Adam West & Burt Ward - Batman - Screen Tests (RARE) (1 of 3)

Lyle Waggoner & Peter Deyell vs Adam West & Burt Ward - Batman Screen Tests (RARE) (2 of 3)

Yvonne Craig - Batman / Batgirl - Network Presentation (RARE) (3 of 3)

Previous episode | Index thread | Next episode

Black Mirror Season 1 Episode 3 - The Entire History of You

In the near future, everyone has access to a memory implant that records everything humans do, see and hear.

Black Mirror Netflix link

Warning: this thread contains spoilers about this episode! If you haven't seen it yet, please watch it and come back to this thread later.

You can talk about past episodes, but please don't discuss future episodes in this thread!

This is the last episode of season 1. I hope everyone is enjoying it so far!

If you don't know what to say, here are some questions to get the discussion started:

• How does the title relate to the episode itself?
• Are there any similarities between real life events and the episode?
• Are there any references or easter eggs in the episode, such as references to past episodes?

Index thread | Next episode

Black Mirror Season 1 Episode 1 - The National Anthem

Prime Minister Michael Callow faces a shocking dilemma when Princess Susannah, a much-loved member of the Royal Family, is kidnapped.

Black Mirror Netflix link

Warning: this thread contains spoilers about this episode! If you haven't seen it yet, please watch it and come back to this thread later.

You can talk about past episodes, but please don't discuss future episodes in this thread!

If you don't know what to say, here are some questions to get the discussion started:

• How does the title relate to the episode itself?
• Are there any similarities between real life events and the episode?
• Are there any references or easter eggs in the episode, such as references to past episodes?

Previous episode | Index thread | Next episode

Black Mirror Season 1 Episode 2 - Fifteen Million Merits

After failing to impress the judges on a singing competition show, a woman must either perform degrading acts or return to a slave-like existence.

Black Mirror Netflix link

Warning: this thread contains spoilers about this episode! If you haven't seen it yet, please watch it and come back to this thread later.

You can talk about past episodes, but please don't discuss future episodes in this thread!

If you don't know what to say, here are some questions to get the discussion started:

• How does the title relate to the episode itself?
• Are there any similarities between real life events and the episode?
• Are there any references or easter eggs in the episode, such as references to past episodes?

The premise is like Survivor: don't get eliminated. The thirteen contestants vie for immunity and each week's loser gets axed. The games are mostly board game-style gambling -- from straightforward poker derivatives to deckbuilding.

The show is completely unscripted and the cast is a mixture of minor celebrities, professional game players, and -- in seasons three and four -- ordinary folks from the general public.

The show's marketing material describes the show as an investigation of what genius is. There's a case to be made for this -- the games are diverse, well-designed, and the gameplay onscreen is always interesting. You'll be constantly saying to yourself "I didn't think of that," even the second or third time you watch the show. There's often more than one way to win each game.

What the show does well is presenting mundane reality TV dilemmas psychologically. The show takes place in a kind of liminal space where it isn't clear who's going to become the monster and how. There's lighter stuff and camaderie -- on-camera shtick like hugging and bowing and begging, eating delicious food. Sometimes, there's a little bit of sexism.

It ends in something continually getting worse, and nobody's ever sure exactly what. It usually takes more than one episode for someone to pinpoint what it is. A lot of the tension comes from how the first time something strange happens, it's OK or you excuse it as a coincidence -- and the second or third time it happens, your fear of confirmation bias makes it so you're still not entirely sure if it's a pattern. The show spends a lot of time on this precipice.

The people on The Genius are abnormal. Some of them play the games weird and some are weird themselves -- some of them have learned to hide their biggest character flaws and some of them haven't. At the most extreme it's like sitting next to someone on the bus who snores loud, but not loud enough to make you give up your seat, and then he shoves his hand down your throat.

You can view the first season here, subtitled in English: https://www.youtube.com/watch?v=jpwIgWPfNvc . Most of the fans consider Episode 2 a very strong episode, so you should watch at least until that, or skip to it if you're impatient.

