Let me count some things in markdown.

0. Nothing
1. More than nothing
2. A pair of something.
3. A crowd.
4. The number of the semi-beast.

Now some space and jump into something else.

87. That's how many years ago it was when the Gettysberg address says four score and seven.

Again some space.

1066. Exterior. A field filled with smoking fires and armor piles. It smelled bad.

1067. The space odyssey year.

1068. June. 9th.

Dear Tildes community,

this is an issue that's bugged me for some time. I might struggle to put this into the right words initially, because I have not studied either philosophy, psychology, biology, sociology or anthropology. Yet, all of those fields could input into this. I will edit this post to clarify things once people start commenting.

I will begin by stating the question at the root of the issue I am trying to explore:

Does de-humanisation of others occur automatically, as soon as we believe that we can predict their actions?

Things to consider:

• What is a measure of 'humanity'? Is it consciousness? Self-awareness? Intelligence? Empathy?
• Is it true that a more 'conscious' or 'intelligent' creature is closer to us in nature and therefore should enjoy more rights, considerations, or respect? (Case in point: Some countries will not allow performing surgery on an octopus without anesthesia, due to them being considered very high up on the ladder of consciousness)
• It is easy to conflate consciousness and intelligence. I think that's a bit of a trap. I have often looked at intelligence as a sort of "clock rate" of the brain. As in, you might be able to process information very quickly, but that's still pointless if you're running the wrong algorithms, or have very little knowledge to rely on. Intelligence all by itself is not a good measure of how 'conscious' or 'aware' or 'human' something is. Often, however, people tend to call animals more intelligent or less intelligent when they mean 'more highly developed', or 'more conscious'. The same probably applies to people as well.
• Additionally, among self-aware, conscious beings (humans), empathy and intelligence van cary wildly. Therefore, does consciousness, or even 'human-ness' vary? Is a highly intelligent psychopath less human than a much less intelligent but empathetic person?
• What do we use to assess whether a human is highly developed, or less developed / desirable? (Brushing aside the notion that we obviously shouldn't do so). I think it is important to look at what mechanisms have been used in the past to demonise swathes of the population, in order to discredit them or further some kind of agenda. Take African people during the slave trade. They were called primitive, less intelligent, less human. In fact, in more subtle ways this even happens to women nowadays. They are constantly belittled by chauvinists, for supposedly being less intellectually capable due to their gender. Are these all forms of de-humanisation, linked predominantly to intellect?
• What is this founded upon? Is it predictability of their actions? Let's try to go full circle. How does one discredit a part of the population? One observes them and demonises their behaviours (and with that, culture, etc.) The predictability of such behaviours is essential in this. You cannot reliably say that "those brutes do [x], how disgusting", without there being frequent evidence of it actually happening. (On the flip-side, could people be predictably advanced or developed?)
• What do we think of predictable people in general? Predictability has negative connotations. At best it's boring (say, a highly intelligent beaurocrat), at worst, stupid / less human (say, racists talking about another culture being predictably primitive)
• Is there an implication of people, or beings, who are more predictable, having less free will? If your intellectual faculties are limited, or you operate on instinct more than you do on rational or logical deduction, you become more predictable, ergo, predictability == stupidity. (I know this is a fallacy, but I am trying to establish why one might irrationally and subconsciously dehumanise, not arguing in favour of this dehumanisation or trying to defend it)
• Take our favourite pets. Cats and dogs. They are pretty highly developed and if it wasn't for humans, they'd be unchallenged apex predators ruling the world. They display complex behaviours, at times even hard to predict ones. But still, they are animals and behave in reasonably reliable patterns. They are also not able to pass the mirror-test for self awareness, implying they are not (or only in extremely limited ways). So, one could argue they are less human, less intelligent. Now look at insects. Even less intelligent. Even though it could be argued that some (like ants) display a form of swarm intelligence, they are still extremely predictable. (Except for, perhaps, the flight patterns of flies or mosquitoes, which evolution has scrambled into extremely random patterns to avoid them being swatted. But that's just hard-coded into their genes, not an intelligent thought process)
• So, once more. Think of someone you really don't like. Do you ever call them stupid for their actions? Would you ever say "here we go again, they are doing this again". Particularly if they are your boss? Perhaps it helps you cope with their shitty behaviour to dehumanise that person. Make them a lesser human being, to compensate for the fact that they make you feel powerless in their work. If dehumanisation is such an immediate and convenient mechanism to protect yourself from feelings of inferiority, or to stop yourself from being threatened (say, by a different culture), perhaps it is in fact an ingrained behaviour, which expresses itself on a larger scale once fueled by propaganda and political intent. If we identify it and understand how it happens, we may protect ourselves against it by elevating others to a higher status of 'human-ness'.
• When we 'have figured someone out', we are stating we can predict them. Are we putting them beneath us, henceforth? Are they 'less' than us in some ways? It gives us power to be able to predict, so it makes us more powerful than them in some way, so it makes them lesser beings in some ways.

Why am I bringing all this up? In my life, so far, I have gone from being very insecure, mistrusting and scared of people, to much more open, trusting and confident.

The more insecure I was, the more time I spent trying to prove to myself that I was somehow superior to others. Generally using intelligence as an argument (uggggh....). You know, like the goth teenager sitting in their basement, who is oh-so-individual and everyone else is so stupid and nobody understands my pain, etc. (see, dehumanising my past self right there, haha).

The more I started trusting people and the more I started seeing everyone around me as humans, humans just like me, the more I began to see how others still apply these weird dehumanisation mechanisms to make themselves feel superior. This made me wonder whether there is some kind of innate drive to do so. Try to predict others, or paint them as predictable, to prove that you are superior to them, because they would not be able to predict your actions, as you are so far beyond their capabilities.

So yeah, uhm....let me know what comes up in yer heads as you read through this, I'd be most interested to hear your perspectives.

Have you ever wondered how little of a difference of input lag you can perceive? With this tool, you can find out.

The screen is split into two halves, and one of them has an artificial amount of input lag (default 50 ms, you can change it) added to the mouse cursor. Figure out which side feels laggier and click on it. After 25 trials, it will show your results. If you can consistently score at least 18/25 correct at a certain amount of lag, then you can probably perceive it. I can go as low as 20-25 ms on my 144 hz monitor.

Be sure to edit one of the files as shown here to disable v-sync, or if you trust me you can download my copy.

Guide can be found here

Right now, the guide assumes you aren't dual booting. This is because I've never really dual booted off a single HDD, so while I probably could include it in the guide, I don't feel comfortable without first testing the process.

This guide also sets you up with BTRFS, but you can still use ext4, just requires changing two lines.

Author's note: I posted this a couple days ago in @Kat's WIP thread, but I felt it was a little too tough of an ask to put there. This is probably going to take a more serious time commitment to review than the average submission, so I want to make sure everyone knows what they're getting into (such as through that nifty word count that will appear in the thread title). To that end, let me lay out some context so you're more grounded as to what this is, where I came from, and how serious I am about it.

For starters, I wrote this as part of a complete manuscript (about 63k words total) over a couple months late last year on a challenge from a friend. Liking the direction it was going, I then spent much of the early part of this year fixing and tweaking and revising because it turned out I liked it so much I decided to plan out three more independent stories set after this one.

So what is this? This is a first-person science fiction story of a test subject within an ongoing science experiment. It is set in not-too-distant future, 60-80 years give or take--I didn't want to be too specific for World Building Reasons. The nature of that experiment is unknown to the subject. I need to work on my blurbs.

What type of feedback am I looking for? Any you're comfortable giving, and I've got a very thick skin (many calluses from toxic league of legends players, I'd joke if it weren't true). This is the fourth-or-so draft and I could use fresh eyes on the little things. I also highly value emotional feedback, like what something is making you feel, whether you found something upsetting or funny or confusing. This is an unreliable narrator, so there should bit of each. Endgame-wise, I am probably going to look to publish this somewhere somehow, but I want to make sure that I'm not barking up the wrong tree before putting too much more energy into this.

If this isn't a great format for this sort of work (and I get it. This text is twelve pages on a good day), I am open to suggestions on how it might be easier to consume and respond. I've used my markdown wizardry to mimic the format of my word doc, which I'm not planning on uploading directly. So please forgive weird formatting things like inconsistent italics. I tried to catch them all, but it's like playing a game of whack a mole over here.

Editor's note: The following text came to us within encrypted song files in specific order. We were also provided an executable file that decrypted the text so that we could publish it. The relationship between these songs and the narrative is often not clear. To allow readers the opportunity to judge any potential relationship for themselves, we have titled each bit of text with the correct song file it was encrypted within. The order was preserved.

Prologue

"Yesterday”.FLAC

I'm not breathing. I'm dead. Is this hell? Heaven? I’m in a white room with Adam and Eve in white robes as the gatekeepers. Why is the room tilted? It’s not a hospital; it’s far too dirty. Will I recognize anyone? Am I dressed for heaven? The grime makes me think maybe this hell. That’s the breaks then, huh. But why would demons be in lab coats? And what are those tops? Is that a scarf? Indoors?

Oh shit, they're staring at me.

Hi. Am I dead? Did I say that? Can I speak? I can’t breathe.

They looked at each other. Did I say anything? Maybe I'm not dead. But I'm not breathing. I’m not just not breathing, but I can’t breathe. I don't feel like I can move. Why can’t I breathe?

Holy shit, I don't have any legs. My arms aren't mine. They're someone else's. Some hairy darker bastard too. Oh fuck, oh fuck, oh fuck. What the fuck is happening?

You're not dead, but you did die. That has all the clarity of a Taoist monk. I think the woman said it. She stepped forward a little bit and tilted her head to the side with some mouth flapping to match the words. Did I really hear it? How can I not be dead? Whatever happened in America froze you. Like, we talking cryogenics frozen? Disney movie Frozen? The Iceman cometh frozen? Even frozen people should be able to breathe, right? They needed to replace my arms? What was wrong with my old arms if I was frozen to death? You’re in a new body. Those arms are yours now.

Yeah, the woman has to have said some of that. She started leaning in during the mouth-flapping like she was talking to a child. Now she’s straight as a country boy at church. I’m going to have to track her specifically. This is tedious.

Asian woman. If you can hear this: sorry, I’m new here.

“My name is Nadia, not ‘Asian woman.’ Can you tell us your name?” She glanced back to the man before looking back at me, with her hands clasped like she was pleading. Do I need to be pleaded with? She put her hands back to her sides. Where am I?

“You’re in Istanbul.” That’s not Nadia. Her mouth didn’t flap. I think it’s a voice, and I think it’s the man’s, but I couldn’t see him flap. Nadia was blocking the view. I think she’s like two feet away or something. Just out of arm's reach, but close enough that I can’t see the man anymore. Now she’s backed away. Why does she do that? The timing is weird.

So I'm in Istanbul. My legs are gone. My arms are fake and way super hairy. I'm not breathing, but I'm not dead, though I did die. I felt my eyes roll. I guess you two did something to me then.

“Well,” This is the other voice. Now that Nadia has backed away I can see the man’s mouth flapping, but he’s barely doing anything else. Not even a simple hand-gesture. I thought he was just wallpaper. Breathing wallpaper. Or is it mine? Maybe mine is the mouth that’s flapping.

“The frozen you died, but your brain was intact and incredibly well-preserved by whatever happened. We transferred the data that your brain contained into an android unit we designed for this purpose, and here you are." Yep, not mine. It’s got to be the dude, especially because he did a weird, body-length bobblehead bounce the entire time that voice was happening. Wait--

“You designed an android not to have any legs?” I heard that one. That’s me. Okay, I'm getting better at this. That explains the breathing, I think. It at least explains the arms. I'm not dead, but I'm also not alive. This is fun. I'm having fun. “So what did you do to me and how the fuck did I get to Istanbul?”

