Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

Please just try to provide fair warning of spoilers if you can.

Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

Please just try to provide fair warning of spoilers if you can.

Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

Please just try to provide fair warning of spoilers if you can.

Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

Please just try to provide fair warning of spoilers if you can.

Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

Please just try to provide fair warning of spoilers if you can.

Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

Please just try to provide fair warning of spoilers if you can.

Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

Please just try to provide fair warning of spoilers if you can.

Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

Please just try to provide fair warning of spoilers if you can.

Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

Please just try to provide fair warning of spoilers if you can.

Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

Please just try to provide fair warning of spoilers if you can.

Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

Please just try to provide fair warning of spoilers if you can.

Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

Please just try to provide fair warning of spoilers if you can.

Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

Please just try to provide fair warning of spoilers if you can.

Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

Please just try to provide fair warning of spoilers if you can.

Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

Please just try to provide fair warning of spoilers if you can.

Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

Please just try to provide fair warning of spoilers if you can.

Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

Please just try to provide fair warning of spoilers if you can.

Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

Please just try to provide fair warning of spoilers if you can.

I just finished watching it (pirated, because I wasn’t going to give Disney money after all the controversy regarding Taiwan).

Uhh, it.. was bad? I mean I’m usually pretty positive especially about all the Disney remakes, and I liked the general darker mood of this Mulan version. But what’s with the 90s era cgi physics?

Also, and I get the Mulan plot line is entirely about how ridiculous gender-gating is in general, but whew there is a serious case of The Stupids around a lot of the tradition, much more so than in the original. This felt very tropey to me, convenient idiocy. I mean yes okay this takes place 1200 years ago but …

I appreciated not seeing mushu, but the Phoenix could have just been a lot lot lot more subtle.

And I’ve never seen snow look so much like party foam. This is the same studio that produced Frozen?!

Man, this movie felt like it was written, produced and directed in 1998. I would say I watched the wrong one by mistake but the original was actually good for its time.

What happened, did I miss something? This could have been an amazing movie full of great music, awesome choreography, and a super dark take on the original. Instead, I watched the equivalent of a machine learning exercise in turning anime to live action.

Youtube Trailer : https://www.youtube.com/watch?v=aK-X2d0lJ_s
Netflix Link : https://www.netflix.com/title/81038963
Wikipedia page with plot summary : https://en.wikipedia.org/wiki/The_Old_Guard_(2020_film)

We haven't had one of these in a while, and given the amount of time people are spending indoors, I figured it might be good to share some movie recommendations.

I will post my own comment regarding some movies I've seen recently, but I wanted to also share some quarantine / pandemic movies that might be interesting given the strange times we find ourselves in. Warning: they are probably not a great way to take your mind off things, if that's what you are searching for, hence why I'm separating them from my other comment.

• Contagion (2011) - Probably one of the more relevant movies, and certainly on people's minds. It's an interesting worst case what-if scenario, and actually tackles some of the political struggle with organizing around a pandemic.
• Perfect Sense (2011) - Overshadowed by Contagion, which is arguably the better movie, but I liked the premise of this one: a disease that slowly takes away your 5 senses, one at a time. I didn't like the ending, but for a thought experiment it captured my attention. It threw in a love plot line which may or may not have been necessary when the reaction was more interesting, but it does help provide a ground floor experience of a more terrifying epidemic.
• It's a Disaster (2012) - I have somehow managed to miss watching this movie, despite it being on my watch list for some time. A comedy, which may come in use in this trying time, it centers around a group of friends who invariably become part of a self-quarantine at their house.
• Rear Window (1954) - A Hitchcock classic. Jimmy Stewart is confined to his NYC apartment due to a leg injury, and has all the time in the world to spy on his neighbors, where he becomes obsessive over a potential domestic dispute between a couple across the way.
• The Lighthouse (2019) - Superb acting by Willem Dafoe. Two men, a seaman fresh to the trade and a seasoned veteran, are servicing the sole lighthouse on a tiny island as part of a contract. They are forced to stay longer than either imagined due to a storm passing through them. They get at their wits end with each other and their sanity slowly falls apart. Beautifully shot in black and white and with authentic vernacular, it really transports you to a different time period.

Just finished Annihilation. Decided to share some random thoughts:

The film looks absolutely stunning. Perfect blend of beautiful and horrifying. But the characters… ugh. They are your classical horror film bunch of idiots. And, as per tradition with the modern sci-fi horror, they're supposed to be “scientists”. Bah.

