This topic is part of a series. It is meant to be a place for users to discuss creative projects they have been working on.

Projects can be personal, professional, physical, digital, or even just ideas.

If you have any creative projects that you have been working on or want to eventually work on, this is a place for discussing those.

A list of all previous topics in this series can be found here.

What have you been doing lately for your own fitness? Try out any new programs or exercises? Have any questions for others about your training? Want to vent about poor behavior in the gym? Started a new diet or have a new recipe you want to share? Anything else health and wellness related?

At work there's a project that was originally pitched as an automated system we would build for a new client, and now the conversation has shifted towards automating away some data entry tasks for an existing client. If the project is successful I would guess that some or all of the people doing the data entry tasks would be out of a job. And if it's a resounding success I would guess that the powers that be would be eager to apply it in other areas and potentially put more people out of jobs.

This project is in the very early stages of gathering requirements and whatnot so it's not really clear what exactly we're building or what my role in building it would be. But it involves a technology that's new to us (natural language processing) and often times I end up playing some role in a project that involves learning something new, even if it's just in some small way.

So yeah, I know automation replacing low-skill work is nothing new and if these jobs can be automated away, they will be sooner or later, but this is the first time I've been confronted with the idea of using my skills to put people I don't know out of a job and it sticks in my craw. Normally I love automation and interacting with new (to me) tech even if it's nothing groundbreaking and I'm just doing the plumbing to connect system A to interface B, but in the past it's always been in the name of freeing up people from tedious tasks so that they can do more interesting and more important work, rather than "freeing" them of their paycheck. So I'm finding myself adding this to the small but compelling pile of frustrations I have with this job and weighing it against the also-small but also-compelling pile of things I love about it.

Anyway, if you've ever been in a position where you were asked to automate away someone else's job, how did that go? What did you do?

If you haven't, what do you think you would do?

Yeah, so I know there's about a week and a half left in Black History Month (which is in February here, for the non-US and I believe Canada folks who didn't know), and this rec list is therefore super late, but I've been watching some movies that were historically significant in terms of breaking racial barriers at mainstream award shows like the Oscars and in film production at large, were pioneers in getting films from African nations famous and acclaimed worldwide, or just generally covered racial issues of their times in significant or compelling ways, and thought I'd post the watchlist here in case anyone was interested. So I guess either binge all these in the coming week and a half, keep this as a guide for next year, watch any of the ones that interest you past February, or save it for October, which is when I understand Black History Month takes place in the UK.

• Within Our Gates (1920) - The first movie by an African American director to have a still surviving print.
• Eleven P.M. (1928) - A silent era film led by a mostly black cast and directed by enigmatic little known African American director Richard Maurice. An absolutely bizarre surrealist melodrama.
• Cry, The Beloved Country (1951) - This film examining the effects of apartheid in South Africa actually filmed almost entirely in segregated South Africa, possibly making it the first major film to do so.
• The Defiant Ones (1958) - Sidney Poitier was the first black man to be nominated for Best Actor at the Oscars for his role in this film. Details the story of two escaped convicts, a white man and a black man, becoming friends, with more nuance and layering than its premise and time period might suggest.
• One Potato, Two Potato (1964) - One of the first, and possibly the first, films to deal with interracial marriage in a serious manner. Predates Guess Who's Coming to Dinner by 3 years.
• Nothing But a Man (1964) - Realistic depiction of life in a racist society, consisting of a constant soul-crushing barrage of minor aggressions instead of huge explosions of hate. Selected for preservation in the Library of Congress and considered to be an important example of neorealism.
• Black Girl (1966) - One of the first African films by an African filmmaker to receive international attention and acclaim. Shows the lasting damage and effects of colonialism both in the colonized country and the lives of those displaced as a result of it.
• In the Heat of the Night (1967) - Tackled racial tensions in the South in the midst of the Civil Rights Movement of the 1960s. Selected for preservation in the United States National Film Registry by the Library of Congress.
• Guess Who's Coming to Dinner (1967) - One of the few films of the time depicting interracial marriage in a positive light and a serious way. Selected for preservation in the United States National Film Registry by the Library of Congress.
• Black Panthers (1968) - Documents a small but significant moment in the history of the fight against racism in the US, the Free Huey movement championed by the Black Panthers.
• Sweet Sweetback's Baadasssss Song (1971) - Considered an important film in the history of African American cinema, and credited as one of the pioneers of the blaxploitation genre.
• She's Gotta Have It (1986) - The debut film of famed director Spike Lee, an ahead of its time depiction of polyamory and female independence, it showed Brooklyn's black community in a light that drew media attention and focus to its artists and musicians following its release.
• Daughters of the Dust (1991) - The first by an African American woman to gain a general theatrical release (in 1991!). Selected for preservation in the United States National Film Registry by the Library of Congress.
• Malcolm X (1992) - A biopic of civil rights leader Malcolm X, also directed by Spike Lee. Selected for preservation in the United States National Film Registry by the Library of Congress.
• Girlhood (2014) - The film discusses and challenges conceptions of race, gender and class; Sciamma's goal was to capture the stories of black teenagers, characters she claims are generally underdeveloped in French films.
• Moonlight (2016) - Barry Jenkins' meditation on black sense of masculinity and the struggles of LGBT members in the contemporary American black community became the first film with an all-black cast to win Best Picture at the Oscars.
• Get Out (2017) - With this film exploring the exploitative horror of the modern white liberal brand of racism, Jordan Peele became the first black writer to win the Best Original Screenplay category at the Oscars, as well as the first to earn a Best Director nomination and a Best Picture nomination for a debut film.
• The Last Black Man in San Francisco (2019) - A film that explores the gentrification of San Francisco and the struggles in personal identity that arise from it.