Whatever script these two had, I'm sure I've deviated from it. They're spending a lot more time looking at each other in silence than mouth-flapping. Okay. Fake-breath. What didn't I notice? The recorder is a little black thing on a little spot at the bottom of the mirror. Oh, I'm laid on this weird chair thing that has me positioned to look across the room. That’s why everything at an angle, I guess. Well, let’s just get off of that. I can just lean against this wall. It’s drywall, but that’s fine so long as I’m not throwing myself at it. I’ll have to lean because my ass is rounded with holes where legs should be. If I imagined legs there, I’d probably look like I have a nice ass.

The room looks like a room you use to interrogate someone mixed with a kid’s idea of wall-design. The wall behind me and to my left are drywall, looks like. The opposite wall with the door and the wall to my right with a mirror are concrete. Not even brick, like just solid concrete. I didn’t even realize that was still code. If this is a hospital, I’m reporting a lot of code violations. This place looks like a pigsty, one that not even the hired help cleans up. Though, that might just be those concrete walls. I’m especially complaining about the lack of legs.

"We felt it was a safety risk to give you legs." Safety risk? Safety for whom? I can’t breathe. Who is this guy anyway? "I'm Mehmet."

"Wait, how did you hear that? Have I been saying everything?" I'd rather have a little privacy at some points, you know?

"Well, you haven't exactly been silent." Huh. That's going to be a problem.

"You should be able to create a subroutine for the thoughts you want to save without speaking." Nadia to the rescue, but how would I do--oh, I see. That's new.

Let's restart this, then.

"Mr. Roboto".FLAC

Goooooooooood morning, subconscious! WELCOME TO THE FUTURE! Cue audience applause and cheers. I'm your host, Mr. Android! As you know, we’ve been off the air for a while. There’s a lot to catch up on. That’s why we’re bringing in two special guests to help reintroduce us to the anxiety of life: Mehmet and Nadia! We got a great show for you tonight, so stay tuned because you have no choice anyway.

Before the break, Mehmet, you were saying that you felt it was a safety risk to give us legs?

"That's right, Mr. Android. The design team and I thought that if you had legs, you'd be likely to use them.”

You’re damn right. Cue audience laughter. What’s wrong with using legs?

“If you had that mobility, we don’t know what you’d use it for. You could do anything a normal person could do, even walk right on out of this building.”

I presume you wouldn’t like it if I walked out right now. What if I just wanted a coffee from our proud sponsor: BB's Coffee™?

"First, don’t drink coffee. Don’t drink anything. That mouth wasn’t designed for drinking."

We’ll see about that. Cue audience laughter.

“Second, we need you not to walk out because we’re trying to monitor you to make sure you’re safe, as well as try to figure out what happened around your death.”

We'll have to come back to that, Mehmet. First, tell us a little bit about yourself.

"Sure. I was born and raised here in Turkey, but my grandparents were studying tornadoes in Oklahoma when everything went down."

Your grandparents? How long ago are we talking about here?

“It’s been a bit more than a half-century.”

Alright, what is ‘everything’ and how did it impact your grandma?

"Well, whatever happened to kill you. No one is really sure what caused the incident to happen. The best we could make of it at the time is that there was a large eruption near America's capital, and after that almost the entire east coast was some form of an infected mess. People who didn't die immediately had their immune systems too compromised to handle any other serious illness. That killed most of them within a few years." A moment of silence fell on the stage.

How bad was the devastation?

"Most of the coast was gone. Flights were stopped by the US almost immediately, so people in those areas were stranded. One flight got out to Montreal and it wiped out nearly a quarter of the city’s population. Cities along in the infected area lost an average of 75% of their population within a couple weeks.”

How far did it get?

“Atlanta was the northernmost city along the coast to weather the outbreak. A well-timed storm system kept the illness from spreading further west than it did. The mountains usually marked the furthest west it got. People who flew from those areas in the moments before the quarantine were tracked down and quarantined forcibly.”

Did anyone come to help?

“Sure, if a vulture helps a corpse.” Cue audience laughter. Audience might not laugh. “No one dared try to go near the infected areas, but Mexico declared a relief effort. That really was an attempt to annex most of the west and Great Plains under what it considered its historic claim to the land. The locals did not see things the same way. It turned into a classic occupation situation. They were resisted.”

So Texas is the new Palestine? Or would Crimea be a better analogy? What did your grandparents do?

“It was something like that. My grandparents just wanted to keep studying meteorology. There really wasn't a place in the United States safe enough to do that anymore. They applied for refugee status in Turkey and moved here. From there, they had a typical immigrant story. They earned enough money to start a restaurant and set their children up with a good education to be successful in Turkish society." Cue audience awe and applause.

Fascinating stuff. Nadia, it's your turn. Tell us a little about yourself.

"Well, I'm from Saudi Arabia. My parents were in California until about a decade before I was born. My mother was German-American, from Oregon. My dad was second generation Chinese-American, Californian born.”

California was impacted by the incident?

“Indirectly. After the incident, California tried to maintain some semblance of normalcy, but there were too many other nations that wanted to claim California for it to keep that dream alive for long. Russia, Canada, Japan, China, and Mexico each fought the other and the Californian government as they tried to claim it for their own.”

So they were the prettiest gal at the ball. Cue audience laughter. How did they deal with that sort of peer pressure?

“California had to start a mandatory draft program to keep up with the military needs of the new environment. Every citizen was theoretically part of the military’s reserves. After a few decades of near constant skirmishing at sea and especially in the north where most of the invading forces fought, California was out of resources and friends and collapsed after a military coup. Turns out if you can’t pay the active service personnel, you can’t keep a country.”

Intense. How do your parents fit into that?

“My parents saw the writing on the wall and applied for visas to work and live in Saudi Arabia a few years before the government collapsed. Saudi Arabia’s requirement for immigrants were twofold: it has to be a family and the man has to be educated, so here I am." Cue audience applause.

That's wild. Turkey and Saudi Arabia are refuges for the educated for more than two generations. How much more than a half century are we even talking here? I feel like a Twinkie from a time capsule. Cue audience laughter.

“It’s been about 60 years.”

You heard right, subconscious. We've been dead and 'incredibly well-preserved' for about 60 years. Everyone you knew is probably dead. Everything you know doesn’t matter. Your parents are statistically 99.99% certain to be dead even if they did survive and were outside the zone impacted. You're a man out of time. Are you even really a man anymore? Oh well, at least you don't have to put up with that breathing nonsense anymore, right? That sure was a drag*.*

Tune in next time for an interview with Toto. What is the matter with Kansas? Find out what Dorothy's breath smelled like as we ask Toto about his upcoming tell-all biography: Help, I'm A Dog And My Owner Takes Me On Tornado Rides.

"Clint Eastwood".FLAC

Oh good. There's a way to combine these tracking subroutines with living in the present. Now I don’t have to live in mortal fear of every errant thought becoming vocalized.

"Thanks, Nadia. That was very helpful." I’m a bit surprised about how my voice sounds. It’s tinny and higher pitched than my voice. Almost nasally too, but that doesn’t make any sense. There’s no nasal cavity for this voice to work through, right? There is no booming echo that I’m used to feeling when I talk. I have a strange confidence that I hear my words exactly as they sound, with no perspectival shift involved as the one saying them. No sense in telling them about that. I don’t even know for sure what we’ve been talking about.

I can tell that they've started to ease up. Nadia’s doing less of that leaning-to-the-children thing and Mehmet’s shoulders aren’t as far back as it’s humanly possible to bend them. He almost looks relaxed now. The bobblehead days might be behind us. Still, I think their increased comfort is more because I was off in that other subroutine most of that time. It feels like coming out of a blackout. Damn I'm going to miss alcohol.

"You're welcome, but a lot has happened in 60 years that we should get you caught up on." Oh, we've moved on. I thought I was just making all that up. I guess not. Weird. She’s hovering near the recorder like she turned it on recently. Or maybe turned it off? That wouldn’t make any sense though.

"You know what, Nadia. I think that's a lot to soak in. Unless there are more subroutines that help me process stuff like world events or that give me some newspaper articles or stuff from the past 60 years or something, I think I'm okay moving on from that for now. It's more interesting to me to talk about why you've revived me and what it is you're hoping to get here."

"Are you sure? I made a presentation for you outlining the biggest trends and current ongoing conflicts around the world." This woman is a nerd. I like it, but damn. Calm down. I hope she didn’t make any spreadsheets. For her sake.

Speaking of calming down, I should probably take a moment myself. Let’s see. The room isn’t nearly as white as I thought. I should have been either dead or in a hospital. This place doesn’t make sense. These people don’t make any sense. They’re not in any lab uniforms I’ve seen. They look rather like they’re about to go clubbing.

Nadia is average height. She looks like she's in her late twenties or early thirties. Her look matches a mix of her parents’ heritage: half Chinese-American and half German-American. I wonder what part of China. Brown hair, brown eyes, olive skin. Now that I think about it, I’m not actually sure what about her face strikes me as especially Asian. Maybe high cheek bones are what do it. Small noses really don’t mean much to me. It’s just a holistic thing, I guess. She could easily be mistaken for just about any ethnicity. She’s wearing jeans and no burka, so hurray for Saudi progressivism. I bet she might even be allowed to drive! She’s wearing a traditional white lab coat, but it’s open and I can see a black flowy thing that is tucked into the front of the jeans. She is joyously well-prepared to talk about shit that’s in her wheelhouse. Then again, I do seem to be these people's lab rat and I know these two are just the ambassadors of a much larger team of scientists. Preparing for this moment is probably their job.

Mehmet is probably in his thirties or forties. I can never tell age with men. Once you're over 26, you could be as old as 45 before I notice. He's maybe about six feet tall or six one--although this is Istanbul, so height is probably in centimeters here. What even would that be in centimeters, 181 cm? Anyway, he’s also wearing the open, white lab coat. Under it is a blue and gray checkered button down shirt with his jeans, and this tiny yellow argyle scarf. It isn’t long enough to protect your neck from winter, so it’s weird. Boots are yellowish. He's got sandy brown hair and ocean blue eyes. They look radioactive. They have to be fake. Eyes aren’t that blue. He also doesn’t have much of a tan. For a Turkish boy that’s awkward as fuck, but I guess his grandparents are from Oklahoma so maybe he's just a traditional, melanin-challenged, white American type. He didn't say anything about his other set of grandparents, but that's not related to what they want from me. Maybe Germans. Turks and Germans always had a close relationship going. Probably best to assume that Germans are part of an experiment like this anyway. They’re always getting into shady shit. Viva la Nuremberg.

"I'm sure, Nadia. But we can go over your presentation later. Or maybe there's some way for me to watch it on my own time, or something. I don't know. You designed this thing." I hope there isn't. Call me old fashioned, but I don't like people messing with my thoughts.

"Oh there is. Yeah, I'll upload it later." Great. Thanks, Nadia.

"To your question about purpose, we revived you because we don't know what happened 60 years ago,” Mehmet, as usual and fitting the German thesis, is stiff and blunt with his delivery. He doesn’t make hand gestures as he talks, which I never realized someone could accomplish. He barely moves. Makes me wonder who’s the real robot here, you know? “It was an important historical moment. We want to understand what happened to put it into a broader context of how the world changed since the fall of Imperial Era America." I'll let that label slide. Too many things to focus on to let a naming convention derail things.

"So you're hoping I can fill you in on the details."

"Exactly, at least what you know," he says.

"It would be a lot easier to put things into context if I had some idea of what context to put them into. Aren’t there like relevant stories or movies or something you can show me? Or anything that makes me feel a little less like a lab rat?" Mehmet winced, and Nadia glanced at him again. It’s especially noticeable because Nadia is almost always closer to me than Mehmet, so she has to turn around to look at him. Something makes them uncomfortable about me. Am I deemed unnatural? Is this entire experiment sacrilegious? Wouldn't be the first time for either. I goddamn hope there are some ethical qualms here.

While I was searching for an answer for their perpetual discomfort, Nadia chimed in. "We have a list of topics that we agreed as a team to discuss. I hope you'd understand if we took your suggestion to the team before agreeing to it? If we give you too much context we might skew your presentation. It’s just something we’d need to carefully plan out with the team."

"Sure, of course. Makes sense to me." Why are you even asking me though? I don’t have any power in this exchange, physical or emotional. Hell, you've even made sure I can't run at you. Oh shit, they’re about to leave.