If all the psychodrama stuff I mentioned sounds appealing to you, skip to season 2, the darkest season. Unfortunately, the later seasons aren't on YouTube, but you can find them in a lot of places: https://www.reddit.com/r/TheGenius/comments/5s7eh9/the_genius_s2_s3_and_society_game_file_links/

I've been rabidly evangelizing this show to all my real life friends for years. Please ask any questions that will lead to you watching it! (PS: To those who've seen it, please don't post spoilers in this thread!)

I don't have a long write up for this or anything, mostly because I'm just confused...

I have to admit, watching season 7, I don't remember Adam if he was ever brought in before, and his part was so short and seemingly inconsequential, I honestly have no strong feelings for it. Shiro is all about burying his feelings and putting the needs of others above his own, so it's not at all out of character for his personal life to basically never show up. Still, we're finally getting more of his backstory, and I can't help but feel it's lacking.

So, I guess my question is - why? Why bring in a character they're not going to develop and kill off screen? Would it be better just to have a random mention of Shiro being gay and just moving on, which I guess is pretty much all that happened anyways? Guess they could have done it as part of his backstory with Keith. Does this count as queer-baiting?

Thoughts?

Correction: guess he didn't die off screen. I just didn't recognize the random pilot as Adam...

For most stories, when you have an evil or otherwise irredeemable character, death is the only form of satisfactory redemption. Anything less is simply not convincing for most audiences.

I'm sure a lot of people can write novels on Spike's character arcs, but I just wanted to discuss a little bit of his redemption arc.

Interestingly, his sacrifice at the end of Buffy season 7, is the beginning of his actual character. Sure, he's helped out Buffy before that, but he was far from "the greater good" until then. So death, and boom - character redeemed.

So how's the redemption arc when he's brought back in Angel. It's harder now because now he's up and walking and possibility doing things that negate his redemption. He now has to live the life he supposedly wanted to when he made his sacrifice.

Not saying that's what happened, but I think the writers went out of their way to show this.

(Going off memory now, so please feel free to correct me, if I get any details wrong...)

Not long after he's ghost-Spike, he starts feeling like he's pulled to "Hell", and develops a friendship with Fred, who ultimately saves him from that fate. This establishes his "goodness" for the rest of Angel.

Thoughts? Other characters that share something similar you want to talk about? How would Spike feel without this episode? Anyone just want to gush about Spike in general?

The interest thread got a fair amount of... interest, so I'll be moving forward with this rewatch.

Black Mirror is available to watch on Netflix, this link should take you to it.

A thread will be posted every 3 days; this should be enough time for people to watch the episodes, and hopefully won't spam ~tv too much. The first thread will be posted on Friday, and the full schedule is below, let me know if there's anything wrong.

An additional idea I had was for us to rate the episodes. In each thread, I'll post a comment where you can reply with a number from 1-5. I'll then average these numbers to get a collective rating. At the end, we can have a list of our collective favourite and least favourite, episodes.

I'm excited to discuss these episodes, see you on Friday!

I like Bar Rescue. There's some ridiculous tv dramatization, a smidge of education (how service businesses work), and I can google what happens a year after the show airs (they all seem to close). Plus when I go to bars I feel like I can point out what they're doing wrong.

Edit: The rewatch announcement and schedule can be found here.

I think Black Mirror is an important show tackling a lot of tough, and often overlooked subjects with technology, and I think that there should be an audience for it on Tildes.

With that said, is there any interest in doing a rewatch and discussion on it? A discussion thread for each episode would be posted every few days, I’m thinking every 3, to give people enough time to watch the (sometimes quite long) episodes, as well as to not spam ~tv with too many threads.

I think this could be fun and start some good discussion, but there would have to be a good amount of people participating. If you’re interested, please leave a vote/comment with any feedback. Thanks!

IMDb YouTube Teaser

So far I haven't been able to see anything except what's visible on YouTube. Like all of his content, the show has SBC put people into bizarre situations. But it seems to me this show is more about the bizarre world we're already living in than it is how strange SBC can act.

