Sleep Paralysis might be one of the most horrifying experiences one could go through.

Personally i had it only once, now about a year ago i think; i really don't know what it was caused by, but i sure as hell am glad it has never occurred since. During my specific episode i was just unable to move - no hallucinations ensued - but it was still one of the worst things i've had the displeasure of feeling.

Now you might be wondering 'if this has happened to you long ago and never had it since, what prompted you to ask about it?'

Well, yesterday i ended up watching this video; now i'm morbidly fascinated by this horrifying yet somewhat captivating condition.

After reading a thread on AskReddit requesting songs that made people cry, I thought about my favorite music and realized that most of the songs that made me cry were because they were uplifting in one way or another. So here I am today, asking you this: what songs move you to tears because of positive emotions? Here are a few of mine:

The Beatles - Let It Be. It's almost embarrassing to put this one first, but a simple three word phrase has never been filled with so much meaning. "Let it be" is practically my motto, and it's the philosophy which has most helped to steer me towards sanity. The music accompanying the lyrics just resonates with my heartstrings and it always makes me feel relieved after listening.

Yoko Kanno - Gotta Knock a Little Harder. People often describe music they like as being written for them. To me, this song feels like my very essence was put into sound. Its a song about breaking free of depression and loneliness. The thing I love about it is how honest it is; breaking through that door is brutally difficult. I love how there isn't an extra verse telling you how much better the narrator's life is after breaking through the door (or even that they made it through), instead implying it through choral swells and a little bit of the listener's imagination.

Arto Lindsay - Counting the Roses. This one may be cheating a little, because it's really the context of the song that makes me cry. It was written for a video game called D2, where a tragic character named Kimberly wrote the lyrics after a particularly terrible day. While the song is beautiful by itself, what affects me is the concept that it represents: even in an ugly, poisonous, depressing world, pure and beautiful things can still be found.

I was playing Stardew Valley recently and ended up playing the mini arcade games in the tavern for a couple hours. I was suprised at the depth they put into a video game that is inside another video game. Truly great.

Apollo 11 is a limited IMAX only engagement, at least for now, and I don't know how long it'll be in theaters. But while it is, I implore everyone to go see it.This movie left me speechless, and not just in the sense of the footage being so incredible as to leave me without words, though that's certainly a factor. It's restored footage and audio of the Apollo 11 mission, for anyone that doesn't know, and it covers the launch, moon landing, and re-entry.

It's so easy for historical events to be looked back on and be seen as just that: events. Like a natural disaster or the existence of a waterfall or a canyon, so many battles, inventions, and human triumphs are stripped of humanity, remembered only as things that happened, not things people did. Apollo 11 has staggering to witness footage, yes, but it weaves that footage together with the human moments wonderfully. The scenes of the launch countdown or the lander making its descent are intercut and splitscreened with the footage of the NASA control centers, with names of all the teams, as audio of their conversations with the astronauts and recaps of what has happened and is going to play over the incredibly restored launch footage. Cuts to the crowd overlooking the Apollo 11 launch are also common in the beginning.

This is not an educational video, one to be seen for great understanding of the finer details of the mission. Apollo 11 instead acts as history in motion, with a perspective to the individuals and the event simultaneously. It's about the people that accomplished the amazing things you see. A display of the triumph of human spirit over the perceived rules of the world and the desire for understanding out world and breaking the limits that we thought were imposed on us. And yet, we as the viewers have a perspective that the people who actually accomplished the great things we see never did. The splitscreening helps to assign human beings to the awe inspiring footage in front of the viewer, yes, but at the same time it offers 2 entirely separated perspectives framed as one, one that the human beings being assigned to the footage never truly experienced in the moment. We have an intimate view of the control center with a simultaneous omnipotent-esque view of the mission in all of its glory. The viewer as the omnipotent being is true of most films to some degree, but the way in which the movie frames its central event, small and big at the same time, really highlights an omnipresent view that even those who lived through the launch never experienced in real time. It's a film of contrast between the individuals and the accomplishment of the collective, but in its control center voiceovers and constant splitscreens, it's really a movie that bridges the two contrasts.

Basically, I loved it in ways that, despite my extensive best efforts, I find difficult to describe. This line sounds corny, I know, but you owe it to yourself to see it on the biggest screen that you can, and I implore everyone to try to make time for it and find a true IMAX showing, if possible. The visuals alone may not have been the biggest thing that awed me, but they were certainly a huge part of it. And for anyone that's also seen it, what'd you think? I'd love to see other perspectives on this doc.

First, I apologize if this is inappropriate.

I wouldn't be surprised if some folks here saw my mention of the "Momo Challenge" and roll their eyes, but after my brother asked me about it, I looked it up last night, and found some interesting stuff happening around it. I guess it's going through a second iteration right now, with supposed images of "Momo," a sculpture of a Japanese witch, and a voice saying to do really graphic stuff. The previous iteration was supposedly messaging a number via WhatsApp, and getting challenges, and threats that if you tell your parents (it's supposedly targeting kids), Momo will get you. The Guardian has a nice write up about the current issue with a picture, you have been warned if you scare easily. Now, she'll tell you to do stuff in a manipulated video. There's even themomochallenge.tk (also spooky if you're sensitive to uncanny sort of stuff like I am), which seems to exist as a way to fluff the story, and asks for what I assume is a requested cryptocurrency transaction (how a kid is going to get crypto to send, I don't know). I may seem like I'm writing something absurd, but this is not in ~creative on purpose, and I feel the propagation of this sort of thing speaks to several problems that may or may not be solvable.

My fascination is with the spread of the idea, and its possible effects. As somebody who occasionally reads the SCP Wiki (not to do with Secure Copy Protocol), I noticed something interesting in the rapid spread of this meme, and am sure sociologists would describe it differently. It behaves (insofar as a meme is an entity with a life or intelligence) in a way SCP would describe as "infohazardous" or "cognitohazardous." They don't mean the same thing: The information is a hazard (infohazard) because you know have this bomb sitting in your lap. You can warn people, but they may go out, see the supposed deaths, and believe it, or you can get a chain of people warning others. In either case, you pass the ball. The meme grows.

It is cognitohazardous for the reason that this hoax, by design, preys on fear. Just typing this, the face is burned into my vision (again, I'm sensitive), I'm home alone, and becoming rather shaky as I jump to look behind me at random noises. The chosen image of the sculpture was selected for this reason, it is deeply unsettling, shakes your rational mind, and you're potentially induced into believing it. I have, in a way, fallen victim to this.

The question comes, going back to my SCP reference: How can this be contained? I'm not looking to start a task force, or enlist people's help, but this is obviously not the first time this has happened with things from Satanic rituals and 2016(?)'s Blue Whale. My mom got swept up by the Satanic thing in the 90s, I watched a video about satanic sacrifices before Halloween 1997, I think, that she got from her church, so I have some experience from the other side. My primary concern is not that children are being compelled to kill themselves, but that the ensuing panic moral panic alone can cause psychological trauma and rampant misinformation. Is it possible to convince believers that something like this isn't real before copycat stuff comes out?