It seems like both the screenplay and the visuals were heavily inspired by Roadside Picnic by the Strugatsky brothers, and possibly Andrei Tarkovsky's film adaptation, Stalker (1979), as well as a bit of his other sci-fi work, Solaris (1972), here and there. Honestly, if you like the idea of “alien shit twisting stuff around it”, and you like reading, you're way better off just reading Roadside Picnic.

Why didn't most trees change? The flowers, the moss, and the animals get all kinds of wild twisted colours and mutations, but the trees remain just green? That really bothered me. They also don't mention all this mutated flora and fauna going outside “the zone”, which, I assume, would be a giant issue.

That lighthouse would be so destroyed if it was really hit by an object of that diameter.

I found it ironic that the psychologist of the team was the one who was severely depressed. Here in Russia we call that a “barefoot cobbler” situation. But the way the film shows severe depression is pretty accurate.

Overall, I reluctantly enjoyed the film, but I couldn't stop thinking that all those visual effects and designs would be much more amazing in a Strugatsky bros. adaptation film.

• Trailer topic
• Wikipedia

I watched it last week. Fantastic movie. I don't watch many war movies (in fact this is one of my first ones), but I really, really liked it. I didn't even notice the two hours go by.

The one-shot effect is really well done, and I enjoyed trying to spot the transitions.

It's not an exceptional movie or anything like that, but it's one of the rare times I just went into the theater and came out exceedingly satisfied.

From Community to House of Cosbys to Rick and Morty, Dan Harmon made a name for himself as a comedy genius. IDK much about Justin Rowland, but I assume he's at least partly responsible for some of the most brilliant moments of Rick and Morty, and I'm not just talking about the jokes. Among other episodes, The Wedding Squanchers, The Rickshank Redemption, Pickle Rick, Rickmancing the Stone and Look Who's Purging Now show great mastering of how action scenes are supposed to work. They ally irreverence, great rhythm and creative use of violence to make delicious gory spectacles. Unlike the increasingly incomprehensible movie brawls of today (I'm looking at you, Marvel...), their battles can be just as fast, but their choreographs are dramatic and easy to follow while retaining a great degree of complexity.

Dan Harmon and his team have a lot to teach to Hollywood.

This is what you get when you search VUDU for free science fiction movies. The plot is banal enough. A spacecraft is discovered in Colorado that is 14,000 years old. A linguist and her lover are hired to read an inscription and then summarily paid and told to go home by the mysterious and unlikeable head of the project, Richard Kontral.

This description in no way does justice to how bad the script is. My first theory was that a rich father gave his fourteen year old son a chance to create a movie for his birthday present. But it's really just a low budget sequel to an obscure cult film called Moontrap.

The lead character, Scout, is played by Sarah Butler who evidently rose to wordly fame in I Spit on Your Grave. Every line that Scout says to the villain includes adolescent sexual insults. The villain is I believe a washed up actor from an old sitcom called The Nanny. This guy is really hard to watch, the acting is as bad as the script.

There's a scene of robots fighting that looks like it was choreographed with Rockem Sockem Robots, a toy from my childhood. If you're a collector of bad movies, this is a true gem.

It was tough to watch, but our free streaming was slim pickings that night. I wanted to watch Day of the Triffids a classic bad movie from the '60's , but got outvoted. At least that movie was based on an interesting SF novel by John Wyndham. Maybe tomorrow night.

Have you watched any movies recently you want to discuss? Any movies that you'd like to recommend or are hyped about? Feel free to discuss anything here!

Spoilers are okay, just give fair warning so people who care about them can participate too.

Have you watched any movies recently you want to discuss? Any movies that you'd like to recommend or are hyped about? Feel free to discuss anything here!

Spoilers are okay, just give fair warning so people who care about them can participate too.

Since we're fast approaching the second half of the year, I think it's a good time to look back on the first half, to the movies that came out this year and to share our favorites. I'm giving my favorite 10 (though in no particular order) but if more or fewer stood out to you and you want to share all of them, feel free! Blockbusters, indies, comedies, dramas, whatever stands out to you from 2019 so far. Don't feel pressured to write anything but the title or a basic synopsis if you don't want to.

