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  • Showing only topics with the tag "philosophy". Back to normal view
    1. What awoke in materialism: A philosophically pessimist view of the cosmos and life

      Have you not heard of that madman who lit a lantern in the bright morning hours, ran to the marketplace, and cried incessantly: "I seek God! I seek God!" —As many of those who did not believe in...

      Have you not heard of that madman who lit a lantern in the bright morning hours, ran to the marketplace, and cried incessantly: "I seek God! I seek God!" —As many of those who did not believe in God were standing around just then, he provoked much laughter. Has he got lost? asked one. Did he lose his way like a child? asked another. Or is he hiding? Is he afraid of us? Has he gone on a voyage? emigrated? —Thus they yelled and laughed.

      The madman jumped into their midst and pierced them with his eyes. “Whither is God?" he cried; "I will tell you. We have killed him—you and I. All of us are his murderers. But how did we do this? How could we drink up the sea? Who gave us the sponge to wipe away the entire horizon? What were we doing when we unchained this earth from its sun? Whither is it moving now? Whither are we moving? Away from all suns? Are we not plunging continually? Backward, sideward, forward, in all directions? Is there still any up or down? Are we not straying as through an infinite nothing? Do we not feel the breath of empty space? Has it not become colder? Is not night continually closing in on us? Do we not need to light lanterns in the morning? Do we hear nothing as yet of the noise of the gravediggers who are burying God? Do we smell nothing as yet of the divine decomposition? Gods, too, decompose. God is dead. God remains dead. And we have killed him.”

      "How shall we comfort ourselves, the murderers of all murderers? What was holiest and mightiest of all that the world has yet owned has bled to death under our knives: who will wipe this blood off us? What water is there for us to clean ourselves? What festivals of atonement, what sacred games shall we have to invent? Is not the greatness of this deed too great for us? Must we ourselves not become gods simply to appear worthy of it? There has never been a greater deed; and whoever is born after us—for the sake of this deed he will belong to a higher history than all history hitherto."

      Here the madman fell silent and looked again at his listeners; and they, too, were silent and stared at him in astonishment. At last he threw his lantern on the ground, and it broke into pieces and went out. "I have come too early," he said then: "my time is not yet. This tremendous event is still on its way, still wandering; it has not yet reached the ears of men. Lightning and thunder require time; the light of the stars requires time; deeds, though done, still require time to be seen and heard. This deed is still more distant from them than the most distant stars—and yet they have done it themselves.

      It has been related further that on the same day the madman forced his way into several churches and there struck up his requiem aeternam deo. Led out and called to account, he is said always to have replied nothing but: "What after all are these churches now if they are not the tombs and sepulchers of God?”

      • Friedrich Nietzsche, “Gay Science”, 1882

      The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the deadly light into the peace and safety of a new dark age.

      • Howard Phillips Lovecraft, “The Call of Cthulhu”, 1928

      “Humans desired reasons. Reasons for pain. Reasons for sadness. Reasons for life. Reasons for death. Why were their lives filled with suffering? Why were their deaths absurd? They wanted reasons for the destiny that kept transcending their knowledge.”

      “And that was God.”

      • Kentaro Miura, “Berserk” (83), 1996

      What's it say about life, hm? You gotta get together, tell yourself stories that violate every law of the universe just to get through the goddamn day.

      • Nic Pizzolatto, “True Detective”, 2014

      The universe of modern science engendered a profounder horror in Lovecraft’s writings than that stemming from its tremendous distances and its highly probably alien and powerful non-human inhabitants. For the chief reason that man fears the universe revealed by materialistic science is that it is a purposeless, soulless place. To quote Lovecraft’s “The Silver Key”, man can hardly bear the realization that “the blind cosmos grinds aimlessly on from nothing to something and from something back to nothing again, neither heeding nor knowing the wishes or existence of the minds that flicker for a second now and then in the darkness.”