“Hey, before you head out, is there a way I can be positioned so I can see that mirror over there? I’d like to see myself. I don’t even know if I make facial expressions.”

Nadia responded much faster than either of them have been up until now, “Oh you make facial expressions alright.” Fuck. She’s chuckling under her breath too. What have I been doing? If there were any blood in this husk, it’d all be in my cheeks right now. I used to cosplay as a tomato when I’d get the least bit worked up. I have that feeling right now.

Mehmet moved in closer to the table I’m on for the first time. Unlike Nadia, who often looks to him, he doesn’t look to her before grabbing a side of the table. He looks to her after though, and gives her a nod. I can’t tell if that’s workplace hierarchy or respect or just a man in the workplace or what. "Yeah. We can move you. Could you get away from that wall?" Without responding, I slid away from the wall as he suggested. Made sense if they were moving the table with me on it.

“Hang tight,” Nadia said, but she didn’t need to. I had already grabbed onto the edges of the table. Mehmet and Nadia lifted the table a couple inches and walked it slowly to the wall that was to my left. I’m not under any illusions about what this mirror is. It’s a one-way with a team watching on the other side. There’s no way it isn’t. The wall the mirror sits in looks like they broke through it just to put the mirror in; it’s got all sorts of chips and cracks like somebody actually chiseled the hole out. The important thing here is that I can see myself now.

They certainly had an eye for detail. My face has a bigger, more squished nose than I'm used to. It’s all olive, which of course I imagined from the arms, but to see it brings a new depth to this place. Is this actually me now? The dark brown eyes are new, though they are probably contacts anyway. I bet they look red when the light catches them. That’ll be a test for later. They should be light-brown things that would look yellow in the light. They’re not. I can’t believe I miss them assuring me I’m going to be blind by the time I’m 50. Eyebrows are just as thick--like caterpillars resting on a face. They didn't bother with hair on the top, but that's understandable. Hair is hard and they put all their hair energies in the arms and eyebrows. For some reason they put on a light stubble all along my jawline. Why would they want to show I could grow a beard? That was never true before. I'm not really crushed it still isn't true now. They replaced all my freckles with a simple mole just under my left eye. They thought to put on a mole? Can androids even get skin cancer? It looks like real skin, except it doesn't play as much. They must have made me to look like the most stereotypically handsome, bald man in society, with a mole to make it all seem real. I'm okay with that. This body looks good. I’d date me. Now let's see those pearly whites. Holy shit, nevermind. This mouth is fucked. The teeth are perfect, but everything within it is this wiry abomination that probably didn't get enough design time.

I realize now that I'm too busy gawking to think much about how this all must look to the people behind the mirror. Of course, this was after sticking my wire cage pretending to be a tongue out at them. Nadia and Mehmet are near the door now, watching me look at myself.

I put on my best smile for them. Got to show a good game face, right? "Thanks. I was just dying to marvel at my own newfound good looks." Both Nadia and Mehmet smiled back, but it was Mehmet’s reaction I was after. It wasn’t a very big one, but it’s good enough for me. Hopefully that means he can react to a bad pun, but he could have just been smiling because I smiled. That’s a thing with meatbags. Though that smile didn’t move up an inch. It was one of those horizontal smiles that you give when you just want to be polite. This guy must have taken a martial arts class in self-expression because he does not react more than he has to.

I want to ask them what the endgame here is. If they're just going to turn me off again after bringing me back from the dead to have a good chat, then that's kind of a bad thing for me. If they're planning on keeping me around, it's not clear what use I can be outside of this experiment. Maybe they want to have proof that they can bring people back from the dead and put them into androids? A new technology that gives people (who can afford it, or are deemed worth it) immortality and further leads to the singularity and domination of all humanity by robot people. It doesn't seem like there's any way out of this mess that can be good for me. God damn I need legs.

They’re still here, watching and waiting. I might as well voice some of my appreciation for this body. "I have some hairy arms here. Oh, and I feel these washboard abs. I'm guessing that design choice was you, Nadia?" I felt myself wink. We're back. Breathing crisis resolved. “Were there some legs in the works for this project too? Are they a hairy match for these arms?" And what are the hair trends in porn these days? Is everyone hairy? I can’t ask them that. Incidentally, and unrelated: this mirror shows that this body can, in fact, blush. Not as red as I’m used to, but the cheeks do change color slightly. How did they do that?

"The legs were in development because we didn't make the final risk assessments until after the base android design was tested and showed that the legs performed far better than expectations." Dang, Mehmet. That sort of response really goes beyond what I'd think the team would want you to say. I hope you don't get iced for that. I'm starting to like your blunt, no nonsense style.

"Cool.” I nodded to make it seem like I was deeply offended. “Are there any questions you wanted to get into right away or did you want to talk with your team before moving forward?"

"I … ” Nadia held that like she was interjecting on a conversation she wasn’t in. “I think it's probably best if we talk to the team first and give you some time to get adjusted. I'll also add that video to a list you can access internally while you wait. You already have access to some music, both contemporary hits for you and more modern tunes. There are also some other things that we put together." Nadia smiled gently as though she had done me some great service, but I’d prefer to find my own way thank you. They can’t know what I like or don’t like. They don’t know me. What happened to the internet? Can't I just access that or would that be way too much of a security risk? Fuck. They're gone.

Well, might as well get a better look at this thing resembling a tongue.

/ ﾌﾌ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ム///
/ )\⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀Y
(⠀⠀| ( ͡° ͜ʖ ͡°）⠀⠀⠀ ⌒(⠀ ノ
(⠀ ﾉ⌒ Y ⌒ヽ-く ____／
| ⠀｡ノ| ノ｡ |/
(⠀ー '人`ー ﾉ
⠀|\ ￣ 人'彡ﾉ
⠀ )\⠀⠀ ｡⠀⠀ /
⠀⠀(\⠀ #⠀ /
⠀/⠀⠀⠀/ὣ========D-
/⠀⠀⠀/⠀ \ \⠀⠀
( (⠀)⠀⠀⠀⠀ ) ).⠀)
(⠀⠀)⠀⠀⠀⠀⠀( | /
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[] ⠀⠀⠀⠀⠀[_____]

I'm so sorry but it's the only ascii art I had saved

Are you ready to live forever? You guys, my name is Alan Resnick, and I'm so excited to be here. I found the secret to eternal life, and I found it on my Lapbook Pro. Now, you're looking at me, and you're saying, "Alan, you are so smart and you are so small. What is your origin tale?"

Well, it all started...Two years ago. Me and Janet were having a bit of a lovers' quarrel, and she's got me sleeping on the couch. Now, I don't mind. I'm fine with it. I'm snoozing. And I'm having a dream I'm in a foggy meadow, and in the distance, I hear a voice calling me "Alan, Alan," just like that. And the fog clears to reveal a beautiful nude woman. And she's saying, "Alan, I'm ready for you. Put your dirt in me." and I'm thinking, "Whoa, whoa, whoa. Hold on a minute. I'm in enough trouble with the wife as it is. This is the last thing I need." But...I do it anyways, and right as I'm about to seal the deal, out of nowhere, I get shot with a gun, and it completely, completely destroyed my face. And that's how I got my fantastic idea. What if I could back myself up like my best favorite mp3 file or like a gif or a pdf?

And after two months of hard work, I had done it. I had made an exact digital copy of myself. He calls himself "Teddy." I don't know why. My name is Alan. Now let's explain my 4-step program to live forever as you are now through 3-d scanning and other digital archiving techniques!

Step number 1 is the most important step: Getting to know yourself. Now, you're probably thinking, "Alan, I think I know myself pretty well. I've spent every day of my life by myself. There's nothing about me to even tell me that I don't already know." well, I got some bad news for you, Mason. No one knows you.

You see, by the age of 6, every human brain has formed a small calcified pebble called the Schrader clot, which prevents any amount of self-awareness. But don't worry, 'cause I've come up with an exercise to help us move past that pebble. All you have to do... Is look. Look at your face in the mirror. Look at your eyes. Look at the nose, the mouth, the philtrum. You're gonna do this for five hours every night. Then just borrow a pen or a pencil from a buddy or friend, flip off that light switch, and draw an image of what you think you saw in the mirror. Now hang up those drawings all over your house to remind you of what you did in the bathroom.

Step number 2 is my favorite, favorite step. You're gonna come to my house. I'm gonna strobe blindingly bright lights into your eyes and face while you spin in my living room. Now, my patterns are going to be queered by your headform, and they're gonna generate three point-cloud axes. And then all you have to do is boolean the axes, and you're gonna end up with a 3-D model mesh of your head. It captures every wrinkle, every tear. After all, it's our imperfections that make us human.

Okay. Have you ever gone over to your girlfriend's house and she's covered her face in disgusting makeup and you find out that, all of a sudden, you don't love her anymore? It's not her fault. It's not your fault. It's actually science. See, she didn't know it at the time, but she just destroyed that natural luminescent quality that makes a woman beautiful. Now, that's a property called the uncanny valley. The uncanny valley states that when a non-human object begins to appear more human, it starts to get really cute... To a point, and then it becomes creepy.

It's like this imagine I'm jogging, and I love to jog, so I'm jogging. And out of nowhere damn it!... Aaaaaaaaaaaah! ...I stub my toe on a rock. On an ugly rock. But, hey, I got my pen here. Maybe I'll draw two eyes on the rock, and now, all of a sudden whoa! This rock's looking kind of cute. I'm starting to like this rock. What if I draw a nose and a mouth on the rock? And now, all of a sudden whoa! This is the cutest rock I've ever seen! I can't believe I'm falling in love with a stone. And then you're gonna want to coat the rock in skin and flesh and ooh, uncanny valley. Your rock fell down into the uncanny valley. It's down there with moving corpses, and this is where your girlfriend lives, and we're gonna try to hop on over and land on the other side with a believable human with real skin and flesh.

Now, I got an internship at the morgue, and I found out that every human face can contain as many as six muscles. And those muscles expand and contract and wibble and nibble and pull and tug at the skin. Ooh! That's a lot of stress. Skin stress. Skin stress test. I put every avatar I make through a variety of intensive skin stress tests. I do ball tests. Yes, I have wiggle tests. Whoever said I didn't have wiggle tests was lying. I shake up those avatars. And last but not least, we have durability and tear testing, because the last thing you want is your avatar's skin to rip or tear when you're trying to chat about your day.

So, that's it. We've created a real-life avatar. I guess I can just go home now. Bye bye-oh, wait. You forgot the personality, and it's only the most important step.

I'm going to come into your house. I'm gonna come into your home, and I'm gonna stay with you for two months. I'll bring a cot and a humidifier, and I'm gonna find out what makes you you. Every morning, you're gonna wake up with me on top of you. I'm gonna ask you hundreds of personal questions. Hundreds of personal questions. Things like: Have you ever caught a friend telling a lie? What was the worst thing you ever had to clean off of a rug? What's the best pair of lips you ever kissed? How many books do you own? Have you ever had a soft-shell crab? How much water can you drink? How many times did you catch a ball at the ball game you went to? How do you feel when you touch a little dog's hair? What is it like to have your hand covered in old glue? And all that information gets scanned in, and it gets put into the USB drive of your computer, and it makes the brain of your avatar. So, now my avatar doesn't just look like me, he also thinks like me.

I have touched so many lives with this remarkable technology! Teddy, thank you so much for helping me share this message tonight. Folks, we live in a very spooky-style world. No one's gonna do it for you. But all you have to do is take that first step, reach for that sweet, sweet fruit, and make nothing else you ever do ever matter.

People tend to use the term Empire rather interchangeably with the term big kingdom or kingdom that owns lots of stuff that is not its own. But I don't like this definition. This definition does not give nearly enough importance to the term and waters it down, and it sometimes just doesn’t apply to certain things.

The other issue is some people think that an Empire is just a European expression intended to connect someone to the concept of Rome. The word Empire does come from the Roman idea of Imperium, which was Rome's concept of rule through law, order, and general Roman influence being incredibly high among people, high enough they start acting Roman, a hegemony.