• Apollo 11: Okay, I know I said this list isn't in order, but this one is definitely #1. It's history in motion, and its images and editing will surely be seared into my mind as the way I think of the Apollo launch.
• An Elephant Sitting Still: Technically came out in 2018 in some regions, but has a 2019 release in my country, which is the order I'm organizing this list in. A beautiful and heartbreaking journey into universal pain and suffering and catharsis in the tiniest things. At nearly 4 hours and with an oppressively melancholy tone, I struggle to recommend it to everyone and anyone, but if the description interests you, definitely give it a look.
• The Farewell: Hilarious and sad, often in the same moment. My love of this may well have been colored by my experiences as an immigrant under very similar circumstances as its main character, but it's an interesting look at differing cultural philosophies of the worth of the individual on their own versus their relation to society.
• The Last Black Man in San Francisco: A layered critique of gentrification and the personal individual obsessions that keep us from truly seeing it and other issues in our world as they happen. It's filled to the brim with things to say, sometimes to a detriment, and some of the screentime spent just showing the sad beauty of San Francisco could've been used to further flesh out some of its ideas, but I still found it extremely compelling all the way through.
• John Wick: Chapter 3- Parabellum: I think the John Wick movies get a little more bloat on them every entry(much like their titles, actually), but the action only seems to get slicker. I still like the balance of the world, character work, and action in Chapter 2 the best, but while I think 3 drags itself down into its lore a bit too much, its setpieces are still top of the line. I find Keanu endlessly killing people left and right to be incredibly cathartic. Should probably talk to someone about that.
• Burial of Kojo: This doesn't say "Netflix original" on it, but it does seem to be distributed by them in all the countries I checked, so I don't know what's happening there. Regardless, there's a good chance you'll find this on Netflix in your country. I'm willing to admit this movie is heavily, deeply flawed. It overtelegraphs many of its plot points repeatedly, for one. But I also think it is filled with a gorgeous charm. It's light fantasy and grounded fairy tale feels half Tarsem and half Guillermo del Toro, and I was captivated from beginning to end.
• Booksmart: I find the new crop of female led high school movies (Booksmart, Edge of Seventeen, Eighth Grade) to be far more relatable and interesting than the dozens of high school movies of decades prior. It feels like the hands of the filmmakers is more on the pulse of the struggles of modern kids. Booksmart is very much a heightened comedy compared to the other examples I mentioned, but it is great at it. It's hilarious, even if there's one scene in particular that goes on forever. The comparisons to Superbad are mostly warranted, and I still lie awake at night, sad at the fact that I saw this opening night and the theater was mostly empty.
• Dear Ex: The Netflix revolution of every indie movie ending up on streaming services and leaving the theaters to the blockbusters isn't quite happening at the speed originally anticipated, but it definitely seems like more and more of my favorites of the year end up being a streaming original. Dear Ex is a Netflix film about different people grappling with the loss of one man, and it shows the power of the individual to connect the lives of the people they love, and of the many tools we employ to try to get over losses in our lives.
• High Flying Bird: Yet another Netflix movie. Steven Soderbergh is one of the people who can make a bearable heist movie in this day and age imo, and he lends that gift to this to make a movie where the heist isn't money or jewels, but the basic rights of human beings being trampled on by a system that creates middle men to suck up money, leaving the real workers with pennies. It's shot on an iPhone, and there are moments where that seems like a limitation, but honestly, a lot of it looks really impressive.
• Ash is Purest White: This is Jia Zhangke well within his comfort zone, looking at the strain put on human relationships by the passage of time and the everchanging effects of globalization and shifting national landscapes. The World(2004) (aka Shijie) is still my favorite of his, and it is definitely an idea he's explored before, but his ideas and commentary on it have never failed me to keep me enthralled all the same.

I have a list of all the 2019 movies I see that I consider "good" here (29 films at the time of writing this) if anyone wants to take a look at all of them.

Thanks to @dubteedub for doing this up until now, let's bring em back :)

Have you watched any movies recently you want to discuss? Any movies that you'd like to recommend or are hyped about? Feel free to discuss anything here!

Spoilers are okay, just give fair warning so people who care about them can participate too.

I Am Mother is a sci fi movie centered in a dystopian future with a novel twist.

If you prefer neat, predictable endings, then this movie is probably not for you.

What is particularly interesting, is the movie is almost deliberately ambiguous, and it constantly challenges the usual assumptions you might make.

The final reveal subtly explains away some of the elements that at first seemed a little jarring or confusing. Other aspects are not fully explained. This creates enough space to construct some very interesting back story theories, while ultimately leaving you guessing.

I wasn't too sure whether that movie warranted a Discussion Thread, given only Endgame got one here so far but… hey, I really liked the movie.