I just finished watching The OA. Wow, that was a really unexpected and interesting show. Coming of age / Sci-Fi-ish / Magical Realism, what an amazing show. The ending got this grown ass man emotional. Has anyone else watched this? Thoughts? Anything else like this out there?

Link to Google doc: https://docs.google.com/spreadsheets/d/1Hc-Ti6Pff_qUZLAfzzL7WjhFNh2m_XPvMkdYBL6mLzI/edit?usp=sharing

I created this document a while back and update it every couple months. There's an Introduction tab with guidance on how to browse the spreadsheets, which I've copied below for reference:

(1) This document outlines various TV shows and is broken up into 3 tabs: Watched, Watching, and Want to Watch.

Watched: Shows I've completed through series finale or given up on. Some of these were canceled early.

Watching: Shows I'm actively watching day-to-day or shows in between seasons that will air new episodes in the future.

Want to Watch: Shows I haven't started and want to watch. Many of them are recommendations I jotted down to avoid forgetting, so this list will sometimes be unalphabetized.

(2) Certain columns of information were exported directly from IMDB, and the page for each show is linked in the rating from the IMDB column.

(3) On the Watched and Watching tabs, there are columns for Recommend? and Notes to provide background that will help decide what to watch. Don't let any of my negative comments stop you from watching a show you're interested in.

(4) The Recommended? column is divided into the following categories: Must Watch, Yes, Maybe, No. These are all based on personal opinion with extra discussion/information in the Notes column.

(5) I've shared this with most people using View Only permissions, so download the Excel file (or copy to your Drive account) to filter columns by genre, rating, and personal recommendation.

Disclaimer: not everyone will have the same tastes as me - that's okay. I welcome any disagreement about how I've rated shows and hope to get some discussion going.

• What shows have I missed that I need to watch?

• What shows did I strongly recommend that you didn't like?

• What shows did I give up on too early?

I expect to take some heat for quitting Brooklyn 99 around season 3.

• What shows haven't come out that I should keep an eye out for?

Like Jack Ryan which debuts this month.

• How can I improve the document?

I considered including a column with the show's network or where it can be legally streamed, but this is pretty tedious given the nature of broadcast rights.

As mentioned in part 1: Diversity, I'm currently rewatching Gotham on Netflix, and just writing up a whatever thoughts I have about the show. I find this show to be really good and really bad in a lot of places, both in storytelling in general and as a comic adaptation.

Warning, there will be spoilers for the first three seasons (what I've seen up to).

What I'm calling a makeover trope

I'm basically defining any transformation, usually from undesirable/imperfect to desirable/perfect in the eyes of someone (usually a love interest). How this trope plays out is generally very gender specific, so I'm breaking it up into men and women. This trope is definitely not limited to what I'm going to cover.

Women and the power of makeup
When this trope is applied to a woman, there's generally shopping, hair and make-up involved. Examples includes:

• creepy kidnapping, bathing and redress of a woman before presenting her to usually a man
• common whip off her glasses and let down her hair
• evil or sad all-black with heavy eyeliner
• crazy/mad extra sexy make-up and clothes
• girl-power shopping/spa day

Men and the power of pushups
When this trope is applied to a man, there's generally a training montage. Examples include:

• hitting the gym
• arming themselves with new weapons
• new sharp tailored clothes
• spiking up their hair, or shaving
• turning evil after a betrayal

Why I hate them

I admit, it's a bit unfair to say I hate them, since this trope is pretty central to a lot of stories and will go unnoticed if done well. Character growth (in either direction) move stories. However, they stick out so much when tossed in poorly or for no reason, and I really do hate them then. Generally when I see them:

• they are often shallow, such as just changing their hair (sure you can argue the symbolism of this, but it's cliche it's likely to be a reach to do so)
• they change an individual character, but doesn't add to their relationships in a meaningful matter
• (for women) they come with a sense of "taming", usually including a "breaking" phase, and usually by a man who just knows better

How they can be good

The makeover trope can be a very powerful character development tool. It can be driven by the plot or drive the plot. For me a good makeover trope will likely include:

• internal desires to change, such as acknowledging a personal fault and wanting to improve
• natural transformations, such as growing up or learning from experience
• improves (or breaks down) existing relationships by comparing or contrasting our character with their close ones. This can work great to emphasis who they were to who they are or who they want to be

Finally getting to Gotham

Gotham, as a prequel to Batman, are origin stories, which by definition are transformation stories. We're watching the city of Gotham being transformed, Bruce Wayne becoming Batman, Oswald becoming the Penguin, and so on.