But the idea that Empires are European is incorrect. First, let's start with Persia. The Persian ruler was at times the Shahanshah, or Shah of Shahs, or king of kings. Similarly, the Turkic (big group of people from which the guys in Turkey come from) and Mongolian languages have the term Khagan/Qagan/Kha Khan which means Khan of Khans. While a khan might not strictly be a king in a feudal sense due their nomadic lifestyle, the idea is similar. Both of these people have a very definite idea that there can be someone so great, kings, the guys normally at the top, swear fealty to them. Another point, Genghis Khan is not a name but a title, meaning Great Khan, under whom other Khans serve. These khans eventually broke away but Temujin, the OG Genghis Khan, wanted his empire to last with a Genghis Kahn at top, and the other khans loyal to him.

So this brings us to another definition, someone who rules over kings. Does this work? The Holy Roman Emperor ruled over a couple of kings. The Mameluke emperor ruled over sultans, the Roman emperor was described by a Chinese traveler as ruling over kings who were appointed on the death of a previous king. But what about Charlemagne and Charles Martel? The Frankish Emperor ruled over what was by right multiple kingdoms but I don't think he had kingly vassals. And in texts at the time the empire was referred to as both a kingdom and an empire. But this kingdom was something special as emphasis was placed on the fact that it united previously disunited kingdoms.

Similar situation with China. China is either the Celestial Empire or the Middle Kingdom, depending on context. But either way, the Chinese emperor, or Huangdi, was seen as someone above other rulers. Other rulers paid tribute to him and he certainly ruled over quite a vast territory. A territory so vast, it once had many kingdoms within it, but those kingdoms were all united, with quite a lot of force, by Qin Shi Huangdi. Perhaps one thing to do at this point is more properly define a kingdom. To do that, let’s look at the British Isles. Now today’s British Isles are a lot more complicated than they were circa 850 AD so we will look back then. Back then, there were many independent realms, to name a few: the Kingdom of Jorvik (Northumbria), Kingdom of West Seax, Kingdom of Mercia, and the Kingdom of East Anglia. These guys all existed in what would become simply England. Jorvik/Northumbria is the one that is most relevant to what we are looking at because something very interesting happened to it. When Alfred the Great declared himself king of England, he did so controlling Northumbria as a kingdom. One king, two kingdoms. Northumbria would slip away from the King of England due to inheritance issues because it was a kingdom, those typically are independent. This was such an issue that when Northumbria was reconquered, it was demoted from being a kingdom to being an earldom. So we have this idea that kingdoms are typically independent. The solution to making Northumbria stay part of England was to remove its kingdom status. So there is something special about kingdoms compared to earldoms or counties. But let’s keep looking at England because they do something really interesting in 300 years. In 300 years, they take control through conquest and marriage much of France. Like, a lot of France. Too much France, according to the reigning French king. The king of England was now King of Aquitaine, England, and otherwise owner of lots of stuff. But though we refer to what he owned as an empire, he did not. He was simply king of multiple individual places. Kind of like if you have a home and a summer home, you have two homes, not one grand property divided by lots of territory that’s not yours. So a kingdom is individual, multiple kingdoms can have the same king, and kingdoms have pesky habit of wanting to change hands. Another realm to consider is the North Sea Empire. The North Sea Empire was ruled over by Cnut the Great. However, Cnut did not consider himself an emperor but still a king. He also made sure to not have any big, king vassals as he divided England into earldoms. We see another aspect of kingdoms with Cnut, as he called himself, “King of all England and Denmark and the Norwegians and of some of the Swedes." So we can see that there is some connection between kingdoms and cultural groups. We see this as well with Aquitaine being the region of Occitans, Norway home Norwegians, and Denmark home to Danes. Cnut, while not seeing himself as an emperor, definitely had the goal of establishing a dominion around a specific geographic feature. Perhaps we can see this as the beginning of imperial ambitions, as he recognized that he was king of many places and he wanted to control a big area of water, kind of like how Rome controlled the Mediterranean or how the emperor of Japan controls a big string if islands considered to be one unit. The North Sea Empire, as a union of kingdoms, dissolved upon Cnut’s death. Again, kingdoms like being independent. So a kingdom likes being independent, they appear to be a distinct unit of rulership that can change hands, kingdoms can be connected to cultural groups, and kingdoms have been demoted to prevent their pesky inheritance. So if we look at this idea of a King of kings, this is a lot more powerful. A king of king is above this pesky business of kingdoms wanting to slip away. No, these kingdoms are firmly underneath their rule (as much as you can be in feudal times). So an emperor rules over multiple units associated with some shared culture that are typically independent and it’s a big deal when they are not independent. We can see this idea in Russia. Peter the Great declared himself emperor of Russia. Lots of people tried to unite the Rus but only he was able to. And he marked that conquest that culminated in Muscovite victory with a declaration that these regions were under something above a king, in idea and reality. The idea of empires really came into vogue in the 19th century, with Napoleon declaring himself emperor of the French, an idea reminiscent of the Roman first among equals for their emperor. Additionally, Mexico had an emperor a few times. Not a king, but an explicit emperor. He didn’t last too long. Germany as well was declared as an Empire, as various former kingdoms under something supposedly above the kingdom of Prussia. This idea of an emperor uniting peoples is seen as well with Victoria, who declared herself Empress of India. So it is here that I define both kingdom and empire. A kingdom is a distinct unit of government, typically independent, frequently tied to a specific group of people. An empire is a body that has kingdoms underneath it and is an idea that it is above the kingdoms, a uniter of kingdoms, and one that has heavy influence from Rome but is not a strictly European idea. Heck, some Slavic languages used the word Qagan as emperor for a period of time.

Now, after having spent some time reading this, you might be thinking “who cares? Why is this important?” Well, this is very important. During Mao’s Cultural Revolution, he worked hard to distance himself from the idea that he was the emperor of china. The European Union, in my view, is a reincarnation of the Holy Roman Empire. It has member states that are distinct, like kings, but who all show varying levels of respect to an increasingly centralized governing body. Form your opinions on this as you will, but keep in mind the cultural advances made in the HRE that would not be possible if all those fractured states were not protected by a larger body. India as well is huge, and is definitely an empire. India being united is on a similar level with Europe being united, with a huge diversity of cultures and religions spread across a large piece of land but those states probably won’t be slipping away due to inheritance anytime soon. By identifying what is an empire, we can apply the techniques other empires have to ensure efficient administration and collectivity of the populace. Now, one thing I do want to clarify here is that the idea of a country having one unified culture or people is a very new idea starting with Napoleon. Lands could change hands so seeing yourself as French when you were English a month ago is harder than saying you are from a certain village. England is a special case because it had a migration Germanic lands bringing in Angles, Saxons, and Jutes who had a very different language and culture than the Romans and Britons already there. This was a pretty clear division between the groups, as well as the Norse who would come later. In other places, this division is harder to see but you might be able to group them based upon general lingual groups. Anyways, this is something I have thought about for a long time and wanted to type out.

A wall of text is something that is frowned upon in most, actually virtually all Internet societies, including forums, chat boards, and Uncyclopedia. You should not make walls of text because it can get you banned anywhere unless it is a place that encourages walls of text. I highly doubt any place does support something so irritating and annoying, but anything can exist, but not really because unless you are in heaven then that can happen. But no one actually knows that was just a hypothesis, a lame one that is. Actually not really lame. You can create a wall of text supporting site, but you would be hated if you do that, so do not. But you can if you like, but I discourage that. Now on to the actual information of walls of texts. The wall of text was invented when the Internet was invented, but actually it was slow at that time. So whenever it became fast. But there would need to be some free or not free community for people, and that community would be able to have walls of text. But that community probably wouldn't have actually invented the wall of text. So basically, no one except God and Al Gore knows when or where or how the wall of text existed/was invented. Noobs probably invented, but probably not. Who knows. Walls of texts are usually filled with a lot of useless information and junk. Information and junk can be the same, but only if the information is junk or the junk is information. But who cares. The information/junk inside a wall of text are usually related to wherever the wall of text is located, but the best walls of text, which are actually the most irritating, most eye-bleeding ones, are completely random. Walls of text usually make the reader asplode or have their eyes bleed and fall out of their sockets. A number of people can stand it, but not read them. Actually some people can stand and read them. Those people do not have short attention spans. These are boring and patient people who have no life or have all the time in their hands, which are the same, but not really. The punishment of what making walls of text varies of the strictness of the community. But it doesn't really matter. Nobody cares. Walls of texts should be free of links, different font colors, strange characters, which are those other symbols used in society, and capital letters because it ruins the whole purpose of the infamy of walls of texts. It makes them look fucking dumb and weird. Walls of texts are obviously free of huge spaces and outstanding things like capital letters. Of course, paragraphs should never be in a wall of text. Walls of text are known to create nausea, confusion, head explosion, and others. The others being something I can not think of either because I am lazy or if I do not feel like it or I can not actually think of anything. Like what the fuck? That was a rhetorical question right there. What the fuck? You are actually not requesting a satisfactory answer, you just say that because you try to be funny or you feel like it or if you are pissed off. You must get a proper bitch-slapping to stop making walls of text, but if you are weird then that doesn't apply to you. Walls of text are defeated by deleting them or splitting them into paragraphs. But who cares. The information/junk inside a wall of text are usually related to wherever the wall of text is located, but the best walls of text, which are actually the most irritating, most eye-bleeding ones, are completely random. Walls of text usually make the reader asplode or have their eyes bleed and fall out of their sockets. A number of people can stand it, but not read them. Actually some people can stand and read them. Those people do not have short attention spans. These are boring and patient people who have no life or have all the time in their hands, which are the same, but not really. The punishment of what making walls of text varies of the strictness of the community. But it doesn't really matter. Nobody cares. Walls of texts should be free of links, different font colors, strange characters, which are those other symbols used in society, and capital letters because it ruins the whole purpose of the infamy of walls of texts. It makes them look fucking dumb and weird. Walls of texts are obviously free of huge spaces and outstanding things like capital letters. Of course, paragraphs should never be in a wall of text. Walls of text are known to create nausea, confusion, head explosion, and others. The others being something I can not think of either because I am lazy or if I do not feel like it or I can not actually think of anything. Like what the fuck? That was a rhetorical question right there. What the fuck? You are actually not requesting a satisfactory answer, you just say that because you try to be funny or you feel like it or if you are pissed off. You must get a proper bitch-slapping to stop making walls of text, but if you are weird then that doesn't apply to you. Walls of text are defeated by deleting them or splitting them into paragraphs. Or some other things that would work but will take hours to think of. People are considered a nuisance if they create walls of text. This might be the end. If you hope this is the end, I am not sure. But if I was not sure then I wouldn't be talking. I should know. Or should I? The best way to make a better and good wall of text is to copy and paste what you previously typed or write. Hey, that reminds me. Wall of text aren't always on the internet! They could be anywhere that is able to produce symbols. D'oh. A wall of text is something that is frowned upon in most, actually virtually all Internet societies, including forums, chat boards, and Uncyclopedia. You should not make walls of text because it can get you banned anywhere unless it is a place that encourages walls of text. I highly doubt any place does support something so irritating and annoying, but anything can exist, but not really because unless you are in heaven then that can happen. Or some other things that would work but will take hours to think of. People are considered a nuisance if they create walls of text. This might be the end. If you hope this is the end, I am not sure. But if I was not sure then I wouldn't be talking. I should know. Or should I? The best way to make a better and good wall of text is to copy and paste what you previously typed or write. Hey, that reminds me. Walls of text aren't always on the internet! They could be anywhere that is able to produce symbols. D'oh. A wall of text is something that is frowned upon in most, actually virtually all Internet societies, including forums, chat boards, and Uncyclopedia. You should not make walls of text because it can get you banned anywhere unless it is a place that encourages walls of text. I highly doubt any place does support something so irritating and annoying, but anything can exist, but not really because unless you are in heaven then that can happen. But no one actually knows that was just a hypothesis, a lame one that is. Actually not really lame. You can created a wall of text supporting site, but you would be hated if you do that, so do not. But you can if you like, but I discourage that. Now on to the actual information of walls of texts. The wall of text was invented when the Internet was invented, but actually it was slow at that time. So whenever it became fast. But there would need to be some free or not free community for people, and that community would be able to have walls of text. But that community probably wouldn't have actually invented the wall of text. So basically, no one except God and Al Gore knows when or where or how the wall of text existed/was invented. Noobs probably invented, but probably not. Who knows. Walls of texts are usually filled with a lot of useless information and junk. Information and junk can be the same, but only if the information is junk or the junk is information. But who cares. The information/junk inside a wall of text are usually related to wherever the wall of text is located, but the best walls of text, which are actually the most irritating, most eye-bleeding ones, are completely random. Walls of text usually make the reader asplode or have their eyes bleed and fall out of their sockets. A number of people can stand it, but not read them. Actually some people can stand and read them. Those people do not have short attention spans. These are boring and patient people who have no life or have all the time in their hands, which are the same, but not really. The punishment of what making walls of text varies of the strictness of the community. But it doesn't really matter. Nobody cares. Walls of texts should be free of links, different font colors, strange characters, which are those other symbols used in society, and capital letters because it ruins the whole purpose of the infamy of walls of texts. It makes them look fucking dumb and weird and dumb. Walls of texts are obviously free of huge spaces and outstanding things like capital letters. Of course, paragraphs should never be in a wall of text. Walls of text are known to create nausea, confusion, head explosion, and others. The others being something I can not think of either because I am lazy or if I do not feel like it or I can not actually think of anything. Like what the fuck? That was a rhetorical question right there. What the fuck? You are actually not requesting a satisfactory answer, you just say that because you try to be funny or you feel like it or if you are pissed off. Now I just copied and pasted part of this huge wall of text, which is actually not. Wait what? Nice right? Ba boom a rhetorical question right there. Is this the end for the sanity of your eyes? What the fuck did you actually read up to here? Or did you skip to near the end and read this? Either way, you fail in life. Just kidding. Or was I? Oh well. Congratulations, or not, actually not. Get a life right now. I found a cheap life on eBay, but cheap lives are rare. Well, good luck in finding one. Not! Okay go kill yourself, but I wasn't meaning that. So go sit in the corner in your house. I do not care which, just stay there and rot. If you are not in a place with a corner, then lucky you. Find one if you can. There is no other option because I said so. Now if you pity yourself for reading this like most do, then do something productive and useful to the environment. My goodness. OK this is me here. I am starting a new section of this article. I didn't read anything in this article above here, but nevermind, because I have something important to say, and you really have to read this. So just skip everything above and just come to this part and start reading and agreeing. The wall of text was invented by engineers using typewriters. Everything was in typewriter font (because it was made on typewriters - remember when I explained that in the previous sentence?) and the point was to use all of the paper, because paper was very expensive back then, it had just been invented I think. So anyway, the point was, no margins at the top or bottom or sides. If you left a quarter inch on the sides of the paper, that was very bad. And the guiding principle was "This was hard to write, so it should be hard to read". Because they were software engineers, not writing engineers. Is there even such a thing a writing engineers? Probably. But anyway, please go back to the top of this article and read it over again. You'll get the point after you read it for approx. 10 to 15 times. OK have you done that now? Good. Now let's be honest - you're not reading down this far. Are you? Nobody would read down this far, unless they were a crazy person. Are you a crazy person? You might be. Now I'm afraid - it's just me alone with a crazy person. No one else has read down this far, just you, so it's just the two of us alone together here. Are you going to do something crazy? Maybe you will. Please don't hurt me. If you promise not to hurt me, I'll give a coupon good for a free Grand Slam Breakfast at Denny's. OK? Now just do this one thing for me, read the article over again, just one more time, and if you really truly don't agree with everything in it, then fine, I'll retire from my job with the railroad and we'll call the whole thing off and just go dancing, just the two of use, me (the writer) and you (a completely random crazy person who has actually read down this far), and boy won't we turn heads when we show up at Rockefeller Center with the entire Donner Party in tow! We'll dance all night to strains of the Lemon Pipers while the Italian 12th Armored Division prevents the Allies from thrusting into our rear! Ah, what memories we'll make, I'll never forget you, my completely insane random person. By the way this is magnificent example of wall of text. You have to be proud you read it all. Now please read article again, and this time pay attention.Wait a minute. didnt it say earlier that there shouldn't be any capitals