      • Fritz Leiber, “A Literary Copernicus”, 1949

      With respect to the theological view of the question; this is always painful to me.— I am bewildered.— I had no intention to write atheistically. But I own that I cannot see, as plainly as others do, & as I should wish to do, evidence of design & beneficence on all sides of us. There seems to me too much misery in the world. I cannot persuade myself that a beneficent & omnipotent God would have designedly created the Ichneumonidæ with the express intention of their feeding within the living bodies of caterpillars, or that a cat should play with mice.

      • Charles Darwin, in a letter to Asa Gray, 1860

      In a way, Darwin discovered God—a God that failed to match the preconceptions of theology, and so passed unheralded. If Darwin had discovered that life was created by an intelligent agent—a bodiless mind that loves us, and will smite us with lightning if we dare say otherwise—people would have said "My gosh! That's God!"

      But instead Darwin discovered a strange alien God—not comfortably "ineffable", but really genuinely different from us. Evolution is not a God, but if it were, it wouldn't be Jehovah. It would be H. P. Lovecraft's Azathoth, the blind idiot God burbling chaotically at the center of everything, surrounded by the thin monotonous piping of flutes.

      Which you might have predicted, if you had really looked at Nature.

      • Eliezer Yudkowsky, “An Alien God”, 2007

      The whole earth, continually steeped in blood, is nothing but an immense altar on which every living thing must be sacrificed without end, without restraint, without respite until the consummation of the world, until the extinction of evil, until the death of death.

      • Joseph de Maistre, “St. Petersburg Dialogues”, 1821

      One night in times long since vanished, man awoke and saw himself. He saw that he was naked under the cosmos, homeless in his own body. Everything opened up before his searching thoughts, wonder upon wonder, terror upon terror, all blossomed in his mind.

      Then woman awoke, too, and said that it was time to go out and kill something. And man took up his bow, fruit of the union between the soul and the hand, and went out under the stars. But when the animals came to their water-hole, where he out of habit waited for them, he no longer knew the spring of the tiger in his blood, but a great psalm to the brotherhood of suffering shared by all that lives.

      That day he came home with empty hands, and when they found him again by the rising of the new moon, he sat dead by the waterhole.

      • Peter Wessel Zapffe, “The Last Messiah”, 1933

      For the rest of the earth’s organisms, existence is relatively uncomplicated. Their lives are about three things: survival, reproduction, death—and nothing else. But we know too much to content ourselves with surviving, reproducing, dying—and nothing else. We know we are alive and know we will die. We also know we will suffer during our lives before suffering—slowly or quickly—as we draw near to death. This is the knowledge we “enjoy” as the most intelligent organisms to gush from the womb of nature. And being so, we feel shortchanged if there is nothing else for us than to survive, reproduce, and die. We want there to be more to it than that, or to think there is. This is the tragedy: Consciousness has forced us into the paradoxical position of striving to be unself-conscious of what we are—hunks of spoiling flesh on disintegrating bones.

      • Thomas Ligotti, “The Conspiracy Against the Human Race”, 2010

      This realization threatens to put us in a persistent state of existential fear.

      • Sheldon Solomon, Jeff Greenberg, Tom Pyszczynski, “The Worm at the Core: On the Role of Death in Life”, 2015

      What does it mean to be a self-conscious animal? The idea is ludicrous, if it is not monstrous. It means to know that one is food for worms. This is the terror: to have emerged from nothing, to have a name, consiousness of self, deep inner feelings, an excruciating inner yearning for life and self-expression and with all this yet to die. It seems like a hoax…

      • Ernest Becker, "The Denial of Death", 1973

      In the literature of supernatural horror, a familiar storyline is that of a character who encounters a paradox in the flesh, so to speak, and must face down or collapse in horror before this ontological perversion —something which should not be, and yet is. Most fabled as specimens of a living paradox are the "undead," those walking cadavers greedy for an eternal presence on earth. But whether their existence should go on unendingly or be cut short by a stake in the heart is not germane to the matter at hand. What is exceedingly material resides in the supernatural horror that such beings could exist in their impossible way for an instant. Other examples of paradox and supernatural horror congealing together are inanimate things guilty of infractions against their nature. Perhaps the most outstanding instance of this phenomenon is a puppet that breaks free of its strings and becomes self-mobilized.