In no particular order, here are some makeovers that stood out to me:

Ivy Pepper (Hotness makeover)
She's a tiny stupid kid with frizzy hair, who magically grows ten years and becomes super hot. So now you have childlike innocents meet boobs. But she's Poison Ivy, and she grew like a weed...get it?

Safe to say, I did not like this change.

Leslie Thompkins (Evil makeover)
She's hurting after her husband is killed, and decides to use a drug to "free" herself. Though I didn't like this plot, I actually have no issues with this transformation, except for two things:

• Why the booby black clothes and eyeliner? This is just a pet peeve of mine. I just want to see a woman turn evil and not become some sexy fetish.
• No follow through. There are no consequences to this transformation. Jim, being the hero, will force her to take the antidote, and that's that. As cliche as it would be, I would prefer Jim somehow talk her into taking it, instead of just forcing it on her. Now it's just a weird take on the damsel in distress trope.

I should also add, I actually don't like how characters need an excuse to do bad things. I think it would have been better if she just decided to screw Jim over, instead of this whole roundabout way of doing so, but still basically saying she loves him. Guess this saves the writers a redemption line.

Barbara Kean (Madness makeover)
Barbara is kidnapped and tortured by the Orge who believes she's his soulmate. Though this has makeover tropes I really dislike, specifically the "breaking/taming" and the "I see you for who you are and I will set you free" that comes with a huge dose of patriarchy, I actually thought this was pretty well done and revealed to the audience. I just wished they had more follow through regarding Barbara herself after this, instead of the shift to simply crazy, but still obsessed with Jim.

Isabella (Dead girlfriend makeover)
After learning that Ed (the Riddler) accidentally murdered his old girlfriend, who she looks exactly alike, Isabella decides to dress up as his dead girlfriend to prove "he won't hurt her". Little bit of a reverse of the the common trope, as she puts on glasses and ties her hair in a pony tail for this one. She's a disposable refrigerator girl, so my expectations were pretty low here. Still annoying to watch though.

Oswald Cobblepot (Evil/power-up makeover)
This character actually probably transforms the most through the series. There are lots of cliche bits, including sharp new clothes, but his transformations are generally a result of his own work and are fun.

Selina Kyle (Dress-up makeover)
The writers generally handle this character really well, so I'm not sure why they decided to toss in a random "guy sends over boxes and bags of shoes and clothes so you can dress up". She does dress up for the charity event, but easily goes back to herself. So, this was cliche, but has no consequences, ...so meh?

Bruce Wayne (Toughness/reality makeover)
The entire series basically has Bruce's slow transformation to Batman in the subplot. His interactions with Selina gives him the reality checks he's looking for, while contrasting his believes, specifically with Batman's infamous "no killing" rule. His makeover is deliberate, strongly internally motivated and permanent. His growth is believable.

Final thoughts

So this turned out way longer than I intended, and I actually didn't include nearly as much detail as I was going to.

Thoughts? How does Gotham compare to other shows or stories?

The first few seasons of Adventure Time are very dear to my heart, I watched them as a teenager when they first aired and I still revisit them from time to time when I'm bored or am having a bad day and need a pick-me-up. I recently came across a bunch of outlines and concepts for unproduced episodes from season 1, and some of them are really good!

Full Storyboards:

THE GLORRIORS

BROTHERS IN INSOMNIA (This one's good)

Outlines:

BOXCARS & BINDLES (I really like this one)

HAND (It's a board artist's worst nightmare!)