The pokemon CGI was amazing. Storyline was not half-bad (not great tho); somewhat predictable although with a nice twist I personally didn't see coming.

I'm not even a huge pokemon fan or anything, but this took me back to my childhood quite a bit. I really like how they mostly featured pokemon from the original 151, which made the movie very approachable to old-timers.

It also didn't feel awkward or childish or cringey or anything you might expect from, well, a pokemon movie. Loved hearing the theme music in the TV background early on. Loved pikachu's singing, that was pretty hilarious, felt like a nice place for the movie to poke some fun towards itself.

Coming out, I was reminded of how I felt after seeing the Warcraft movie: Seeing characters that have played such a special part in my life, being brought to a full-feature live-action. It's really a unique feeling. I guess that's why I'm looking forward to both Aladdin and The Lion King coming out this year; even though neither were as special as Warcraft/Pokemon, I still get chills thinking about the unbelievable CGI quality we get for what a few years ago we'd never have thought would go beyond plain animation.

I tried to keep the post body mostly spoilerfree but this is tagged spoiler so I guess go nuts in the comments.

Spoilers for Solo follow - you have been warned.

So a year after it's release and months after it went up on netflix, I finally got around to watching Solo.

For context: for most of my childhood, I was a huge Star Wars buff. I played Star Wars: Galaxies growing up, I was in the massive crowd that saw The Force Awakens opening night, I spent the better part of 2 years as part of a prerelease community for Star Wars: The Old Republic. There was a time where I could name nearly every planet of consequence in the canon and knew most of the expanded universe's timeline.

But the new trilogy has been... well, nothing. I found it to be a mediocre, hole-filled mess most of the time, too busy being Disney's Star Wars^tm politically correct safe-kid to actually be good movies on their own. Rogue One was an enjoyable exception, but still not particularly amazing... but the point I'm driving at is, the last couple of years, I've pretty thoroughly come down from the Star Wars high.

When Solo came out, I assumed it would be more of the same - panned by critics, it was presumably going to be another politically correct, lackluster, rehashed or nonsense story, this time using Han Solo's name as a marketing tactic. No desire to see a childhood hero Anakin Skywalker'd, I skipped it, and didn't even care to watch it when it popped up on Netflix.

Tonight, out of pure boredom, I decided to give it a watch and was surprised to learn that I couldn't have been more wrong. Which is to say, I enjoyed the crap out of it!

It had romance! Snappy writing! Memorable, enjoyable, non-trope characters (mostly!) Although it had some of the same flaws as Rogue One (namely that it started to drag on), it also had something that Star Wars hasn't truly seen since the original trilogy: heart and soul.

More importantly, it did something that no movie in the franchise has done since the original trilogy, and actually engaged me with the story. And this is where the spoilers come in.

First, credit where it's due: although the story tended to go on and on, at no point did I feel like any of it was unnecessary - it just felt like it was too constrained by being a single movie.

I was invested in seeing an actual romance in the story (since apparently ONLY Han Solo can do that), which saw a satisfying, and rather complex resolution. The dirty, street-level setting and story was an awesome break from the epic, world-shaking conflicts that the movies have clung to until this point (or whatever the hell The Last Jedi was). It was powered by characters, and I appreciated that.

To top it off, the reveal of Maul at the end of the movie was totally intriguing, and (IMO) beats any other reveal in the series hands-down. I was a fan of his appearances in the cartoons, and seeing him on the villain's throne in a movie, I think, would've made for a much spicier and more intriguing story than whatever/wherever/whoever Snoke was. From getting his ass kicked by the Emperor for the plot, to getting beat down by ol' Ben (for the plot), the guy's a damn competent villain that still hasn't had a real shot.

Don't get me wrong, it had its flaws: as mentioned, it was REALLY long, and I don't mean to imply that every character was perfect, or that the plot wasn't totally ridiculous in places. But the story was good enough, and the movie enjoyable enough, that I could overlook it, and that's more than I could say about the movies that caused me to not see it in the first place...

Which, to my final point, is the greatest disappointment: with the cancellation of all the non-trilogy entries in the series, it's safe to assume that Disney's learned all the wrong lessons from Solo.

Rather than attributing it's A- performance to the point that people just haven't much enjoyed their epics, remembered what happened the last time someone tried to do an origin story in the series, or were feeling Star Wars fatigue, and didn't go to see it as a result, they'll blame the format, the story, the stakes, the setting, the characters - all the things that made the movie worth watching at all.