A wall of text consists of many lines of text that resemble a wall. A wall of text can sometimes be really big or somewhat small. Most walls of text lack grammar so they are not as appealing to read while other walls of text do contain grammar so they are actually easy to read but not as long as if you were to put a bunch of random characters or words. A wall of text might be made out of word bricks which kind of makes sense if you think of each word as a brick but that would be a tall and narrow wall unless you expand it in which case it will be a large wall in general. Most places do not allow walls of text because they count as spam and could get you banned or kicked or muted and will prevent you from posting other walls of text. Some places allow walls of text but that would be weird and probably doesn't exist. If such a platform did exist for creating walls of text and publishing them for viewers then it is probably not popular otherwise I would have seen it by now. You should refrain from posting walls of text because of the reason I stated up there that said that you could get muted for spam and another reason being that it might get a lot of dislikes or even flagged for spam. If you get flagged for spam then you will no longer be able to post walls of text which is pretty reasonable but I think people should be able to express themselves but probably not through walls of text unless you want to. I have come across a few walls of text and some of them are funny but some of them are short and there are rarely any long walls of text. Maybe walls of text were created by early internet users to troll others but that would be extremely slow because you get like a byte per second download and like a bit per second upload or something like that idk I didn't live with dial up so i wouldn't know about the internet speeds but they are probably accurate even though i should fact check that. People who create walls of text probably have a lot of time on their hands or are really boring or both and they might have very long attentions spans or maybe they are entertained by creating a wall of text because it lets them be creative with what they say. My favorite wall of text is titled "regarding walls of text" and it is a fun read because it keeps the user engaged but I don't think it is a wall of text probably more like a narration or documentary through words. Though some walls of text are large, some can be small but equally as annoying. Sometimes small walls of text are considered copy pasta because you can copy it and paste it to insert a copy of that wall of text or copy pasta. Walls of text can also be copied and pasted but what normal person would copy it? That's like copying abnormal copy pasta in a formal setting. Just imagine Jim peaking at your screen that contains a copy pasta while you're supposed to be focusing on the meeting. How would he feel? How would you feel if the roles were switched? Those questions are of course rhetorical but it's good to consider them. Are you ready to live forever? You guys, my name is Alan Resnick, and I'm so excited to be here. I found the secret to eternal life, and I found it on my Lapbook Pro. Now, you're looking at me, and you're saying, "Alan, you are so smart and you are so small. What is your origin tale?" Well, it all started...Two years ago. Me and Janet were having a bit of a lovers' quarrel, and she's got me sleeping on the couch. Now, I don't mind. I'm fine with it. I'm snoozing. And I'm having a dream I'm in a foggy meadow, and in the distance, I hear a voice calling me "Alan, Alan," just like that. And the fog clears to reveal a beautiful nude woman. And she's saying, "Alan, I'm ready for you. Put your dirt in me." and I'm thinking, "Whoa, whoa, whoa. Hold on a minute. I'm in enough trouble with the wife as it is. This is the last thing I need." But...I do it anyways, and right as I'm about to seal the deal, out of nowhere, I get shot with a gun, and it completely, completely destroyed my face. And that's how I got my fantastic idea. What if I could back myself up like my best favorite mp3 file or like a gif or a pdf? And after two months of hard work, I had done it. I had made an exact digital copy of myself. He calls himself "Teddy." I don't know why. My name is Alan. Now let's explain my 4-step program to live forever as you are now through 3-d scanning and other digital archiving techniques! Step number 1 is the most important step: Getting to know yourself. Now, you're probably thinking, "Alan, I think I know myself pretty well. I've spent every day of my life by myself. There's nothing about me to even tell me that I don't already know." well, I got some bad news for you, Mason. No one knows you. You see, by the age of 6, every human brain has formed a small calcified pebble called the Schrader clot, which prevents any amount of self-awareness. But don't worry, 'cause I've come up with an exercise to help us move past that pebble. All you have to do... Is look. Look at your face in the mirror. Look at your eyes. Look at the nose, the mouth, the philtrum. You're gonna do this for five hours every night. Then just borrow a pen or a pencil from a buddy or friend, flip off that light switch, and draw an image of what you think you saw in the mirror. Now hang up those drawings all over your house to remind you of what you did in the bathroom. Step number 2 is my favorite, favorite step. You're gonna come to my house. I'm gonna strobe blindingly bright lights into your eyes and face while you spin in my living room. Now, my patterns are going to be queered by your headform, and they're gonna generate three point-cloud axes. And then all you have to do is boolean the axes, and you're gonna end up with a 3-D model mesh of your head. It captures every wrinkle, every tear. After all, it's our imperfections that make us human. Okay. Have you ever gone over to your girlfriend's house and she's covered her face in disgusting makeup and you find out that, all of a sudden, you don't love her anymore? It's not her fault. It's not your fault. It's actually science. See, she didn't know it at the time, but she just destroyed that natural luminescent quality that makes a woman beautiful. Now, that's a property called the uncanny valley. The uncanny valley states that when a non-human object begins to appear more human, it starts to get really cute... To a point, and then it becomes creepy. It's like this imagine I'm jogging, and I love to jog, so I'm jogging. And out of nowhere damn it!... Aaaaaaaaaaaah! ...I stub my toe on a rock. On an ugly rock. But, hey, I got my pen here. Maybe I'll draw two eyes on the rock, and now, all of a sudden whoa! This rock's looking kind of cute. I'm starting to like this rock. What if I draw a nose and a mouth on the rock? And now, all of a sudden whoa! This is the cutest rock I've ever seen! I can't believe I'm falling in love with a stone. And then you're gonna want to coat the rock in skin and flesh and ooh, uncanny valley. Your rock fell down into the uncanny valley. It's down there with moving corpses, and this is where your girlfriend lives, and we're gonna try to hop on over and land on the other side with a believable human with real skin and flesh. Now, I got an internship at the morgue, and I found out that every human face can contain as many as six muscles. And those muscles expand and contract and wibble and nibble and pull and tug at the skin. Ooh! That's a lot of stress. Skin stress. Skin stress test. I put every avatar I make through a variety of intensive skin stress tests. I do ball tests. Yes, I have wiggle tests. Whoever said I didn't have wiggle tests was lying. I shake up those avatars. And last but not least, we have durability and tear testing, because the last thing you want is your avatar's skin to rip or tear when you're trying to chat about your day. So, that's it. We've created a real-life avatar. I guess I can just go home now. Bye bye-oh, wait. You forgot the personality, and it's only the most important step. I'm going to come into your house. I'm gonna come into your home, and I'm gonna stay with you for two months. I'll bring a cot and a humidifier, and I'm gonna find out what makes you you. Every morning, you're gonna wake up with me on top of you. I'm gonna ask you hundreds of personal questions. Hundreds of personal questions. Things like: Have you ever caught a friend telling a lie? What was the worst thing you ever had to clean off of a rug? What's the best pair of lips you ever kissed? How many books do you own? Have you ever had a soft-shell crab? How much water can you drink? How many times did you catch a ball at the ball game you went to? How do you feel when you touch a little dog's hair? What is it like to have your hand covered in old glue? And all that information gets scanned in, and it gets put into the USB drive of your computer, and it makes the brain of your avatar. So, now my avatar doesn't just look like me, he also thinks like me. I have touched so many lives with this remarkable technology! Teddy, thank you so much for helping me share this message tonight. Folks, we live in a very spooky-style world. No one's gonna do it for you. But all you have to do is take that first step, reach for that sweet, sweet fruit, and make nothing else you ever do ever matter.

