
1
Zadie Smith
Nw
2
Zadie Smith
White Teeth
5
Zora Neale Hurston
Their Eyes Were Watching God
8
92 #1 Novels
Author
Title
Count
Ágota Kristóf
The Third Lie
1
Albert Camus
The Stranger
1
Alexis Wright
Praiseworthy
1
Ali Smith
How to Be Both
1
Alice Walker
The Color Purple
1
Anita Brookner
Latecomers
1
Annie Ernaux
The Years
1
Anonymous
Rig Veda
1
Anthony Trollope
The Palliser Novels
1
Charles Dickens
Bleak House
2
Charles Dickens
The Adventures of Oliver Twist
1
Chinua Achebe
Things Fall Apart
1
Christa Wolf
A Model Childhood
1
Claire Keegan
Small Things Like These
1
Claudia Rankine
Citizen
1
Cormac McCarthy
Blood Meridian
1
Cormac McCarthy
The Road
1
D. H. Lawrence
Women in Love
1
Daniel Defoe
Robinson Crusoe
1
Edith Wharton
The Age of Innocence
1
Eduardo Galeano
Memory of Fire
1
EM Forster
Howards End
1
Emily Brontë
Wuthering Heights
6
F Scott Fitzgerald
The Great Gatsby
1
Franz Kafka
The Trial
1
Fyodor Dostoyevsky
The Brothers Karamazov
1
Gabriel García Márquez
One Hundred Years of Solitude
2
George Eliot
Middlemarch
19
Giuseppe Tomasi di Lampedusa
The Leopard
1
Gustave Flaubert
Madame Bovary
3
Hanif Kureishi
The Buddha of Suburbia
1
Herman Melville
Moby-Dick
4
Italo Calvino
Invisible Cities
1
J. L. Carr
A Month in the Country
1
J.R.R. Tolkien
The Lord of the Rings
1
James Baldwin
Giovanni's Room
1
James Joyce
Ulysses
13
James Salter
Light Years
1
Jane Austen
Emma
3
Jane Austen
Mansfield Park
1
Jane Austen
Persuasion
1
Jane Austen
Pride and Prejudice
2
Jane Gardam
Old Filth Trilogy
1
Javier Cercas
Soldiers of Salamis
1
Jerome K. Jerome
Three Men in a Boat
1
JM Coetzee
Disgrace
1
John Dos Passos
U.s.a.
1
John Steinbeck
Cannery Row
1
Joseph Heller
Catch-22
1
Joseph Heller
Something Happened
1
Kazuo Ishiguro
The Remains of the Day
1
Laurence Sterne
The Life and Opinions of Tristram Shandy, Gentleman
I would not have included works that were first published in other languages and then translated into English. That would knock a fair number out of this list. They weasel-worded it as "published...
I would not have included works that were first published in other languages and then translated into English. That would knock a fair number out of this list.
They weasel-worded it as "published in English" rather than best English language novels as is stated in the title here at Tildes, so they gave themselves wiggle room.
But what do I know? I've only read a handful of these books. Eleven for sure. Don't remember if I ever finished 1984.
1984 is one of those books where if you do actually finish it you will know that its not about what most people think its about. The real ending is SO dark. The absolute hopelessness of that...
1984 is one of those books where if you do actually finish it you will know that its not about what most people think its about.
The real ending is SO dark. The absolute hopelessness of that reality is something thats definitely stuck in my head. I didn’t really get it until I read it again as an adult.
Great Gatsby, Fahrenheit 451, Brave New World, all those hit different as an adult.
I believe one of the most important lessons of 1984 is just how dark it is. People gravitate towards happy endings but the reality 1984 warns against is not some magic victory.
I believe one of the most important lessons of 1984 is just how dark it is. People gravitate towards happy endings but the reality 1984 warns against is not some magic victory.
It is one thing I hate about movies. They almost universally wipe away the real ending, replaced with a feelgood. Which is kinda dystopian in its own right when you think about it.
It is one thing I hate about movies. They almost universally wipe away the real ending, replaced with a feelgood.
Which is kinda dystopian in its own right when you think about it.
I keep waffling on my opinion of this approach. On one hand, I completely agree that it feels a little underhanded, though on the other hand, I’m glad that translated works that hold up (decently)...
I keep waffling on my opinion of this approach. On one hand, I completely agree that it feels a little underhanded, though on the other hand, I’m glad that translated works that hold up (decently) are acknowledged too. I’m monolingual and am incredibly grateful that excellent translations of works like Don Quixote and One Hundred Years of Solitude exist, and that lists like this shine a spotlight on them instead of leaving them off because they weren’t originally written in English, otherwise a dunce like me might never have given them the time of day.