ONE HOT WORM

THE MUMBLING MAN

TOWER OF BONE

THE HELMET OF THOROGON

SWATHS OF GLORY

TREE PROBLEM (This is an outline for "Brothers in Insomnia")

Story Notes:

DIAMOND JIM

JAKESUIT

Other:

Adventure Time series presentation

I started writing this a couple days ago and it's turning into a bit of a novel with no plot, so I thought I'll break it up a bit. Warning, there will be spoilers. I'm not caught up - only watched the three seasons available on Netflix, so if you're in the same boat, you're safe.

Diversity in shows is not something I actively look for, but will generally notice if done really poorly or really well, the former more than the latter. Gotham as a whole swings in both directions.

There's lots of different ways for a show to be diverse, I'm going to focus on women, race and sexuality in this post. Disability is going to be its own topic (when I get around to writing it).

Women

I'll start with the easiest check - yes there are women in this show, and they appear in frequency and numbers that more or less make sense for where they are. For example, in the bull pen, it's mostly men with a handful of women around, at a party they're about equal numbers, and so on. For named characters, they are in a variety of roles, both traditionally female and not. A short list includes, Sarah Essen, Barbara Kean, Selina Kyle, Renee Montoya, Fish Mooney, Ivy Pepper, Leslie Thompkins, and Tabitha.

There are stereotypes and caricatures, but mostly they feel like dramatized comic archetypes more than sexist, though it can definitely be both. There's plenty to write on each character, which in of itself is a good sign.

Now let's look at a few specific cases that caught my eye:

Spirit of the goat victims
This is just a little peeve. They went out of their way to specify that the victims are Gotham's first born to the point that Alfred points out that Bruce is a first born. Generally in stories, when referring to first born children, it's usually sons, but here, all victims are women. I'm going to guess it's for visual reasons, since the whole sacrificing a virgin in white on an alter is a pretty common trope. Still, can't decide how I feel about this one.

Barbara Kean
Now we're finally getting to who I really want to talk about - Barbara Kean, specifically from season 1.

Comic book fans will recognize Barbara as Gordon's first wife and mother of the original Batgirl (also named Barbara). In the comics, she has a mental breakdown and leaves Jim and Gotham (their daughter refuses to leave and stays with Jim). She's the character that Gotham literally broke, and though she is not an unsympathetic character in the comics, her relationship with Jim is pretty glossed over for an emphasize on her lack of a relationship with her daughter. There is also an implied break in her and Jim's relationship where she supported him in his extremely stressful career as best she could, but he didn't support her when she needed him (and depending on the version, he actually cheats on her because he was so stressed...).

This little background is why I was super excited to see Gotham's take on Barbara. This is probably the first time we get more than a flashback or half mention of this character in any medium. And she's treated with a lot of respect. She's supportive and compassionate, but still very human. At the start of the series, she's on relatively equal ground with Jim, asking to share his life, believing him (and in him), and just generally being supportive.

As an audience, we see Jim take from this relationship, and never really give anything back, so we know it's doomed.

She's not a flawless character, and suffers from what a lot of supporting casts do, which is that they are defined by the main character. Her fall, her mental break, can still arguably be classified as a women-in-refrigerator trope. She becomes a different person, but is generally there to haunt Jim, or help him, as the plot requires.

Honestly, her flip to the dark side, will check of every bad sexist trope you can think of, including magician's assistant. So, she's easily one of the best and worst written characters of Gotham.

Leslie Thompkins
She is everything I wanted Le to be...until she's in a relationship with Jim. She starts off being a strong, competent doctor. She stands up for her patients and what she believes in, and is unafraid of sticking around when things get tough. Then she starts dating Jim, and does crazy things like demand PDA at work that is unprofessional and more importantly, that Jim is uncomfortable with. Nobody should ever kiss someone if they feel uncomfortable. Demanding it doesn't make you confident, it makes you creepy!

From there she ranges from damsel to pregnant to evil. There are too many incidents to really cover, but, I do want to talk about the gas-lighting, which is a particularly poor choice of plot in my opinion.

There's an entire arch where she, as the medical examiner, discovers evidence that a murder occurred, but is asked to believe it's suicide. She points out the inconsistently and basically points out that Jim is lying, which he was. She takes this from co-worker to co-worker, and literally every guy tells her she's just seeing things because she's grieving the death of husband. This is never addressed for what it is. The resolution comes when she turns herself to her "darkest desire", which is to wear lots of dark eyeliner and f*** Jim.

