After many years of Roll20 D&D campaigns, we have whittled the process down to the bare essentials: there are only three of us now, with one DM and two players running two characters each. Having completed many of the classic modules of our youth, we are now tackling an extension to the Mines of Phandelver - Shattered Obelisk. Because this is golden age D&D from when we were teens, we chose a classic lineup. My friend is playing a half orc fighter and wood elf rogue, while I'm playing the dwarven cleric and high elf wizard.

What is new for us this time is that the DM is brand new to the position. He's been a player forever but has never had the time to run a campaign. These pre-packaged modules make things quite easy though so we're delighted to finally get the forever player behind the screen so that the two normal DMs can really play this team to its potential. It's been a blast.

But what I realized yesterday is how different his style is, and that's what I'd like to discuss here. I come from a theater and Hollywood background as a screenwriter/playwright and character actor. I also have a ton of improv comedy experience. I'll throw out a number of story elements or NPCs and just cut loose, completely fine with where the dice and the player decisions take me. Our other usual DM is also a Hollywood guy, but he's a producer. So for him it's all about marshaling the resources, optimizing the setting, and conducting the grand scenario. He cuts right through all my roleplaying to get to the tactical play as soon as possible.

Well our new DM is a senior medical doctor at a teaching hospital. I just realized as we played last night that he isn't narrative in the slightest because he is presenting each of the scenarios or NPCs as if he's on his rounds with a knot of junior doctors, giving them a brief outline or quick synopsis of each patient's condition before moving on to the next. It's such a different way of approaching this kind of data that it took me a few months of this before I realized what he was doing. All of us are trained to our own methods, that's for sure.

How do you and your tables present information and move the game forward? I fear that the success of Critical Role, etc. has given too many newer players the idea that there is only one way to conduct these kinds of games and I'd like to hear of more original approaches.

Video Link

I decided to post this as a text topic since IMO the video description is really important to understanding this performance:

Aug. 29, 2019 | Colin Marshall -- Dan Tepfer has transformed the acoustic piano entirely with his new project, Natural Machines. Watch the keys and you'll see this Disklavier — a player piano — plucking notes on its own. But it's not a prerecorded script.

Here's how it works: Tepfer plays a note, and a computer program he authored reads those notes and tells the piano what to play in response. Tepfer can load different algorithms into the program that determine the pattern of playback, like one that returns the same note, only an octave higher. Another will play the inverted note based on the center of the piano keys. These rules create interesting restrictions that Tepfer says make room for thoughtful improvisation. In his words, he's not writing these songs, so much as writing the way they work. To better communicate what's happening between him and the piano, Tepfer converted these audio-impulse data into visualizations on the screen behind him, displaying in real time the notes he plays followed by the piano's feedback. We dive even deeper into this project in a recent Jazz Night in America video piece.

Perhaps the trickiest part here, unlike a human-to-human duo, is that the computer plays along with 100 percent accuracy based solely on Tepfer's moves. He compares it to dancing with a robot that never misses a beat. Tepfer has to play in kind to keep the train on the tracks, but if he falls out of step, so does the computer. On the other hand, Tepfer has unlocked a new frontier of music available to acoustic piano players: He's essentially given himself more limbs to play the piano at once, and at times we see more than 10 keys pressed at a time or a sequence of notes played at seemingly superhuman speeds. It's a central idea to what innovative technology enables for us — that which is impossible for us to achieve on our own.

edit: Nice related video from Jazz Night in America with Dan explaining some of how it works:
https://www.youtube.com/watch?v=0L6tzG3FkcU