I'm torn. On the one hand, that's a pretty logical argument. Hard to disagree with. On the other, translations have had massive effects on not just the English language, but also English writing...
I'm torn. On the one hand, that's a pretty logical argument. Hard to disagree with. On the other, translations have had massive effects on not just the English language, but also English writing and English fiction. Even if we put aside Dostoevsky, The Iliad is a translation, you know?
Because not all translations are equal. Some works may not translate well to English at all and some translators may make better translations of works than others. These are the best 100 novels...
Because not all translations are equal. Some works may not translate well to English at all and some translators may make better translations of works than others. These are the best 100 novels presented in English according to this publisher, not necessarily originally written in English. I'm sure there are some books written in Hindi that are just amazing but fall flat in English and there are certain themes that are so compelling in any language that even as written in English they are rendered among the best works of fiction. Likewise, translation can in and of itself be an art and if a translator is able to convey a writer's intentions extremely well in English and the end result is exceptionally good (like 100 best books ever good) then I don't see any reason why it shouldn't be on this list.
Continuing with your opening line, "Because not all translations are equal", I think a more interesting list could have been made with the goal of highlighting the best translations to English....
Continuing with your opening line, "Because not all translations are equal", I think a more interesting list could have been made with the goal of highlighting the best translations to English. The 100 best novel translations to English might be very helpful.
Poll foreign authors, scholars, publishers, and the translators themselves, and come up with the most highly regarded translations. Also point out why they are seen as outstanding. I would appreciate this type of effort far more than just another "best novels" list.
It says at the top of the Guardian article "The greatest literature ever published in English, as voted for by authors, critics and academics worldwide. How many have you read?"
It says at the top of the Guardian article "The greatest literature ever published in English, as voted for by authors, critics and academics worldwide. How many have you read?"
Sure, and that makes sense. Presumably the people making the ranking can only read proficiently in English, so the list can only comprise works published in English. That does not say that the...
Sure, and that makes sense. Presumably the people making the ranking can only read proficiently in English, so the list can only comprise works published in English.
That does not say that the work itself is in English.
You’re right about the “published in English” aspect, as “English-language” was something I added to their original title (which was just “The 100 best novels of all time”). I edited the title...
You’re right about the “published in English” aspect, as “English-language” was something I added to their original title (which was just “The 100 best novels of all time”).
I edited the title here to fit better with the list’s contents.
Watership Down isn't there? Lord of the Rings? Wizard of Oz? Salem's Lot? Hitchhiker's Guide to the Galaxy? I call shenanigans. Watership Down is an utter masterpiece of nested storytelling. The...
Watership Down isn't there?
Lord of the Rings?
Wizard of Oz?
Salem's Lot?
Hitchhiker's Guide to the Galaxy?
I call shenanigans.
Watership Down is an utter masterpiece of nested storytelling. The Peter Capaldi audiobook is utterly astonishing, the way he is able to have a distinct voice for each storytelling rabbit, with each rabbit voice doing their own voices in the stories they are telling.
Lord of the Rings is almost unquestioningly the most influental novel in the last 80 years.
Wizard of Oz was declared "America's greatest and best-loved homegrown fairytale" by the Library of Congress.
Stephen King trumped Bram Stoker with Salem's Lot the way Jonny Cash trumped NIN with Hurt.
Hitchhiker's Guide is just a good time and anybody who says otherwise probably deserves what's coming for them.
Among the 172 reviewers, LotR got 3 votes (including a #1) - could have easily made the cut with different weights, as other 3 vote novels made the top 100, HHGTTG got 2 votes, Watership Down got...
Among the 172 reviewers, LotR got 3 votes (including a #1) - could have easily made the cut with different weights, as other 3 vote novels made the top 100, HHGTTG got 2 votes, Watership Down got 1 vote. The only book by King that got a vote was The Stand.
And I attribute that to people criminally underappreciating King's writing style. The man is a modern Shakespeare. Just instead of soliloquies it's incredibly visceral descriptions. There is a...
And I attribute that to people criminally underappreciating King's writing style. The man is a modern Shakespeare. Just instead of soliloquies it's incredibly visceral descriptions. There is a reason he's the single most-adapted author.
That, and putting undue reverance on things written before 1950.
More seriously, the real problem is that 172 people is nowhere near statistically relevant, even if you only limited to authors who published 3+ books.
In actuality I agree with you, but I also comprehend I'm in the minority and tapping the reference for the majority makes sense. And yes, I also get the duality of that WRT Stoker/King.