This, compared to her comic character, who let Batgirl (Brown) die to prove a point to Batman. She's not a strictly good character in the comics, but she's definitely a strong character. So yeah...she's probably the worst written woman in Gotham, and is unfortunately the main female protagonist.

Race

Sure, the good competent guys are mostly white, and I'm always up for seeing more Asians, but the casting in general feels fine to me. No one feels out of place or token. I would say there's more stereotyping based on class than on race. So we have "hats" like Russian gangster, Italian mob, posh 1%-ers, and circus freaks.

Not to say there aren't awkward parts, like Alfred's British(?) accent.

Sexuality

Identity
As far as I can tell, there's no real representation here at all.

Orientation
There's three women, one man:

• Renee is gay
• Barbara is bi
• Tabitha is bi
• Penguin is gay

They're a bit shallow, but probably because these women aren't as core as other characters. Renee and Barbara's relationship feels a bit more authentic than Barbara and Tabitha's. Maybe because Renee really is gay and an alcoholic in the comic, so the writers had more to draw from. Maybe because Barbara and Tabitha's relationship seems more for plot, or worst for easter-egging (not-Harley and not-Catwoman running the Sirens, with mini-Ivy popping in).

Penguin being gay is actually really cute, in a creepy way. He spends a good deal of the show wanting a "friend" and finds one in Ed. Though there is an extreme selfishness to his love, it's still a pretty good subplot.

Final thoughts

So these are my quick thought on diversity in Gotham. What are your thoughts? Anything else stand out from the series (or comics) for you?

Edit to add: I forgot about Penguin being gay.

Firefly has a fairly large cast, and I believe this really adds to the different perspectives they can show for any single topic. For this post, I want to discuss what Firefly says about work.

I decided against writing an essay for this, so I thought I'll just mention a few things that stood out to me.

Your job is your adventure

I always found Kaylee's story on how she joined the crew really endearing. She had a love and passion for ships, and let her knowledge (and unspoken hard work) offer her an opportunity to travel and experience new things. I love how her job, as the ship's mechanic, is a part of who she is.

Work can be hard and hard to come by

Ultimately, Firefly is a story about survival. Mal takes jobs that can be dirty, they're not fully equipped for and just a little...illegal. However, you have to work with what you can get with what you have. And there's nothing wrong with doing any job to survive...of course this leads to...

Your job doesn't need to define you, but it can reflect who you are

Inara works a job that comes with a lot of judgement. She takes pride in her work and doesn't let anyone shame her for it, though they definitely do try.

One of my favourite Simon moments is when he has Jayne in the operating chair after learning that Jayne betrayed him and his sister. Simon tells Jayne that he'll always be safe when he's in the chair. Simon is a doctor, and though he obviously has a great ability to do harm, he never will.

Jayne's all about the money. I think it's shown that Jayne would love to do "respectable" work, but doesn't have the opportunity. He would rather play the hero, but can't, so he's all about making as much money as he can. His morals are probably the greyest of the crew. Still, he feels shame, and learns that when you comprise your morals for a payday, that is you. Ultimately, it's not who he wants to be, and definitely not what he wants to be remembered for.

I think there's something really universal about the themes that Firefly has about work. After all, most of us will spend a significant portion of our lives at work, and I think it's not hard to relate at least a little bit.

I've been into Kamen Rider and Super Sentai for a few years and I'm wondering if there are any other fans on this site. (I was going to make this a general tokusatsu topic, but I'm not into Garo or Space Sheriff or, idk, Pretty Guardian Sailor Moon, so I wouldn't be able to contribute to discussions on them.)

Do you have a favorite installment of KR or Sentai? I'd have to say my fav Rider is W; the partner dynamic, and the detective noir style and subversions thereof, really tickled my fancy. For Sentai I guess my favorite was ToQger, but I feel kind of cheap saying that since it was the first series I saw all the way through; but I loved how silly and serious it was at the same time, and while I usually hate the kind of Red that ToQger had, Right had a really good reason for being that way.

