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4 votes
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Igorrr - Blastbeat Falafel (2025)
13 votes -
Dogma 25: Group of Scandi filmmakers launching refreshed manifesto
9 votes -
The unlikely rise of the Indian space program
9 votes -
Gérard Depardieu found guilty of sexually assaulting two women
20 votes -
Not content to just be the highest-rated game of 2025, Clair Obscur: Expedition 33 has seemingly broken a Metacritic record
54 votes -
France were seconds away from causing a huge shock at the 2025 IIHF World Championships – Finland's blushes spared in dramatic overtime win
4 votes -
'Coyote Vs. Acme' heads to the Cannes market for sales
12 votes -
Oklou - obvious, choke enough, blade bird (2025)
10 votes -
The vocal effects of Daft Punk
21 votes -
That time France went "all nuclear"
10 votes -
Kalle Rovanperä delivered a crushing victory on Rally Islas Canarias in the World Rally Championship, scoring maximum points and outpacing Sébastien Ogier by 53.5 seconds
12 votes -
Huge power cut causes chaos in Spain and Portugal as Madrid mayor warns people to stay put
27 votes -
Power outages in Spain, other EU areas
19 votes -
Historians dispute Bayeux tapestry penis tally after lengthy debate
21 votes -
Le Bureau des Légendes/The Bureau (2015 - 2020) is a 10/10 show
I don't know how well known this show is. Maybe I'm saying something obvious, like "hey, have you all heard about The Wire?", but in most of my social group this completely slipped under the...
I don't know how well known this show is. Maybe I'm saying something obvious, like "hey, have you all heard about The Wire?", but in most of my social group this completely slipped under the radar. Since the beginning of the war in Ukraine I started following discussions about geopolitics and international conflicts on our local discussion board, and in there it's the opposite, apparently everyone knows it.
It's a show about deep undercover agents working for DGSE, the french equivalent of CIA.
It has two main layers. Firstly it's apparently quite accurate with regards to how real intelligence agencies work, plus it's obviously strongly inspired by real events. It mostly deals with ISIS, but also with Russia, relations between France and the US and other issues. This is very interesting on its own.
Secondly it's basically a psychological drama/thriller. The lives of undercover agents consist of constantly lying, constantly being on guard and never fully trusting anybody, and there cannot be a tangible division between their professional and their personal lives because they can never fully switch off. And human failures in their profession, whether small or large, cannot be fully avoided.
The premise of this whole show is exploring how those failures happen and what are their consequences. And those consequences are often terrible, so it's sometimes a heavy show to watch.
What I love about The Bureau is how it's all relatively civil, showing things without exaggeration, overly emotional music or other stylization. I want to say it's very un-american in this aspect, and on one hand mean that, I'm incredibly tired of film makers beating me over the head with horrible things like slow motion shots accompanied by emotionally simplistic music, as if I'm too stupid to understand what I'm supposed to feel simply from what's happening in the story.
But at the same time The Wire is also american and it's a good example of a show that does the exact opposite (and I love it for that). The Bureau does not go as far as The Wire, if only because human emotions are a much bigger focus of the show. However it is much closer in style and in quality to The Wire than to some imaginary "hollywood average". Overall it doesn't feel like it's playing tricks on you. People die and suffer horribly, and sometimes it is characters you love, but it doesn't feel like some cheap "ha! I got you, I bet you're devastated now!" and it doesn't happen often, for shock value (edit: actually suffering does happen all the time, but killing off characters does not).
In addition to the style feeling quite fresh in the context of mainstream cinematography, it's full of great and outside of France relatively unknown actors. They make it easy to fall in love with many of the characters. The characters have layers and development and nobody is black and white, it's a delight to watch them.
I'm putting it next to The Wire, Better Call Saul or Breaking Bad as a 10/10 show.
13 votes -
Cannes 2025 competition: Ari Aster, Joachim Trier, Luc Dardenne, Jean-Pierre Dardenne, Kelly Reichardt, Julia Ducournau and Wes Anderson among lineup
7 votes -
Sébastien Tellier - Fingers of Steel (2008)
7 votes -
Igorrr - ADHD (2025)
19 votes -
Some towns in France and Belgium are giving away free chickens
9 votes -
Discover the interior of the future TGV INOUI
10 votes