In actuality I agree with you, but I also comprehend I'm in the minority and tapping the reference for the majority makes sense.
And yes, I also get the duality of that WRT Stoker/King.
I'm not even sure that the majority agree, but Cash did some very solid covers and then passed away not long after. I suspect many people, especially those that were already any sort of fan of...
I'm not even sure that the majority agree, but Cash did some very solid covers and then passed away not long after. I suspect many people, especially those that were already any sort of fan of Johnny Cash, were inclined to speak of his late works with extra reverence.
I never know how to feel about these lists. You know I think the methodology here is decent but it also leads to an obvious skew away from genre or really anything niche(I mean, the Left Hand of...
I never know how to feel about these lists. You know I think the methodology here is decent but it also leads to an obvious skew away from genre or really anything niche(I mean, the Left Hand of Darkness was seminal, but is that really the ONLY sci-fi representation here? Unless I missed something), towards the classics, and sometimes towards very high placements of books that I would personally characterize as more "impressive" than "good" (Ulysses,The Man Without Qualities). Speaking of Der Mann ohne Eigenschaften, I always find it slightly stupid to put works in translation on lists like these. It says English in the title, right? Why is the Quixote there? Why Pedro Páramo and One Hundred Years of Solitude and Invisible Cities -- brilliant books no doubt, that are among my personal favorites, but are also works in translation where, somewhat notoriously, their ambiguity and poeticisms often fail to come across in English?
I guess lists like these are best as jumping off points for discussion, but I tend to prefer more personal lists anyway because by attempting to be definitive these come out kinda anonymous.
Anyway I do agree with a lot of these picks in full: Catch 22, Wuthering Heights, the Nabokov stuff (if I'm right in remembering that Nabokov wrote in English and then his family translated it into Russian). All holds up marvelously. I do wonder what more recent novels will be making lists like this in fifty years when they're "eligible." Chain Gang All Stars, maybe. House of Leaves? I mostly read dyke-y genre stuff these days so I'm not hugely tapped in.
I was puzzled by the books in translation. I mean, The Master and Margarita (#66 on this list) is one of my personal favorites, but I wouldn't put it on a list of top novels in English. For Pete's...
I was puzzled by the books in translation. I mean, The Master and Margarita (#66 on this list) is one of my personal favorites, but I wouldn't put it on a list of top novels in English. For Pete's sake, at least tell us which translation deserves the spot, since translation quality and style can vary so much!
Which translation is especially true for The Master and Margarita. There are multiple translations with different strengths and tones. When I decided to read it picking which version took some...
Which translation is especially true for The Master and Margarita. There are multiple translations with different strengths and tones. When I decided to read it picking which version took some research.
Which translation did you end up reading ? Were you happy with the choice ? I've read and still own a Slovak translation, and later also the Ginsburg English translation, but both of those are...
Which translation did you end up reading ? Were you happy with the choice ?
I've read and still own a Slovak translation, and later also the Ginsburg English translation, but both of those are from 1967, and apparently based on the censored text published in USSR back then.
I loved the book, and would love to revisit one of the more complete uncensored versions again. I can understand Russian fairly OK, but not quite on the level to be able to read a book like this unfortunately.
Not the one you asked, but the version I read was the Burgin/O'Connor one. My copy of it was a gift from my Russian language-major spouse, FWIW, and I've seen it recommended elsewhere now that...
Not the one you asked, but the version I read was the Burgin/O'Connor one. My copy of it was a gift from my Russian language-major spouse, FWIW, and I've seen it recommended elsewhere now that look it up.
I also read the Ginsburg English translation. It's missing some chapters but my understanding from internet discussions was that it closer matched the tone in the original Russian. It seemed worth...
I also read the Ginsburg English translation. It's missing some chapters but my understanding from internet discussions was that it closer matched the tone in the original Russian. It seemed worth compromising on missing content to make the rest of the book read more accurately.
I sort of understand why lists like this always have to have a handful of boring books on them. I think. Here's what I don't get though: why is it always the ones that are boring in a boring way...
I sort of understand why lists like this always have to have a handful of boring books on them. I think. Here's what I don't get though: why is it always the ones that are boring in a boring way (In Search of Lost Time, One Hundred Years of Solitude) when there are equally high quality boring works that are boring in an interesting way (Umberto Eco: Foucault's Pendulum, The Name of the Rose)?
And why is there no Murakami when they've included Dostoyevsky, Cervantes, Proust, Kafka, Tolstoy, Ishiguro, Flaubert, Garcia Marquez and other such great "English language" authors? And like others already said, why go "English language" if you're then going to list all your run-of-the mill non-English classics anyway? Why not just "literature"? Maybe give a chance for actual English language authors to appear on a list like this - maybe even someone who hasn't been mentioned 15698309 times on similar lists already? What exactly is the point here?