People tend to use the term Empire rather interchangeably with the term big kingdom or kingdom that owns lots of stuff that is not its own. But I don't like this definition. This definition does not give nearly enough importance to the term and waters it down, and it sometimes just doesn’t apply to certain things. The other issue is some people think that an Empire is just a European expression intended to connect someone to the concept of Rome. The word Empire does come from the Roman idea of Imperium, which was Rome's concept of rule through law, order, and general Roman influence being incredibly high among people, high enough they start acting Roman, a hegemony. But the idea that Empires are European is incorrect. First, let's start with Persia. The Persian ruler was at times the Shahanshah, or Shah of Shahs, or king of kings. Similarly, the Turkic (big group of people from which the guys in Turkey come from) and Mongolian languages have the term Khagan/Qagan/Kha Khan which means Khan of Khans. While a khan might not strictly be a king in a feudal sense due their nomadic lifestyle, the idea is similar. Both of these people have a very definite idea that there can be someone so great, kings, the guys normally at the top, swear fealty to them. Another point, Genghis Khan is not a name but a title, meaning Great Khan, under whom other Khans serve. These khans eventually broke away but Temujin, the OG Genghis Khan, wanted his empire to last with a Genghis Kahn at top, and the other khans loyal to him. So this brings us to another definition, someone who rules over kings. Does this work? The Holy Roman Emperor ruled over a couple of kings. The Mameluke emperor ruled over sultans, the Roman emperor was described by a Chinese traveler as ruling over kings who were appointed on the death of a previous king. But what about Charlemagne and Charles Martel? The Frankish Emperor ruled over what was by right multiple kingdoms but I don't think he had kingly vassals. And in texts at the time the empire was referred to as both a kingdom and an empire. But this kingdom was something special as emphasis was placed on the fact that it united previously disunited kingdoms. Similar situation with China. China is either the Celestial Empire or the Middle Kingdom, depending on context. But either way, the Chinese emperor, or Huangdi, was seen as someone above other rulers. Other rulers paid tribute to him and he certainly ruled over quite a vast territory. A territory so vast, it once had many kingdoms within it, but those kingdoms were all united, with quite a lot of force, by Qin Shi Huangdi. Perhaps one thing to do at this point is more properly define a kingdom. To do that, let’s look at the British Isles. Now today’s British Isles are a lot more complicated than they were circa 850 AD so we will look back then. Back then, there were many independent realms, to name a few: the Kingdom of Jorvik (Northumbria), Kingdom of West Seax, Kingdom of Mercia, and the Kingdom of East Anglia. These guys all existed in what would become simply England. Jorvik/Northumbria is the one that is most relevant to what we are looking at because something very interesting happened to it. When Alfred the Great declared himself king of England, he did so controlling Northumbria as a kingdom. One king, two kingdoms. Northumbria would slip away from the King of England due to inheritance issues because it was a kingdom, those typically are independent. This was such an issue that when Northumbria was reconquered, it was demoted from being a kingdom to being an earldom. So we have this idea that kingdoms are typically independent. The solution to making Northumbria stay part of England was to remove its kingdom status. So there is something special about kingdoms compared to earldoms or counties. But let’s keep looking at England because they do something really interesting in 300 years. In 300 years, they take control through conquest and marriage much of France. Like, a lot of France. Too much France, according to the reigning French king. The king of England was now King of Aquitaine, England, and otherwise owner of lots of stuff. But though we refer to what he owned as an empire, he did not. He was simply king of multiple individual places. Kind of like if you have a home and a summer home, you have two homes, not one grand property divided by lots of territory that’s not yours. So a kingdom is individual, multiple kingdoms can have the same king, and kingdoms have pesky habit of wanting to change hands. Another realm to consider is the North Sea Empire. The North Sea Empire was ruled over by Cnut the Great. However, Cnut did not consider himself an emperor but still a king. He also made sure to not have any big, king vassals as he divided England into earldoms. We see another aspect of kingdoms with Cnut, as he called himself, “King of all England and Denmark and the Norwegians and of some of the Swedes." So we can see that there is some connection between kingdoms and cultural groups. We see this as well with Aquitaine being the region of Occitans, Norway home Norwegians, and Denmark home to Danes. Cnut, while not seeing himself as an emperor, definitely had the goal of establishing a dominion around a specific geographic feature. Perhaps we can see this as the beginning of imperial ambitions, as he recognized that he was king of many places and he wanted to control a big area of water, kind of like how Rome controlled the Mediterranean or how the emperor of Japan controls a big string if islands considered to be one unit. The North Sea Empire, as a union of kingdoms, dissolved upon Cnut’s death. Again, kingdoms like being independent. So a kingdom likes being independent, they appear to be a distinct unit of rulership that can change hands, kingdoms can be connected to cultural groups, and kingdoms have been demoted to prevent their pesky inheritance. So if we look at this idea of a King of kings, this is a lot more powerful. A king of king is above this pesky business of kingdoms wanting to slip away. No, these kingdoms are firmly underneath their rule (as much as you can be in feudal times). So an emperor rules over multiple units associated with some shared culture that are typically independent and it’s a big deal when they are not independent. We can see this idea in Russia. Peter the Great declared himself emperor of Russia. Lots of people tried to unite the Rus but only he was able to. And he marked that conquest that culminated in Muscovite victory with a declaration that these regions were under something above a king, in idea and reality. The idea of empires really came into vogue in the 19th century, with Napoleon declaring himself emperor of the French, an idea reminiscent of the Roman first among equals for their emperor. Additionally, Mexico had an emperor a few times. Not a king, but an explicit emperor. He didn’t last too long. Germany as well was declared as an Empire, as various former kingdoms under something supposedly above the kingdom of Prussia. This idea of an emperor uniting peoples is seen as well with Victoria, who declared herself Empress of India. So it is here that I define both kingdom and empire. A kingdom is a distinct unit of government, typically independent, frequently tied to a specific group of people. An empire is a body that has kingdoms underneath it and is an idea that it is above the kingdoms, a uniter of kingdoms, and one that has heavy influence from Rome but is not a strictly European idea. Heck, some Slavic languages used the word Qagan as emperor for a period of time. Now, after having spent some time reading this, you might be thinking “who cares? Why is this important?” Well, this is very important. During Mao’s Cultural Revolution, he worked hard to distance himself from the idea that he was the emperor of china. The European Union, in my view, is a reincarnation of the Holy Roman Empire. It has member states that are distinct, like kings, but who all show varying levels of respect to an increasingly centralized governing body. Form your opinions on this as you will, but keep in mind the cultural advances made in the HRE that would not be possible if all those fractured states were not protected by a larger body. India as well is huge, and is definitely an empire. India being united is on a similar level with Europe being united, with a huge diversity of cultures and religions spread across a large piece of land but those states probably won’t be slipping away due to inheritance anytime soon. By identifying what is an empire, we can apply the techniques other empires have to ensure efficient administration and collectivity of the populace. Now, one thing I do want to clarify here is that the idea of a country having one unified culture or people is a very new idea starting with Napoleon. Lands could change hands so seeing yourself as French when you were English a month ago is harder than saying you are from a certain village. England is a special case because it had a migration Germanic lands bringing in Angles, Saxons, and Jutes who had a very different language and culture than the Romans and Britons already there. This was a pretty clear division between the groups, as well as the Norse who would come later. In other places, this division is harder to see but you might be able to group them based upon general lingual groups. Anyways, this is something I have thought about for a long time and wanted to type out.

Sleeping Giants is a science fiction novel by Sylvain Neuvel in which an unknown interviewer and scientist Rose Franklin attempt to decipher the alien origins and purpose of a giant robotic weapon. Told by way of case files – transcripts, diary entries, and other documents – the novel spans the course of four years, beginning with a prologue set when Rose is 11 years old.

When the novel begins, Rose takes out the bike she has received for her birthday, only to fall into a massive hole near Deadwood, South Dakota, in which is a giant hand. Seventeen years later, Rose now spearheads the effort to determine what the hand is, and to crack the code of the symbols featured on it. At the same time, two American pilots, Kara Resnik and Ryan Mitchell, testing Syrian airspace for radiation, return over Turkey when another body part appears beneath them, activated by the radiation they trail. Because of this, Kara and Ryan are tasked to be a part of Rose’s team. A French-Canadian linguist, Vincent Couture, is brought on board to help decipher the symbols. Scouring the globe, the team completes the robot.

The team is watched over, protected by, and instigated by an unknown interviewer (to whom the files belong and who appears in most of the files speaking to the members of the team). The interviewer has immense power that spans presidential administrations, and indeed he only has two equals: the sitting president and an unidentified subject whom he meets in Washington D.C. The unidentified subject turns out to be the descendant of alien soldiers who came to Earth as the most far-flung colony of their alien empire, to guard it against the threat of invasion using giant war machines. When the danger had passed, they left one robot behind in pieces so that when humanity advanced enough technologically, it could operate the robot on its own and prove worthy of alien contact – or destruction. The ability to master the atom for war is the sign of humanity’s advancement, and progress by the 2010s has allowed the robot to be found, reassembled, and activated, for it uses radioactive material as fuel. The aliens are now watching to see what becomes of the robot they left behind.

Kara and Ryan become pilots for the robot, but they are unable to make much progress because the robot only responds to Kara. When Vincent attempts to operate the robot, he is successful, meaning he and Kara are both descendants of the aliens – the only ones who can operate alien machinery because of their genetics. As a result, Greek geneticist Alyssa Papantoniou is brought on board to study Vincent and Kara. But a testing accident on the robot destroys part of Denver International Airport, kills hundreds (seemingly including Rose), and exposes the top secret project to the world. The United States then goes public with the truth about the robot, and sinks it in the Puerto Rico Trench so no country may harness its destructive power. Secretly, the interviewer oversees a consortium of nations other than America which buy into a project to recover the robot.

The new secret project is overseen by Alyssa. But when the project is exposed because of Alyssa’s incompetence, the United States must intervene – now holding the moral high ground – to take custody of the robot – with everything happening at the workings of the interviewer. The United States then gifts the robot to the UN to form the Earth Defense Corps, a multinational effort to prepare for potential alien invasion. As the novel ends, in an epilogue, Rose wakes up on the side of a road in Ireland, with no memory of the project and no memory of the past four years – though she does remember everything before.