Anyone watching Build and LuPat? I'm loving them both. Build feels like a shonen anime and I'm sure it's on purpose, and sometimes it makes me roll my eyes, but I like the characters and how they bounce off each other (even if Misora and Sawa could be given a bit more to do). LuPat is shaping up to be a really great Sentai; I can't wait for the two teams to inevitably team up, like we all know they're going to.

Anyway I'd really like to talk about these shows with anyone else who's a fan!

I don't watch a ton of TV, but one show I've binged lately has been Pose.

https://www.imdb.com/title/tt7562112/

The show is set in the ballroom scene of 80s NYC, and deals with a lot of hard topics like the HIV epidemic, gay and trans POC and their acceptance in the "straight" world, and what makes a family. It can be tough to watch in parts, and the first season's storyline was a bit too cliched in places. But overall it's a well acted, well scripted show that highlights a very unique part of history.

Has anyone else been watching? What did you think?

From CBS: New details, trailer from "Star Trek: Discovery" Season 2

From Gizmodo: In The First Trailer For Star Trek: Discovery Season 2, The USS Enterprise Boldly Arrives

As someone outside the USA, the videos in those articles didn't work for me, but this one from Netflix UK & Ireland does work for me: Star Trek: Discovery | Season 2 Trailer [HD]

If you haven't watched Firefly, this should still be safe to read. No spoilers.

Let me start by saying I'm a huge fan of Firefly. If someone could somehow combined the core cast, the favour of the universe, the ship, the adventures and everything into one awesome person, that person would be my BFF. However, as an Asian, I probably would not be theirs.

Background

The series is a space cowboy western drama. It takes place in the year 2517 in assumed to be distant solar system from our Earth (Earth-that-was). From the comics, there's a brief comment that mentions Earth-that-was sent generation ships to colonize this new solar system. The ships were sent by the two main superpowers at the time - USA and China. This explains the general western feel mixed with, I'm going to call it - generic Asia.

Core characters

• Malcolm "Mal" Reynolds
• Zoe Alleyne Washburne
• Hoban "Wash" Washburne
• Inara Serra
• Jayne Cobb
• Kaywinnet Lee "Kaylee" Frye
• Dr. Simon Tam
• River Tam
• Derrial Book
• (The ship, Serenity)

And yes, though Kaylee, and the Tam's stand out as Asian-ish names, they are not Asian. In fact no one in the core cast is. There was mention that Kaylee was suppose to be, but they just fell in love with Jewel Staite. I honestly can't imagine another Kaylee, but still can't help but wonder. And to be honest, I'm not sure how I feel with the idea of the only Asian walking around as the only person wearing Chinese clothes.

Non-core characters

Too many to list, but feel free to scroll down the list on IMDb.

You'll find "Jim Lau" - Narrator. I also believe I saw an Asian woman in "Heart of Gold" but can't find her name, so I'm guessing it's an uncredited part.

That's right, in a universe settled by the Americans and Chinese, you'll see maybe one unnamed Asian.

Asia without Asians

But not seeing Asian people doesn't mean there's no Asian influence.

• Kaylee wears "Chinese" clothes a fair bit and even has a paper umbrella. Of course, if any of you have recently visited pretty much anywhere in China, you'll notice no Chinese people wear clothing like that walking their dog.
• Chinese food, like "bao" is also mentioned.
• Quirky Chinese things like "washing feet" and "hundreds of fat children" are woven in.
• The Chinese language in both written and spoken form are littered through-out. The ship, Serenity is named in Chinese (painted on her), but no one actually refers to her by it. Bits of Chinese are tossed around everywhere and obviously every person in this universe is expected to be fluent. There was Asian consultation on this part, so a lot of the language is "correct". They went out of their way to string together crazy sentences, so it's not anything most people would say, but honestly adds to the show. And for their part, you can tell the actors do put an effort in speaking it right, with varying levels of success.

Final thoughts

I still love the show, but do feel disappointed that someone can obviously love my culture so much to see its influence everywhere in this series, but not enough to actually include us.

Edit: formatting