(Sorry folks, I didn't sleep well and I'm cranky!)
No real answer, but as someone who considers One Hundred Years of Solitude in a whole other class above anything else I've ever read and couldn't tell you a single thing about my experience...
No real answer, but as someone who considers One Hundred Years of Solitude in a whole other class above anything else I've ever read and couldn't tell you a single thing about my experience reading Foucault's Pendulum I find your comment fascinating. We always know about different preferences but rarely see it so starkly shown.
My best guess at an answer is momentum. A book is considered good and so it always comes up when people think about making these lists.
Above anything else you have read, really? :D That's amazing and makes me happy! Are you going to start raving about Mark Twain next or something? (Just another often mentioned writer whose works...
in a whole other class above anything else I've ever read
Above anything else you have read, really? :D That's amazing and makes me happy! Are you going to start raving about Mark Twain next or something? (Just another often mentioned writer whose works I can't quite get into, thankfully not on this list though.)
My best guess at an answer is momentum. A book is considered good and so it always comes up when people think about making these lists.
I guess so. I just can't escape the feeling that some people (perhaps a lot of people) say they like the Iliad, or Moby-Dick, or Pride and Prejudice or whatever they think is widely enjoyed by others - not because they really enjoy it, or reading for that matter, but as a signaling device of some sort. And that some books have been riding on that sort of momentum ever since they first got established as a non-controversial mark of.. evolved taste? I'm probably wrong and just salty because I've been so often disappointed.
Also, I haven't read most of what was listed here so who knows how many absolute gems are on it, obscured only by my own ignorance! At least there is one item on there that I truly enjoyed: Rushdie's Midnight's Children.
Hey now! Pride and Prejudice is awesome. It's one that I've read multiple times and happily will again. (Especially since I just received The Annotated Pride and Prejudice as a birthday present...
Hey now! Pride and Prejudice is awesome. It's one that I've read multiple times and happily will again. (Especially since I just received The Annotated Pride and Prejudice as a birthday present this weekend.) The key for me is really the dry humor and social satire combined with a nice happy ending. It's a pure comfort read. And since I'm very much not in the traditional demographic of Austen readers, I don't really gain anything by signalling my enjoyment of it.
"For what do we live, but to make sport for our neighbors, and laugh at them in our turn?"
Unfortunately where some see glittering pearls of social critique arrayed into heartwarming tales of folly, others only see sterile sarcasm in her works. They're really missing out.
Unfortunately where some see glittering pearls of social critique arrayed into heartwarming tales of folly, others only see sterile sarcasm in her works. They're really missing out.
I knew I had this coming as soon as I posted the above. I'm not saying no single person out there can actually like Pride and Prejudice. And I too enjoy the dry humour in it, but I happen to enjoy...
I knew I had this coming as soon as I posted the above. I'm not saying no single person out there can actually like Pride and Prejudice. And I too enjoy the dry humour in it, but I happen to enjoy the dry humour in both Eco's works (mentioned in the top comment) even more. As well as their stunning social critique (ping @wervenyt).
What I'm asking is why is P&P almost always high up on these lists while my favourites often are not. Why do so many more people like, or say they like, the former when the others are in no way inferior? But I may not be fit to evaluate that from a native English speaker's perspective because to me, all of these are foreign language novels. Perhaps it's the more particular use of English that elevates P&P in many a native reader's eye?
In the development of the English language novel, Austen is a particular stand out. She pioneered the use of free indirect discourse and was so linguistically efficient in her utility of the kind...
In the development of the English language novel, Austen is a particular stand out. She pioneered the use of free indirect discourse and was so linguistically efficient in her utility of the kind of sentence structures that these days are treated as self-evidently the correct mode for written word that it made her contemporaries look like doggerel mongers within a couple of generations by contrast. That's not to mention that her artistic antimoralism and gender set her up to be a sort of protofeminist symbol, especially with her most popular works' focus on the rigor and work of the petty noblewomen of her era.
She's definitely not universally beloved in English either, but almost everyone who reads has read her, and her fingerprint is on the language.
I mean, even if you don't like the Iliad, if you read widely, it will come up. We like to pretend our aesthetic preferences are deeper than exposure, but if social status is an incentive, exposure...