ASCII table , ascii codes :
American Standard Code for Information Interchange
The complete table of ASCII characters, letters, codes, symbols and signs.
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ASCII control characters
00NULL(Null character)01SOH(Start of Header)02STX(Start of Text)03ETX(End of Text)04EOT(End of Trans.)05ENQ(Enquiry)06ACK(Acknowledgement)07BEL(Bell)08BS(Backspace)09HT(Horizontal Tab)10LF(Line feed)11VT(Vertical Tab)12FF(Form feed)13CR(Carriage return)14SO(Shift Out)15SI(Shift In)16DLE(Data link escape)17DC1(Device control 1)18DC2(Device control 2)19DC3(Device control 3)20DC4(Device control 4)21NAK(Negative acknowl.)22SYN(Synchronous idle)23ETB(End of trans. block)24CAN(Cancel)25EM(End of medium)26SUB(Substitute)27ESC(Escape)28FS(File separator)29GS(Group separator)30RS(Record separator)31US(Unit separator)127DEL(Delete)
ASCII printable
characters
32space33!34"35#36$37%38&39'40(41)42*43+44,45-46.47/48049150251352453554655756857958:59;60<61=62>63?64@65A66B67C68D69E70F71G72H73I74J75K76L77M78N79O80P81Q82R83S84T85U86V87W88X89Y90Z91[92\93]94^95_96`97a98b99c100d101e102f103g104h105i106j107k108l109m110n111o112p113q114r115s116t117u118v119w120x121y122z123{124|125}126~
Extended ASCII
characters
128Ç129ü130é131â132ä133à134å135ç136ê137ë138è139ï140î141ì142Ä143Å144É145æ146Æ147ô148ö149ò150û151ù152ÿ153Ö154Ü155ø156£157Ø158×159ƒ160á161í162ó163ú164ñ165Ñ166ª167º168¿169®170¬171½172¼173¡174«175»176░177▒178▓179│180┤181Á182Â183À184©185╣186║187╗188╝189¢190¥191┐192└193┴194┬195├196─197┼198ã199Ã200╚201╔202╩203╦204╠205═206╬207¤208ð209Ð210Ê211Ë212È213ı214Í215Î216Ï217┘218┌219█220▄221¦222Ì223▀224Ó225ß226Ô227Ò228õ229Õ230µ231þ232Þ233Ú234Û235Ù236ý237Ý238¯239´240≡241±242‗243¾244¶245§246÷247¸248°249¨250·251¹252³253²254■255nbspThe complete table of ASCII characters, codes, symbols and signs most consulted ñénye, n with tilde(alt + 164)■black square(alt + 254)²superscript two, square(alt + 253)°degree symbol(alt + 248)'apostrophe, single quote(alt + 39)µletter Mu, micro, micron(alt + 230)©copyright symbol(alt + 184)®registered trademark(alt + 169)³superscript three, cube(alt + 252)áa with acute accent(alt + 160)
frequently-used
(spanish language)
ñalt + 164Ñalt + 165@alt + 64¿alt + 168?alt + 63¡alt + 173!alt + 33:alt + 58/alt + 47\alt + 92
vowels acute accent
(spanish language)
áalt + 160éalt + 130íalt + 161óalt + 162úalt + 163Áalt + 181Éalt + 144Íalt + 214Óalt + 224Úalt + 233
vowels with
diaresis
äalt + 132ëalt + 137ïalt + 139öalt + 148üalt + 129Äalt + 142Ëalt + 211Ïalt + 216Öalt + 153Üalt + 154
mathematical
symbols
½alt + 171¼alt + 172¾alt + 243¹alt + 251³alt + 252²alt + 253ƒalt + 159±alt + 241×alt + 158÷alt + 246
commercial / trade
symbols
$alt + 36£alt + 156¥alt + 190¢alt + 189¤alt + 207®alt + 169©alt + 184ªalt + 166ºalt + 167°alt + 248
quotes and
parenthesis
"alt + 34'alt + 39(alt + 40)alt + 41[alt + 91]alt + 93{alt + 123}alt + 125«alt + 174»alt + 175Brief History of ASCII code:
The American Standard Code for Information Interchange, or ASCII code, was created in 1963 by the "American Standards Association" Committee or "ASA", the agency changed its name in 1969 by "American National Standards Institute" or "ANSI" as it is known since.

This code arises from reorder and expand the set of symbols and characters already used in telegraphy at that time by the Bell company.

At first only included capital letters and numbers , but in 1967 was added the lowercase letters and some control characters, forming what is known as US-ASCII, ie the characters 0 through 127.
So with this set of only 128 characters was published in 1967 as standard, containing all you need to write in English language.

In 1981, IBM developed an extension of 8-bit ASCII code, called "code page 437", in this version were replaced some obsolete control characters for graphic characters. Also 128 characters were added , with new symbols, signs, graphics and latin letters, all punctuation signs and characters needed to write texts in other languages, ​​such as Spanish.
In this way was added the ASCII characters ranging from 128 to 255.

IBM includes support for this code page in the hardware of its model 5150, known as "IBM-PC", considered the first personal computer.
The operating system of this model, the "MS-DOS" also used this extended ASCII code.
Almost all computer systems today use the ASCII code to represent characters and texts. (151) .

How to use the ASCII code:
Without knowing it you use it all the time, every time you use a computer system, but if all you need is to get some of the characters not included in your keyboard should do the following, for example:

How typing: Spanish letter enye, uppercase N with tilde, EÑE, enie ?
WINDOWS: on computers with Windows operating system like Windows 8, Win 7, Vista, Windows XP, etc..
To get the letter, character, sign or symbol "Ñ" : ( Spanish letter enye, uppercase N with tilde, EÑE, enie ) on computers with Windows operating system:

1. Press the "Alt" key on your keyboard, and do not let go.
2. While keep press "Alt", on your keyboard type the number "165", which is the number of the letter or symbol "Ñ" in ASCII table.
3. Then stop pressing the "Alt" key, and ...you got it! (152)