I'd love to hear any feedback on the list or if you're gonna watch anything from it, and suggestions for any movies to add to it, especially between the 20s and 50s and the 90s and 00s, since those are especially massive gaps in my knowledge.

Just finished Annihilation. Decided to share some random thoughts:

The film looks absolutely stunning. Perfect blend of beautiful and horrifying. But the characters… ugh. They are your classical horror film bunch of idiots. And, as per tradition with the modern sci-fi horror, they're supposed to be “scientists”. Bah.

It seems like both the screenplay and the visuals were heavily inspired by Roadside Picnic by the Strugatsky brothers, and possibly Andrei Tarkovsky's film adaptation, Stalker (1979), as well as a bit of his other sci-fi work, Solaris (1972), here and there. Honestly, if you like the idea of “alien shit twisting stuff around it”, and you like reading, you're way better off just reading Roadside Picnic.

Why didn't most trees change? The flowers, the moss, and the animals get all kinds of wild twisted colours and mutations, but the trees remain just green? That really bothered me. They also don't mention all this mutated flora and fauna going outside “the zone”, which, I assume, would be a giant issue.

That lighthouse would be so destroyed if it was really hit by an object of that diameter.

I found it ironic that the psychologist of the team was the one who was severely depressed. Here in Russia we call that a “barefoot cobbler” situation. But the way the film shows severe depression is pretty accurate.

Overall, I reluctantly enjoyed the film, but I couldn't stop thinking that all those visual effects and designs would be much more amazing in a Strugatsky bros. adaptation film.

What have you been watching and reading this week? You don't need to give us a whole essay if you don't want to, but please write something! Feel free to talk about something you saw that was cool, something that was bad, ask for recommendations, or anything else you can think of.

If you want to, feel free to find the thing you're talking about and link to its pages on Anilist, MAL, or any other database you use!

This is a recurring post to discuss programming or other technical projects that we've been working on. Tell us about one of your recent projects, either at work or personal projects. What's interesting about it? Are you having trouble with anything?

This is something I tried before with a Discord group for studying Python, but it was a catastrophic failure. Lots of people showed interest, almost no one showed up at the designated time. Besides, even the one person hardly interacted.

After that, I started creating an online book/tutorial for beginners (well, anyone that is more of a beginner than me :P), but it was hard to stay motivated by myself — the whole reason for the study group was precisely to avoid that.

The topic is not defined yet (I'm thinking logic...), but I'm inclined to try it again. Streaming video and/or audio is a possibility, but not a requirement. I'd rather avoid it if possible.

Any suggestions on how to make this work?

This screenplay is based on a short story I published on Tildes some time ago. If you prefer, you can download the PDF here.

                    YOLK
                     by
                   mrbig

Until told otherwise:

BLACK AND WHITE.
SLOW MOTION.
SLOW AND BEAUTIFUL OPERA MUSIC

INT. APARTMENT - NIGHT

KITCHEN

HAND grabs the egg carton on the fridge. JAMES is 30, thin
and shirtless. Smells the eggs one by one. Stops. Smiles.

Water gushes from the faucet, foaming abundantly as it goes
down the drain.

BEDROOM

On the wall behind the bed, a painting of two lovers with
their heads individually wrapped in sheets. They kiss, but
they're mouths do not touch. ALICE, 30, dark hair, black silk
nightdress, sleeps. SOUND OF SOMETHING BEING FRIED. She wakes
up.

KITCHEN

James breaks the eggshell, getting his hand dirty. Licks his
fingers. Behind him, Alice is watching. Gently throws the egg
in the frying pan.

THE EGG SIZZLING

James sprinkles salt and pepper. Manipulates the frying pan
with skill, throws the egg up in the air and catches it in a
precise and continuous movement. Extinguish the fire and look
back to see

COLOR. NORMAL SPEED. OPERA MUSIC STOPS.

Alice with the eyes fixed on the stove.

                    ALICE
          Look.

Points at the egg.

                    JAMES
          What?

                    ALICE
          Can't you see?

                    JAMES
          Has it gone bad?

She takes a deep breath.

                    ALICE
          I noticed the way you broke the
          shell, but I needed to confirm. Can
          you see how the yolk is soft yet
          whole, with a small cut in the
          lower portion slowly leaking a
          yellow thread at a regular pace?

                    JAMES
          Yes...

                    ALICE
          Don’t you get it?

                    JAMES
          No.

                    ALICE
          When the yolk leaks like that, it
          can only mean two things.

She hesitates.

                    ALICE
          You’re either going to murder me...

                    JAMES
          What you’re talking about?

                    ALICE
          Or you’ll get a Ph.D. in Physics.

                    JAMES
          You’re kidding, right?

                    ALICE
          Nope.

HIS EYES

HER EYES

                    ALICE
          The egg doesn't lie.

He sits by the table.

                    JAMES
          I could just choke you.

She sits near him, smiling. Leads James' hands to her own
neck, and make him hold it.

                    JAMES
          That's easier.

He caress Alice's neck.

                    JAMES
          I never thought about that before,
          but maybe, precisely because I love
          you, precisely because I want you,
          maybe I should exterminate you.

Retracts his hands.

                    JAMES
          Or maybe I don't love you enough.

                    ALICE
          The egg...

                    JAMES
          I know, it doesn't lie. Then why
          are you still here?

                    ALICE
          Makes no difference.

He stands up and looks at the egg on the stove. Cleans his
throat.

                    JAMES
          Honey?

                    ALICE
          Yeah, babe.

He opens a drawer and pauses for a second. Closes.

                    JAMES
          I’m terrible at physics.

James holds a butcher's knife with a confused expression on
his face.

OPERA MUSIC RETURNS

THE END