I mean, even if you don't like the Iliad, if you read widely, it will come up. We like to pretend our aesthetic preferences are deeper than exposure, but if social status is an incentive, exposure is the motive. Compound that phenomenon over the networks of influence of millions of works, then skim only 100 authors the Guardian wanted to ape the dignity of for their "most important"s, and you're going to get a very fragile ranking that has little to do with anything but what books have been stocked in the most libraries.
The books that are only enjoyed through repeat exposures and reward deep engagement, while not "superior", will therefore always be overrepresented in such a tail-oriented ranking, in ways that are multiplicative with the simple network dynamics above.
This week, we reveal our list of the 100 greatest novels published in English, as voted for by authors and critics around the world. We polled 172 authors, critics and academics for their top 10 novels of all time, published in English, and asked them to rank their choices in order of preference. We scored the titles according to how often they were voted for, and then added a weighting based on individual rankings to produce the overall list of 100 greatest books.
The critiques in the methodology here are making me feel better about my ignorance of so many of these titles! In quintiles (starting at 1-20 ending at 81-100), I've heard of, but not necessarily...
The critiques in the methodology here are making me feel better about my ignorance of so many of these titles!
In quintiles (starting at 1-20 ending at 81-100), I've heard of, but not necessarily read: 15, 14, 6, 6, and 5 books on the list. Read only 11 (plus a couple more dnf'd).
Blood Meridian is an amazing read if you can stomach it. So is The Road. The quality of the prose is practically otherworldly. But good god is it hard on the soul.
Blood Meridian is an amazing read if you can stomach it. So is The Road. The quality of the prose is practically otherworldly. But good god is it hard on the soul.
Five entries go to a single author, (Woolf) and four apiece to another two authors. (Dickens and Austen) Not a single mention of Borges or Saramago, either.
Five entries go to a single author, (Woolf) and four apiece to another two authors. (Dickens and Austen)
Not a single mention of Borges or Saramago, either.
I've read 16 books that appear on here, Ulysses is my favorite of those so checks out that it's so high up. None of them feel out of place except maybe Rebecca? But even that one I like a lot. The...
I've read 16 books that appear on here, Ulysses is my favorite of those so checks out that it's so high up. None of them feel out of place except maybe Rebecca? But even that one I like a lot. The most represented author I've read is Virginia Woolf, I've read 4 of her books that are on the list, and they certainly all belong there!
Based on the methodology, this is not really a list of top 100 novels, it's a list of 100 top 10 novels. It's a subtle difference, but I think it introduces a type of bias into the results.
I created a list of all the novels the reviewers ranked (172 people each picked 10 novels) and ranked them all based on just how many times they appeared in the rankings, ignoring the actual ranking.
There is a total of 659 unique novels ranked, and to place in the top 50, it only takes 6 of the 172 reviewers to include it on their list. 3 out of 172 places the novel in top 91-131.
I think anything past the top 50 or so on this list is mostly dominated by noise, there isn't enough data to really separate the novels past that, or make much conclusion about. Many of the novels ranked 100-250 here (which includes most of the books mentioned by the other commenters as missing) could have just as easily ended up in the top 100 with just different sampling.
Edit: fixed some errors and dupes, it's 659 unique novels now - there was actually a significant number of duplicates in the raw data, where either the name of the author or title were spelled differently for the same novel
Edit 2: to illustrate the type of bias I am talking about, here is a list of novels but only including novels ranked #1 on any of the top 10 lists - so this is a list of 92 #1 novels, as opposed to 100 top 10 novels. Many novels from outside the original top 100 now make an appearance due to at least one reviewer granting them the #1 spot on their list, like LotR, while some previously highly ranked novels are gone (e.g. Jane Eyre with 21 votes, but not a single #1) I bet if the reviewers were asked to list 20 or more novels each, the results would be still different. Even using a different weighting based on the top 10 placement would likely shuffle the results significantly, ending up with a different list of 100.
Thank you, I love that you did this!
666 items and Foucault's Pendulum is not among them? What a worthless jury, excuse my candor. Three people did mention The Name of the Rose and there's one Murakami book listed (one I have yet to read), but where is 1Q84?
...Actually, I'd love to see a list made by Tildeians. We might get more obscure, left-field results that are equally worth reading.
I'm surprised it's 'Kafka on the Shore' that gets two votes and not 'Wind-Up Bird Chronicle,' or even 'Norwegian Wood.' 'Kafka...,' while enjoyable, always struck me as verging on self-parody, it's the Murakamiest Murakami.
Thank you for doing this! I find the full list so much more interesting than only the top 100 which, of course, has plenty of familiar names due to the inevitable overlap with all the other "best novels" lists out there.
I find a book that's someone's favorite a more compelling prospect than the ones that are consensus favorites.