Full list of ASCII characters, letters, symbols and signs with descriptions:
ASCII control characters non printable :ASCII code 00 = NULL ( Null character )
ASCII code 01 = SOH ( Start of Header )
ASCII code 02 = STX ( Start of Text )
ASCII code 03 = ETX ( End of Text, hearts card suit )
ASCII code 04 = EOT ( End of Transmission, diamonds card suit )
ASCII code 05 = ENQ ( Enquiry, clubs card suit )
ASCII code 06 = ACK ( Acknowledgement, spade card suit )
ASCII code 07 = BEL ( Bell )
ASCII code 08 = BS ( Backspace )
ASCII code 09 = HT ( Horizontal Tab )
ASCII code 10 = LF ( Line feed )
ASCII code 11 = VT ( Vertical Tab, male symbol, symbol for Mars )
ASCII code 12 = FF ( Form feed, female symbol, symbol for Venus )
ASCII code 13 = CR ( Carriage return )
ASCII code 14 = SO ( Shift Out )
ASCII code 15 = SI ( Shift In )
ASCII code 16 = DLE ( Data link escape )
ASCII code 17 = DC1 ( Device control 1 )
ASCII code 18 = DC2 ( Device control 2 )
ASCII code 19 = DC3 ( Device control 3 )
ASCII code 20 = DC4 ( Device control 4 )
ASCII code 21 = NAK ( NAK Negative-acknowledge )
ASCII code 22 = SYN ( Synchronous idle )
ASCII code 23 = ETB ( End of trans. block )
ASCII code 24 = CAN ( Cancel )
ASCII code 25 = EM ( End of medium )
ASCII code 26 = SUB ( Substitute )
ASCII code 27 = ESC ( Escape )
ASCII code 28 = FS ( File separator )
ASCII code 29 = GS ( Group separator )
ASCII code 30 = RS ( Record separator )
ASCII code 31 = US ( Unit separator )
ASCII code 127 = DEL ( Delete )
Printable ASCII characters :
( alphanumeric, symbols and signs )ASCII code 32 = space ( Space )
ASCII code 33 = ! ( Exclamation mark )
ASCII code 34 = " ( Double quotes ; Quotation mark ; speech marks )
ASCII code 35 = # ( Number sign )
ASCII code 36 = $ ( Dollar sign )
ASCII code 37 = % ( Percent sign )
ASCII code 38 = & ( Ampersand )
ASCII code 39 = ' ( Single quote or Apostrophe )
ASCII code 40 = ( ( round brackets or parentheses, opening round bracket )
ASCII code 41 = ) ( parentheses or round brackets, closing parentheses )
ASCII code 42 = * ( Asterisk )
ASCII code 43 = + ( Plus sign )
ASCII code 44 = , ( Comma )
ASCII code 45 = - ( Hyphen , minus sign )
ASCII code 46 = . ( Dot, full stop )
ASCII code 47 = / ( Slash , forward slash , fraction bar , division slash )
ASCII code 48 = 0 ( number zero )
ASCII code 49 = 1 ( number one )
ASCII code 50 = 2 ( number two )
ASCII code 51 = 3 ( number three )
ASCII code 52 = 4 ( number four )
ASCII code 53 = 5 ( number five )
ASCII code 54 = 6 ( number six )
ASCII code 55 = 7 ( number seven )
ASCII code 56 = 8 ( number eight )
ASCII code 57 = 9 ( number nine )
ASCII code 58 = : ( Colon )
ASCII code 59 = ; ( Semicolon )
ASCII code 60 = < ( Less-than sign )
ASCII code 61 = = ( Equals sign )
ASCII code 62 = > ( Greater-than sign ; Inequality )
ASCII code 63 = ? ( Question mark )
ASCII code 64 = @ ( At sign )
ASCII code 65 = A ( Capital letter A )
ASCII code 66 = B ( Capital letter B )
ASCII code 67 = C ( Capital letter C )
ASCII code 68 = D ( Capital letter D )
ASCII code 69 = E ( Capital letter E )
ASCII code 70 = F ( Capital letter F )
ASCII code 71 = G ( Capital letter G )
ASCII code 72 = H ( Capital letter H )
ASCII code 73 = I ( Capital letter I )
ASCII code 74 = J ( Capital letter J )
ASCII code 75 = K ( Capital letter K )
ASCII code 76 = L ( Capital letter L )
ASCII code 77 = M ( Capital letter M )
ASCII code 78 = N ( Capital letter N )
ASCII code 79 = O ( Capital letter O )
ASCII code 80 = P ( Capital letter P )
ASCII code 81 = Q ( Capital letter Q )
ASCII code 82 = R ( Capital letter R )
ASCII code 83 = S ( Capital letter S )
ASCII code 84 = T ( Capital letter T )
ASCII code 85 = U ( Capital letter U )
ASCII code 86 = V ( Capital letter V )
ASCII code 87 = W ( Capital letter W )
ASCII code 88 = X ( Capital letter X )
ASCII code 89 = Y ( Capital letter Y )
ASCII code 90 = Z ( Capital letter Z )
ASCII code 91 = [ ( square brackets or box brackets, opening bracket )
ASCII code 92 = \ ( Backslash , reverse slash )
ASCII code 93 = ] ( box brackets or square brackets, closing bracket )
ASCII code 94 = ^ ( Circumflex accent or Caret )
ASCII code 95 = _ ( underscore , understrike , underbar or low line )
ASCII code 96 = ` ( Grave accent )
ASCII code 97 = a ( Lowercase letter a , minuscule a )
ASCII code 98 = b ( Lowercase letter b , minuscule b )
ASCII code 99 = c ( Lowercase letter c , minuscule c )
ASCII code 100 = d ( Lowercase letter d , minuscule d )
ASCII code 101 = e ( Lowercase letter e , minuscule e )
ASCII code 102 = f ( Lowercase letter f , minuscule f )
ASCII code 103 = g ( Lowercase letter g , minuscule g )
ASCII code 104 = h ( Lowercase letter h , minuscule h )
ASCII code 105 = i ( Lowercase letter i , minuscule i )
ASCII code 106 = j ( Lowercase letter j , minuscule j )
ASCII code 107 = k ( Lowercase letter k , minuscule k )
ASCII code 108 = l ( Lowercase letter l , minuscule l )
ASCII code 109 = m ( Lowercase letter m , minuscule m )
ASCII code 110 = n ( Lowercase letter n , minuscule n )
ASCII code 111 = o ( Lowercase letter o , minuscule o )
ASCII code 112 = p ( Lowercase letter p , minuscule p )
ASCII code 113 = q ( Lowercase letter q , minuscule q )
ASCII code 114 = r ( Lowercase letter r , minuscule r )
ASCII code 115 = s ( Lowercase letter s , minuscule s )
ASCII code 116 = t ( Lowercase letter t , minuscule t )
ASCII code 117 = u ( Lowercase letter u , minuscule u )
ASCII code 118 = v ( Lowercase letter v , minuscule v )
ASCII code 119 = w ( Lowercase letter w , minuscule w )
ASCII code 120 = x ( Lowercase letter x , minuscule x )
ASCII code 121 = y ( Lowercase letter y , minuscule y )
ASCII code 122 = z ( Lowercase letter z , minuscule z )
ASCII code 123 = { ( braces or curly brackets, opening braces )
ASCII code 124 = | ( vertical-bar, vbar, vertical line or vertical slash )
ASCII code 125 = } ( curly brackets or braces, closing curly brackets )
ASCII code 126 = ~ ( Tilde ; swung dash )
ASCII Extended Characters :ASCII code 128 = Ç ( Majuscule C-cedilla )
ASCII code 129 = ü ( letter u with umlaut or diaeresis , u-umlaut )
ASCII code 130 = é ( letter e with acute accent or e-acute )
ASCII code 131 = â ( letter a with circumflex accent or a-circumflex )
ASCII code 132 = ä ( letter a with umlaut or diaeresis , a-umlaut )
ASCII code 133 = à ( letter a with grave accent )
ASCII code 134 = å ( letter a with a ring )
ASCII code 135 = ç ( Minuscule c-cedilla )
ASCII code 136 = ê ( letter e with circumflex accent or e-circumflex )
ASCII code 137 = ë ( letter e with umlaut or diaeresis ; e-umlauts )
ASCII code 138 = è ( letter e with grave accent )
ASCII code 139 = ï ( letter i with umlaut or diaeresis ; i-umlaut )
ASCII code 140 = î ( letter i with circumflex accent or i-circumflex )
ASCII code 141 = ì ( letter i with grave accent )
ASCII code 142 = Ä ( letter A with umlaut or diaeresis ; A-umlaut )
ASCII code 143 = Å ( Capital letter A with a ring )
ASCII code 144 = É ( Capital letter E with acute accent or E-acute )
ASCII code 145 = æ ( Latin diphthong ae in lowercase )
ASCII code 146 = Æ ( Latin diphthong AE in uppercase )
ASCII code 147 = ô ( letter o with circumflex accent or o-circumflex )
ASCII code 148 = ö ( letter o with umlaut or diaeresis ; o-umlaut )
ASCII code 149 = ò ( letter o with grave accent )
ASCII code 150 = û ( letter u with circumflex accent or u-circumflex )
ASCII code 151 = ù ( letter u with grave accent )
ASCII code 152 = ÿ ( Lowercase letter y with diaeresis )
ASCII code 153 = Ö ( Letter O with umlaut or diaeresis ; O-umlaut )
ASCII code 154 = Ü ( Letter U with umlaut or diaeresis ; U-umlaut )
ASCII code 155 = ø ( Lowercase slashed zero or empty set )
ASCII code 156 = £ ( Pound sign ; symbol for the pound sterling )
ASCII code 157 = Ø ( Uppercase slashed zero or empty set )
ASCII code 158 = × ( Multiplication sign )
ASCII code 159 = ƒ ( Function sign ; f with hook sign ; florin sign )
ASCII code 160 = á ( Lowercase letter a with acute accent or a-acute )
ASCII code 161 = í ( Lowercase letter i with acute accent or i-acute )
ASCII code 162 = ó ( Lowercase letter o with acute accent or o-acute )
ASCII code 163 = ú ( Lowercase letter u with acute accent or u-acute )
ASCII code 164 = ñ ( eñe, enie, spanish letter enye, lowercase n with tilde )
ASCII code 165 = Ñ ( Spanish letter enye, uppercase N with tilde, EÑE, enie )
ASCII code 166 = ª ( feminine ordinal indicator )
ASCII code 167 = º ( masculine ordinal indicator )
ASCII code 168 = ¿ ( Inverted question marks )
ASCII code 169 = ® ( Registered trademark symbol )
ASCII code 170 = ¬ ( Logical negation symbol )
ASCII code 171 = ½ ( One half )
ASCII code 172 = ¼ ( Quarter, one fourth )
ASCII code 173 = ¡ ( Inverted exclamation marks )
ASCII code 174 = « ( Angle quotes, guillemets, right-pointing quotation mark )
ASCII code 175 = » ( Guillemets, angle quotes, left-pointing quotation marks )
ASCII code 176 = ░ ( Graphic character, low density dotted )
ASCII code 177 = ▒ ( Graphic character, medium density dotted )
ASCII code 178 = ▓ ( Graphic character, high density dotted )
ASCII code 179 = │ ( Box drawing character single vertical line )
ASCII code 180 = ┤ ( Box drawing character single vertical and left line )
ASCII code 181 = Á ( Capital letter A with acute accent or A-acute )
ASCII code 182 = Â ( Letter A with circumflex accent or A-circumflex )
ASCII code 183 = À ( Letter A with grave accent )
ASCII code 184 = © ( Copyright symbol )
ASCII code 185 = ╣ ( Box drawing character double line vertical and left )
ASCII code 186 = ║ ( Box drawing character double vertical line )
ASCII code 187 = ╗ ( Box drawing character double line upper right corner )
ASCII code 188 = ╝ ( Box drawing character double line lower right corner )
ASCII code 189 = ¢ ( Cent symbol )
ASCII code 190 = ¥ ( YEN and YUAN sign )
ASCII code 191 = ┐ ( Box drawing character single line upper right corner )
ASCII code 192 = └ ( Box drawing character single line lower left corner )
ASCII code 193 = ┴ ( Box drawing character single line horizontal and up )
ASCII code 194 = ┬ ( Box drawing character single line horizontal down )
ASCII code 195 = ├ ( Box drawing character single line vertical and right )
ASCII code 196 = ─ ( Box drawing character single horizontal line )
ASCII code 197 = ┼ ( Box drawing character single line horizontal vertical )
ASCII code 198 = ã ( Lowercase letter a with tilde or a-tilde )
ASCII code 199 = Ã ( Capital letter A with tilde or A-tilde )
ASCII code 200 = ╚ ( Box drawing character double line lower left corner )
ASCII code 201 = ╔ ( Box drawing character double line upper left corner )
ASCII code 202 = ╩ ( Box drawing character double line horizontal and up )
ASCII code 203 = ╦ ( Box drawing character double line horizontal down )
ASCII code 204 = ╠ ( Box drawing character double line vertical and right )
ASCII code 205 = ═ ( Box drawing character double horizontal line )
ASCII code 206 = ╬ ( Box drawing character double line horizontal vertical )
ASCII code 207 = ¤ ( Generic currency sign )
ASCII code 208 = ð ( Lowercase letter eth )
ASCII code 209 = Ð ( Capital letter Eth )
ASCII code 210 = Ê ( Letter E with circumflex accent or E-circumflex )
ASCII code 211 = Ë ( Letter E with umlaut or diaeresis, E-umlaut )
ASCII code 212 = È ( Capital letter E with grave accent )
ASCII code 213 = ı ( Lowercase dot less i )
ASCII code 214 = Í ( Capital letter I with acute accent or I-acute )
ASCII code 215 = Î ( Letter I with circumflex accent or I-circumflex )
ASCII code 216 = Ï ( Letter I with umlaut or diaeresis ; I-umlaut )
ASCII code 217 = ┘ ( Box drawing character single line lower right corner )
ASCII code 218 = ┌ ( Box drawing character single line upper left corner )
ASCII code 219 = █ ( Block, graphic character )
ASCII code 220 = ▄ ( Bottom half block )
ASCII code 221 = ¦ ( Vertical broken bar )
ASCII code 222 = Ì ( Capital letter I with grave accent )
ASCII code 223 = ▀ ( Top half block )
ASCII code 224 = Ó ( Capital letter O with acute accent or O-acute )
ASCII code 225 = ß ( Letter Eszett ; scharfes S or sharp S )
ASCII code 226 = Ô ( Letter O with circumflex accent or O-circumflex )
ASCII code 227 = Ò ( Capital letter O with grave accent )
ASCII code 228 = õ ( Lowercase letter o with tilde or o-tilde )
ASCII code 229 = Õ ( Capital letter O with tilde or O-tilde )
ASCII code 230 = µ ( Lowercase letter Mu ; micro sign or micron )
ASCII code 231 = þ ( Lowercase letter Thorn )
ASCII code 232 = Þ ( Capital letter Thorn )
ASCII code 233 = Ú ( Capital letter U with acute accent or U-acute )
ASCII code 234 = Û ( Letter U with circumflex accent or U-circumflex )
ASCII code 235 = Ù ( Capital letter U with grave accent )
ASCII code 236 = ý ( Lowercase letter y with acute accent )
ASCII code 237 = Ý ( Capital letter Y with acute accent )
ASCII code 238 = ¯ ( Macron symbol )
ASCII code 239 = ´ ( Acute accent )
ASCII code 240 = ≡ ( Congruence relation symbol )
ASCII code 241 = ± ( Plus-minus sign )
ASCII code 242 = ‗ ( underline or underscore )
ASCII code 243 = ¾ ( three quarters, three-fourths )
ASCII code 244 = ¶ ( Paragraph sign or pilcrow ; end paragraph mark )
ASCII code 245 = § ( Section sign )
ASCII code 246 = ÷ ( The division sign ; Obelus )
ASCII code 247 = ¸ ( cedilla )
ASCII code 248 = ° ( Degree symbol )
ASCII code 249 = ¨ ( Diaresis )
ASCII code 250 = · ( Interpunct or space dot )
ASCII code 251 = ¹ ( Superscript one, exponent 1, first power )
ASCII code 252 = ³ ( Superscript three, exponent 3, cube, third power )
ASCII code 253 = ² ( Superscript two, exponent 2, square, second power )
ASCII code 254 = ■ ( black square )
ASCII code 255 = nbsp ( Non-breaking space or no-break space )
Links : [ Home ] - [ PDF format ] - [ plain text ] - [ Excel spreadsheet ] - [ Word document ] - [ image 1 ] - - [ en español ] Keywords for this page - The complete table of ASCII characters, codes, symbols and signs :
How to type or write The complete table of ASCII characters, codes, symbols and signs ascii, ascii art, ascii table, code ascii, ascii character, ascii text, ascii chart, ascii characters, ascii codes, characters, codes, tables, symbols, list, alt, keys, keyboard, spelling, control, printable, extended, letters, epistles, handwriting, scripts, lettering, majuscules, capitals, minuscules, lower, case, small, acute, accent, sharp, engrave, diaresis, circumflex, tilde, cedilla, anillo, circlet, eñe, enie, arroba, pound, sterling, cent, type, write, spell, spanish, english, notebooks, laptops, ascii, asci, asccii, asqui, askii, aski, aschi, aschii, (153) .

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italic text

bold text

strikethrough

^subscript ^text

inline code text

indented code text

1. Numbered List
   • Unordered sublist

Header

this method of italics

this method of bold

quoted text

link

link with hover text

Yesterday, Ireland passed a referendum that will repeal a constitutional amendment that banned abortions. The government of Ireland will now have the explicit authority (as soon as the results are certified) to legislate matters of abortion directly. This seems likely to lead to a substantially less restrictive stance toward abortion in one of the most restrictive member nations of the EU. It would still likely end up being slightly more restrictive law than in the United States.

Ireland's history regarding abortion's legality is explicitly tied as a counter-reaction to Roe V. Wade, the American supreme court case that found abortion legal until the third trimester under a rights-balancing test under the 9th and 14th amendments (which--implicitly--enshrines a right to privacy and--explicitly--expands that right to the state level, respectively). While this balancing test was later changed to a standard requiring "fetal viability," states and activists through the United States organized against the Supreme Court's decision to create new limitations on abortion.

So today, I'm seeking to sidestep some of that history to wrestle with the core underlying balancing test Roe v Wade and other similar legal frameworks have tried to answer: when is a pregnant woman's rights more or less important than the life of the living being growing inside of her? In what circumstances (if any) should a woman be allowed to choose to end her pregnancy?

Having just joined recently and made my way though the (technical goals documentation)[https://docs.tildes.net/technical-goals], I am interested in the lower-level stuff. How scaling is being considered, off-loading static content to CDNs, fault-tolerance etc... As well as code testing, deployments, etc...

I guess this will be a bit clearer when Tildes goes Open, but I think a discussion on it could also be helpful for roadmapping and growth if possible.

Video games, board games, card games - whatever. I'm interested to know what you all have been playing recently.

I've been playing a lot of D&D recently. My players have just delved deep under an ancient keep to save an archaeologist from undead Tomb Spiders. I'm currently planning for this weeks game where they will hopefully encounter the giant spider brood mother.

On the video game front, I've been playing through Duke Nukem 3D. That's a game that's certainly made the test of time.

-LTADnD

// Please tell me this works

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!An image

Text in one
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A link

A link

A link

A title

title

title

#A title?

A title

$\alpha \times 5 = 10$

print("Hello World")

print("Hello World")

:::
print("Hello World")
:::

:::python
print("Hello World")
:::

test test test

Hey! I practice IP law with my brothers in Southern California. I primarily do trademark, copyright and litigation work. My brothers do patents and litigation.

I also moderate stuff on Reddit, like IAmA. Ideally, I'd like to host some AMAs here. This is kind of a test to see how it goes at an early stage.

Ask me stuff!

Proof with TruePic

Edit: This was fun. Thank you guys. I'm headed out for a bit. :)