      […]

      Whether or not there really are manifestations of the supernatural, they are horrifying to us in concept, since we think ourselves to be living in a natural world, which may be a festival of massacres butonly in a physical rather than a metaphysical purport. This is why we routinely equate the supernatural with horror. And a puppet possessed of life would exemplify just such a horror, because it would negate all conceptions of a natural physicalism and affirm a metaphysics of chaos and nightmare. It would still be a puppet, but it would be a puppet with a mind and a will, a human puppet—a paradox more disruptive of sanity than the undead. But that is not how they would see it. Human puppets could not conceive of themselves as being puppets at all, not when they are fixed with a consciousness that excites in them the unshakable sense of being singled out from all other objects in creation. Once you begin to feel you are making a go of it on your own—that you are making moves and thinking thoughts which seem to have originated within you—it is not possible for you to believe you are anything but your own master.

      • Thomas Ligotti, “The Conspiracy Against the Human Race”, 2010

      Why, then, was the human race not wiped out long ago in great, raging epidemics of insanity? Why are there so few individuals who succumb to the pressure of life because their acuity reveals to them more than they can bear?

      A consideration of the spiritual history and present state of our species suggests the following answer: most people manage to save themselves by artificially paring down their consciousness.

      • Peter Wessel Zapffe, “The Last Messiah”, 1933

      Although we typically take our cultural worldview for granted, it is actually a fragile human construction that people spend great energy creating, maintaining, and defending. Since we’re constantly on the brink of realizing that our existence is precarious, we cling to our culture’s governmental, educational, and religious institutions and rituals to buttress our view of human life as uniquely significant and eternal.

      • Sheldon Solomon, Jeff Greenberg, Tom Pyszczynski, “The Worm at the Core: On the Role of Death in Life”, 2015

      Man is an animal who has to live in a lie in order to live at all.

      • Ernest Becker, “Escape From Evil”, 1975
      5 votes
    2. What do you think is the mindset of the banally evil?

      There was a question on reddit about whether rich people ever think about all the poor and starving people who are suffering while they live in luxury. It got me thinking about the "rich" more...

      There was a question on reddit about whether rich people ever think about all the poor and starving people who are suffering while they live in luxury. It got me thinking about the "rich" more broadly, as many of the people like me who are on the internet are part of the global 1% if not the local.

      I think a lot of rich people dont like to think about the idea that maybe the truly morally right thing to do would be to give up all their money and work a day job like everyone else.

      So they try to avoid thinking about it at all to avoid having to constantly feel guilty about not doing the thing they know is right. Making a contribution to helping others just opens you up to other people or even your own conscience saying you could be doing more, and youll never be able to do enough to fully justify not doing so. Or alternatively you can embrace selfishness and give up on constantly trying to be a better person and never have to think about it again.

      Maybe its easy to look at some billionaire and say they could lose 1/2 their money and not notice any change in their lifestyle, so they should be considered morally contemptable for not even offering a fraction of that when it could make such a difference for so many. But somewhere between that and living in poverty, there has got to be some line where your right to take care of yourself and your right to try and invest in your own future stops outweighing the shame of allowing the evils of the world to go unchallenged.

      Then there is a fuzzy region around that line where its ambiguous whether you are doing enough good in the world or if you should feel morally compelled to change how you are living your life. And I think its probable the for a lot of people the place where they envision all their dreams coming true is somewhere on the negative end of the spectrum. So if your dream is to be a famous movie star, for example, at some point that dream might not be compatible with your moral imoerative to oppose classism.

      Personally I hate having to work an office job. If I got the chance to make a fortune Id build a cabin in the woods and have food delivered to me and never have to deal with anything ever again. But doing so would be selfish. So I guess if I ever had the opportunity Id be corrupted by riches in a heartbeat. Which is kind of a downer of an ending to this line of thought.

