Virgin

This album is a banger. Very different in character than her earlier work, much more mature and introspective. I enjoyed her earlier music in the "oh, if it's on the streaming mix I will listen to it" but this album is something else.

I connect to most songs first through the lyrics, then through the music, so here's a lyrical sample.

From Hammer, opening song:

There's a heat in the pavement,
my mercury's raising
Don't know if it's love
or if it's ovulation
When you're holding a hammer,
everything looks like a nail

Bonus, two songs from her previous album. Solar Power that I love, though I feel Virgin is stronger as an album.

Stoned at the Nail Salon

Well, my hot blood's been burnin' for so many summers now
It's time to cool it down, wherever that leads
'Cause all the music you loved at sixteen, you'll grow out of
And all the times they will change, it'll all come around
I don't know
Maybe I'm just
Maybe I'm just stoned at the nail salon again

Secrets from a Girl (who's seen it all)

Welcome to sadness
The temperature is unbearable until you face it
Thank you for flying with Strange Airlines
I will be your tour guide today
Your emotional baggage can be picked up at carousel number 2
Please be careful so that it doesn't fall onto someone you love
When we've reached your final destination
I will leave you to it
You'll be fine
I'm just gonna show you in
And you can stay as long as you need
To get familiar with the feeling
And then when you're ready, I'll be outside
And we can go look at the sunrise
By euphoria mixed with existential vertigo?
Cool

https://www.powercomposer.net/

I am not affiliated with this project, I just think it's awesome and deserves more publicity.

Power Composer is a piano-reel-style MIDI editor built in the Godot game engine (though it is a tool, not a game). It's intended to be lighter and more accessible than a DAW, but still quite powerful. The dev has been quietly working on it for a while now and just recently made a free early-access Windows build available!

I've been keeping an eye on it ever since it was featured in the Godot 2024 showreel, as I've wanted something like it for a while. Several years ago, I was playing around with Chrome Music Lab's "Song Maker" so I could use it in my classroom. I ended up having such a great time that I got incredibly sidetracked and spent a while just writing stuff. I know the grid-based sequencer isn't a novel concept, but something about that particular configuration just clicked with me.

Ever since then, I've been searching for something similar but more capable that still clicks in the same way. I tried Bosca Ceoil, LMMS, and a couple DAWs' MIDI editors, but nothing quite did it. Then I saw Power Composer. Now that I can actually try it, it's just as comfortable as I hoped! I'm a classically-trained music teacher and have been writing/arranging with software like Dorico for years, but something about sequencers (and Power Composer in particular) just feels more freeing to me than traditional notation.

It is not open-source nor is it planned to be, which is a bummer because I'd love to contribute, but I get it - being paid for your work is nice. No word on the release price or timeline yet.

The dev seems like a good guy. In addition to the website above, Power Composer has a Youtube channel and a Discord server, and he is actively taking feature requests and bug reports on the latter.

I've been exploring it a bit and I'd be happy to answer any questions people have about it! Really enjoying it so far.

So, yeah, apparently a lot of folks don't know about this website. Didn't want to put it on the link because I wanted to briefly explain: I use duckduckgo and put a !justwatch after any movie or show I want to know on which service it is available.
But basically, go there, search for what you want to watch, and it'll tell you where it's available (if it is), and for how much!

In a landscape of so many quality things to watch, I wanted to take a minute to recommend Code 3, which came out earlier this year. It stars Rainn Wilson, Lil Rel Howery, and Aimee Carrero, among a few other known actors and actresses. It follows Wilson's character, a paramedic working for Los Angeles 911, through a period of a couple of days. The comedy is pretty funny, although I should mention it does have a couple of dark moments as well, in case anyone would rather shy away from that. But I recommend it specifically because, having lived that life, it's the most accurate depiction of life on a 911 truck I've seen from Hollywood. The ups, the downs, the laughs, the tears. I watch a fair amount of things that I feel like weren't worth my time in hindsight, but this is the first movie in a while where I enjoyed the entirety of it. Hopefully some of y'all do as well :)

Trailer (YouTube)

IMDB

TheMovieDB

Rotten Tomatoes

I have decent internet at home.

I have great internet at work.

Despite the speeds of those though, seemingly every website out there feels laggy and heavy. You click, you wait, you get a skeleton of the page, with different elements that rapidly pop in until you're staring at the full site. You see the little loading animation on the tab for one, two, three seconds. It isn't exactly "slow" by any means, but it's far from instantaneous either.

Clicking around the web these days feels like I'm playing a game with unignorable input lag.

And I get it. The modern web is complex. It's genuinely a miracle that this is possible in the first place, so I really shouldn't be complaining that the bits traveling through the internet from dozens of servers thousands of miles away aren't getting here immediately.

I get that high resolution screens require large images, and the ubiquity of video these days adds even more weight. I get that many websites are closer to applications than they are static pages.

I'm not trying to take away from the awesome magic that is our modern miracle of connectivity in the slightest, and I'm appreciative to all the people here who spend their livelihoods working on it. Y'all are awesome.

I'm just trying to say that, well, sometimes moving around on the web can drag. And when you've been using it for a long time, the dragging can get under your skin a little bit.

However, my real point lies not in the rest of the internet, but here. I'm talking about this "heavy web" baseline as a contrast for one of the things I love about Tildes:

it. is. so. snappy.

I click, and BAM, the page is there. Immediately.

It's sharp. It's crisp. It's no-nonsense. No waiting for elements to pop in. No subconsciously watching for the loading animation to stop so that I know I can start to interact with site.

For general design reasons, I've always loved that Tildes is text-only, but more and more I appreciate that aspect simply because Tildes feels good to use because it is so quick and responsive. I don't know how much of that is due to the text-only part of things and how much of it is Deimos being a genius code wizard who made an amazing platform, but I'm happy about it regardless.

This site has got zero input lag.

And that feels great.

Subsync is a program that will sync any subtitle file based on either audio or another subtitle. It is remarkably good at syncing any subtitle you throw at it. I never encountered anything even remotely as good as Subsync for that task.

Unfortunately, the author archived it due to some technical reasons as well as bad interactions with users. I don't believe there is anything as good out there when it comes to syncing broken subtitles. Subsync still works, but I don't know for how long. I am not a programmer. I am posting this as a call for help: if anyone is interested in maintaining this program, I think it would be of great help to a lot of people.

Right now, Subsync is a manual tool with a graphical interface. But I foresee it working in the background with programs like VLC, Plex, or Stremio. That would be awesome.

EDIT

Subsync is automated and language aware. It will sync individual lines using audio or another subtitle as a reference. It won't just shift everything; it will adjust them individually. It is usually not necessary to go through the entire file, but you can do it for badly synced subtitles. Adjusting every single subtitle will take more time, but you can do it.

Merely shifting all the subtitles won't work for older TV shows because of the breaks. Depending on the version (DVD, Blu-Ray, WEB, or recorded directly from TV), the ad breaks will be edited slightly differently, with different delay times before resuming the show. That is enough for the subtitles to lose sync after every act. There is also the issue of frame rate and perhaps other video features, which I believe can also unsync subtitles. I probably have more issues with subtitles than most because I mostly watch older or classic TV content.

(Adapted for clarification from my response below)