I took your lists, sorted them by author, and then threw them into tables for readability for anyone interested.
659 Top 10 Novels
92 #1 Novels
I would not have included works that were first published in other languages and then translated into English. That would knock a fair number out of this list.
They weasel-worded it as "published in English" rather than best English language novels as is stated in the title here at Tildes, so they gave themselves wiggle room.
But what do I know? I've only read a handful of these books. Eleven for sure. Don't remember if I ever finished 1984.
1984 is one of those books where if you do actually finish it you will know that its not about what most people think its about.
The real ending is SO dark. The absolute hopelessness of that reality is something thats definitely stuck in my head. I didn’t really get it until I read it again as an adult.
Great Gatsby, Fahrenheit 451, Brave New World, all those hit different as an adult.
I believe one of the most important lessons of 1984 is just how dark it is. People gravitate towards happy endings but the reality 1984 warns against is not some magic victory.
It is one thing I hate about movies. They almost universally wipe away the real ending, replaced with a feelgood.
Which is kinda dystopian in its own right when you think about it.
I keep waffling on my opinion of this approach. On one hand, I completely agree that it feels a little underhanded, though on the other hand, I’m glad that translated works that hold up (decently) are acknowledged too. I’m monolingual and am incredibly grateful that excellent translations of works like Don Quixote and One Hundred Years of Solitude exist, and that lists like this shine a spotlight on them instead of leaving them off because they weren’t originally written in English, otherwise a dunce like me might never have given them the time of day.
I'm torn. On the one hand, that's a pretty logical argument. Hard to disagree with. On the other, translations have had massive effects on not just the English language, but also English writing and English fiction. Even if we put aside Dostoevsky, The Iliad is a translation, you know?
Why not just call it a list of the 100 best novels then? Why include English as a qualifier at all?
I have zero defense against that at all. Haha.
Because not all translations are equal. Some works may not translate well to English at all and some translators may make better translations of works than others. These are the best 100 novels presented in English according to this publisher, not necessarily originally written in English. I'm sure there are some books written in Hindi that are just amazing but fall flat in English and there are certain themes that are so compelling in any language that even as written in English they are rendered among the best works of fiction. Likewise, translation can in and of itself be an art and if a translator is able to convey a writer's intentions extremely well in English and the end result is exceptionally good (like 100 best books ever good) then I don't see any reason why it shouldn't be on this list.
Continuing with your opening line, "Because not all translations are equal", I think a more interesting list could have been made with the goal of highlighting the best translations to English. The 100 best novel translations to English might be very helpful.
Poll foreign authors, scholars, publishers, and the translators themselves, and come up with the most highly regarded translations. Also point out why they are seen as outstanding. I would appreciate this type of effort far more than just another "best novels" list.
Because not all works have been published in English. A great novel written in mandarin but not yet translated would not qualify for this.
They did call it the best novels. “In English” was added as a qualifier only in the submission to tildes, and did not appear in the original article.
It says at the top of the Guardian article "The greatest literature ever published in English, as voted for by authors, critics and academics worldwide. How many have you read?"
Sure, and that makes sense. Presumably the people making the ranking can only read proficiently in English, so the list can only comprise works published in English.
That does not say that the work itself is in English.
You’re right about the “published in English” aspect, as “English-language” was something I added to their original title (which was just “The 100 best novels of all time”).
I edited the title here to fit better with the list’s contents.
Watership Down isn't there?
Lord of the Rings?
Wizard of Oz?
Salem's Lot?
Hitchhiker's Guide to the Galaxy?
I call shenanigans.
Watership Down is an utter masterpiece of nested storytelling. The Peter Capaldi audiobook is utterly astonishing, the way he is able to have a distinct voice for each storytelling rabbit, with each rabbit voice doing their own voices in the stories they are telling.
Lord of the Rings is almost unquestioningly the most influental novel in the last 80 years.
Wizard of Oz was declared "America's greatest and best-loved homegrown fairytale" by the Library of Congress.
Stephen King trumped Bram Stoker with Salem's Lot the way Jonny Cash trumped NIN with Hurt.
Hitchhiker's Guide is just a good time and anybody who says otherwise probably deserves what's coming for them.
Among the 172 reviewers, LotR got 3 votes (including a #1) - could have easily made the cut with different weights, as other 3 vote novels made the top 100, HHGTTG got 2 votes, Watership Down got 1 vote. The only book by King that got a vote was The Stand.
And I attribute that to people criminally underappreciating King's writing style. The man is a modern Shakespeare. Just instead of soliloquies it's incredibly visceral descriptions. There is a reason he's the single most-adapted author.