      31 votes
    3. Discussing AI music - examples and some thoughts

      I'm not sure if this would be better for ~music, ~tech, or what, but after messing around with Udio for a bit, I made some stuff I liked and wanted to get folks' thoughts. Imo, it's incredible to...

      I'm not sure if this would be better for ~music, ~tech, or what, but after messing around with Udio for a bit, I made some stuff I liked and wanted to get folks' thoughts. Imo, it's incredible to be able to get music from a text prompt - it means I, as someone who is mostly ignorant to music production, can have my musical idea and actually render that out as music for someone to hear. I can think "damn that would be cool" and then in kind of a fuzzy way, make it happen then and there. Whether it's good, I don't know. That's not up to me, really, but it is the kind of sound I wanted to happen, so I'm left conflicted on how to feel about it. Figured it would be worthwhile to show folks some of it, and see what they think.

      I do enjoy synth and metal, so there's a lot of that in these. Feel free to be as critical as you like. If I can apply your criticism I will try to do it, and if you want to see how that works out, I'll share.

      1. Cosmoterrestrial
      2. A Floyd, Pinkly
      3. Empire's Demise, Foretold
      4. Metal for Ghosts Bedsheet Edition (the very end of this one is hilariously appropriate)
      5. Multi-3DS Drifting

      And here's a link to my profile, if you would like to browse. It will update too when I put more up.

      They're all instrumental. Lyrical music is less appealing to me in general and Udio's voices do sound kinda weird to me more often than not. The way I made the tracks, I would start with a clip combining some genres/moods, and then add to either end of the clip until I had a complete song. Along the way, I could introduce new elements/transitions by using more text/tweaking various settings and flipping "manual mode" on and off. The results were fuzzy; I didn't always get what I wanted, but I could keep trying until I did, or until I got something that sounded "better". I wrote all the titles after the song was finished. The album art is from a text prompt.

      I'm not sure what I think, to be honest. On the one hand, a lot of the creative decision-making wasn't mine. On the other, the song would not be what it is without me making decisions about how it came about and what feelings/moods/genres were focused upon/utilized. I think the best I can say is "use the tool and see whether it's enough to count". To me it feels almost 50/50, like I've "collaborated with my computer" rather than "made music". Does it matter? If the sound is the intended sound, the sound I hoped to make and wanted to share, is that enough to say it is "my music"? Is this perhaps just what it looks like to be a beginner in a different paradigm?

      When I used Suno, I had a much more rigid opinion. What it produced, I called "computer spit". Because, all I could actually control was telling it to continue, changing the prompt, and giving it structure/genre tags that felt like a coin flip in terms of effectiveness. I had a really hard time trying to get it to keep/recall melody, and my attempts to guide it along felt more like gambling than deliberate decisions. It also couldn't keep enough in context to make the overall song consistent with respect to instrumentation. It's different with Udio, both because you have a lot of additional tools, and because it feels like those tools work more consistently at making the model do what you want. I still call the results "computer spit" where I've shown them off, but I'm unsure now whether the production has enough of myself in it to be something more. Perhaps not on the same level as something someone produced by playing an instrument, or choosing samples/arranging things in software, but also not quite the same as the computer just rolling along, with me going "thumbs up" or "thumbs down". Maybe these distinctions don't actually matter, but I'd be curious if anyone has thoughts along these lines.

      I'm intentionally trying to avoid a discussion about the morality of the thing or what political/social ramifications it has, not because I don't care about that but because I'm in the middle of trying to understand the tool and what its results mean. Would you consider what I've posted here work I could claim as my own, or do you think the computer has enough of a role to say it's not? Is my role in the production large enough? Or perhaps you have a stronger position, that nothing the computer can possibly do in this way counts as original music. Does any of this change that position for you? I ask because I've gone through a lot of opinions myself as I've been following things, and one interesting bit is that I have not gotten any copyright notices when I've uploaded the music to Youtube (I did get notices with Suno's music). As far as I can tell, with what is available to me, this is all original.