So, with Episode 9 coming out sometime this year and us presumably going to see a mediocre conclusion to what has at this point been a completely mediocre and forgettable trilogy (with lightsabers!), all I can say is, Solo sadly will stand out in my mind as the only movie in this era that carries on the legacy of the originals. I'm disappointed, more by circumstance than anything. I think, had Solo come out 5 years ago, it would've been hailed as the proper return to the franchise that it deserved to be, far more than any of the other franchise entries have succeeded in doing since.

What'd you think of Solo, Tildes? Am I stark raving mad?

Identification of key films and personalities in the history of cinema from a Western perspective

Top 20 movies by influence centrality

1. The Wizard of Oz (1939)

2. Star Wars (1977)

3. Psycho (1960)

4. King Kong (1933)

5. 2001: A Space Odyssey (1968)

6. Metropolis (1927)

7. Citizen Kane (1941)

8. The Birth of a Nation (1915)

9. Frankenstein (1931)

10. Snow White and the Seven Dwarfs (1937)

11. Casablanca (1942)

12. Dracula (1931)

13. The Godfather (1972)

14. Jaws (1975)

15. Nosferatu, eine Symphonie des Grauens (1922)

16. The Searchers (1956)

17. Cabiria (1914)

18. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

19. Gone with the Wind (1939)

20. Bronenosets Potemkin (1925)

Prometheus (2012), Alien: Covenant (2017), Life (2017), The Cloverfield Paradox (2018), you name it. Why is everyone in the team is a complete incompetent buffoon? Why is the science behind the films so bad? Why do the protagonists do stupid crap? The crew from Alien IV looks like geniuses compared to these people.

Am I the only one who is seriously disturbed by this trend?

For anyone who doesn't recognize Patience Phillips, she was Halle Berry's Catwoman in the most terrible superhero film - Catwoman (2004)...that I really enjoyed it. Probably because it wasn't well-received, it's often overlooked when talking about things like "the first female hero on screen" or "the first black hero..." sort of things. And technically, Catwoman's not a superhero.

Spoilers ahead. I'm also going to keep my points to the story and characters themselves. I honestly had no issues with any of the actors.

The good

• The theme and social commentary on make-up, beauty products, self-harm/addiction and image issues woman do face. The added layer of cooperate greed. The idea of what you see in the mirror vs. what others see (and if they're right), alongside what you want to present to the world or to specific people - honestly this movie has probably one of the best takes on "the cost of beauty" that I've seen in a while, and since.
• The scene where Tom thinks he's saving a jumper, but Patience is actually trying to save a cat. This random scene turns out to be a great storytelling scene when brought up again after Tom arrests Patience for murder and she asks him what he first saw the first time they met.
• Laurel is probably the most interesting character in this movie. There's a really well-framed shot of her photos being removed from her company lobby in favour of a younger model. I think it's one of the best scenes in the movie. Laurel is capable, powerful, rich and very accomplished, but somehow her relevance still fades as her beauty does. (I can honestly say I generally can't stand the evil step-mother wrestling with her fading beauty and taking out her bitterness on some young snow white-y girl, but this one worked for me.)
• I loved that Batman wasn't in it (but didn't really like that a love interest still had to be introduced).

The bad

• That she's call Patience Phillips...but honestly this is the warning to divorce this from any Catwoman or female superheros (or anti-heros) you know.
• Patience doesn't earn her "powers" - Selina Kyle (Catwoman in basically all other versions) works obsessively to perfect all her abilities. She's an insanely good cat burglar, not a magic cat.
• Patience doesn't earn or drive her own growth. There is basically no growth as a character. A magic cat ghost could have simply possessed Patience's body and the story would be the same.
• Oversexualization of Catwoman...which I didn't even know could be a thing until this movie. Black leather for a sexy Catwoman - awesome. Whatever the belt thing was - grossly missed the point while trying to copy Pfeiffer's patched up catsuit.
• I'm also not the biggest fan of make-over tropes in general.

The ugly

• The basketball scene - just everything about it.
• The hate that surrounded the movie because Catwoman wasn't blonde (or Michelle Pfeiffer), and that Batman's not in it.
• The physical punch-them-out fight scene between Laurel and Catwoman in the end - just why? This isn't a movie at all about physical strength, and having a "face like marble" isn't a real power. (To be fair, I don't like this showdown in really any superhero movie, with the exception of The Death of Superman.)

