Zombies, aliens, kaiju, regular humans (like ghostface), super humans (like Freddie or Jason) demons, vampires, ghosts, or something else I haven't mentioned. What's your favorite type of villian for horror movies?

I've always been partial to zombies, as I think they're the perfect mix of horrifying and unstoppable yet benign enough to not make the main characters feel hopelessly unable to do anything. I guess I find the idea that given the right choices I can make it out alive more interesting than the idea of a ghost/demon where you're just entirely at the mercy of magical powers that you can't do anything against.

But maybe that feeling of complete powerlessness is what some people are looking for in a horror movie.

To preface, I'm trying to find horror movies that may be considered more on the mild side, something that's more accessible to someone not familiar or comfortable with horror or thriller movies.
Happy Death Day and it's sequel are already on my list, especially since there doesn't appear to be overt nudity / sex and the language is mild.
I suppose it could be described as PG-13 horror, but even the Scream series is actually kinda mild on the gore/violence side of you really break it down, as they have a whodunit plot more than a "let's douse the protags in blood" vibe.

Oh and of course Tremors is always on every list of all time great movies.

Was recently discussing this with someone after we saw Dial of Destiny: lots of movies the past few years have been much longer than they need to be. DoD was 2 and a half hours, Spiderverse 2 made the jump from under 2 hours to almost 2 and a half hours. Is there some incentive for studios to make movies longer that we're not seeing?

Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

Please just try to provide fair warning of spoilers if you can.

Is it simply as simple as having young protagonists? I don't think so. On the one hand, I love Remains of the Day but I wouldn't suggest it to younger family members. On the other hand, Schindler's List released when I was in college and I loved/suffered through that film.

What short animated films do you really love and why? Here's two of mine:

Anna & Bella - says so much without saying much of anything! I love the lack of dialogue and the expressiveness. Makes me feel warm and fuzzy thinking about my relationship with my brother.

Affairs of the Art - NSFW, love the animation style and character designs, and the overall message on obsessions, passion and art being for everyone!

Have you watched any movies recently you want to discuss? Any films you want to recommend or are hyped about? Feel free to discuss anything here.

Please just try to provide fair warning of spoilers if you can.

A post for this exists.

I checked, I searched for it first thing and skimmed through the comments. So this should be the end of it. I know you shouldn't make a duplicate post, lest make any kind of post in a different group.

(if you don't know what I'm talking about, click the link at the top, open the article in incognito mode, read.)

As young folk say, idc. I feel this is beyond the scope of the original post as industry talk deserves serious, dedicated discourse. ~talk seems to be the place for this, anything here barely gets the same engagement like ~talk posts; they garner lots and lots... I mean, LOTS of comments. Plus, the WGA writer's strike is still goin on — they been doin this shit for 2 months with tedious media coverage, and have made their presence known. If they can do that, I think I can take a page from their book and post here.

This is not a retread on the Vulture article, not necessarily about your opinions on the work culture Phil Lord creates, etc. If you feel like this post is a duplicate: Don't vote, don't comment! Ignore this post! Revive the original post — you can do it as long as it's on-topic and thoughtful.

This post is about the ripple effects of what that article says, and how it may reflect industry-wide treatment of animators, and even adjacent subcultures and sectors. Take VFX, for instance: Lots of ppl seem to criticise Marvel Studios for their overuse of CGI in their productions, blissfully unaware that Marvel Studios is a bad client to work with.

In other words; this post is meant to discuss Phil Lords in the industry that cause over 100 animators to quit (which I think is too much to ignore). This post is a launching pad for industry awareness, and should hopefully give you the idea to protest in your own way. Don't believe skipping movies will work? It doooooeeeeeeessss~~

So.... what do we REALLY think about the Spider-Verse article on Vulture? What does this truly reveal about the broader treatment of animation in Hollywood? Does Sony raise good points? What are some other instances where a producer or executive caused such upset during the production of an animated movie? What are other reasons or work culture tidbits outside people or moviegoers don't know about? What's it like being an animator working in Hollywood?? What are some labour unions or orgs to look into? What are some novel solutions or fixes that should be pushed by everyone as much as possible?

I was gonna post this on ~talk, but decided last minute not to. If you have read this far (and think this is not a duplicate post), I implore you to vote a/o comment! If this gets to at least like... 40 or 50 comments, that would be so amazing. If not, oh well. But I think it would be a disservice since no matter how small or insignificant this post is, it will help. It may inspire someone here to do something out there, and I think that's more than enough reason.

Recently, I began revisiting some older films and purchased a few Criterion discs. My first one was Women on the Verge of a Nervous Breakdown (Pedro Almodóvar, 1988) but I’ve since purchased a few more and am slowly working my way through my small stack. The amount of special features is sometimes overwhelming! I’ve enjoyed some of the interviews (Carmen Maura from Women, Sheryl Lee from Twin Peaks: Fire Walk With Me) but have a lot more to get through. Many include a booklet, too.

I also recently got my hands on two of Peter Greenaway’s films - The Draughtsman’s Contract through Kino-Lorber, and Drowning by Numbers in 4K through Severin. I’m a bit spoilt for choice at the moment but there are still films that I’d like to get the “premium treatment.”

Do you enjoy premium/upgraded versions of movies?

Which special features do you look for?

Is there a film that you’d want to get the “premium treatment” or a 4K remaster?

I only have a vague familiarity with the franchise, does the film stand well on its own, or should I skip it?

I have an AMC membership and hate to let tickets go unused if there is something worthwhile playing, I wouldn't ordinarily consider it if I didn't have the extra tickets.