      And of course, the most important one: Did you like it? Is there something you think would make them better? Do they all suffer from something I'm not seeing/hearing? I'm not an expert technician nor a music producer, so perhaps my ignorant ears are leading me astray. Either way, I've had a ton of fun doing this, and the results to my ear are fun to listen to while I'm doing stuff. I wouldn't call any of it the best music I've ever heard, but I can also think of a lot that is worse. I think what I wonder the most is whether it comes off bland/plain. Most of the folks I show things to are a bit too caught up in being astounded/disturbed to really give me much feedback, so perhaps putting the request in this form will work out a bit better - ya'll have time to think on it.

      As always, your time and attention is greatly appreciated

      Edit: I should clarify. I am not attempting to be a musician. Hence calling it "computer spit" with anything public, and the lack of any effort to pitch it as something I did only on my own. Rather, I recognize the limit of my own understanding, and felt I'd hit a point where my ignorance of production meant I could not judge the results as well as I'd like. That means it's time to engage some folks because folks out there are likely to know what I do not and see things I can't. From that angle, a lot of the discussion is very interesting, and I'll be responding to those in a bit. But there's no need to argue for doing the work - I recognize that. I'm trying to see past my own horizons with a medium I don't put the work into. I'm a consumer of music, not a creator, so getting some perspective from folks more acquainted with creating and with the technology is really what I'm after in sharing the experience.


      Edit again: Thank you all for a very interesting discussion. I had a spare evening/morning and this was a good use of it. For the sake of tying a bow on the whole thing, I'll share my takeaways as succinctly as I can manage.

      It seems, at present, and at best, the role these tools can play is of a sort of personal noise generator. The output is not of sufficient interest, quality, complexity, etc., to really be regarded the same as human-produced music, is the overall impression I have been left with. And for other reasons, it may be that the fuzziness of it all is a permanent feature, and thus a permanent constraint on how far toward "authentic" the results can ever get. I was trying to avoid a discussion about my own creativity, the value of doing work, societal ramifications, etc., so I'll work on how to present things better. For what it's worth, this has all been part of what I do creatively - my area of study was philosophy, and the goal of that to my mind has always been "achieving clarity". So I am attempting to achieve clarity with things as they develop, as a hobby sort of interest while I'm busy doing completely different stuff and to better protect my own mind against dumb marketing and hype. So once again, I appreciate you all taking the time, and I wish you all well in all the things you do.

      24 votes
    4. "Appear weak when you are strong" - This Confucian proverb is keeping everyone in confusion

      Appear weak when you are strong, and strong when you are weak. I think this proverb is way too popular and overused in today's world to have any real application or benefit. Reading between the...

      Appear weak when you are strong, and strong when you are weak.

      I think this proverb is way too popular and overused in today's world to have any real application or benefit. Reading between the lines, it becomes very apparent that this tactic is being used everywhere these days, be it the world of media, politics, sports, academia, what have you.

      But can you cite even a single utility or usefulness of this in today's world? In a world where EVERYONE thinks like this and tries to appear all shrewd and masks just because the other dude is also shrewd and masks, what purpose does it even solve?

      Don't you think folks should just stop all pretenses and just be what they are? In their own interest, not anyone else's?

      20 votes
    5. Am I alone in thinking that we're bouncing back from a highly technological future?

      I have this notion that we're entering a new fuzzy era of rejecting the hyper technological stream that we've been on since the 90's. I notice people now wanting to use their phones for longer...

      I have this notion that we're entering a new fuzzy era of rejecting the hyper technological stream that we've been on since the 90's. I notice people now wanting to use their phones for longer (e.g. not replacing them every 2 years because it's the trend) and I feel there's a push back towards certain things like touchscreens in cars being reverted back to clicky buttons.

      Sure, there are these crazy developments happening in science. A.I. is changing so fast it's hard to keep up with, and we're going back to the moon! (I say we because it's a human endeavor goddamn it).

      But there also seems to be this realization that we might have strained Earth a little too much and that we need to tend to Earth, and ourselves a little bit more.

      For reference, I'm a millennial born in '89.

      50 votes