The cheesy

• The crazy cat-lady Patience goes too, and her tossing a cat toy at her
• The sushi eating scene
• The in case of date emergency kit her friends gave her.
• Laurel seeing her cracked beauty in the moment of a showdown fight
• The cat scratches on Tom
• Her best friend hooking up with her doctor
• The comparing signatures on the coffee cups
• Her Marvel-like comic book name

Final thoughts

So yeah...I would recommend this movie, and really hope that when they do make another Catwoman film that it might share some themes. Have you seen this movie? Did you hate it? Who's your favourite Catwoman? What would you like to see in a Catwoman movie?

Old stories are always being updated for lots of reasons, ranging from trying to appeal to new audiences to correcting toxic depictions to fitting better to the current social or political climate and more. There's nothing new there. However, one thing I find a bit odd lately, as in the last five years or so, is that a lot of this modernization is actually done pretty poorly in main stream media. We see more forced diversity, queerbaiting, and generally bad storytelling. Not totally sure how I'll do this yet, but I'm thinking of posting stories that stand out to me for better or for worst, starting with a classic.

There will be spoilers for both movies.

Cinderella (2015)

This is one I honestly didn't think worked at all. To be fair, I believe Disney's goal was just to sell a beautiful movie, and not a good story. This whole movie was gorgeous. It was also really boring, which I honestly believe is the greatest sin in storytelling.

Cinderella herself is "smarter" in this movie than the old classic cartoon. She's well read and has some agency, which honestly makes her more a damsel than the original cartoon for me. In the cartoon, she was an abused child that had no where to go. Her being trapped made sense. In the new one, she's sort of a fighter...who doesn't fight. I didn't get it.

Another issue is that Cinderella was really the only character they modified, which is why the story is still shallow.

Ever After (1998)

This is honestly one of the best modernization of the fairy tale I've ever seen. What worked for me, is that they fleshed out all their characters. Danielle, Henry, the stepmother, stepsisters, everyone! This makes for a much richer story, where characters themselves can be modernized, but still fit the time of the period piece. It's not about dropping a fourth wave feminist into an aged story, but about adding the dimensions that would have still existed then. Danielle is strong, well read, and obedient. Her servitude is not without reason. She's seeking a "mother", and her relationship with her stepmother is more than simply being a slave. The audience is shown the moments of kindness Danielle seeks from her stepmother.

My quick two-cents. I also find it interesting that Ever After came out over 15 years before Cinderella.

So what are you thoughts? Any good fairy tale adaptations you can mention?

It's Monday again, and that means it's time for Movie Monday, a thread where anyone and everyone is welcome to post a movie review about films that they've seen recently, or just liked or disliked in the past.

If you're wanting to post a review, I'd suggest reading trough Movie Monday: week 1 to read through the rules and what to write, but for the most part I'm trying to keep this as simple as possible.

The two rules that I do have are: So far, the only rules are:

All top level comments should be reviews. (if you have any questions or suggestions on how to do things differently, either send me a private message or post in the discussion thread I linked up above)

No spoilers in top level comments. Ideally any spoilers should be in children comments (with sufficient warning) if you wish to write a review with spoilers, make another comment below your top level comment and write the spoilers there. Anyone who doesn't want to know any spoilers should un-expand the comments at the top before they start reading comments. Hopefully this should allow discussion of both the film and the review without forcing people to see spoilers.

But other than that, happy Movie watching and have a great Monday :)

So since I'm a terrible person and all that I totally forgot to make this post last week so I've decided to wait a week and actually post on a Monday. For those of you that don't know what Movie Monday is, here is the post I made about it.

Basically I'd like to make a weekly post where myself and other users post comments on what movies they've watched recently and whether or not they recommend it etc. There's no specific format set out for the reviews, so feel free to write one any way you like, whether it's just a few sentences or a whole essay, we'll figure out what works best as we go along.

So far, the only rules are:

1. All top level comments should be reviews. (if you have any questions or suggestions on how to do things differently, either send me a private message or post in the discussion thread I linked up above)

2. No spoilers in top level comments. Ideally any spoilers should be in children comments (with sufficient warning) if you wish to write a review with spoilers, make another comment below your top level comment and write the spoilers there. Anyone who doesn't want to know any spoilers should un-expand the comments at the top before they start reading comments. Hopefully this should allow discussion of both the film and the review without forcing people to see spoilers.

I know the second rule is a tiny bit confusing, but like I said this is a learning process and we'll see what happens. Anyway have fun and happy film watching!