That, and putting undue reverance on things written before 1950.
More seriously, the real problem is that 172 people is nowhere near statistically relevant, even if you only limited to authors who published 3+ books.
My judgements were inspired somewhat on the ranking system Innuendo Studios developed for Extremely Overdetermined Adventure Game Tier List.
You had me until your Hurt statement.
Trent Reznor agrees with him, though!
Well I wholeheartedly do not agree, and I actually suspect that Trent was just being gracious.
In actuality I agree with you, but I also comprehend I'm in the minority and tapping the reference for the majority makes sense.
And yes, I also get the duality of that WRT Stoker/King.
I'm not even sure that the majority agree, but Cash did some very solid covers and then passed away not long after. I suspect many people, especially those that were already any sort of fan of Johnny Cash, were inclined to speak of his late works with extra reverence.
The majority being everyone else who is not NIN fans.
I never know how to feel about these lists. You know I think the methodology here is decent but it also leads to an obvious skew away from genre or really anything niche(I mean, the Left Hand of Darkness was seminal, but is that really the ONLY sci-fi representation here? Unless I missed something), towards the classics, and sometimes towards very high placements of books that I would personally characterize as more "impressive" than "good" (Ulysses, The Man Without Qualities). Speaking of Der Mann ohne Eigenschaften, I always find it slightly stupid to put works in translation on lists like these. It says English in the title, right? Why is the Quixote there? Why Pedro Páramo and One Hundred Years of Solitude and Invisible Cities -- brilliant books no doubt, that are among my personal favorites, but are also works in translation where, somewhat notoriously, their ambiguity and poeticisms often fail to come across in English?
I guess lists like these are best as jumping off points for discussion, but I tend to prefer more personal lists anyway because by attempting to be definitive these come out kinda anonymous.
Anyway I do agree with a lot of these picks in full: Catch 22, Wuthering Heights, the Nabokov stuff (if I'm right in remembering that Nabokov wrote in English and then his family translated it into Russian). All holds up marvelously. I do wonder what more recent novels will be making lists like this in fifty years when they're "eligible." Chain Gang All Stars, maybe. House of Leaves? I mostly read dyke-y genre stuff these days so I'm not hugely tapped in.
I was puzzled by the books in translation. I mean, The Master and Margarita (#66 on this list) is one of my personal favorites, but I wouldn't put it on a list of top novels in English. For Pete's sake, at least tell us which translation deserves the spot, since translation quality and style can vary so much!
Which translation is especially true for The Master and Margarita. There are multiple translations with different strengths and tones. When I decided to read it picking which version took some research.
Which translation did you end up reading ? Were you happy with the choice ?
I've read and still own a Slovak translation, and later also the Ginsburg English translation, but both of those are from 1967, and apparently based on the censored text published in USSR back then.
I loved the book, and would love to revisit one of the more complete uncensored versions again. I can understand Russian fairly OK, but not quite on the level to be able to read a book like this unfortunately.
Not the one you asked, but the version I read was the Burgin/O'Connor one. My copy of it was a gift from my Russian language-major spouse, FWIW, and I've seen it recommended elsewhere now that look it up.
I also read the Ginsburg English translation. It's missing some chapters but my understanding from internet discussions was that it closer matched the tone in the original Russian. It seemed worth compromising on missing content to make the rest of the book read more accurately.
Kindred from Butler is also in the mix!
Man, what a snooze-fest. Not a single Berenstain Bears book. I read The Great Gatsby, and there wasn't anything great about it. Unbelievable.
I'm a member of the Bearstein Bears' timeline. I blame the shift to the Bearstain Bears timeline for all things that have gone wrong.
I mean there seemed to be some great parties. I for one would go to a great Gatsby party. But I'd probably skip just a plain ol' Gatsby party.
I sort of understand why lists like this always have to have a handful of boring books on them. I think. Here's what I don't get though: why is it always the ones that are boring in a boring way (In Search of Lost Time, One Hundred Years of Solitude) when there are equally high quality boring works that are boring in an interesting way (Umberto Eco: Foucault's Pendulum, The Name of the Rose)?
And why is there no Murakami when they've included Dostoyevsky, Cervantes, Proust, Kafka, Tolstoy, Ishiguro, Flaubert, Garcia Marquez and other such great "English language" authors? And like others already said, why go "English language" if you're then going to list all your run-of-the mill non-English classics anyway? Why not just "literature"? Maybe give a chance for actual English language authors to appear on a list like this - maybe even someone who hasn't been mentioned 15698309 times on similar lists already? What exactly is the point here?
(Sorry folks, I didn't sleep well and I'm cranky!)
No real answer, but as someone who considers One Hundred Years of Solitude in a whole other class above anything else I've ever read and couldn't tell you a single thing about my experience reading Foucault's Pendulum I find your comment fascinating. We always know about different preferences but rarely see it so starkly shown.
My best guess at an answer is momentum. A book is considered good and so it always comes up when people think about making these lists.
Above anything else you have read, really? :D That's amazing and makes me happy! Are you going to start raving about Mark Twain next or something? (Just another often mentioned writer whose works I can't quite get into, thankfully not on this list though.)
I guess so. I just can't escape the feeling that some people (perhaps a lot of people) say they like the Iliad, or Moby-Dick, or Pride and Prejudice or whatever they think is widely enjoyed by others - not because they really enjoy it, or reading for that matter, but as a signaling device of some sort. And that some books have been riding on that sort of momentum ever since they first got established as a non-controversial mark of.. evolved taste? I'm probably wrong and just salty because I've been so often disappointed.
Also, I haven't read most of what was listed here so who knows how many absolute gems are on it, obscured only by my own ignorance! At least there is one item on there that I truly enjoyed: Rushdie's Midnight's Children.
Hey now! Pride and Prejudice is awesome. It's one that I've read multiple times and happily will again. (Especially since I just received The Annotated Pride and Prejudice as a birthday present this weekend.) The key for me is really the dry humor and social satire combined with a nice happy ending. It's a pure comfort read. And since I'm very much not in the traditional demographic of Austen readers, I don't really gain anything by signalling my enjoyment of it.
Unfortunately where some see glittering pearls of social critique arrayed into heartwarming tales of folly, others only see sterile sarcasm in her works. They're really missing out.
I knew I had this coming as soon as I posted the above. I'm not saying no single person out there can actually like Pride and Prejudice. And I too enjoy the dry humour in it, but I happen to enjoy the dry humour in both Eco's works (mentioned in the top comment) even more. As well as their stunning social critique (ping @wervenyt).
What I'm asking is why is P&P almost always high up on these lists while my favourites often are not. Why do so many more people like, or say they like, the former when the others are in no way inferior? But I may not be fit to evaluate that from a native English speaker's perspective because to me, all of these are foreign language novels. Perhaps it's the more particular use of English that elevates P&P in many a native reader's eye?
In the development of the English language novel, Austen is a particular stand out. She pioneered the use of free indirect discourse and was so linguistically efficient in her utility of the kind of sentence structures that these days are treated as self-evidently the correct mode for written word that it made her contemporaries look like doggerel mongers within a couple of generations by contrast. That's not to mention that her artistic antimoralism and gender set her up to be a sort of protofeminist symbol, especially with her most popular works' focus on the rigor and work of the petty noblewomen of her era.
She's definitely not universally beloved in English either, but almost everyone who reads has read her, and her fingerprint is on the language.
Thanks, this gives me the additional perspective I needed!
I mean, even if you don't like the Iliad, if you read widely, it will come up. We like to pretend our aesthetic preferences are deeper than exposure, but if social status is an incentive, exposure is the motive. Compound that phenomenon over the networks of influence of millions of works, then skim only 100 authors the Guardian wanted to ape the dignity of for their "most important"s, and you're going to get a very fragile ranking that has little to do with anything but what books have been stocked in the most libraries.
The books that are only enjoyed through repeat exposures and reward deep engagement, while not "superior", will therefore always be overrepresented in such a tail-oriented ranking, in ways that are multiplicative with the simple network dynamics above.
From their how we made it + have your say page:
The critiques in the methodology here are making me feel better about my ignorance of so many of these titles!
In quintiles (starting at 1-20 ending at 81-100), I've heard of, but not necessarily read: 15, 14, 6, 6, and 5 books on the list. Read only 11 (plus a couple more dnf'd).
Blood Meridian is an amazing read if you can stomach it. So is The Road. The quality of the prose is practically otherworldly. But good god is it hard on the soul.
Agreed, especially if that other world hasn't invented quotation marks.
Five entries go to a single author, (Woolf) and four apiece to another two authors. (Dickens and Austen)
Not a single mention of Borges or Saramago, either.
Borges never wrote a novel, as far as I'm aware.
Ahhhhh, you are correct about that!
I've read 16 books that appear on here, Ulysses is my favorite of those so checks out that it's so high up. None of them feel out of place except maybe Rebecca? But even that one I like a lot. The most represented author I've read is Virginia Woolf, I've read 4 of her books that are on the list, and they certainly all belong there!